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Benedick Lewis (3001 KP) rated Once Upon a Time in Hollywood (2019) in Movies
Aug 16, 2019
Brilliant acting (2 more)
Multiple examples of excellent camera techniques, homaging a lot from that era
Superb direction
Rushed third act (1 more)
Could be too long for some people
A film for people who like to go to the cinema
Once upon a time in Hollywood is not QT’s best film but certainly not the worst. That award goes to Death Proof. It was a difficult film to market because when I got wind of his new film, it was advertised as revolving around the Sharon Tate murders/Charles “Charlie” Bronson but this film is so much more than that. The whole story meanders around like the roads around Cielo Drive, almost to the point of not really going anywhere and really just to enjoy the characters in this fictionalised retelling of that period.
It is quite astonishing that there are still people out there who would think this is a faithful interpretation of what happened and more so that QT has to publicly say ‘this is a story of fiction’ but I am no expert on the case, even though over the years I have dabbled into it through various books and news reports.
The main thing to get across is to go in with no expectations other than QT inevitably will put his spin on things and that, really, is what will draw audiences to this film. There’s always a bit to latch onto with QT films whether it be a character or the world he has created for those characters to live in or a reference to another film or, indeed, something else. It is what makes QT so appealing. He tells stories the way he wants to tell them. That said, the third act (which actually deals with the murders), although fun and frenetic, feels a little rushed and could possibly shows signs of studio meddling with what QT wanted to focus on. That’s the main criticism of this film but the rest of it will have film academics in years to come pick apart individual sequences and dissecting them into pointless philosophical notions and semantical (is that a word?) studies that are completely off point for a long time. Do I want to bore you with how clever QT is by being able to subtly put across to the viewer through camera techniques and direction his influences of 1950s and 60s television and cinema? No, if you’re a cinema fan you’ll get those references and more on repeat viewings. If you’re not a cinema fan, then it establishes enough world for you to warrant the hyperbole ‘fantastic escapism’. The point is you’re going to enjoy this film if you enjoy going to the cinema. Well, most of you. Some may spite that statement and say Legally Blonde is where it is at. Well, if that’s your stance, go rewatch Legally Blonde as the people who came to the cinema to actually enjoy this film have no time for that viewpoint.
See this if you love QT films. He throws in a lot of references to his body of work to make you nod to fellow audience members and silently say ‘I got that reference’. If you’re not a QT fan but a lover of cinema, especially American cinema, you’ll get more than just a kick out of it. There’s even something for the casual viewer if you’re willing to invest your time in it.
Gareth von Kallenbach (977 KP) rated Equity (2016) in Movies
Jul 15, 2019
Today’s movie for your consideration is from the same selection of films you’d find ‘The Boiler Room’ with only this one is far more ‘reality based’. A financial thriller depicting the cutthroat and take-no-prisoners world of investment banking and Wall Street. ‘Equity’ is directed by Meera Menon and written by Sarah Megan Thomas, Alysia Renier, and Amy Fox. The film centers on investment banker, Naomi Bishop who is attempting to put together one of the biggest deals in her life and Wall Street history after her first ‘failure’, while combating rivals in and outside her own company, across gender lines, and a federal investigation focusing on someone she knows intimately … Or so she thinks.
‘Equity’ appeared in competition at the 2016 Sundance Film Festival and stars Anna Gunn, Sarah Megan Thomas, Alysia Renier, James Purefoy, Sophie Von Haselburg, Margret Colin, Lee Tergesen, and Craig Bierko.
Investment banker Naomi Bishop (Anna Gunn) was one of the most successful investment bankers on Wall Street. She was unstoppable. Until she lost her first deal. Well into her career, she is striving to keep her reputation intact as a ‘rain maker’. The one in her company that secures the deal every time and brings record profits for her company in the process. In jeopardy of missing out on a promotion, she pours all her effort into her latest deal and in the process passes over her assistant Erin Manning (Sarah Megan Thomas) for a promotion. An eager young woman with a new husband and a baby on the way, Erin also strives to break through the ‘gender lines’ that still exist and make her on mark on Wall Street. At the same time Samantha (Alysia Reiner), an investigator who has recently made the jump from investigating federal drug cases to white collar crime, is looking into the activities of investment banker Micheal Connor (James Purefoy). Who may or may not be with the same firm as Naomi Bishop and also Naomi’s significant other . Bishop soon discovers the tangled web centering on this latest deal and soon realizes that not only might she have been betrayed, but it might have been from more than one of the people she ‘almost trusts’.
