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Purple Phoenix Games (2266 KP) rated Sprawlopolis in Tabletop Games
Jun 12, 2019
One of the best parts of the board gaming experience is finding a fun group of people with whom to play! Sometimes, though, coordinating a game night is easier said than done. We all must occasionally forego the group experience and face the world as the Lonely Only. But fear not! The world of solo-play is a vast and exciting realm! What follows is a chronicle of my journey into the solo-playing world – notes on gameplay, mechanics, rules, difficulty, and overall experience with solo variations of commonly multiplayer games! I hope this will provide some insight as you continue to grow your collection, or explore your already owned games!
If you had the chance to design a city, how would you do it? Would you have a park on every block for some nice greenery, or do you think a large commercial district will bring in more people? What about housing – would people live right in the heart of the city, or would they live more on the outskirts? The day has finally come where those decisions are up to you! Well, mostly. You’ve been hired to help design the ultimate city! The city officials have given you some specific requirements, but beyond that, the plans are up to you! Can you meet their needs while also maximizing your space? It’s time to put your skills to the test and build the best city ever!
Sprawlopolis is a cooperative card placement game of only 18 cards. Given 3 random scoring conditions, you must draw and play cards into the city to fulfill those requirements. Meet or exceed their score, and you win the game! Fail to do so, and you have not succeeded in building the city up to specifications. Be careful how you decide to place your cards, however, because depending on the scoring conditions in play, certain placements could result in negative points at the end of the game. Working together, you and your team must decide which cards to play at what time to ensure that the requirements are all met. Solo play is identical to cooperative play, except that you just always have a hand of 3 cards from which to play. The score to beat each game is dependent on the scoring conditions, so this game isn’t just another beat-your-own-high-score game – you actually have a specific number in mind.
For a game with only 18 cards, there is a lot of variability in Sprawlopolis. I have yet to play 2 identical games. The layout of each card is unique, as are all of the scoring conditions, so the possibilities are endless… almost! I also enjoy playing this game solo because it requires a decent amount of strategy. Three things factor into your final score (the scoring conditions, block groupings, and roads) and it is impossible to succeed by focusing on only one of them. Your strategy is always changing based on the cards in your hand, and you really have to think about how to best utilize each card for maximum end-game points. Depending on when and where you play a card, it could change the entire city so you have to be thinking about the big picture, literally! And a neat thing about Sprawlopolis is that you can overlap cards. So maybe a card you played earlier is not really ideal anymore, given your current hand, so you can just cover up either a portion of it or the entire card!
The hardest thing about Sprawlopolis for me is that certain combinations of scoring conditions can be difficult to complete. One may give you points for a certain type of city block, but then another may take away as many, or more, points for that same type of city block. Or one gives you points for certain roads, but all roads result in negative points during end-game scoring. Since the scoring conditions are chosen randomly, there’s not really a way to negate this unless you just re-draw those cards. You usually can’t just look at a scoring condition combination and know if it will be difficult or not either – you just have to try it. I’m not saying they’re impossible necessarily, just harder to successfully complete.
Overall, I think Sprawlopolis is a neat game. It’s fast and easy to learn, yet strategic enough to keep you coming back for more games. I like to use it as a nice light filler game between some bigger games, or I just like to play it if I’ve got a quick 15 minutes to spare! Sprawlopolis is a fun game to play with a group, and it’s also a fun game to play solo. In my arsenal of solo games, it’s definitely one on standby.
https://purplephoenixgames.wordpress.com/2019/02/11/solo-chronicles-sprawlopolis/
If you had the chance to design a city, how would you do it? Would you have a park on every block for some nice greenery, or do you think a large commercial district will bring in more people? What about housing – would people live right in the heart of the city, or would they live more on the outskirts? The day has finally come where those decisions are up to you! Well, mostly. You’ve been hired to help design the ultimate city! The city officials have given you some specific requirements, but beyond that, the plans are up to you! Can you meet their needs while also maximizing your space? It’s time to put your skills to the test and build the best city ever!
Sprawlopolis is a cooperative card placement game of only 18 cards. Given 3 random scoring conditions, you must draw and play cards into the city to fulfill those requirements. Meet or exceed their score, and you win the game! Fail to do so, and you have not succeeded in building the city up to specifications. Be careful how you decide to place your cards, however, because depending on the scoring conditions in play, certain placements could result in negative points at the end of the game. Working together, you and your team must decide which cards to play at what time to ensure that the requirements are all met. Solo play is identical to cooperative play, except that you just always have a hand of 3 cards from which to play. The score to beat each game is dependent on the scoring conditions, so this game isn’t just another beat-your-own-high-score game – you actually have a specific number in mind.
For a game with only 18 cards, there is a lot of variability in Sprawlopolis. I have yet to play 2 identical games. The layout of each card is unique, as are all of the scoring conditions, so the possibilities are endless… almost! I also enjoy playing this game solo because it requires a decent amount of strategy. Three things factor into your final score (the scoring conditions, block groupings, and roads) and it is impossible to succeed by focusing on only one of them. Your strategy is always changing based on the cards in your hand, and you really have to think about how to best utilize each card for maximum end-game points. Depending on when and where you play a card, it could change the entire city so you have to be thinking about the big picture, literally! And a neat thing about Sprawlopolis is that you can overlap cards. So maybe a card you played earlier is not really ideal anymore, given your current hand, so you can just cover up either a portion of it or the entire card!
The hardest thing about Sprawlopolis for me is that certain combinations of scoring conditions can be difficult to complete. One may give you points for a certain type of city block, but then another may take away as many, or more, points for that same type of city block. Or one gives you points for certain roads, but all roads result in negative points during end-game scoring. Since the scoring conditions are chosen randomly, there’s not really a way to negate this unless you just re-draw those cards. You usually can’t just look at a scoring condition combination and know if it will be difficult or not either – you just have to try it. I’m not saying they’re impossible necessarily, just harder to successfully complete.
Overall, I think Sprawlopolis is a neat game. It’s fast and easy to learn, yet strategic enough to keep you coming back for more games. I like to use it as a nice light filler game between some bigger games, or I just like to play it if I’ve got a quick 15 minutes to spare! Sprawlopolis is a fun game to play with a group, and it’s also a fun game to play solo. In my arsenal of solo games, it’s definitely one on standby.
https://purplephoenixgames.wordpress.com/2019/02/11/solo-chronicles-sprawlopolis/
Emma @ The Movies (1786 KP) rated Breakthrough (2019) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
The fact that this film is based on a true story is incredible to think about. I haven't read the book that was written by the boy's mother or read about the actual incident and events online, I'm not sure I want to. I usually like finding out the differences to the actual stories but I wonder if in this instance it might make me change the way I feel about the film.
