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Rob Cohen recommended Irréversible (2002) in Movies (curated)
Brett Anderson recommended Low by David Bowie in Music (curated)
Steve Vai recommended Mule Variations by Tom Waits in Music (curated)
Wayne Coyne recommended Wizard of Oz by Judy Garland in Music (curated)
Gaz Coombes recommended track Copenhagen by Scott Walker in Scott 3 by Scott Walker in Music (curated)
Justin Hawkins recommended Houses of the Holy by Led Zeppelin in Music (curated)
LoganCrews (2861 KP) rated Pan (2015) in Movies
Sep 21, 2020
Huh? … what? H-how? Why..? I'm not even sure what like 80% of this crackpot, drug-fueled children's fever dream even was but I'm pretty sure I loved it. Everyone sings "Smells Like Teen Spirit" and "Blitzkrieg Bop" to hype up a grisly-looking, scenery chewing pirate Hugh Jackman for no reason at all. You're also able to witness a severely miscast Garrett Hedlund give one of the worst performances the screen has ever seen as Rooney Mara pulls an Emma Stone in 𝘈𝘭𝘰𝘩𝘢 and the fairies savagely murder an entire ship full of people one by one. In all seriousness, perhaps my allure bias for these cockamamie box office bombs is showing but this isn't even a quarter of the disasterpiece it has been dubbed. The visuals are lush, varied, and colorful with Wright's lifeful eye hard at work - and it has a lot of fun with its setpieces, while taking fine care of its effects. My biggest complaint is that this nutty curio has to be stuck within the confines of those obnoxious kids' films where the bland protagonist (here at least acted exceptionally by Miller) who obviously has some arbitrary, special talent spends the whole movie claiming they don't have said arbitrary, special talent only to find out completely unsurprisingly that they did have the aforementioned arbitrary, special talent all along. This would make an awesome PS2 game, if I didn't know any better you could have effortlessly convinced me Luc Besson directed this. Rushed through plot but who cares, it's mostly a blast.
LoganCrews (2861 KP) rated Ghost in the Shell (2017) in Movies
Sep 19, 2020
Dumb as fuck, sheds the vast majority of the source's intelligence - even speaking as someone with only a cursory knowledge of it - for something a lot more nonsensical, westernized, and generic. But it doesn't sacrifice even an ounce of its visual pizzazz - if we've learned anything about Rupert Sanders (non-cheating scandal related, that is) it's that he does not fuck around with his aesthetic. 110% magnetic, self-assured, and every bit as visually stupendous as 𝘉𝘭𝘢𝘥𝘦 𝘙𝘶𝘯𝘯𝘦𝘳 2049. I found most of the ending parts to be a disingenuous swing and a miss but who cares, did you *see* the way ScarJo beat the shit out of those people to synth music while she was invisible and the water was going all slo-mo and stuff? As a piece of seductive sci-fi junk food that's nice and heavy on the portent, it's nothing less than orgasmic - though it makes sense fans of the source would detest this, this is pretty much what I expected after all so I can't say my bar was mega high to begin with. I'm in the middle with Scarlett, it isn't too demanding of a performance but the unnatural cranes and dead gawks are right up her alley and do fit quite nicely here so eh I'll take it for now even if it feels like bootleg 𝘜𝘯𝘥𝘦𝘳 𝘵𝘩𝘦 𝘚𝘬𝘪𝘯. And it's always good to see Takeshi Kitano. Oh and also Juliette Binoche is at least twenty-five times better in this than every role she's ever been nominated for an Oscar for.
LoganCrews (2861 KP) rated Sharp Objects in TV
Nov 26, 2020
"𝘠𝘰𝘶 𝘮𝘢𝘥𝘦 𝘮𝘦 𝘣𝘭𝘦𝘦𝘥..."
