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Thirteen Reasons Why
Thirteen Reasons Why
Jay Asher | 2009 | Children
8
8.4 (49 Ratings)
Book Rating
The concept (0 more)
The inaccurate portrayal of depression (0 more)
Trigger Warning
This eBook was provided by the publisher via NetGalley in exchange for an honest review

Recently filmed as a thirteen-part Netflix drama executively produced by Selena Gomez, Thirteen Reasons Why was the first novel by the award-winning author, Jay Asher. It is the type of book readers will either love or hate, but it should definitely come with a warning. This story is NOT an accurate representation of depression and suicide.

Yes, suicide. A teenaged girl has committed suicide, shocking everyone who knew her. No one could understand why, but thirteen people are going to find out. Clay Jensen is the ninth person to receive a box of thirteen audiotapes from Hannah Baker. However, Hannah died two weeks ago. As she premeditated taking her life, Hannah recorded thirteen stories involving people from her school that caused her to snowball into deep depression and despair. Desperate to find out why his name features in Hannah’s story, Clay begins listening to the tapes in order, putting together the events that led to Hannah’s death.

What follows is a heart-breaking story showing the impact individuals have on other people’s lives, often without realising it. In some cases, the characters only played a minor role in Hannah’s life, whereas others caused significant damage. The saddest thing is, Clay could have helped Hannah, but she had pushed him away.

At times, Hannah seemed like the horrible person, calling all these people out on petty little things, but these things, along with the more horrible ones, all built up to create a life that did not feel worth living. It is eye opening how much a small action, comment or rumour can so drastically alter someone’s future.

Bearing in mind that depression affects everyone differently and has numerous causes, some readers may feel disgusted at Hannah’s extreme action, but this is the fault of the author. Jay Asher fails to completely describe the emotional torment that Hannah felt, and only someone who may have been through a similar situation, or worse, will fully be able to understand the impact everything has had on her mental health.

As Hannah beleaguers her listeners, the thirteen people start to feel like the victims rather than the “attackers”, which is most probably not what the author was intending. Now, these people will have to live their lives believing they caused a girl to commit suicide when really they were only 1/13th of the reason. Although, before criticising this novel, keep in mind it is a work of fiction.

What is most painful about Thirteen Reasons Why, is not Hannah’s plight, but the reaction Clay has to hearing Hannah’s story. Unlike the other people Hannah accuses, Clay is not one of her antagonists; all Hannah wants to do is to say sorry.

It is up to the reader to judge whether Thirteen Reasons Why is worthy of praise or not. Those without an understanding of depression may dislike it on account of misunderstanding Hannah’s reasons, whereas others may feel insulted that she killed herself over things that could have been eased had she told someone. Personally, I understand where Hannah is coming from, and although I would not go to the extremes Hannah did, I do not think she was selfish or stupid or any other insult that may befall her.

The reason I give this book a good rating lies in the quality of writing. Asher seamlessly alternates between two narratives – Hannah’s story and Clay’s reaction and reflection. Although the author may not have clearly expressed Hannah’s emotions, he successful emphasises the grief and despair Clay feels listening to the cassettes. My main concern is that Thirteen Reasons Why will only be short lived. Audiotapes were already obsolete when the book was published, but soon will there be any new readers who know what a tape is?
  
Thirteen Reasons Why
Thirteen Reasons Why
Jay Asher | 2009 | Children
6
8.4 (49 Ratings)
Book Rating
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review </i>

Recently filmed as a thirteen-part Netflix drama executively produced by Selena Gomez, <i>Thirteen Reasons Why</i> was the first novel by the award-winning author, Jay Asher. It is the type of book readers will either love or hate, but it should definitely come with a warning. This story is NOT an accurate representation of depression and suicide.

Yes, suicide. A teenaged girl has committed suicide, shocking everyone who knew her. No one could understand why, but thirteen people are going to find out. Clay Jensen is the ninth person to receive a box of thirteen audiotapes from Hannah Baker. However, Hannah died two weeks ago. As she premeditated taking her life, Hannah recorded thirteen stories involving people from her school that caused her to snowball into deep depression and despair. Desperate to find out why his name features in Hannah’s story, Clay begins listening to the tapes in order, putting together the events that led to Hannah’s death.