John is off with his friends having fun, and what's more fun than playing out on a frozen lake? By the time they hear the crack it's too late, the three boys go under. With the emergency services on their way it's a countdown to rescuing them. Two of them have their head above water, but John, knocked unconscious while trying to help his friend out of the water, is sinking. When water rescue appears it may already be too late. They take the search slowly, but John could be anywhere, it's almost certainly too late. Tommy is about to call an end to the search when he hears someone telling him to go back, and there he is.
Rushed to the hospital, the doctors and staff work on trying to bring him back, but as the time elapses there is nothing to do but continue until his family arrive. Joyce, his mother, is devastated and not willing to accept that it's the end... and she prays, asking god to save her son... the monitor beeps to life.
Everywhere I see descriptions of this it says "christian drama". I honestly don't see that the word "christian" needs to be in there. Sure, Joyce prays a fair bit, and their pastor is in it a lot too, but it's still just a drama about something miraculous happening.
By far the best performance for me was Chrissy Metz. Joyce comes across as a very determined woman in everything that she does, and Metz really makes that stand out. From the happiness to the heartbreak, it's all believeable, which sometimes doesn't happen with films that are based on true stories.
I enjoyed Mike Colter as Tommy too. As a non-religious man trying to deal with what happened to him, and what he sees happening to John, the thought process was clear on his face and I liked how he visually interacted with those around him in those moments.
By far the strongest scene for me was the one I mentioned above in the hospital. I think it's always quite challenging to create something that has an impact on the viewer when they already know what the outcome is going to be. In this instance we already know that John doesn't die, we just don't know how the situation is remedied. The hospital staff have left the room and Joyce is with her son, she doesn't want to accept what's before her eyes. We cut between her and the staff outside in the hall in what builds up to an incredible moment. The staff reacting to Joyce as she wails in pain is something that was just stuck in my chest, I could really feel it.
While some are saying that Breakthrough is a christian film, but personally it feels more like a film about community. It's about family, about friends, about everyone around us. It also captures some of the things you have to deal with in these situations. Although fleeting at the end of the film, we see John coming to terms with the fact he survived, his miracle is hard to take for other people and they feel like they need answers, but from where? Him?
Everything about the film felt thoughtful and real, even though some bits felt a little cramped at times. By that I mean they clearly wanted to show the "negativity" and realistic thinking of those around John, he didn't have good odds and everyone would be talking about that. But getting that in felt a little cluttered with everything else going on.
I enjoyed this "christian" film, or as I like to call it "film". I spent a significant amount of time with my sleeves pressed up under my eyes, and when the doctors on screen were telling people to breathe I was doing it to recover. It's not a pushy film, I didn't feel the urge to go and join a congregation after watching it, it's just a wonderful reminder that miracles can happen, and while you wait for them there will be people all around you for support even when you don't expect it.
What you should do
It may not be a film to watch for some, I imagine the content may bring back memories that are difficult, but if you're up to it then it's well worth a watch.
Movie thing you wish you could take home
Just a smidge of Joyce's determination would be good.
John is off with his friends having fun, and what's more fun than playing out on a frozen lake? By the time they hear the crack it's too late, the three boys go under. With the emergency services on their way it's a countdown to rescuing them. Two of them have their head above water, but John, knocked unconscious while trying to help his friend out of the water, is sinking. When water rescue appears it may already be too late. They take the search slowly, but John could be anywhere, it's almost certainly too late. Tommy is about to call an end to the search when he hears someone telling him to go back, and there he is.
Rushed to the hospital, the doctors and staff work on trying to bring him back, but as the time elapses there is nothing to do but continue until his family arrive. Joyce, his mother, is devastated and not willing to accept that it's the end... and she prays, asking god to save her son... the monitor beeps to life.
Everywhere I see descriptions of this it says "christian drama". I honestly don't see that the word "christian" needs to be in there. Sure, Joyce prays a fair bit, and their pastor is in it a lot too, but it's still just a drama about something miraculous happening.
By far the best performance for me was Chrissy Metz. Joyce comes across as a very determined woman in everything that she does, and Metz really makes that stand out. From the happiness to the heartbreak, it's all believeable, which sometimes doesn't happen with films that are based on true stories.
I enjoyed Mike Colter as Tommy too. As a non-religious man trying to deal with what happened to him, and what he sees happening to John, the thought process was clear on his face and I liked how he visually interacted with those around him in those moments.
By far the strongest scene for me was the one I mentioned above in the hospital. I think it's always quite challenging to create something that has an impact on the viewer when they already know what the outcome is going to be. In this instance we already know that John doesn't die, we just don't know how the situation is remedied. The hospital staff have left the room and Joyce is with her son, she doesn't want to accept what's before her eyes. We cut between her and the staff outside in the hall in what builds up to an incredible moment. The staff reacting to Joyce as she wails in pain is something that was just stuck in my chest, I could really feel it.
While some are saying that Breakthrough is a christian film, but personally it feels more like a film about community. It's about family, about friends, about everyone around us. It also captures some of the things you have to deal with in these situations. Although fleeting at the end of the film, we see John coming to terms with the fact he survived, his miracle is hard to take for other people and they feel like they need answers, but from where? Him?
Everything about the film felt thoughtful and real, even though some bits felt a little cramped at times. By that I mean they clearly wanted to show the "negativity" and realistic thinking of those around John, he didn't have good odds and everyone would be talking about that. But getting that in felt a little cluttered with everything else going on.
I enjoyed this "christian" film, or as I like to call it "film". I spent a significant amount of time with my sleeves pressed up under my eyes, and when the doctors on screen were telling people to breathe I was doing it to recover. It's not a pushy film, I didn't feel the urge to go and join a congregation after watching it, it's just a wonderful reminder that miracles can happen, and while you wait for them there will be people all around you for support even when you don't expect it.
What you should do
It may not be a film to watch for some, I imagine the content may bring back memories that are difficult, but if you're up to it then it's well worth a watch.
Movie thing you wish you could take home
Just a smidge of Joyce's determination would be good.
Heather Cranmer (2721 KP) rated The Unbecoming of Mara Dyer (Mara Dyer, #1) in Books
Jun 6, 2018
(This review can be found on my blog <a href="http://themisadventuresofatwentysomething.blogspot.com/">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>).
I'd been wanting to read this book for awhile. It was high up on my TBR pile. I finally couldn't wait any longer and bought it. Luckily, it was money well spent!