I found this film to be very much an example of the chaos in the world of finance as well as the personal lives that people in this field may or may not have and the dangers posed when you become friends or close to others in said field. A great deal, no pun intended, hinges on this world. The ‘average person’s’ future can be decided here and they have absolutely no control over it and all the while you have these folks bickering amongst themselves and scrambling for every dollar. Sometimes breaking the law in the process and sometimes with no regard as to whether it affects those closest to them. It is indeed chaos in a purer form with no ‘happy ending’ and no ‘bad ending’. It’s a multi-billion dollar game of musical chairs with chairs and people being removed.
The film is ‘realistic’. As far as what we, outside that world, see it as. It’s all a numbers game with the potential for great profit or great lose to them. Your friends and those you trust will turn on you like that. They care about the money and the next big deal. People just fall by the waist side. It’s a rather refreshing take on ‘greed and ambition’. I give this film 4 out of 5 stars.
‘Equity’ appeared in competition at the 2016 Sundance Film Festival and stars Anna Gunn, Sarah Megan Thomas, Alysia Renier, James Purefoy, Sophie Von Haselburg, Margret Colin, Lee Tergesen, and Craig Bierko.
Investment banker Naomi Bishop (Anna Gunn) was one of the most successful investment bankers on Wall Street. She was unstoppable. Until she lost her first deal. Well into her career, she is striving to keep her reputation intact as a ‘rain maker’. The one in her company that secures the deal every time and brings record profits for her company in the process. In jeopardy of missing out on a promotion, she pours all her effort into her latest deal and in the process passes over her assistant Erin Manning (Sarah Megan Thomas) for a promotion. An eager young woman with a new husband and a baby on the way, Erin also strives to break through the ‘gender lines’ that still exist and make her on mark on Wall Street. At the same time Samantha (Alysia Reiner), an investigator who has recently made the jump from investigating federal drug cases to white collar crime, is looking into the activities of investment banker Micheal Connor (James Purefoy). Who may or may not be with the same firm as Naomi Bishop and also Naomi’s significant other . Bishop soon discovers the tangled web centering on this latest deal and soon realizes that not only might she have been betrayed, but it might have been from more than one of the people she ‘almost trusts’.
I found this film to be very much an example of the chaos in the world of finance as well as the personal lives that people in this field may or may not have and the dangers posed when you become friends or close to others in said field. A great deal, no pun intended, hinges on this world. The ‘average person’s’ future can be decided here and they have absolutely no control over it and all the while you have these folks bickering amongst themselves and scrambling for every dollar. Sometimes breaking the law in the process and sometimes with no regard as to whether it affects those closest to them. It is indeed chaos in a purer form with no ‘happy ending’ and no ‘bad ending’. It’s a multi-billion dollar game of musical chairs with chairs and people being removed.
The film is ‘realistic’. As far as what we, outside that world, see it as. It’s all a numbers game with the potential for great profit or great lose to them. Your friends and those you trust will turn on you like that. They care about the money and the next big deal. People just fall by the waist side. It’s a rather refreshing take on ‘greed and ambition’. I give this film 4 out of 5 stars.
Hazel (1853 KP) rated Videodrome: Days of O'Blivion in Books
Dec 17, 2018
<i>I received this book from the author in exchange for an honest review</i>
Written as a prequel to David Cronenberg’s horror film, Lee McGeorge explores the potential scenario that led up to the surrealist events in <i>Videodrome</i>. This short story is more science fiction than horror in nature as it only builds up the background and setting to the point in which the film begins.
<i>Days of O’Blivion</i>, as well as the original film, is set during the cold war between the US and USSR. It is a period of time threatened with atomic weapons of mass destruction, and the competition to create the most superior technology. In this particular scenario, two men: Professor Brian Olivier and his friend Barry have been experimenting with special television technology resulting in interesting outcomes. Their product, which they name <i>Veraceo</i> –a compound of Veracity and Video –, has the ability to make everyone believe what they are seeing on screen to be true. This could be a big boon to advertising establishments, however cause dire consequences if found in the wrong hands, i.e. communists.
