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LoganCrews (2861 KP) rated The Dreamers (2003) in Movies
Dec 3, 2020 (Updated Dec 3, 2020)
Actual lines of dialogue from this movie:
"๐ ๐ฅ๐ฐ๐ฏ'๐ต ๐ฃ๐ฆ๐ญ๐ช๐ฆ๐ท๐ฆ ๐ช๐ฏ ๐๐ฐ๐ฅ. ๐๐ถ๐ต ๐ช๐ง ๐ ๐ฅ๐ช๐ฅ, ๐ฉ๐ฆ ๐ธ๐ฐ๐ถ๐ญ๐ฅ ๐ฃ๐ฆ ๐ข ๐ฃ๐ญ๐ข๐ค๐ฌ, ๐ญ๐ฆ๐ง๐ต-๐ฉ๐ข๐ฏ๐ฅ๐ฆ๐ฅ ๐จ๐ถ๐ช๐ต๐ข๐ณ๐ช๐ด๐ต."
"๐'๐ฎ ๐ต๐ฐ๐ฐ ๐ธ๐ฆ๐ต ๐ต๐ฐ ๐ข๐ฏ๐ด๐ธ๐ฆ๐ณ [๐ต๐ฉ๐ฆ ๐ฑ๐ฉ๐ฐ๐ฏ๐ฆ]."
"๐ ๐ฐ๐ถ'๐ณ๐ฆ ๐ข ๐ฃ๐ช๐จ ๐ฎ๐ฐ๐ท๐ช๐ฆ ๐ฃ๐ถ๐ง๐ง, ๐ณ๐ช๐จ๐ฉ๐ต? ๐๐ฉ๐ฆ๐ฏ ๐ธ๐ฉ๐บ ๐ฅ๐ฐ๐ฏ'๐ต ๐บ๐ฐ๐ถ ๐ต๐ฉ๐ช๐ฏ๐ฌ ๐ฐ๐ง ๐๐ข๐ฐ ๐ข๐ด ๐ข ๐จ๐ณ๐ฆ๐ข๐ต ๐ฅ๐ช๐ณ๐ฆ๐ค๐ต๐ฐ๐ณ... ๐ฎ๐ข๐ฌ๐ช๐ฏ๐จ ๐ข ๐ฎ๐ฐ๐ท๐ช๐ฆ ๐ธ๐ช๐ต๐ฉ ๐ข ๐ค๐ข๐ด๐ต ๐ฐ๐ง ๐ฎ๐ช๐ญ๐ญ๐ช๐ฐ๐ฏ๐ด."
The far less entertaining ๐๐ณ๐ถ๐ฆ๐ญ ๐๐ฏ๐ต๐ฆ๐ฏ๐ต๐ช๐ฐ๐ฏ๐ด meets... idek, the really long talky parts from ๐๐ฆ๐ต๐ณ๐ฐ? A woeful experience - uses a ton of intellectual jargon but says next to nothing. On the one hand, perfectly emulates this sort of 20-something who thinks they're the most original being on the planet despite being another clichรฉd story no one wants to be around... but on the other, at what cost? These people seem beyond insufferable to be around - three pretentious, odious fucks sit around drinking wine and smoking while spewing superficial first-year-film-major histrionics, jerking off, and smelling each others' underwear. Every bit as lumbering, surface-level, and pompous as that sounds. Usually I'm all for these conceited combinations of toxic people, self-destruction, and explicit sex but this is virtual parody levels of this sort of "wants to be a 70s movie really bad" cinema. Has a few good scenes that actually find a palpable mood but otherwise exists almost solely to brag about how many old movies it's seen, uses both those aforementioned films and the real life 1968 Paris riots as not much more than mere window dressing while failing to confront whatever shred of an idea it briefly poses for a scene or two. Eva Green and the dad are the only two tolerable performances. All but begs you to find it audacious and daring with a shit-eating sneer while simultaneously gutting the homosexuality from the original text so this won't steer *too* far off the hetero curve. And then it ends with a total "who cares?". Pretty but dumb. The sex stuff is kind of decent, though.