Mara Dyer is a 16 year old girl who survived a building collapse although her other friends didn't. She doesn't know why she was the only one to survive. She begins to hear her dead friends voices and seeing them in mirrors and in her waking life. She's convinced she had something to do with their deaths and resolves to stay away from people. However, all that changes when she meets the womanizing Noah Shaw. Will Noah and Mara be able to fall in love or will something or someone prevent that from happening?
I love the title of this book! It sounds so ominous and sad at the same time. The title definitely drew me in. It made me want to know more about this book.
I kind of like the cover, but I don't really get why these two people, who I presume are Noah and Mara, are in water. When I first saw the cover, I presumed that this was going to be one of those books that deal with underwater themes like mermaids and what not, but it's not. Then I thought that maybe it was symbolic about Mara feeling like she was drowning, and Noah is supposed to save her although it looks more like Noah is trying to drown her.
The world building felt very believable throughout most of the book. All my questions were answered in this book which I was super happy about! However, towards the end of the book, the story kind of took a left turn, and I was just like "what". I felt that it got a bit crazy here, and I really can't explain why which I know is bad since this is a review. I know this is a fiction book so of course things won't really happen that happen in books, but without some spoilers, I can't really explain why. Maybe it's just a personal thing.
I enjoyed the pacing and thought it was done quite well. I found myself wanting to know what was going to happen next. I was immersed in the writing, and I didn't want to leave Mara's world.
I loved the whole plot. Mara can make things happen just by visualizing them. (Don't worry, that wasn't a spoiler). I've always wished I could do that, so I enjoyed reading about it. Plus, there's the subplot of the romance with Noah. I'm not a big romance fan since I believe it tends to get in the way of the actual plot (unless, of course, it's a romance book), but the romance was done in an enjoyable way.
I liked Mara a lot. She felt like a real teenage girl. She's under a lot of stress, and I liked seeing how she was able to deal with it. Mara felt like a girl I could be friends with. With Noah, there were times I liked him and times where I thought he was being a bit too mean and bossy. There's a few times (and only a few) where he tells Mara what to do. He does get violent when it comes to defending Mara's honor. I also didn't like how Noah would use Daddy's money to get whatever he wanted. I know he was only doing it for Mara, but still, it rubbed me wrong. I loved the character of Jamie. I loved his wit, and I wished that there was more of him in the book.
The dialogue was well written although there were a few times where the characters would talk like they were in a Dawson's Creek episode or for those that don't get that reference, like Sheldon does in Big Bang Theory. Personally, I've never been in any situation where a whole conversation used such a rich vocabulary, especially when it involve teenagers. This could just be a me thing though. I enjoyed reading about what Mara did in certain situations. As for language, there is a lot of swearing in this book although I don't feel like it's over the top.
Overall, The Unbecoming of Mara Dyer by Michelle Hodkin is a super enjoyable read. The plot is great, the romance is enjoyable, and the characters are very down to Earth. I can't wait to read the next book in the series!
I'd recommend this book to those aged 16+ due to language used. Those who appreciate paranormal elements in their books will love this one!
I'd been wanting to read this book for awhile. It was high up on my TBR pile. I finally couldn't wait any longer and bought it. Luckily, it was money well spent!
Mara Dyer is a 16 year old girl who survived a building collapse although her other friends didn't. She doesn't know why she was the only one to survive. She begins to hear her dead friends voices and seeing them in mirrors and in her waking life. She's convinced she had something to do with their deaths and resolves to stay away from people. However, all that changes when she meets the womanizing Noah Shaw. Will Noah and Mara be able to fall in love or will something or someone prevent that from happening?
I love the title of this book! It sounds so ominous and sad at the same time. The title definitely drew me in. It made me want to know more about this book.
I kind of like the cover, but I don't really get why these two people, who I presume are Noah and Mara, are in water. When I first saw the cover, I presumed that this was going to be one of those books that deal with underwater themes like mermaids and what not, but it's not. Then I thought that maybe it was symbolic about Mara feeling like she was drowning, and Noah is supposed to save her although it looks more like Noah is trying to drown her.
The world building felt very believable throughout most of the book. All my questions were answered in this book which I was super happy about! However, towards the end of the book, the story kind of took a left turn, and I was just like "what". I felt that it got a bit crazy here, and I really can't explain why which I know is bad since this is a review. I know this is a fiction book so of course things won't really happen that happen in books, but without some spoilers, I can't really explain why. Maybe it's just a personal thing.
I enjoyed the pacing and thought it was done quite well. I found myself wanting to know what was going to happen next. I was immersed in the writing, and I didn't want to leave Mara's world.
I loved the whole plot. Mara can make things happen just by visualizing them. (Don't worry, that wasn't a spoiler). I've always wished I could do that, so I enjoyed reading about it. Plus, there's the subplot of the romance with Noah. I'm not a big romance fan since I believe it tends to get in the way of the actual plot (unless, of course, it's a romance book), but the romance was done in an enjoyable way.
I liked Mara a lot. She felt like a real teenage girl. She's under a lot of stress, and I liked seeing how she was able to deal with it. Mara felt like a girl I could be friends with. With Noah, there were times I liked him and times where I thought he was being a bit too mean and bossy. There's a few times (and only a few) where he tells Mara what to do. He does get violent when it comes to defending Mara's honor. I also didn't like how Noah would use Daddy's money to get whatever he wanted. I know he was only doing it for Mara, but still, it rubbed me wrong. I loved the character of Jamie. I loved his wit, and I wished that there was more of him in the book.
The dialogue was well written although there were a few times where the characters would talk like they were in a Dawson's Creek episode or for those that don't get that reference, like Sheldon does in Big Bang Theory. Personally, I've never been in any situation where a whole conversation used such a rich vocabulary, especially when it involve teenagers. This could just be a me thing though. I enjoyed reading about what Mara did in certain situations. As for language, there is a lot of swearing in this book although I don't feel like it's over the top.
Overall, The Unbecoming of Mara Dyer by Michelle Hodkin is a super enjoyable read. The plot is great, the romance is enjoyable, and the characters are very down to Earth. I can't wait to read the next book in the series!
I'd recommend this book to those aged 16+ due to language used. Those who appreciate paranormal elements in their books will love this one!
Gareth von Kallenbach (980 KP) rated Jimmy's Hall (2015) in Movies
Aug 6, 2019
It’s not to often that we folks in America have the opportunity to catch any movies from Ireland.