Readers, including those unfamiliar with the film, should be able to ascertain several problems this technological advancement could pose, making it all the more foreboding when an unknown but powerful company pays out thousands of dollars to become partners with Brian and Barry. What makes it all the more ominous is Brian’s hesitancy in accepting the offer in contrast with Barry’s excitement. As the technology is adapted further it becomes clear that they are dealing with very dangerous concepts and people – hallucinations being only the smallest of side affects.
Although Lee McGeorge is using an already existing story, he makes this prequel his own by exploring the hows and whys <i>Veraceo</i> came to be developed. His narrative is accurate in terms of the way it builds up to coincide with the film script without damaging or giving new meaning to Cronenberg’s original storyline.
Although not horror as in scary, <i>Days of O’Blivion</i> contains many horrific scenes. Most of these are pornographic in nature and rather disturbing, particularly more so as the story progresses – something that lessened the general enjoyment of the book. The overall nature of the book (and film, probably) may appeal more towards a male market, particularly those with a less delicate temperament.
As with his previous books, which also incorporate pre-existing ideas, Lee McGeorge writes well in a way that engages the reader and even interests those without prior knowledge of the subject. There is also additional digital content alongside this book. Those lucky enough to own a paper back copy will be able to access these using an NFC enabled device.
Written as a prequel to David Cronenberg’s horror film, Lee McGeorge explores the potential scenario that led up to the surrealist events in <i>Videodrome</i>. This short story is more science fiction than horror in nature as it only builds up the background and setting to the point in which the film begins.
<i>Days of O’Blivion</i>, as well as the original film, is set during the cold war between the US and USSR. It is a period of time threatened with atomic weapons of mass destruction, and the competition to create the most superior technology. In this particular scenario, two men: Professor Brian Olivier and his friend Barry have been experimenting with special television technology resulting in interesting outcomes. Their product, which they name <i>Veraceo</i> –a compound of Veracity and Video –, has the ability to make everyone believe what they are seeing on screen to be true. This could be a big boon to advertising establishments, however cause dire consequences if found in the wrong hands, i.e. communists.
Readers, including those unfamiliar with the film, should be able to ascertain several problems this technological advancement could pose, making it all the more foreboding when an unknown but powerful company pays out thousands of dollars to become partners with Brian and Barry. What makes it all the more ominous is Brian’s hesitancy in accepting the offer in contrast with Barry’s excitement. As the technology is adapted further it becomes clear that they are dealing with very dangerous concepts and people – hallucinations being only the smallest of side affects.
Although Lee McGeorge is using an already existing story, he makes this prequel his own by exploring the hows and whys <i>Veraceo</i> came to be developed. His narrative is accurate in terms of the way it builds up to coincide with the film script without damaging or giving new meaning to Cronenberg’s original storyline.
Although not horror as in scary, <i>Days of O’Blivion</i> contains many horrific scenes. Most of these are pornographic in nature and rather disturbing, particularly more so as the story progresses – something that lessened the general enjoyment of the book. The overall nature of the book (and film, probably) may appeal more towards a male market, particularly those with a less delicate temperament.
As with his previous books, which also incorporate pre-existing ideas, Lee McGeorge writes well in a way that engages the reader and even interests those without prior knowledge of the subject. There is also additional digital content alongside this book. Those lucky enough to own a paper back copy will be able to access these using an NFC enabled device.
Goddess in the Stacks (553 KP) rated Crimson Bound in Books
Apr 30, 2018
Well, Rosamund Hodge has done it again. I think this one was actually better than Cruel Beauty, and about on par with Bright Smoke, Cold Fire. Crimson Bound is billed as Cruel Beauty #2, but it doesn't actually seem to take place in the same world. They're only connected in that they're both dark fantasy retellings of fairy tales. Crimson Bound is loosely (VERY loosely!) based on Little Red Riding Hood. It's amazing.
In Rachelle's world, The Forest is the dominating theme - it encroaches on villages and towns, sending "woodspawn" to attack people, and Forestborn to turn more humans into bloodbound and ultimately Forestborn. Humans are sheep to The Forest; prey to the Forestborn. Once a Forestborn has marked a human, they have three days to kill someone or they will die. If they kill someone, they become bloodbound - an intermediary step before they become completely Forestborn. Bloodbound have increased strength, resilience, and fighting skills, so the King has extended an offer to Bloodbound - even though they are known murderers, since they had to have killed someone to gain their powers - he will grant them clemency in exchange for their service to the realm. Guard the people from the woodspawn, the mindless monsters the Forest sends to attack people, and he'll let you live.