"๐ ๐ฅ๐ฐ๐ฏ'๐ต ๐ฃ๐ฆ๐ญ๐ช๐ฆ๐ท๐ฆ ๐ช๐ฏ ๐๐ฐ๐ฅ. ๐๐ถ๐ต ๐ช๐ง ๐ ๐ฅ๐ช๐ฅ, ๐ฉ๐ฆ ๐ธ๐ฐ๐ถ๐ญ๐ฅ ๐ฃ๐ฆ ๐ข ๐ฃ๐ญ๐ข๐ค๐ฌ, ๐ญ๐ฆ๐ง๐ต-๐ฉ๐ข๐ฏ๐ฅ๐ฆ๐ฅ ๐จ๐ถ๐ช๐ต๐ข๐ณ๐ช๐ด๐ต."
"๐'๐ฎ ๐ต๐ฐ๐ฐ ๐ธ๐ฆ๐ต ๐ต๐ฐ ๐ข๐ฏ๐ด๐ธ๐ฆ๐ณ [๐ต๐ฉ๐ฆ ๐ฑ๐ฉ๐ฐ๐ฏ๐ฆ]."
"๐ ๐ฐ๐ถ'๐ณ๐ฆ ๐ข ๐ฃ๐ช๐จ ๐ฎ๐ฐ๐ท๐ช๐ฆ ๐ฃ๐ถ๐ง๐ง, ๐ณ๐ช๐จ๐ฉ๐ต? ๐๐ฉ๐ฆ๐ฏ ๐ธ๐ฉ๐บ ๐ฅ๐ฐ๐ฏ'๐ต ๐บ๐ฐ๐ถ ๐ต๐ฉ๐ช๐ฏ๐ฌ ๐ฐ๐ง ๐๐ข๐ฐ ๐ข๐ด ๐ข ๐จ๐ณ๐ฆ๐ข๐ต ๐ฅ๐ช๐ณ๐ฆ๐ค๐ต๐ฐ๐ณ... ๐ฎ๐ข๐ฌ๐ช๐ฏ๐จ ๐ข ๐ฎ๐ฐ๐ท๐ช๐ฆ ๐ธ๐ช๐ต๐ฉ ๐ข ๐ค๐ข๐ด๐ต ๐ฐ๐ง ๐ฎ๐ช๐ญ๐ญ๐ช๐ฐ๐ฏ๐ด."
The far less entertaining ๐๐ณ๐ถ๐ฆ๐ญ ๐๐ฏ๐ต๐ฆ๐ฏ๐ต๐ช๐ฐ๐ฏ๐ด meets... idek, the really long talky parts from ๐๐ฆ๐ต๐ณ๐ฐ? A woeful experience - uses a ton of intellectual jargon but says next to nothing. On the one hand, perfectly emulates this sort of 20-something who thinks they're the most original being on the planet despite being another clichรฉd story no one wants to be around... but on the other, at what cost? These people seem beyond insufferable to be around - three pretentious, odious fucks sit around drinking wine and smoking while spewing superficial first-year-film-major histrionics, jerking off, and smelling each others' underwear. Every bit as lumbering, surface-level, and pompous as that sounds. Usually I'm all for these conceited combinations of toxic people, self-destruction, and explicit sex but this is virtual parody levels of this sort of "wants to be a 70s movie really bad" cinema. Has a few good scenes that actually find a palpable mood but otherwise exists almost solely to brag about how many old movies it's seen, uses both those aforementioned films and the real life 1968 Paris riots as not much more than mere window dressing while failing to confront whatever shred of an idea it briefly poses for a scene or two. Eva Green and the dad are the only two tolerable performances. All but begs you to find it audacious and daring with a shit-eating sneer while simultaneously gutting the homosexuality from the original text so this won't steer *too* far off the hetero curve. And then it ends with a total "who cares?". Pretty but dumb. The sex stuff is kind of decent, though.

ClareR (5991 KP) rated Summerwater in Books
Oct 4, 2020
Summerwater takes place over a single day in a Scottish holiday park. Each section follows a different person as they experience a very wet holiday with not very much to do.