The few that do come along almost certainly rate high on the scale of exceptional movies that one would want to see. I myself can’t remember a ‘bad’ Irish film. Perhaps one of the reasons for that is the fact that this country has a solid history of countless Irish immigrants coming here and helping to build the foundations for America. Well, today’s film for your consideration doesn’t go back THAT far. It doesn’t even take place in America. However, the history of Irish immigrants (specifically one immigrant) does play a role. Only it involves an Irish immigrant how came to America and then several years later returned to Ireland only to be forcibly deported back to America. I know I know. That explanation makes it sound like a comedy and although the film has many lighthearted moments, I can assure you it’s NOT a comedy. In fact, it deals with an influential figure in one of the more politically turbulent periods in Ireland’s history just before the beginning of the Second World War.
‘Jimmy’s Hall’ is a 2014 Irish-British drama directed by English television and film director Kenneth ‘Ken’ Loach. The film focuses on the events leading up to the deportation from Ireland of Jimmy Gralton, who led a precursor to Ireland’s communist party in the county Leitrim.
Starring Barry Ward, Simone Kirby, and Irish character actor Jim Norton, the film opens in 1932. Jimmy (Ward) has just returned to his home to help his mother tend the family farm after spending 10 years in the United States in the midst of the Great Depression coinciding with the establishment of a new government in the aftermath of the Civil War between pro-British and anti-British forces.
Reluctant to anger his old enemies, the church and the landowners who forced him to leave Ireland, but eager to meet the needs of the people of Leitrim, Jimmy (Ward) decides to reopen the ‘Hall’, a center for young people where they can meet to study, talk, dance, play music, learn to read, debate issues of the day. Free to all and open to anyone who wishes to learn while respecting the views and opinions of others, the ‘Hall’ is an immediate success. Not everyone is pleased to see Jimmy resuming his old activities. In particular the church and local priest (Norton) who see Gralton as not only a ‘bad influence’, but also as a follower of Stalin who as history knows sent countless millions (including religious leaders) to their deaths.
Despite the complaints and at times violent reactions on the part of the supporters of the church and the landowners, Gralton tries desperately to make them realize he has absolutely no connection to Stalin and has no desire to bring down the church. Only to better the situation for everyone. Jimmy even invites the local priest to take a leadership role in the Hall’s committee. In the end though, the fears of the church and the state go unchanged. Jimmy is a communist and although he has no connection Stalin the church and the government see them as one in the same. The police take Jimmy into custody at his family’s farm and forcibly deport him back to America even so much as denying him on last chance to see his ailing mother.
In education systems there are books and films which are considered ‘required reading’ or in this case ‘required viewing’. This film should be required viewing. It is not just an excellent film about a historical Irish political figure or as I mentioned earlier a film about a turbulent point in Irish history. It’s an example of the greater ‘world conflict’ between what became the western bloc and the eastern bloc. Both sides in that grater conflict saw each other the same way the two sides in the Irish countryside of the 1930s saw each other. The ones that meant well and only wanted to better the situation for everyone including themselves inspired fear in those who had power and those who had the power inspired fear in those who meant well. This movie showed that not all political figures are evil … nor are all religious figures. It’s the individual or several individuals within those groups that are reluctant to change.
I would highly recommend this film. Regardless of the content it’s an excellent film. If this film is as good as most films made in Ireland, they definitely need to start exporting them on a grander scale. I’d give this film 4 out of 5 stars.
This is your friendly neighborhood photographer ‘The CameraMan’ and on behalf of my fellows at ‘Skewed & Reviewed’ I’d like to say thanks for reading and we’ll see you at the movies
The few that do come along almost certainly rate high on the scale of exceptional movies that one would want to see. I myself can’t remember a ‘bad’ Irish film. Perhaps one of the reasons for that is the fact that this country has a solid history of countless Irish immigrants coming here and helping to build the foundations for America. Well, today’s film for your consideration doesn’t go back THAT far. It doesn’t even take place in America. However, the history of Irish immigrants (specifically one immigrant) does play a role. Only it involves an Irish immigrant how came to America and then several years later returned to Ireland only to be forcibly deported back to America. I know I know. That explanation makes it sound like a comedy and although the film has many lighthearted moments, I can assure you it’s NOT a comedy. In fact, it deals with an influential figure in one of the more politically turbulent periods in Ireland’s history just before the beginning of the Second World War.
‘Jimmy’s Hall’ is a 2014 Irish-British drama directed by English television and film director Kenneth ‘Ken’ Loach. The film focuses on the events leading up to the deportation from Ireland of Jimmy Gralton, who led a precursor to Ireland’s communist party in the county Leitrim.
Starring Barry Ward, Simone Kirby, and Irish character actor Jim Norton, the film opens in 1932. Jimmy (Ward) has just returned to his home to help his mother tend the family farm after spending 10 years in the United States in the midst of the Great Depression coinciding with the establishment of a new government in the aftermath of the Civil War between pro-British and anti-British forces.
Reluctant to anger his old enemies, the church and the landowners who forced him to leave Ireland, but eager to meet the needs of the people of Leitrim, Jimmy (Ward) decides to reopen the ‘Hall’, a center for young people where they can meet to study, talk, dance, play music, learn to read, debate issues of the day. Free to all and open to anyone who wishes to learn while respecting the views and opinions of others, the ‘Hall’ is an immediate success. Not everyone is pleased to see Jimmy resuming his old activities. In particular the church and local priest (Norton) who see Gralton as not only a ‘bad influence’, but also as a follower of Stalin who as history knows sent countless millions (including religious leaders) to their deaths.
Despite the complaints and at times violent reactions on the part of the supporters of the church and the landowners, Gralton tries desperately to make them realize he has absolutely no connection to Stalin and has no desire to bring down the church. Only to better the situation for everyone. Jimmy even invites the local priest to take a leadership role in the Hall’s committee. In the end though, the fears of the church and the state go unchanged. Jimmy is a communist and although he has no connection Stalin the church and the government see them as one in the same. The police take Jimmy into custody at his family’s farm and forcibly deport him back to America even so much as denying him on last chance to see his ailing mother.
In education systems there are books and films which are considered ‘required reading’ or in this case ‘required viewing’. This film should be required viewing. It is not just an excellent film about a historical Irish political figure or as I mentioned earlier a film about a turbulent point in Irish history. It’s an example of the greater ‘world conflict’ between what became the western bloc and the eastern bloc. Both sides in that grater conflict saw each other the same way the two sides in the Irish countryside of the 1930s saw each other. The ones that meant well and only wanted to better the situation for everyone including themselves inspired fear in those who had power and those who had the power inspired fear in those who meant well. This movie showed that not all political figures are evil … nor are all religious figures. It’s the individual or several individuals within those groups that are reluctant to change.
