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Fantasyland: How America Went Haywire
Fantasyland: How America Went Haywire
Kurt Andersen | 2017 | History & Politics
4
4.0 (1 Ratings)
Book Rating
Why do I have a feeling that the guy who wrote this just went on a rant and decided to put that whole rant into one giant ass book?

Don't get me wrong. This book has a couple of points, especially when he discusses religion and the Salem witch trails. However, when he starts getting into the more modern points of fantasy, either I didn't see it at all, or he was basically really poking fun at what the whole point of fantasy really is.

The title of the book is Fantasyland: How America Went Haywire. If he's going to use the word "Haywire" in a title, he better show pretty clear examples of why America is being flushed down the toilet. Poking fun at people cosplaying, playing video games, and being able to have fun at Disneyland or Disney World is not a point to say why America seems to be failing as a society. In fact, I can make a counterargument by saying that flights of fantasy in those contexts are actually forming the culture, not destroying it. Because of the evolution of entertainment (such as film, video games, etc.), it's easier to envision fantasy stories come to life. Before that, we had books, and no one was poking fun at books throughout this entire giant essay. Not only is that missing the forest for the trees, but it makes the argument of people being shown too much fantasy through visual mass media is a very shallow take on the topic of fantasy.

Also, the premise of the book talks about how people are arguing that Trump is ruining America because of his bullshit (and they're not wrong). I expected the book to discuss politics more in depth as a way to add onto the fantasyland argument. The book doesn't even do that, not even at the end when it "comes full circle" back to the Trump argument. If anything, the book kinda let it slide that it was for Trump and his radical ideas rather than finding flaws in them as people would expect. Look, if the book ended up explaining why Trump was trying to escape the Fantasyland argument, I'm all for reading that to make my own points. However, by just simply saying that Trump is being more realistic without any real reason, that also makes this essay a shallow writing. People want to read on why Trump has realistic views or not. If the point of this essay is talking about how fantastic ideas are plaguing a great nation, why not add that into the mix?

This essay was a real hit and miss for me. For something that's as thick as War and Peace, I expected this essay to have as juicy material as War and Peace, but it doesn't. It's just a 500 year rant on how "stupid" society can be, and that lost me as I finished the book.
  
Bonfire
Bonfire
Krysten Ritter | 2017 | Crime, Mystery
8
6.9 (11 Ratings)
Book Rating
This was first posted on <I><a href="http://theghastlygrimoire.com"; target="new">The Ghastly Grimoire</a></I>.

After completing this book, I think it’s safe to say that my reading slump has finally come to an end. I devoured Krysten Ritter’s debut novel, Bonfire, with a hunger I haven’t felt in months. If you take into account that I’m from a small town of a whopping fifteen hundred people, it’s easier to realize how much I am able to relate to the main character of this book, Abigail Williams. That, and Ritter hits on some nostalgia too, because in a way, Bonfire reads like Erin Brokovich meets Sweet Home Alabama, with distinctly darker notes.

Character development plays a vital role in how a book turns out. If your cast is too flat, it makes the book a total bore. On the other hand, if you’ve got characters that are dynamic and, in the case of several individuals in Bonfire, two-faced, the book is far more likely to entertain. In this area, Ritter has excelled at creating that small-town feel with many of the types of people those living in small towns meet. Let’s face it, even with Abigail moving to Chicago, there’s always those people who get out. Sometimes they come back, sometimes they’re gone for good. (In my case, I chose to come back.)

Plotwise, Ritter keeps the ball rolling. I didn’t feel like the story was dragging at any point. In fact, it’s the way that the story continues to unfold that kept me up until three this morning finishing it. Bonfire plays host to a story within a story, taking the corrupt corporations one step beyond contamination and into a far deeper, far worse crime. Just when things appear over, an entirely new turn keeps the story going. I won’t lie: I nearly bawled last night while I finished reading it.