So Rachelle is a Bloodbound, bound to the King. Unlike most, though, she still believes in some of the old pagan stories about The Forest and the Devourer - the ancient evil driving the Forest's predatory ways. The book is about her quest to stop it from coming through into their world and destroying everything. There are twists and reveals that I cannot mention here, but it is an AMAZING piece of world-building and myth and I LOVED IT.
I also discovered she has several short stories post on her website so I'll be binge-reading those for a while!
This book - and anything by Rosamund Hodge - is pure magic. If you like dark fairy tales, you can't do better than this.
You can find all my reviews at http://goddessinthestacks.wordpress.com
In Rachelle's world, The Forest is the dominating theme - it encroaches on villages and towns, sending "woodspawn" to attack people, and Forestborn to turn more humans into bloodbound and ultimately Forestborn. Humans are sheep to The Forest; prey to the Forestborn. Once a Forestborn has marked a human, they have three days to kill someone or they will die. If they kill someone, they become bloodbound - an intermediary step before they become completely Forestborn. Bloodbound have increased strength, resilience, and fighting skills, so the King has extended an offer to Bloodbound - even though they are known murderers, since they had to have killed someone to gain their powers - he will grant them clemency in exchange for their service to the realm. Guard the people from the woodspawn, the mindless monsters the Forest sends to attack people, and he'll let you live.
So Rachelle is a Bloodbound, bound to the King. Unlike most, though, she still believes in some of the old pagan stories about The Forest and the Devourer - the ancient evil driving the Forest's predatory ways. The book is about her quest to stop it from coming through into their world and destroying everything. There are twists and reveals that I cannot mention here, but it is an AMAZING piece of world-building and myth and I LOVED IT.
I also discovered she has several short stories post on her website so I'll be binge-reading those for a while!
This book - and anything by Rosamund Hodge - is pure magic. If you like dark fairy tales, you can't do better than this.
You can find all my reviews at http://goddessinthestacks.wordpress.com
Cyn Armistead (14 KP) rated Ready Player One in Books
Mar 1, 2018
Add this book to the short list of must-reads for every True Geek, right alongside [b:Snow Crash|830|Snow Crash|Neal Stephenson|http://photo.goodreads.com/books/1320544000s/830.jpg|493634]. It's a gleeful homage to geekdom and pop culture.
Wade explains to the reader that he was born after humanity wore the world out and escaped to OASIS, a massive simulation that has replaced the internet and all other forms of entertainment. Nobody seems to spend time in reality any more, because it sucks. There are multiple wars going on over the few energy sources that are left. Poverty, hunger, and homelessness are rampant everywhere.
Most people who are fortunate enough to live indoors at all are like Wade, who lives with his aunt and her latest boyfriend in a three-bedroom doublewide trailer shared with 17 people. The trailer is at least near the top of a stack, which is just what it sounds like: a stack of trailers 10 or so high, so many across and wide, so that 500 or more trailers are held together with rusted scaffolding, chains, and whatever other reinforcements people have added over the years. Stack collapses are common.
Wade spends most of his time in his hideout, the back of an old van that's parked in a junkyard and crammed in a stack of vehicles. That's where he keeps his computer and other equipment, so he can attend school (in OASIS, of course) and spend time research The Contest, which is the center of his life.
The creater of OASIS, James Halliday, created The Contest in his will. Whoever wins it will inherit Halliday's vast fortune and control of OASIS. At the opening of the novel, it has been five years since Halliday died and contestants are ridiculed in everyday society as obsessive losers.
Wade's quest through The Contest and his fight to simply survive is far more interesting than I thought it would be. I'll also admit to being entertained by the 80s trivia that pops up throughout the book (integral to The Contest). I'm biased, as I was a teen during those years.
I wholeheartedly recommend this book. It's one of the very few that I'll be saving to re-read in the future.
Wade explains to the reader that he was born after humanity wore the world out and escaped to OASIS, a massive simulation that has replaced the internet and all other forms of entertainment. Nobody seems to spend time in reality any more, because it sucks. There are multiple wars going on over the few energy sources that are left. Poverty, hunger, and homelessness are rampant everywhere.
Most people who are fortunate enough to live indoors at all are like Wade, who lives with his aunt and her latest boyfriend in a three-bedroom doublewide trailer shared with 17 people. The trailer is at least near the top of a stack, which is just what it sounds like: a stack of trailers 10 or so high, so many across and wide, so that 500 or more trailers are held together with rusted scaffolding, chains, and whatever other reinforcements people have added over the years. Stack collapses are common.