I would highly recommend this film. Regardless of the content it’s an excellent film. If this film is as good as most films made in Ireland, they definitely need to start exporting them on a grander scale. I’d give this film 4 out of 5 stars.
This is your friendly neighborhood photographer ‘The CameraMan’ and on behalf of my fellows at ‘Skewed & Reviewed’ I’d like to say thanks for reading and we’ll see you at the movies
Mothergamer (1586 KP) rated the PlayStation 3 version of Catherine in Video Games
Apr 3, 2019
First of all, let me say that while I know a lot of you love Atlus games as much as I do, Catherine is not a typical video game. In fact, it is a sliding block puzzle game with a great story woven in. If you're not big on puzzle games, Catherine may not be the video game for you. However, if you genuinely enjoy challenging puzzles and are a puzzle game addict like myself, Catherine definitely gives you your money's worth.
Catherine is much more than a puzzle game however. The story is definitely what brings everything together. It addresses adult situations, things that people go through or suffer such as, fear of commitment, infidelity, and about how some people are childish and won't take responsibility for their actions. It's a unique title and simply an adult video game because it involves adult situations and the issues we have as we get older.
The story centers around Vincent Brooks who has a girlfriend by the name of Katherine. They're both in their early thirties and Katherine's biological clock is ticking which she hints at to him by telling him her mother has asked where the relationship is going. Vincent isn't sure he's ready for that level of commitment yet and says as much to his buddies he hangs out with at the local bar.
One night while hanging out at the bar mulling over a sliding block nightmare he had the night before, he runs into a beautiful blonde bombshell by the name of Catherine. Apparently after blacking out, he wakes up after another nightmare to find that she has spent the night. Of course, Vincent freaks out completely. Now, Vincent has to make a choice between lust and love, have good times with Catherine or finally make a commitment to Katherine.
Vincent's nightmares continue and even worse, people actually seem to be dying in them.Healthy men in their twenties and thirties are found dead in their beds and there seems to be no reason for it. A rumor goes around that it is a woman cursing all these men for being unfaithful. Is the rumor true? Vincent has to find out, climbing for his life one nightmare at a time.
Vincent Brooks In His Nightmare
Vincent's nightmares are the heart and soul of the puzzle sections. Every night, he wakes up surrounded by sheep, with horns growing out of his head and a voice taunting him to come up. There are items along the way that help you with the puzzles, but many obstacles as well involving sheep that are trying to climb also as the world crumbles behind them. You have a reason to climb, survival and the inner demons Vincent is struggling with. If you don't climb, you die. One example of this is, there's a giant monster version of Vincent's girlfriend Katherine, trying to grab him and smash the heck out of him. If Vincent's not quick enough to climb all those blocks to the top, he will surely die.
Every night, there's a different puzzle with each nightmare and depending on how quickly you get to the top and how many points you get, you can win gold, silver, or bronze trophies. The complexity of the puzzles is very interesting and the story is well written and captures your attention perfectly. It sounds silly, but you actually feel a sense of accomplishment when you have figured out a rather difficult puzzle.
Solve The Puzzle Or Die Trying
This brings up the next point. Some of the puzzles in Catherine will make you want to punch every living thing in your path. The difficulty level is excruciatingly high on a variety of them. There's no shame in playing a game on the Easy level. I know I will try a game on Easy first, to get a feel for the controls, to see how well the game plays, and to have a chance to genuinely enjoy the story that is being told. Then I will play again working on all the achievements and trophies, and improving my game scores. This is what I did with Catherine and some of those puzzles made me want to punch whoever designed it right in the face. A challenge is all well and good and definitely in a puzzle game, but when the game is on the Easy setting and it's still making you weep bitter tears of defeat, that is a big problem. Don't believe me? Apparently the difficulty level was such a destroyer of worlds, that the Japanese gamers complained about it. Frankly, that said quite a lot to me about how high Atlus raised the bar on these puzzles. The complaints were so many, that Atlus promised to put a patch in that would make the game much less difficult on Easy. I do understand their reasoning that they wanted the game to be challenging, so that players could reap huge rewards when they solved a puzzle, but the Easy setting in a game should be just that, easy and not throw people into the deep end with a sink or swim attitude. That's what the Hard and Nightmare settings are for.
However, there is hope! There is a secret trick to get to a Very Easy mode. It's a secret that Atlus put in to make the game a cake walk for players. When you access the main menu of the game, highlight Golden Playhouse and hold the back or select button for a few seconds. The screen will flash with a prompt telling you Very Easy mode has been activated. From there, the puzzles are much easier, and you can actually enjoy the story without those resentful feelings and frustration. It is a nice touch, and I give kudos to Atlus for caring enough about fans of their games to put it in there, because they do want people to enjoy the game.
Overalll, the game is great. The story is well thought out and acted out well with a great voice cast. There are also interesting characters that Vincent meets in the bar and can talk to, even help them with their issues. There is also a fun mini game in Catherine, called Rapunzel that is a sliding block puzzle game also that gives you pretty good rewards when you beat all the levels, along with opportunities to unlock music from various Atlus games and the Catherine game to play on the jukebox in the bar.
I have always loved the artwork in Atlus video games and Catherine is no exception. Right down to the animated short cut scenes, everything is colorful, seamless, and you really appreciate how everything ties together. The music, the voice cast, and the game play all mesh into a fantastic video game. Catherine is definitely a game worth having in any gaming enthusiast's collection and absolutely worth playing more than once.
Catherine is much more than a puzzle game however. The story is definitely what brings everything together. It addresses adult situations, things that people go through or suffer such as, fear of commitment, infidelity, and about how some people are childish and won't take responsibility for their actions. It's a unique title and simply an adult video game because it involves adult situations and the issues we have as we get older.
The story centers around Vincent Brooks who has a girlfriend by the name of Katherine. They're both in their early thirties and Katherine's biological clock is ticking which she hints at to him by telling him her mother has asked where the relationship is going. Vincent isn't sure he's ready for that level of commitment yet and says as much to his buddies he hangs out with at the local bar.
One night while hanging out at the bar mulling over a sliding block nightmare he had the night before, he runs into a beautiful blonde bombshell by the name of Catherine. Apparently after blacking out, he wakes up after another nightmare to find that she has spent the night. Of course, Vincent freaks out completely. Now, Vincent has to make a choice between lust and love, have good times with Catherine or finally make a commitment to Katherine.