There is only one aspect of this book that truly miffed me, and it sorta deals with the romance aspect. As many of my readers know, I abhor romance plots. Especially those that seem forced, rather than natural. That said, I really don’t want to divulge any spoilers, but I will say this: for being such a strong, independent character, there are some actions that Abigail Williams takes in this book that simply aren’t natural. They feel incredibly forced and out of character, and I can’t help but think it’s there more as a cop-out for the final twist in the story than going about it in some other clever manner.

That said, after finishing Bonfire, I feel it is safe to say that this debut novel is worth reading. Initially, I nearly forgot I had it until I saw it was one of the options for this month’s Book of the Month Club. Considering I’m very particular, I almost chose it before realizing I already had it technically. So if you’re wanting to pick it up cheap, there you go. (I’m actually still debating grabbing it through Book of the Month Club myself, because hey! I loved it.)

I would like to thank Penguin’s First to Read program for providing me with a copy of this book for the purpose of unbiased review.
  
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Hazel (1853 KP) rated Salt to the Sea in Books

Dec 17, 2018  
Salt to the Sea
Salt to the Sea
Ruta Sepetys | 2016 | Fiction & Poetry, History & Politics, Young Adult (YA)
8
8.8 (12 Ratings)
Book Rating
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review

“We survivors are not the true witnesses. The true witnesses, those in possession of the unspeakable truth, are the drowned, the dead, the disappeared.” </i>– Primo Levi

World War Two has got to be the most well known and talked about period of history. Despite it not even being a century ago, it is already taught in schools around the globe. However a lot of events are omitted from our history books. A lot of people, including those alive at the time, have no idea of some of the situations Europeans found themselves in. Ruta Sepetys, despite having only previously written two novels, has become known for her stories about the lesser-known aspects of the Second World War. Her third book, <i>Salt to the Sea</i>, is no different.

In 1945 things were not looking great for the people living in Germany. Their greatest concern was the invading Russian army, resulting in thousands of Germans evacuating their hometowns. Four characters in their late teens/early twenties narrate <i>Salt to the Sea</i>: Joana, Florian, Emilia and Alfred. Their varied nationalities – Lithuanian, Prussian, Polish and German – help provide a range of opinions about the war, but regardless of who they believe to be the enemy, whether it be German or Russian or both, they are all figuratively in the same boat.

Joana, Emilia and Florian meet each other amongst a group of refugees trekking to freedom. A lot of trust is involved especially as no one is willing to reveal his or her true story. It is clear that each character is hiding something personal, something to do with the war, yet they all rely on and help each other to continue on their journey.

Naturally, being a war story there is masses of death and destruction. Set in January, the weather conditions are just as dangerous as the Russian soldiers. It is the end of the novel that contains the most shocking of events: a sinking of a ship that kills 9000 passengers. The most severe maritime disaster ever, yet it is doubtful that readers already know about it.

Despite being a work of fiction, Sepetys sticks to the facts in her heavily researched novel. She shocks the reader with the severity of the situation, and may even bring some to tears with the outcome. She has not sugar coated anything. Some storytellers save the innocents from harm, but this was not the case in <i>Salt to the Sea</i>. In war, no one can choose who lives and who dies. Millions of innocent people perish.

The short chapters keep the story flowing quickly. It is shocking, gripping and engaging. There is a brief notion of romance but this is not focused on and thus does not detract from the factual storyline. There was a hinted connection between characters in this novel and those in <i>Between Shades of Grey </i>– one of Sepetys’ earlier novels, however this is not a sequel or part of a series.

With the help of maps showing the difference between Europe now and Europe in 1945,<i> Salt to the Sea</i> is highly educational. Although aimed at young adults it is suitable for older generations as well. Whilst containing shocking content, you are certain to fall in love with Sepetys’ writing.
  