I do enjoy this kind of book that looks at the ordinary, everyday lives - nothing wildly exciting happening. I know this may appear odd, but there you are ๐คท๐ผโโ๏ธ Maybe it could be construed as voyeuristic, but โnormalโ fascinates me, because one persons normal isnโt remotely like mine (or anyone elseโs). There are people from all walks of life: the retired doctor and his wife who appears to have dementia; young parents with small children; older parents with teenaged children; a boyfriend and his girlfriend. I could go on, but I wonโt. Needless to say, theyโre all very different people. They do have some things in common: their distrust of outsiders. There is an ex-soldier camping and living rough in the woods, and a Ukrainian family who certainly seem to know how to have a party. No-one seems to particularly trust them or like their presence at the holiday park.
I liked the smaller sections from the point of view of nature - whether it was from one of the animals in the woods, or the bedrock beneath the lodges. It made me think that all of the petty human concerns were nothing in comparison to the ground beneath their feet and that feeling of endurance.
Iโve had more than a few holidays where Iโve been shut up in a tent, camper van or a holiday cottage because of bad weather, and this reminded me in some part of those holidays (minus the rather dramatic ending!). I think I liked this so much because basically, at the end of the day, Iโm a bit of a curtain twitcher...
Many thanks to NetGalley and Picador/ Pan Macmillan for my copy of this book.
I do enjoy this kind of book that looks at the ordinary, everyday lives - nothing wildly exciting happening. I know this may appear odd, but there you are ๐คท๐ผโโ๏ธ Maybe it could be construed as voyeuristic, but โnormalโ fascinates me, because one persons normal isnโt remotely like mine (or anyone elseโs). There are people from all walks of life: the retired doctor and his wife who appears to have dementia; young parents with small children; older parents with teenaged children; a boyfriend and his girlfriend. I could go on, but I wonโt. Needless to say, theyโre all very different people. They do have some things in common: their distrust of outsiders. There is an ex-soldier camping and living rough in the woods, and a Ukrainian family who certainly seem to know how to have a party. No-one seems to particularly trust them or like their presence at the holiday park.
I liked the smaller sections from the point of view of nature - whether it was from one of the animals in the woods, or the bedrock beneath the lodges. It made me think that all of the petty human concerns were nothing in comparison to the ground beneath their feet and that feeling of endurance.
Iโve had more than a few holidays where Iโve been shut up in a tent, camper van or a holiday cottage because of bad weather, and this reminded me in some part of those holidays (minus the rather dramatic ending!). I think I liked this so much because basically, at the end of the day, Iโm a bit of a curtain twitcher...
Many thanks to NetGalley and Picador/ Pan Macmillan for my copy of this book.

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Amanda (96 KP) rated They Both Die At The End in Books
May 29, 2019
Iโve seen this book on my Twitter and Instagram and I finally gave inโฆIโm so glad and sad that I did. My heart! I swear! The sad thing is that the title really says it all, so youโre not blind sided, but thereโs always that hope, right?
In this universe, there is a company called Death Cast โ from 12 am to 3 am, they make these calls to people and inform that within 24 hours, they would die. Yeah. Someone from a cubicle call center calls you up and says you will die within the next 24 hours, they donโt know how but you will, and try to provide you with support.
Yeah, okay, you get a phone call that youโre about to die but then try to get some sort of sympathy or support โ yeah, I definitely canโt do that job. And no, the people who work for Death Cast are NOT exempt from getting those calls.
For the most part, the story is told from two points of views, Mateo and Rufus. They both get the call in the same time frame. Other chapters are told from different peopleโs points of view that have some sort of โconnectionโ with the boys, even if itโs just in passing. Such as an old girlfriend of Rufus, or the Death Cast employee who gave him the alert that he would die.
I grew so attached to these boys! They were both dealt with some crappy hands. Mateoโs mother passes away and his father is in a coma. Rufus lives in an orphanage called โPlutoโ and has no blood family. I mean, damn! My poor boys!
โYou may be born into a family, but you walk into friendships. Some youโll discover you should put behind you. Others are worth every risk.โ
Yes, I got emotional with this story, but this was so beautifully written. I adored Silveraโs way of writing this story. Granted, sometimes I donโt care for hearing about other people that are not Mateo and Rufus, but it was crucial to know what kind of world this was that Death Cast exists and nobody is exempt from it.
Donโt think of this as Final Destination. Nobody is trying to escape death (well, one was for a little bit), itโs a world where you can imagine what it would be like if you knew you were going to die soon, what would you do? How would you react? Is better knowing or not knowing?