Wade spends most of his time in his hideout, the back of an old van that's parked in a junkyard and crammed in a stack of vehicles. That's where he keeps his computer and other equipment, so he can attend school (in OASIS, of course) and spend time research The Contest, which is the center of his life.
The creater of OASIS, James Halliday, created The Contest in his will. Whoever wins it will inherit Halliday's vast fortune and control of OASIS. At the opening of the novel, it has been five years since Halliday died and contestants are ridiculed in everyday society as obsessive losers.
Wade's quest through The Contest and his fight to simply survive is far more interesting than I thought it would be. I'll also admit to being entertained by the 80s trivia that pops up throughout the book (integral to The Contest). I'm biased, as I was a teen during those years.
I wholeheartedly recommend this book. It's one of the very few that I'll be saving to re-read in the future.
Gareth von Kallenbach (977 KP) rated Aquaman (2018) in Movies
Jun 19, 2019
In a tale as vast and epic as the Oceans that frames the story: “Aquaman” has arrived in a flurry of action and adventure.
The film tells the origin of Arthur Curry (Jason Momoa), who is half mortal and half Atlantean, thanks to his human father rescuing his mother, an Atlantean royal, and falling in love.
The love between his parents is forbidden under the customs of the people of Atlantis and in time his mother is forced to return to Atlantis, leaving Arthur to be raised by his human father.
When his power-hungry half-brother Orm (Patrick Wilson), plots to wage war on the surface world, Princess Mera (Amber Heard), attempts to convince Arthur to make his first trip to Atlantis to challenge Orm for the throne and become king. Naturally a lifetime of resentment toward the people who divided his parents has made Arthur unwilling to help, especially when the key to victory requires locating and retrieving an artfact that will bring peace to
his people and those of the surface world.
With an army of Atlantean soldiers pursuing him as well as the evil Black Manta set on revenge, Arthur faces an uphill battle as he races against time and his own conflicted emotions to save the day.
Director James Wan has done an amazing job of giving audiences a lavish and action-filled experience that never loses the characters as the main
focus of the story. He cleverly blends the lore of Aquaman with a modern
twist yet stays true to the character. Jason Momoa has an intriguing presence, giving the character more depth than expected. The supporting cast is solid and the film rarely loses pacing or fails to keep you fascinated throughout.
Warner has had some issues with recent adaptations of DC characters but, like Wonder Woman, “Aquaman” delivers on action and storytelling. The film also contains a strong message about ecology without being preachy. This is one of the more entertaining films of the year and should make fans of the character happy. I look forward to seeing what adventure comes next for Aquaman.
http://sknr.net/2018/12/18/aquaman/
The film tells the origin of Arthur Curry (Jason Momoa), who is half mortal and half Atlantean, thanks to his human father rescuing his mother, an Atlantean royal, and falling in love.
The love between his parents is forbidden under the customs of the people of Atlantis and in time his mother is forced to return to Atlantis, leaving Arthur to be raised by his human father.
When his power-hungry half-brother Orm (Patrick Wilson), plots to wage war on the surface world, Princess Mera (Amber Heard), attempts to convince Arthur to make his first trip to Atlantis to challenge Orm for the throne and become king. Naturally a lifetime of resentment toward the people who divided his parents has made Arthur unwilling to help, especially when the key to victory requires locating and retrieving an artfact that will bring peace to
his people and those of the surface world.
With an army of Atlantean soldiers pursuing him as well as the evil Black Manta set on revenge, Arthur faces an uphill battle as he races against time and his own conflicted emotions to save the day.
Director James Wan has done an amazing job of giving audiences a lavish and action-filled experience that never loses the characters as the main
focus of the story. He cleverly blends the lore of Aquaman with a modern
twist yet stays true to the character. Jason Momoa has an intriguing presence, giving the character more depth than expected. The supporting cast is solid and the film rarely loses pacing or fails to keep you fascinated throughout.
Warner has had some issues with recent adaptations of DC characters but, like Wonder Woman, “Aquaman” delivers on action and storytelling. The film also contains a strong message about ecology without being preachy. This is one of the more entertaining films of the year and should make fans of the character happy. I look forward to seeing what adventure comes next for Aquaman.
http://sknr.net/2018/12/18/aquaman/
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