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Natasha Khan recommended Berlin by Lou Reed in Music (curated)

 
Berlin by Lou Reed
Berlin by Lou Reed
1973 | Rock
7.7 (3 Ratings)
Album Favorite

"Berlin, for me, is one of the most complete albums. It incorporates and encapsulates everything I love about albums and music, which for me is it being like a film that plays out in your mind. There's a sort of cinematic aspect to the whole thing. It's storytelling in its darkest and most beautiful form, it takes you through a relationship from the beginning to the end and you get invested in characters and people that are inhabiting the scenery that Lou Reed's talking about. You feel pain, in the end, when it's: "They're taking her children away / Because they said she was not a good mother". Those lyrics, and "this is the place our children were conceived / Candles lit the room brightly at night" and "this is the place where she cut her wrists / That odd and fateful night". It's just like, fuck me, who actually talks about that stuff any more? Who's brave enough to believe in the album as a whole? Because you take out any of those songs, and they're fantastic songs, but the whole point is it's a novel, and you have to invest in listening to the lyrics and absorbing the atmosphere and going with it the whole way through to really get that fucking hit at the end, where you're just devastated. The full entity, that's the album I wish I'd made. My boyfriend for seven years, when I was 18 to 25, was obsessed with Lou Reed and we saw him loads of times. He probably played it to me quite early on, maybe when I was 19 or 20, but I think I actually got obsessed with it on my own around 23, and just listened to it over and over again. And then luckily, it got brought back live and he toured it with the full children's choir and bloody string section in his band. It was such a treat to see that. In 'The Kids', they put all the samples of the children going "mummy!" and crying and banging on the door. Apparently they actually locked someone's kids in a room and recorded them, sobbing away. [laughs] Absolute bastard, you know, but what have you got to do for the arts? That really struck me at the time, thinking how much I love film and whenever I write music, I see it, in characters and colours and locations and places, and it's like they had, like lots of other people I suppose. There are so many songs by him that I love, but I wouldn't say there are any albums by him that I love the whole way through as much as this one. Obviously there's 'Satellite Of Love' and 'Perfect Day' and 'Walk On The Wild Side', which I think are fantastic pop songs because they've got grit - when I think about great songs that have darkness and grit and integrity, I think of Lou Reed and Kurt Cobain, and those are my two men that I reference. When I was writing 'Laura', I was like "okay, Lou", can I summon the spirit of Lou? Just to be able to talk brutally and honestly about a thing, but within a context of a song that people will remember. It's just in my DNA now, always with me, it's just part of me."

Source
  
St. Vincent (2014)
St. Vincent (2014)
2014 | Comedy
9
7.8 (10 Ratings)
Movie Rating
Another Murray Classic
When a single mother moves into a new neighborhood and gets overwhelmed with her taxing job, she relies on her crude, foul-mouthed neighbor Vincent (Bill Murray) to watch over her kid while she's gone.

Acting: 10

Beginning: 6

Characters: 10

Cinematography/Visuals: 7

Conflict: 9
Vincent basically creates conflict everywhere he goes. Between his actions, decisions, and mouth, something is always getting him into trouble with those around him. It's hard to watch at times, funny during other times. His life is crumbling, but he brings most of it on himself. Throw in Maggie's (Melissa McCarthy) custody battle for her son and the film gives you more than enough conflict to drive the story.

Genre: 9
St. Vincent hails itself as a comedy. It's certainly going to make you laugh, but it succeeds in how dark and truthful it can be at times. I love that the film never cuts corners with Vincent's character. His life is cringeworthy and sad, yet the audience is still given avenues to laughter.

Memorability: 8
Once again, Murray manages to make a film memorable with his character alone. He doesn't care about the people he hurts or at least that's what he would have you believe. His destructive attitude oftentimes results in a finished product that will either make you shake your head or bust out laughing. I enjoyed watching the relationship develop between him and Oliver (Jaeden Lieberher). They were made for each other yet neither one of them realize it at first. The film as a whole makes you contemplate what constitutes being a good person versus a bad person.