What follows is a heart-breaking story showing the impact individuals have on other people’s lives, often without realising it. In some cases, the characters only played a minor role in Hannah’s life, whereas others caused significant damage. The saddest thing is, Clay could have helped Hannah, but she had pushed him away.

At times, Hannah seemed like the horrible person, calling all these people out on petty little things, but these things, along with the more horrible ones, all built up to create a life that did not feel worth living. It is eye opening how much a small action, comment or rumour can so drastically alter someone’s future.

Bearing in mind that depression affects everyone differently and has numerous causes, some readers may feel disgusted at Hannah’s extreme action, but this is the fault of the author. Jay Asher fails to completely describe the emotional torment that Hannah felt, and only someone who may have been through a similar situation, or worse, will fully be able to understand the impact everything has had on her mental health.

As Hannah beleaguers her listeners, the thirteen people start to feel like the victims rather than the “attackers”, which is most probably not what the author was intending. Now, these people will have to live their lives believing they caused a girl to commit suicide when really they were only 1/13th of the reason. Although, before criticising this novel, keep in mind it is a work of fiction.

What is most painful about <i>Thirteen Reasons Why</i>, is not Hannah’s plight, but the reaction Clay has to hearing Hannah’s story. Unlike the other people Hannah accuses, Clay is not one of her antagonists; all Hannah wants to do is to say sorry.

It is up to the reader to judge whether <i>Thirteen Reasons Why</i> is worthy of praise or not. Those without an understanding of depression may dislike it on account of misunderstanding Hannah’s reasons, whereas others may feel insulted that she killed herself over things that could have been eased had she told someone. Personally, I understand where Hannah is coming from, and although I would not go to the extremes Hannah did, I do not think she was selfish or stupid or any other insult that may befall her.

The reason I give this book a good rating lies in the quality of writing. Asher seamlessly alternates between two narratives – Hannah’s story and Clay’s reaction and reflection. Although the author may not have clearly expressed Hannah’s emotions, he successful emphasises the grief and despair Clay feels listening to the cassettes. My main concern is that <i>Thirteen Reasons Why</i> will only be short lived. Audiotapes were already obsolete when the book was published, but soon will there be any new readers who know what a tape is?
  
<I>I received this book for free through Goodreads First Reads.</I>

It is well known that throughout history, facts have been omitted from history books. Written accounts of events ostensibly make important figures and countries appear to be in the right, whereas reality reveals otherwise. One such exclusion is the fate of the Native Americans inhabiting the southern states at the beginning of the 1900s. Children are brought up to believe the stories that “Red Indians” are bad and the cowboys are good, but this was unlikely the case. David Grann has researched into a particular period of Native American history that most people may never have heard of.<I> Killers of the Flower Moon</I> reveals the horrors innocent people faced at the hands of perfidious criminals.

The majority of the book is written as a third person narrative, recounting the lives of some of the members of the Osage Indian Nation in Oklahoma. White people, believing themselves to be superior, had forced the natives off their homelands and onto rocky, unwanted ground. What they did not anticipate, however, was the abundance of oil residing beneath the surface. The Osage went from being oppressed to being the wealthiest people in the state. Full of avarice, the whites were not going to let them get away with this fortune for long.

David Grann takes a particular interest in Mollie Burkhart, an Osage member with a white husband. Mollie had three sisters, but within a few short years they were all dead, and so was her mother. Believing they had been murdered, Mollie fears for her life. Other Osage members were also being killed, as well as those who tried to investigate the spreading slaughter. However, the case remained stubbornly unsolved.

Nevertheless, there was still hope for Mollie after the arrival of Tom White, an agent of the soon to be known as Federal Bureau of Investigation (FBI). Determined to get to the bottom of the so-called Reign of Terror, Tom and his team carefully analyse the behaviours and motives of the disingenuous citizens, narrowing down the suspects until eventually finding their duplicitous killer.

Learning about this unknown period of history is eye opening and offers a completely new view on the relations between whites and Native Americans. It was a time of prejudice and racism, not unlike the attitude towards black people emphasised with the civil rights movement in the mid-1900s. Greed was a significant motivator, particularly where making money was involved. But, David Grann does not stop here.