Decay in all its forms, *very* HBO - right down to the opening credits sequences - in the best ways. If I have one complaint it's that I wish this were an episode longer to really settle into its final moments before the jaw-dropping rug-pull ending (and maybe I wish it was a little more physically gross when it calls for it) - but I digress, this is phenomenal television all the same. Flynn is as complex a writer as ever and Jean-Marc Vallée is at some of his most fully engrossing. As someone living in a tawdry small town just like this it does a bangup job at showing how those types of areas prey upon their little boys and girls, and bears witness to the differing ways their subsequent rage manifests between each gender. You know yourself much less than everyone else *thinks* they know you, if you aren't peering directly into their eyes you aren't safe from disparaging remarks even from your supposed closest allies - the moment in episode 5 where the camera keeps switching POVs while somebody glares at someone else, who then glares at someone else, who then glares at someone else, etc., etc. does a good job at exemplifying this. Adams, Messina, and particularly Clarkson, Scanlen, Perkins, and Czerny are sublime as these haunted enigmas of people. Gives away some of its themes a touch too on-the-nose later in the game but nonetheless a grim, fragmented, trancelike nightmare of hatred. Magnetic as hell.
Decay in all its forms, *very* HBO - right down to the opening credits sequences - in the best ways. If I have one complaint it's that I wish this were an episode longer to really settle into its final moments before the jaw-dropping rug-pull ending (and maybe I wish it was a little more physically gross when it calls for it) - but I digress, this is phenomenal television all the same. Flynn is as complex a writer as ever and Jean-Marc Vallée is at some of his most fully engrossing. As someone living in a tawdry small town just like this it does a bangup job at showing how those types of areas prey upon their little boys and girls, and bears witness to the differing ways their subsequent rage manifests between each gender. You know yourself much less than everyone else *thinks* they know you, if you aren't peering directly into their eyes you aren't safe from disparaging remarks even from your supposed closest allies - the moment in episode 5 where the camera keeps switching POVs while somebody glares at someone else, who then glares at someone else, who then glares at someone else, etc., etc. does a good job at exemplifying this. Adams, Messina, and particularly Clarkson, Scanlen, Perkins, and Czerny are sublime as these haunted enigmas of people. Gives away some of its themes a touch too on-the-nose later in the game but nonetheless a grim, fragmented, trancelike nightmare of hatred. Magnetic as hell.
Hazel (2934 KP) rated The Last Resort in Books
Nov 29, 2020
Hmmm ... this is a really difficult book to review for me because I am in two minds as to whether I really enjoyed it or not!
The premise is excellent and it started off really well and, I thought, this is going to be good but alas it soon became a tad boring and I gradually lost interest the further on I went. I was hoping for that "wow" ending that might redeem the book a little but, for me, it didn't really happen.
The characters aren't particularly likeable but that doesn't really matter in this book and I ended up looking forward to seeing what inventive ways were going to be employed if/when they were to die but it was all rather "meh" and anti-climatic.
What I did like was the setting of the remote island, the mystery surrounding why they were all there and how the advanced technology was used but I wanted more tension and excitement ... there are times throughout the book where it ramped up a little but they didn't last long enough and there were too many down-times and periods of inactivity for me.
I think there will be many, many people out there who will love this book particularly those who prefer a more slower paced mystery so please don't take my word for it and give it a go if you like the sound of the blurb.
Many thanks to SJI Holliday and NetGalley for my copy in return for an honest, unbiased and unedited review.
The premise is excellent and it started off really well and, I thought, this is going to be good but alas it soon became a tad boring and I gradually lost interest the further on I went. I was hoping for that "wow" ending that might redeem the book a little but, for me, it didn't really happen.
The characters aren't particularly likeable but that doesn't really matter in this book and I ended up looking forward to seeing what inventive ways were going to be employed if/when they were to die but it was all rather "meh" and anti-climatic.
What I did like was the setting of the remote island, the mystery surrounding why they were all there and how the advanced technology was used but I wanted more tension and excitement ... there are times throughout the book where it ramped up a little but they didn't last long enough and there were too many down-times and periods of inactivity for me.
I think there will be many, many people out there who will love this book particularly those who prefer a more slower paced mystery so please don't take my word for it and give it a go if you like the sound of the blurb.
Many thanks to SJI Holliday and NetGalley for my copy in return for an honest, unbiased and unedited review.