Pace: 10

Plot: 10
Even as Vincent's life tailspins out of control, he manages to touch the lives of those around them in ways they never imagined. He is a ball of chaos, but in the heart of that chaos, the plot shows the semblance of a good man. Again, it's ugly but real at the same time. And that's what makes it beautiful.

Resolution: 10

Overall: 89
If nothing else, St. Vincent shows us that sometimes the funniest things are those mired in reality. Another Murray classic.
  
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ClareR (5950 KP) rated My Name is Why in Books

Oct 29, 2019  
My Name is Why
My Name is Why
Lemn Sissay | 2019 | Biography
If you can read this book and NOT get angry whilst doing so, then you’re a better person than me. My Name is Why is Lemn Sissay’s true story of his life in the English Care system. His Ethiopian mother handed her son into the care of Social Services whilst she finished her nursing course, only to have him permanently taken away and put in to long term foster care. She wrote letters begging for his return from after his birth, all to no avail. This was the start of a catalogue of failures for Lemn. The way his foster parents treated him after they basically abandoned him at the age of 12, putting him in to the care system and a series of unsuitable group homes, frustrated me to the point of tears. What was most upsetting was the complete lack of emotional support. He wasn’t treated as a child, a child who needed affection and emotional support, but as a problem to be solved. It seemed to me that his childhood was just a countdown until social services could get rid of him from off their books.

I’m so glad that Lemn wrote this book, because I’m sure that it speaks for all those children and adults who experienced life in care. And I hope that the right people read this: those who take care of all of those children. I’m full of admiration for Lemn Sissay and all of the work that he does: his poetry, his broadcasting, and the work that he does for care leavers at his Christmas dinners. I will have been to watch Lemn three times: heard him read his poetry, his one man play, and the third time will be when I see him talk about this book at my local library/ theatre/ cinema (Storyhouse in Chester, UK). And to be quite honest, he always inspires me whenever I see him. This is an inspirational book too - against the odds, Lemn has made something (quite a big something actually) of his life.
This is a wonderful book that I’d recommend all human beings to read.
  
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HT
How to Draw Anything
8
8.0 (1 Ratings)
Book Rating
Author/artist Mark Linley believes that anyone can learn to draw and inspires everyone to pick up a pencil and create a work of art. Unlike many ‘how to draw’ books – those that provide step by step visual aids but no further insight – Linley goes into a lot more written detail.

First of all an artist needs to be able to look properly. Without studying the subject or object properly, no one would be able to produce an accurate sketch. Starting with landscapes, Linley tells the reader how to and what to look for when beginning a drawing in order to get a basic outline. It is only after this is down on paper that specific details can be added.

Linley explains various methods of shading and line marks to give a suggestion of perspective, and emphasises that an illustration does not need to be 100% accurate – that is what cameras are for. After landscapes, Linley takes the reader/future artist through plants, animals, people and cartoons in a similar manner.

Each chapter provides the reader with a few assignments to undertake based on what they have read, or the example illustrations. Many of these tasks are to copy Linley’s own examples, however he stresses that the outcome does not need to – or rather should not – look exactly like his. Each artist needs to develop their own style.

I found <i>How To Draw Anything</i> a lot more useful than the ever popular step-by-step guides that most people gravitate to. In those types of books we are NOT taught to draw, we are taught to copy. You may be able to accurately draw the same cat as the artist/author of the book, but you would not know where to start when face with a real life cat. Linley tells us what to look out for and where to start in these situations – you feel like you are actually learning something.

Mark Linley comes across as a humorous individual – his writing is full of puns and quips, intending to make the reader smile or laugh out loud, thus making them feel more relaxed about the subject. Linley does not only attempt to teach people how to draw, he tries to make each of us feel more comfortable about our abilities and encourages us to keep on trying.

Before reading this book I had already begun developing my own illustration style, however I gave a few of Linley’s assignments a try (see <a href="https://hazelstainer.wordpress.com/2016/02/19/how-to-draw-anything-a-review/">here</a>;). I am pleased with my outcomes and feel inspired to try more landscape drawings in the future.