"This is a film — and this is kind of going away from this relationship theme — but this is a film that, when I was little, I loved. I mean, I’ve loved it my whole life. I don’t know what that says about me, but I loved Sunset Boulevard. I was a big old-movie fan when I was, you know, older than most people should be when they’re older-movie fans. [Gloria Swanson is] just so spectacular in that film and it sort of formed my idea of that raw, dramatic acting. And the writing… The writing in that movie is unbelievable. So many incredible one-liners. It’s one of those movies that you can watch now and you’re just, like, “Damn, that was a good line,” you know? Like, God, that was some good writing back then. The thing is that movies written that way wouldn’t fit in, really, these days. It would sound strange, like you couldn’t really do it now. But thank God we have them."

"""Great songs. I had it on 8-track in my car. I heard 'Fingertips' first, and I thought ""Shit! Who's playing harmonica on that for a start off?"" So those Motown records were happy records, great for dancing and parties and things. But then it got deeper, more personal, which is why I picked that record. I think people should try things and if you have something to say, something in you, then do it. That can happen in different times of your life, and I think for him, he had that to prove - you know he had done the jolly records, and wanted to get deep. And he did. Favourite song would be 'Blame It On The Sun'. It was different, ""but my heart blames it on me"" - blame it on this, blame it on that, but at the end of that day, my heart blames it on me. I love clever lyrics... and its a simple story but the way he put it together was very clever."

"Jonathan Cott is somebody we all know in our circle to be a quiet genius. Rolling Stone asked him to interview us a few times. This book is a collection of those interviews. Nothing more. Reading it, I thought “Wow, we weren’t bad at all.” Because most writers wanted to sensationalize us, thinking that if they didn’t do that, it might be boring – and nobody would buy the book! So their ‘interviews’ usually came out nothing like what we were like. I have never recommended any books about John and Yoko. But this book made me choke up. I heard John in my ears and felt him in my heart. This is a good book for Lennon fans. And I.. Well, I come out as the second banana (okay, okay!) You will get an inkling of two people in love, sometimes making daring remarks, yet not forgetting to protect each other in the interviews. In fact, this is really the way we were, folks! Have a good read."

"I love all of Stanley Donen’s movies and I wanna put one of them in there. I’ll put Two for the Road, which I love. Audrey Hepburn, Stanley Donen’s movie. Those would be my five. Today. [Laughs] Tomorrow I’m gonna pick Claude Lelouch — And Now My Love. I don’t know if you’ve ever seen that. It is amazing. It’s with an actress named Marthe Keller who made Bobby Deerfield with Al Pacino. And Now My Love is the story of two people who never meet until the end of the movie, and the protagonist is a kid who is a thief and gets sent to jail and learns how to use the camera in jail — and goes from making porno movies to making, you know, great movies, like Truffaut and Godard and Lelouch and the French new Wave. It’s really the best love story, and he’s an unsung hero of cinema, Claude Lelouch. Actually, that would be tied for Two for the Road — that way I get a sixth choice, and I’m greedy. [Laughs] Tie it. That’s a tie."

"I love all of Stanley Donen’s movies and I wanna put one of them in there. I’ll put Two for the Road, which I love. Audrey Hepburn, Stanley Donen’s movie. Those would be my five. Today. [Laughs] Tomorrow I’m gonna pick Claude Lelouch — And Now My Love. I don’t know if you’ve ever seen that. It is amazing. It’s with an actress named Marthe Keller who made Bobby Deerfield with Al Pacino. And Now My Love is the story of two people who never meet until the end of the movie, and the protagonist is a kid who is a thief and gets sent to jail and learns how to use the camera in jail — and goes from making porno movies to making, you know, great movies, like Truffaut and Godard and Lelouch and the French new Wave. It’s really the best love story, and he’s an unsung hero of cinema, Claude Lelouch. Actually, that would be tied for Two for the Road — that way I get a sixth choice, and I’m greedy. [Laughs] Tie it. That’s a tie."

"This is a compilation of Zakir playing different concerts, and it blew my mind when I was 16. Its one of the albums I've listened to 1000 times. It's bizarre that that would be something I'd listen to so many times, because it's so sparse - there's only the tabla and occasionally one other instrument, but never more than two at any one time. I once got to see him play with John McLaughlin, they really opened up my whole understanding of rhythm. I felt like my brain was getting bigger, it felt like I was learning about music. It's probably the most sophisticated rhythm I've heard from any country at any time, but it's not show-offy and designed to impress you technically. It has so much soul, it's such passionate music. Some people can't stand listening to it, but it's one of those albums that I could be in a terrible state but still happy to hear it. It relaxes me. That album really opened me up to listening to Ali Farka Touré, Indian classical musicians and so much more."