The final section of <i>Killers of the Flower Moon</i> is written from the author’s perspective. As a staff writer at <i>The New Yorker</i>, the evidence of the Osage murders case intrigued David Grann, but he was concerned about some unresolved holes in the story. Determined to uncover the truth, Grann conducted his own research to discover the culprits behind the undocumented murders unrelated to Mollie Burkhart’s family. What he stumbles on highlights the severity of the dark fate the Osage Indians were threatened with.

Despite being written as a narrative, it is obvious that <i>Killers of the Flower Moon</i> is a work of non-fiction. It lacks emotion and character insight, however, since it is not meant to be a fabricated story, these elements are not required. Instead, it shocks and disturbs the reader with its unbelievable truths.

An extensive biography proves the authenticity of David Grann’s revelation. With the reinforcement of FBI files, jury testimonials, statements, court transcripts, letters, telegrams, diaries and confessions, Grann produces a strong historical record of events that should not be glossed over. Without authors and books such as <i>Killers of the Flower Moon</i>, people will blindly go around believing falsehoods. The truth needs to be discovered, and readers can start by reading this book.
  
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Natasha Khan recommended Covers Record by Cat Power in Music (curated)

 
Covers Record by Cat Power
Covers Record by Cat Power
2000 | Rock, Singer-Songwriter
5.0 (1 Ratings)
Album Favorite

"I chose that because it made its biggest impact on me, because it was the first one I heard [of all of Cat Power's albums]. I remember hearing 'I Found A Reason', which was her Velvet Underground cover, on John Peel late at night when I was driving around and having a cigarette when I shouldn't have been. And I heard John Peel saying ""listen to this amazing release by Cat Power, 'I Found A Reason'"". I just remember hearing it and being like this is a woman I can love forever. I went to see her promote The Covers Record at this tiny gig at Bush Hall. She went on stage in front of maybe 100 people and then totally freaked out, then she was fine and she played some amazing songs and me and my boyfriend sat right at the front. We got to meet her and she just cuddled us: ""You sent such good vibes throughout the whole show, I was looking at you the whole time because was everybody else was so scary"", and I was just like ""I love you!"" So it was just interesting; the other reason I chose The Covers Record is because her interpretations of 'Wild Is The Wind' or 'Satisfaction', 'Sea Of Love', it's like picking out classic songs, like The Langley Schools Music Project, and turning them on their head. For me, in 'Wild Is The Wind', that song could be David Bowie's version, it's sad, it's quite mellow, but she's just distilled it down to one particular aspect, which is really heartbreaking, dark chords, really so minimal. I love doing covers myself. I love changing your whole take on them and exploring a completely different side and changing the arrangements, and the chords even, and changing the lyrics sometimes, it almost becomes a poem that you're putting to something different. I think she's a connoisseur at that and probably because she doesn't play amazing piano and guitar, she does really simple backing, but it becomes almost like this spoken word poem. When she performs, she pushes herself to the edge. The fact that she finds it so hard, you're living with her on the edge when you go to see her and sometimes it's frustrating and you get fed up with her, sometimes you're just willing her the whole way through and in love. I think it's really interesting, the emotions it brings up in the audience, how they deal with that - some people get really fucking angry and some people cry. I think it's like a really interesting psychological public experiment at some of her shows I've been to - I've been to maybe twenty of her shows, and sometimes it's a very uncomfortable, strange process, but it's like Andy Kaufman and stand-up comedians or public artists that just stage these really bizarre events and people's reactions to those. With most people, you go along, and they're there to put on a show and be competent and be amazing, and that's what people think they're paying for these days. We've said about the Langley Schools thing, she never grew out of that childlike weirdness; there's something about all of it that's unapologetic and being you, and if that presses people's buttons because they want you to be something else, they want you to carry them through, then I find that really interesting as well, what it does to the listener. What do you want from an album or a musician? What I want is to be taken to their rawest place. If that's uncomfortable sometimes, then that's cool. You just have to be with people and accept them."

Source
  
Those Who Wish Me Dead (2021)
Those Who Wish Me Dead (2021)
2021 | Action, Drama, Thriller
6
6.4 (9 Ratings)
Movie Rating
Angie on the big screen? Can't turn that down.