โMaybe itโs better to have gotten it right and been happy for one day instead of living a lifetime of wrongs.โ
In this universe, there is a company called Death Cast โ from 12 am to 3 am, they make these calls to people and inform that within 24 hours, they would die. Yeah. Someone from a cubicle call center calls you up and says you will die within the next 24 hours, they donโt know how but you will, and try to provide you with support.
Yeah, okay, you get a phone call that youโre about to die but then try to get some sort of sympathy or support โ yeah, I definitely canโt do that job. And no, the people who work for Death Cast are NOT exempt from getting those calls.
For the most part, the story is told from two points of views, Mateo and Rufus. They both get the call in the same time frame. Other chapters are told from different peopleโs points of view that have some sort of โconnectionโ with the boys, even if itโs just in passing. Such as an old girlfriend of Rufus, or the Death Cast employee who gave him the alert that he would die.
I grew so attached to these boys! They were both dealt with some crappy hands. Mateoโs mother passes away and his father is in a coma. Rufus lives in an orphanage called โPlutoโ and has no blood family. I mean, damn! My poor boys!
โYou may be born into a family, but you walk into friendships. Some youโll discover you should put behind you. Others are worth every risk.โ
Yes, I got emotional with this story, but this was so beautifully written. I adored Silveraโs way of writing this story. Granted, sometimes I donโt care for hearing about other people that are not Mateo and Rufus, but it was crucial to know what kind of world this was that Death Cast exists and nobody is exempt from it.
Donโt think of this as Final Destination. Nobody is trying to escape death (well, one was for a little bit), itโs a world where you can imagine what it would be like if you knew you were going to die soon, what would you do? How would you react? Is better knowing or not knowing?
โMaybe itโs better to have gotten it right and been happy for one day instead of living a lifetime of wrongs.โ

Sassy Brit (97 KP) rated In The Silence in Books
Jun 5, 2019
In The Silence has a blurb so enticing, I just had to read it, and author M. R. Mackenzie did not disappoint.
Anna Scovalini has finally come home; a place she avoided for several years only to find herself involved in a murder case, up close and personal. At first she doesnโt mean to get involved, but when she feels the police arenโt taking things seriously enough curiosity gets the better of her and once she has a poke around for answers she uncovers much more than she bargained for, and inadvertently puts herself into trouble, too.
Throughout this story I found myself intrigued by some of the serious issues discussed, from femicide, rape to gang mentality, and this was all played out by some great characterisation and an exciting plot, where the more I read the quicker the pace sped up until it reached the final reveal of who the killer actually was!
I found the unravelling of the secret surrounding the reason why people were getting killed really enjoyable. Mix this with those paragraphs where thereโs a hooded figure tracking people down that literally sent shivers down my spine and made my blood run cold. Is that corny? Maybe. But true!
A word on the dialect. For an East Anglian, born and bred, I thought the Scottish dialect was actually quite fun to read. When I tried the words out loud I actually could do a very good impression of a Glaswegian! On one hand I always find this a little distracting as it does take you out of the story as youโre experimenting with how the words sound on your tongue, but on the other hand it was not full-on throughout the book, and I quickly got used to it.
Returning to characterisation, I loved how Anna (now a criminology lecturer living in Rome) and her best friend Zoe, (who like me has never left her home county) seem to have lives which are worlds apart, and when they get back together theyโre instantly best pals again. But under the stress of the investigation even Anna has to think twice about Zoe.
What happened back in the past, that caused so many people in one town to have so many secrets? For me, uncovering the truth made this story for me. For a debut book, Iโm exited to see what this author writes next!
An intriguing, fast read that had me guessing who the killer was throughout, with a satisfying, final conclusion.
Anna Scovalini has finally come home; a place she avoided for several years only to find herself involved in a murder case, up close and personal. At first she doesnโt mean to get involved, but when she feels the police arenโt taking things seriously enough curiosity gets the better of her and once she has a poke around for answers she uncovers much more than she bargained for, and inadvertently puts herself into trouble, too.