Vincent's nightmares continue and even worse, people actually seem to be dying in them.Healthy men in their twenties and thirties are found dead in their beds and there seems to be no reason for it. A rumor goes around that it is a woman cursing all these men for being unfaithful. Is the rumor true? Vincent has to find out, climbing for his life one nightmare at a time.
Vincent Brooks In His Nightmare
Vincent's nightmares are the heart and soul of the puzzle sections. Every night, he wakes up surrounded by sheep, with horns growing out of his head and a voice taunting him to come up. There are items along the way that help you with the puzzles, but many obstacles as well involving sheep that are trying to climb also as the world crumbles behind them. You have a reason to climb, survival and the inner demons Vincent is struggling with. If you don't climb, you die. One example of this is, there's a giant monster version of Vincent's girlfriend Katherine, trying to grab him and smash the heck out of him. If Vincent's not quick enough to climb all those blocks to the top, he will surely die.
Every night, there's a different puzzle with each nightmare and depending on how quickly you get to the top and how many points you get, you can win gold, silver, or bronze trophies. The complexity of the puzzles is very interesting and the story is well written and captures your attention perfectly. It sounds silly, but you actually feel a sense of accomplishment when you have figured out a rather difficult puzzle.
Solve The Puzzle Or Die Trying
This brings up the next point. Some of the puzzles in Catherine will make you want to punch every living thing in your path. The difficulty level is excruciatingly high on a variety of them. There's no shame in playing a game on the Easy level. I know I will try a game on Easy first, to get a feel for the controls, to see how well the game plays, and to have a chance to genuinely enjoy the story that is being told. Then I will play again working on all the achievements and trophies, and improving my game scores. This is what I did with Catherine and some of those puzzles made me want to punch whoever designed it right in the face. A challenge is all well and good and definitely in a puzzle game, but when the game is on the Easy setting and it's still making you weep bitter tears of defeat, that is a big problem. Don't believe me? Apparently the difficulty level was such a destroyer of worlds, that the Japanese gamers complained about it. Frankly, that said quite a lot to me about how high Atlus raised the bar on these puzzles. The complaints were so many, that Atlus promised to put a patch in that would make the game much less difficult on Easy. I do understand their reasoning that they wanted the game to be challenging, so that players could reap huge rewards when they solved a puzzle, but the Easy setting in a game should be just that, easy and not throw people into the deep end with a sink or swim attitude. That's what the Hard and Nightmare settings are for.
However, there is hope! There is a secret trick to get to a Very Easy mode. It's a secret that Atlus put in to make the game a cake walk for players. When you access the main menu of the game, highlight Golden Playhouse and hold the back or select button for a few seconds. The screen will flash with a prompt telling you Very Easy mode has been activated. From there, the puzzles are much easier, and you can actually enjoy the story without those resentful feelings and frustration. It is a nice touch, and I give kudos to Atlus for caring enough about fans of their games to put it in there, because they do want people to enjoy the game.
Overalll, the game is great. The story is well thought out and acted out well with a great voice cast. There are also interesting characters that Vincent meets in the bar and can talk to, even help them with their issues. There is also a fun mini game in Catherine, called Rapunzel that is a sliding block puzzle game also that gives you pretty good rewards when you beat all the levels, along with opportunities to unlock music from various Atlus games and the Catherine game to play on the jukebox in the bar.
I have always loved the artwork in Atlus video games and Catherine is no exception. Right down to the animated short cut scenes, everything is colorful, seamless, and you really appreciate how everything ties together. The music, the voice cast, and the game play all mesh into a fantastic video game. Catherine is definitely a game worth having in any gaming enthusiast's collection and absolutely worth playing more than once.
Haley Mathiot (9 KP) rated Lockdown (Escape from Furnace, #1) in Books
Apr 27, 2018
<b> My summary: </b> Alex was like any other boy. Go to school, hang out with his group, and control the monkey bars. But when he started stealing, his life changed for the worse. Out of nowhere, his best friend is murdered, and he is framed for it. he is sent to the child prison: a Hell hole. Worse than Hell. Furnace. When he’s there, he is disgusted with the way people live. Kids do hard labor like chipping rock. Gangs kill kids. and he isn’t the only innocent person who was framed. But there’s no hope of escape. Nobody can escape furnace. Or at least, that’s what they all say. <i> But that’s only because nobody ever has… </i>
<b> What I felt: </b> Personally, the first time I looked at the cover, I found it just a little disturbing. I thought “eh, I doubt very seriously I’ll like that book. But hey—they want to send me a free book? I’ll take a free book.” So no, I didn’t really like the cover. They could have done much better, either artistically or graphically or even with the colors. But that’s just me as an artist and a girl :D so I did judge it. boy was that a mistake.
The first sentence of this book seemed to grab me by the neck: “If I stopped running, I was dead.” From there, the entire book held me and wouldn’t let me go, from that first sentence to the very end. In fact, it held me after the end, too. I distinctly remember my blood racing, heart beating, sweating, adrenalin searing through my veins while I read this book! It was breathtaking and riveting to the last word. And even after the last word. I sat there, staring at the blank page, gasping and panting like a dog from lack of oxygen from reading a book. (that doesn’t happen very often, people.)
<b> Characters: </b> The characters in this book were very relatable. They weren’t super people, they were real. They handled the horrific experiences of Furnace the same way I would have—screaming in their sleep, crying, throwing up from the horrors.
<b> Writing: </b> the writing was very good—not one of those books where the author just says what he wants to say. Alexander Gordon Smith followed my creative writing teachers’ first rule: Show, don’t tell. It was an amazing thing to read, the language was very full in vocabulary, and it had good prose. There wasn’t any really bad foul language either, like some of the other teen books I’ve been reading lately.
Recommendation: this book is a thriller, not a horror book, even though it’s mildly graphic (mildly. Not really that bad. Descriptive enough to be kinda gross at times… but hey, it could be just because I’m a girl.). It’s not the most horrific book I’ve ever read, but it’s certainly not for an eight-year-old. Personally I’d recommend it for anyone fourteen and up (but that’s just me).
Here is a link for a giveaway for this book! http://haleymathiot.blogspot.com/2009/09/win-lockdown.html
<b> What I felt: </b> Personally, the first time I looked at the cover, I found it just a little disturbing. I thought “eh, I doubt very seriously I’ll like that book. But hey—they want to send me a free book? I’ll take a free book.” So no, I didn’t really like the cover. They could have done much better, either artistically or graphically or even with the colors. But that’s just me as an artist and a girl :D so I did judge it. boy was that a mistake.