Connor is on the run after witnessing a murder, he's on foot in the woods and desperately trying to find his way to the authorities. As he heads deeper into the wilderness he crosses paths with Hannah, a smokejumper who's out working. They have to quickly learn to trust each other as danger comes from both sides. Fire or assassins. Are there any good decisions?

Those Who Wish Me Dead might be a film out of its time. Reflecting on it after the fact, it's very reminiscent of thrillers you got maybe 10/20 years ago. While that's not a bad thing, it does mean that it didn't resonate for me as much as other current films.

Angelina gives her usual good performance, and the duo of Hannah and Connor (played by Finn Little) was an interesting balance for the film. Little did a great job, and the way they both attack the climax of the story made for a strong finish.

The cast in general is full of top notch talent, and it's reflected in their characters. What didn't quite match up for me was the script and character stories. At times there were potentially unnecessary bits of backstory, and I can see how this would work as a book, but in a film it seemed to not have enough detail to hit home.

Something that threw me slightly was the vastness of the location. You see people walking around various parts of the woods, and it's all the same, but different. And I know, they're woods Emma, of course the trees are going to look the same! But with little concept of time it's not easy to keep track of the actual danger of the situation, and that took away some of the edge of the seat action that really makes these sorts of films.

I didn't find myself getting bored while watching Those Who Wish Me Dead, but I also wasn't glued to the screen. Possibly a better read than a watch, as there's more chance to delve into things in a book, but I didn't mind watching it. I'm just not sure if that's much of a recommendation.

Originally posted on: https://emmaatthemovies.blogspot.com/2021/08/those-who-wish-me-dead-movie-review.html
  
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Natasha Khan recommended Post by Bjork in Music (curated)

 
Post by Bjork
Post by Bjork
2006 | Rock
7.3 (3 Ratings)
Album Favorite

"I think it's because when I was 12 I had Debut and I really liked that because I was just dancing around singing and enjoying it, quite an innocent record that had some beautiful moments. But really for me Post is an album I heard that was unlike any other at the time which was combining electronic and organic elements and I just really enjoyed delving into that sonic universe that she created, it's so experimental and forward-thinking and unique to her, but it perfectly fit into that time and landscape. I think it's really timeless. I think she has become a certain thing now but on those first four or five albums, for me, she was such a pioneer and so fiercely dedicated to her art and so unique and so closely linked to themes of nature and passion and love and the body and raw childlike feelings, and using all these really exciting instruments and sounds to put across her pop songs. 'Army Of Me' was the first single that came out - [sings intro] - POW! Clanging, massive drums and Michel Gondry was making the videos and I think the album just sonically draws in so many amazing, London early to mid nineties influences. But then having songs like 'Cover Me'. I remember hearing an alternately recorded version of 'Cover Me' which she actually did in a bat cave! You can hear the bats squealing and flitting about, so there's all these kind of sub-bass, deep 808 beat noises that I got really excited about, but she's got like bloody harpsichords and harps and stuff like really archaic chamber music sounds mixed with really heavily electronic digital sounds. So that was a real education, combining those things, because for me, if it's too much of one or the other I miss them a bit. Even on Berlin there's a lot of real instruments but there's synths and stuff going on too - I love it when people combine those things. Also, the eclecticness of the record: she's not afraid to travel from songs like 'I Miss You' which is that type of fanfare to 'Army Of Me' which is dark and techno and 'Hyperballad', which is like fucking four-to-the-floor, but just with all these strings it's super-emotive, a Technicolor dream."

Source
  
The Woman with Wings
The Woman with Wings
James MacManus | 2019 | Contemporary, Science Fiction/Fantasy
4
4.0 (1 Ratings)
Book Rating
Alison works in the international advertising company as an IT specialist, and she loves bird watching. During one of her trips, she falls off the mountain but survives. I liked Alison as a person, she is a loner, and she is doing what she loves. She is like every other female in London, only she gets wings from somewhere. Alison has a great friend Jed, who likes and supports her, and a rich executive of the company named Doxat that fancies her, so this book could’ve been a great romantic novel, and those wings ruined it for me. The story was told from multiple perspectives, but the transition between those perspectives was quite blurry, I would’ve liked if different thoughts started as a different chapter.