Throughout this story I found myself intrigued by some of the serious issues discussed, from femicide, rape to gang mentality, and this was all played out by some great characterisation and an exciting plot, where the more I read the quicker the pace sped up until it reached the final reveal of who the killer actually was!
I found the unravelling of the secret surrounding the reason why people were getting killed really enjoyable. Mix this with those paragraphs where thereโs a hooded figure tracking people down that literally sent shivers down my spine and made my blood run cold. Is that corny? Maybe. But true!
A word on the dialect. For an East Anglian, born and bred, I thought the Scottish dialect was actually quite fun to read. When I tried the words out loud I actually could do a very good impression of a Glaswegian! On one hand I always find this a little distracting as it does take you out of the story as youโre experimenting with how the words sound on your tongue, but on the other hand it was not full-on throughout the book, and I quickly got used to it.
Returning to characterisation, I loved how Anna (now a criminology lecturer living in Rome) and her best friend Zoe, (who like me has never left her home county) seem to have lives which are worlds apart, and when they get back together theyโre instantly best pals again. But under the stress of the investigation even Anna has to think twice about Zoe.
What happened back in the past, that caused so many people in one town to have so many secrets? For me, uncovering the truth made this story for me. For a debut book, Iโm exited to see what this author writes next!
An intriguing, fast read that had me guessing who the killer was throughout, with a satisfying, final conclusion.

Hazel (1853 KP) rated The Daughter of the Sea and the Sky in Books
Dec 14, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review</i>
<i>The Daughter of the Sea and the Sky</i> by David Litwack is set in a world similar to our own, however there have been many wars as a result of religion and the people have separated themselves into believers and non-believers. Helena Brewster and Jason Adams live on the republic where the people rely heavy on reason and reject the supposedly irrational ramblings of the zealots who live on the โBlessed Landsโ. One day a nine-year-old girl, Kailani, escapes from the Blessed Land and sails over to the republic where Helena and Jason find her. Kailani is immediately captured and questioned by the authorities that want to send her to a correctional facility to undo the brainwashing of the zealots.
In the meantime, as it is several months until her tribunal, Helena and Jason become Kailaniโs legal guardians and take her to live at Glen Eagle Farm away from the main population of the busy towns. Kailani is loved and admired by the inhabitants on the farm, however there are people on the Blessed Land that want her back.
This is certainly an interesting story that explores a range of themes. For Helena there is the grief she is suffering as a result of the recent death of her father, and the feelings she has towards her mother whom she felt abandoned by. Between Jason and Helena there is also a developing romance as the two connect in their determination to protect Kailani. The most important theme, however, is that of the antagonism between the believers and non-believers. Those living on the Blessed Land want to indoctrinate everybody with their ideals about the soul whereas on the republic this is forbidden as they insist on living a life ruled through fact. As the story goes on certain characters begin to understand the need for both realism and religion. One person even suggests, โIn our pursuit of reason, weโve become as unreasonable as the other side.โ
Kailani is a lovable character, which makes the novel a joy to read. It is interesting to compare how a child brought up under a strict religion innocently views the world in comparison with adults who have no faith what so ever. Although written for adults it is suitable for young teens to read too who, although may not understand the significance of the two different sides, are sure to love and enjoy reading about Kailani.
<i>The Daughter of the Sea and the Sky</i> by David Litwack is set in a world similar to our own, however there have been many wars as a result of religion and the people have separated themselves into believers and non-believers. Helena Brewster and Jason Adams live on the republic where the people rely heavy on reason and reject the supposedly irrational ramblings of the zealots who live on the โBlessed Landsโ. One day a nine-year-old girl, Kailani, escapes from the Blessed Land and sails over to the republic where Helena and Jason find her. Kailani is immediately captured and questioned by the authorities that want to send her to a correctional facility to undo the brainwashing of the zealots.
In the meantime, as it is several months until her tribunal, Helena and Jason become Kailaniโs legal guardians and take her to live at Glen Eagle Farm away from the main population of the busy towns. Kailani is loved and admired by the inhabitants on the farm, however there are people on the Blessed Land that want her back.