The first sentence of this book seemed to grab me by the neck: “If I stopped running, I was dead.” From there, the entire book held me and wouldn’t let me go, from that first sentence to the very end. In fact, it held me after the end, too. I distinctly remember my blood racing, heart beating, sweating, adrenalin searing through my veins while I read this book! It was breathtaking and riveting to the last word. And even after the last word. I sat there, staring at the blank page, gasping and panting like a dog from lack of oxygen from reading a book. (that doesn’t happen very often, people.)
<b> Characters: </b> The characters in this book were very relatable. They weren’t super people, they were real. They handled the horrific experiences of Furnace the same way I would have—screaming in their sleep, crying, throwing up from the horrors.
<b> Writing: </b> the writing was very good—not one of those books where the author just says what he wants to say. Alexander Gordon Smith followed my creative writing teachers’ first rule: Show, don’t tell. It was an amazing thing to read, the language was very full in vocabulary, and it had good prose. There wasn’t any really bad foul language either, like some of the other teen books I’ve been reading lately.
Recommendation: this book is a thriller, not a horror book, even though it’s mildly graphic (mildly. Not really that bad. Descriptive enough to be kinda gross at times… but hey, it could be just because I’m a girl.). It’s not the most horrific book I’ve ever read, but it’s certainly not for an eight-year-old. Personally I’d recommend it for anyone fourteen and up (but that’s just me).
Here is a link for a giveaway for this book! http://haleymathiot.blogspot.com/2009/09/win-lockdown.html
Darren (1599 KP) rated 45 Years (2015) in Movies
Jun 20, 2019
Story: 45 Years starts as we meet the Mercer’s, Kate (Rampling) Geoff (Courtenay) a married couple preparing for their 45th wedding anniversary, Kate does most of the planning and does extra caring for Geoff because of his memory starting to go. They are respected through the whole town with most of the people looking forward to the party.
When Geoff starts remembering the story of a woman he met before Kate, it puts Kate’s feelings in a frenzy and she wants to learn where she really stands in his life after all these years.
Thoughts on 45 Years
Characters – Kate is the former teacher (I think) who has been married for 45 years in what she believed was a perfect marriage, until she learns about a woman before they met, she goes through the questions of just where she stands in his life, even after all these years. Geoff is her husband, his memory isn’t what it used to be and it is his memory of his former love that puts the story on the rocks. Everyone else we meet are people from the town, friends who have known them for years.
Performances – Charlotte Rampling got an Oscar nomination for this role, you can see why she is fantastic as we see how she must try to hold in her emotions through the struggle. Tom Courtenay is also fantastic as the elderly man that can’t keep everything together like he once did. The rest of the cast doesn’t get too much screen time which is fine because it is our couple story.
Story – The story follows a couple of soon to be 45 years preparing for their anniversary, only for a moment to throw the years or marriage out the window through the eyes of one of the couple. We only follow the week leading up to the event which is great because we know how happy their marriage was before the events. It shows how one moment could change how everything seems which is reality many people would have in life and it also shows how important love can be for a couple even if at times things could be questioned.
Romance – The romance in this film shows just what the two would have been through with the years of marriage, how they must learn to stay loyal to each other no matter what.
Settings – The film keeps us in the singular town setting, it gives the film an authentic feeling of just where the couple have been for years and never look out of place here.
Scene of the Movie – The party.
That Moment That Annoyed Me – It is never fully explained is Geoff is just getting old or ill with his memory issues.
Final Thoughts – This is one of those dramas you can see why it got the Oscars attention, but it won’t be something for the casual film fans to be going to watch and it does show how a real long-term relationship goes.
https://moviesreview101.com/2018/09/27/abc-film-challenge-romance-45-years-2015/
When Geoff starts remembering the story of a woman he met before Kate, it puts Kate’s feelings in a frenzy and she wants to learn where she really stands in his life after all these years.
Thoughts on 45 Years
Characters – Kate is the former teacher (I think) who has been married for 45 years in what she believed was a perfect marriage, until she learns about a woman before they met, she goes through the questions of just where she stands in his life, even after all these years. Geoff is her husband, his memory isn’t what it used to be and it is his memory of his former love that puts the story on the rocks. Everyone else we meet are people from the town, friends who have known them for years.
Performances – Charlotte Rampling got an Oscar nomination for this role, you can see why she is fantastic as we see how she must try to hold in her emotions through the struggle. Tom Courtenay is also fantastic as the elderly man that can’t keep everything together like he once did. The rest of the cast doesn’t get too much screen time which is fine because it is our couple story.
Story – The story follows a couple of soon to be 45 years preparing for their anniversary, only for a moment to throw the years or marriage out the window through the eyes of one of the couple. We only follow the week leading up to the event which is great because we know how happy their marriage was before the events. It shows how one moment could change how everything seems which is reality many people would have in life and it also shows how important love can be for a couple even if at times things could be questioned.
Romance – The romance in this film shows just what the two would have been through with the years of marriage, how they must learn to stay loyal to each other no matter what.
Settings – The film keeps us in the singular town setting, it gives the film an authentic feeling of just where the couple have been for years and never look out of place here.
Scene of the Movie – The party.
That Moment That Annoyed Me – It is never fully explained is Geoff is just getting old or ill with his memory issues.
Final Thoughts – This is one of those dramas you can see why it got the Oscars attention, but it won’t be something for the casual film fans to be going to watch and it does show how a real long-term relationship goes.
https://moviesreview101.com/2018/09/27/abc-film-challenge-romance-45-years-2015/
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Emma @ The Movies (1786 KP) rated First Man (2018) in Movies
Sep 25, 2019
I have put off writing this review because I honestly didn't know what, or more precisely how to sum up my feelings about this movie. That's not a typo at the top. I'm giving this one star, and honestly I nearly didn't even give it that.
Previously I've mentioned that I will happily sit through a movie bawling my eyes out. I hadn't quite realised how important it was to have good characters behind the emotional pieces. Twice this movie brought a tear to my eye, and neither were when I particularly expected. I'll circle back round to one of those in a moment.
It is entirely possible that how these people were portrayed is accurate to real life, I honestly don't know much about the people apart from what most around the world know. I could make no emotional connection with them. So much so that at the beginning of the film when we have our first opportunity to sympathise with them I was left frowning at the screen wondering how this devastating story line left me not caring.