Alison talks a lot about birds and their migration, it is great to know about this, especially because Alison’s true passion is birds, but I was skim-reading them because I don’t like copy-paste material. I am sure, bird enthusiasts will enjoy the information, and I can see the research put into that, but those parts were not for me. Another thing that did not make sense to me were parts about Kurt Godel and his mathematical calculations regarding time traveling. There were pages and pages about the same thing, which was well researched and very philosophical, but at the same time repetitive and felt like pasted there out of Wikipedia. :/ I liked the way Alison was interacting with other characters, and there was an interesting love triangle going on in there, but that’s about it.

I was not a very big fan of the writing style of this novel, it seemed well researched, and poetic, but at the same time, it felt raw and unfinished. The setting of this book was changing between London and remote places of the UK like Skye, and I enjoyed its picturesque views. The chapters were quite long, and the narrative quite jumpy. The culmination of this novel didn’t make any sense to me and left me with million of questions instead of answers. :/

So, to conclude, this book was not for me. It has interesting characters, and I enjoyed their relationships with each other, and this book has great potential, but the plot didn’t really impress me. I think this book might interest a bird-loving community as well as people who enjoy philosophy.
  
Twilight Heist (Outlaws #2)
Twilight Heist (Outlaws #2)
Katherine McIntyre | 2023 | Contemporary, LGBTQ+, Romance, Thriller
10
10.0 (3 Ratings)
Book Rating
awesome follow up to Midnight Heist!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is the second book in the Outlaws series, and I think it would help to have read book one, Midnight Heist before this one. Not strictly necessary, but it will give you a better view of this group of people and what they do. And you know, cos I said so!
This is a multi-layered story, and it took me a little bit of time to fully immerse myself into Leo and Tuck's story. It doesn't quite grab as much as Danny and Grif's does, but it packs a no less powerful punch.
Leo changed his name and ran from the Stockyard after his parents died. Tuck left the circus after his died too. When those two paths cross in the here and now, Leo knows he has to keep Tuck safe, without revealing his past.
This is a proper "kinda creeps up on ya" book! I mean, it came outta nowhere, whooping me upside the head with things I did not see coming! Once I started, and I should have read this AGES ago, I could not put it down.
It's dark and deadly, given both Leo's and Tuck's past. It's emotional and difficult reading in places, again due to their past, but also their fears for the future. Neither knows there can be anything long term between them, right? They are both damaged beyond repair. Super smexy! But I really wanted more smexy times on those silks! (I'm just greedy, don't judge me!)
The banter between the Outlaws is awesome and I loved that we got to catch up with Danny and Grif. I'm reading between the lines about who might be next, but I'm not voicing those words, cos I might be way, WAAAAAAAAAAAAAAAAAAAAAAAAY off the mark there! But Scarlet is growing on me, I love the way they flip from male to female pronouns and the guys just run with them. It did take me a while it book one to get Scarlet, but not so here, since I was aware of their fluidity.
An awesome follow-up to Midnight Heist.
5 full and shiny stars
*same worded review will appear elswhere
  
Never Be Alone
Never Be Alone
10
10.0 (1 Ratings)
Book Rating
Joon is eight years old when her parents are killed and she is put into the foster care system. For 4 years, she is with the same family, but the way they treat her is worse than you would an enemy. When Joon has her chance, she runs away an tried to make a life for herself on the streets. She sees more in her short life than many people experience in an entire lifetime. Will Joon be able to survive on the streets or will she succumb to the pressures of drugs and prostitution?

Thank you to NetGalley and Fiction With Meaning for the opportunity to read and review this book.

This is a book that every person should read. We have all seen a homeless person and I'm sure many of us judge them without knowing their situation and how they got to where they are. For some, maybe living on the street is better than their other choices.

In this story, I could see myself as Joon, going through life trying to survive, but I don't think I could have done all she did. This book will make you cry, it is absolutely heart wrenching. You want to jump in and try to save Joon. According to the Author's Notes(yes I read those), this book was taken from her own experience with homelessness.

Again, this is a book everyone should read. It will make you look at the world and the people in it very differently. We are all human and we all are just trying to make it through life with the cards we were dealt. Some of us were given a great hand, and others the worse, but it's what we do with it that makes all the difference.