This is certainly an interesting story that explores a range of themes. For Helena there is the grief she is suffering as a result of the recent death of her father, and the feelings she has towards her mother whom she felt abandoned by. Between Jason and Helena there is also a developing romance as the two connect in their determination to protect Kailani. The most important theme, however, is that of the antagonism between the believers and non-believers. Those living on the Blessed Land want to indoctrinate everybody with their ideals about the soul whereas on the republic this is forbidden as they insist on living a life ruled through fact. As the story goes on certain characters begin to understand the need for both realism and religion. One person even suggests, โIn our pursuit of reason, weโve become as unreasonable as the other side.โ
Kailani is a lovable character, which makes the novel a joy to read. It is interesting to compare how a child brought up under a strict religion innocently views the world in comparison with adults who have no faith what so ever. Although written for adults it is suitable for young teens to read too who, although may not understand the significance of the two different sides, are sure to love and enjoy reading about Kailani.

JT (287 KP) rated The Purge (2013) in Movies
Mar 10, 2020
Ethan Hawke has been here once before, and when you look deep into the mechanics of The Purge it almost mirrors the remake of Assault on Precinct 13. Director James DeMonaco who wrote the script for the latter has taken the premise of that film and given it a more personal feel, something which we could resonate with.
The year is 2022, Ethan Hawke plays James Sandin whoโs made his wealth by selling security systems that help protect people against the yearly purge. The purge is a twelve hour long free for all in which the government has allowed all crime to be legal, with the intention that people will get it out of their system.
As a result crime has dropped and unemployment is at an all time low so something must be working? Of course not everyone takes part and those who choose not to, stay behind the confines of their locked down house waiting for the mayhem to pass.
This particular night for the Sandinโs runs like any other normal purge. They sit down to eat, discuss their day and then wait for the alarm to sound which begins the carnage. When Sandinโs young son lets in a stranger looking to take shelter from a group of mask wearing savages events take a turn for the worse.
Lead by the smiling Rhys Wakefield who should take credit from his performance and one so disturbing that it could be compared to Michael Pitt in Funny Games. The gang are desperate to get their hands on the stranger the Sandinโs are harbouring and so give them an ultimatum, โsend him out or weโre coming inโ.
And so a decision must be made, do they turn themselves into the people on the outside who have no remorse when it comes to killing or do they stand and fight? The Purge is confused as it is disjoined and the script is weak leaving the tension to do the talking which is filled with horror cliches left, right and centre.
From tight shots of darkened corridors to things lurking in the shadows out of sight it rarely delivers a unique treat. The cast is not particularly strong, Wakefield aside. Hawke moves through the gears but offers nothing that we havenโt already seen before. Leaving the majority of the dramatic turns to his on screen wife, Lena Headey .
Despite the short run time, the film is practically over before it has started and it even tries to save itself with a twist ending which you could see coming a mile off.
The year is 2022, Ethan Hawke plays James Sandin whoโs made his wealth by selling security systems that help protect people against the yearly purge. The purge is a twelve hour long free for all in which the government has allowed all crime to be legal, with the intention that people will get it out of their system.
As a result crime has dropped and unemployment is at an all time low so something must be working? Of course not everyone takes part and those who choose not to, stay behind the confines of their locked down house waiting for the mayhem to pass.
This particular night for the Sandinโs runs like any other normal purge. They sit down to eat, discuss their day and then wait for the alarm to sound which begins the carnage. When Sandinโs young son lets in a stranger looking to take shelter from a group of mask wearing savages events take a turn for the worse.
Lead by the smiling Rhys Wakefield who should take credit from his performance and one so disturbing that it could be compared to Michael Pitt in Funny Games. The gang are desperate to get their hands on the stranger the Sandinโs are harbouring and so give them an ultimatum, โsend him out or weโre coming inโ.
And so a decision must be made, do they turn themselves into the people on the outside who have no remorse when it comes to killing or do they stand and fight? The Purge is confused as it is disjoined and the script is weak leaving the tension to do the talking which is filled with horror cliches left, right and centre.
From tight shots of darkened corridors to things lurking in the shadows out of sight it rarely delivers a unique treat. The cast is not particularly strong, Wakefield aside. Hawke moves through the gears but offers nothing that we havenโt already seen before. Leaving the majority of the dramatic turns to his on screen wife, Lena Headey .
Despite the short run time, the film is practically over before it has started and it even tries to save itself with a twist ending which you could see coming a mile off.