The redeeming feature in this film was the Armstrong's oldest son. For the most part they're just around in the periphery of the story, after all most people are there for the space film not the biopic, but he earned this star. Janet makes Neil talk to their sons about the mission he's about to leave for, the boy is just old enough to know what it might mean, how dangerous it is, and in that moment he gave a brilliant performance and I could feel his sadness and anger.
Until I saw Blade Runner 2049 I had not seen Ryan Gosling in a film in 15 years. (I have seen Murder By Numbers but didn't realise he was in it until about five minutes ago.) From that one film I was sold on him as an actor, he played that part really well and I could almost forgive him for doing La La Land. (I have not seen La La Land. However, thanks to the film's sponsorship of drama on ITV2 at a peak moment in time for series I was watching, I have seen the trailer hundreds of times and vowed never to watch it.) Gosling's role in this pained me. As I said, I don't know the people this film is based on, his portrayal of Armstrong could be entirely accurate but I didn't find anything about it believable. His devastation at the beginning of the movie appeared like it should have been a genuine heartbreak for him, and yet his performance didn't reflect that at all apart from some unconvincing wailing.
Claire Foy's Janet Armstrong, again, could be accurate I honestly don't know. Listening to her spend a lot of her time getting angry left me frustrated. Anger is a strong emotion, yet it was another performance that didn't leave me identifying with her pain. I knew where it should have been, but I couldn't find it in any of the scenes.
I feel like I could go on about this for ages. Originally I was going to give First Man two stars, which on my score card is for films that I didn't like but I can see that they're well done and could appeal to other people. Usually that would mean the subject matter isn't too my liking but the performances were good... well. Yeah.
While I can understand the chaotic nature of shuttle's in flight, starting a film with camera shots that are so violently shaky that you can't tell what's going on didn't sit well with me. From the very start you're left confused and not knowing exactly who or what you're watching. Unfortunately that was not the only time that shot was used. The film didn't seem glossy, if that makes sense. It's a film in 2018, we want to see the past in glorious high definition, but everything felt a little retro in an old kind of way. Shaky camera was a constant feature and when we see the exterior shots of the module in space I honestly though I was watching a less technicolour version of Red Dwarf. With one main difference, I like Red Dwarf.
Lots of production choices make sense to some degree. When we go from the landing to getting down on to the moon there is silence. I can see that silence would be a good tool in what is essentially nothingness. But would it have been silent? Wouldn't they have heard console beeping, com channels, and the sound of their own breathing? The silence was deafening, and dull.
When I came out of the film I really couldn't reconcile what I'd seen with what people had been raving about. There was no redeeming feature for me. So much potential telling a story that everyone knows, but doesn't really, and I was left with a bad taste in my mouth and the desire to watch Apollo 13 to reassure myself that there were better films out there.
What you should do
You're going to go and see it because everyone thinks it's amazing. You shouldn't bother. Don't watch it on DVD, don't watch it streaming... buy yourself a copy of Apollo 13 instead.
Movie thing you wish you could take home
I want nothing from this film. Anything I could have would be a horrible reminder of me wasting my time at the cinema.
Previously I've mentioned that I will happily sit through a movie bawling my eyes out. I hadn't quite realised how important it was to have good characters behind the emotional pieces. Twice this movie brought a tear to my eye, and neither were when I particularly expected. I'll circle back round to one of those in a moment.
It is entirely possible that how these people were portrayed is accurate to real life, I honestly don't know much about the people apart from what most around the world know. I could make no emotional connection with them. So much so that at the beginning of the film when we have our first opportunity to sympathise with them I was left frowning at the screen wondering how this devastating story line left me not caring.
The redeeming feature in this film was the Armstrong's oldest son. For the most part they're just around in the periphery of the story, after all most people are there for the space film not the biopic, but he earned this star. Janet makes Neil talk to their sons about the mission he's about to leave for, the boy is just old enough to know what it might mean, how dangerous it is, and in that moment he gave a brilliant performance and I could feel his sadness and anger.
Until I saw Blade Runner 2049 I had not seen Ryan Gosling in a film in 15 years. (I have seen Murder By Numbers but didn't realise he was in it until about five minutes ago.) From that one film I was sold on him as an actor, he played that part really well and I could almost forgive him for doing La La Land. (I have not seen La La Land. However, thanks to the film's sponsorship of drama on ITV2 at a peak moment in time for series I was watching, I have seen the trailer hundreds of times and vowed never to watch it.) Gosling's role in this pained me. As I said, I don't know the people this film is based on, his portrayal of Armstrong could be entirely accurate but I didn't find anything about it believable. His devastation at the beginning of the movie appeared like it should have been a genuine heartbreak for him, and yet his performance didn't reflect that at all apart from some unconvincing wailing.
Claire Foy's Janet Armstrong, again, could be accurate I honestly don't know. Listening to her spend a lot of her time getting angry left me frustrated. Anger is a strong emotion, yet it was another performance that didn't leave me identifying with her pain. I knew where it should have been, but I couldn't find it in any of the scenes.
I feel like I could go on about this for ages. Originally I was going to give First Man two stars, which on my score card is for films that I didn't like but I can see that they're well done and could appeal to other people. Usually that would mean the subject matter isn't too my liking but the performances were good... well. Yeah.
While I can understand the chaotic nature of shuttle's in flight, starting a film with camera shots that are so violently shaky that you can't tell what's going on didn't sit well with me. From the very start you're left confused and not knowing exactly who or what you're watching. Unfortunately that was not the only time that shot was used. The film didn't seem glossy, if that makes sense. It's a film in 2018, we want to see the past in glorious high definition, but everything felt a little retro in an old kind of way. Shaky camera was a constant feature and when we see the exterior shots of the module in space I honestly though I was watching a less technicolour version of Red Dwarf. With one main difference, I like Red Dwarf.
Lots of production choices make sense to some degree. When we go from the landing to getting down on to the moon there is silence. I can see that silence would be a good tool in what is essentially nothingness. But would it have been silent? Wouldn't they have heard console beeping, com channels, and the sound of their own breathing? The silence was deafening, and dull.
When I came out of the film I really couldn't reconcile what I'd seen with what people had been raving about. There was no redeeming feature for me. So much potential telling a story that everyone knows, but doesn't really, and I was left with a bad taste in my mouth and the desire to watch Apollo 13 to reassure myself that there were better films out there.
What you should do
You're going to go and see it because everyone thinks it's amazing. You shouldn't bother. Don't watch it on DVD, don't watch it streaming... buy yourself a copy of Apollo 13 instead.
Movie thing you wish you could take home
I want nothing from this film. Anything I could have would be a horrible reminder of me wasting my time at the cinema.