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Lyndsey Gollogly (2893 KP) rated The Merchant's House (Wesley Peterson #1) in Books
Jul 19, 2021
111 of 250
Book
The Merchants House ( Wesley Peterson book 1)
By Kate Ellis
Once read a review will be written via Smashbomb and link posted in comments
Detective Sergeant (and amateur archaeologist) Wesley Peterson hoped that a transfer from the lively but frantic pace of London to the bucolic river port of Tradmouth would have a positive effect on both his personal and professional lives. But Wes's first day on the job has hardly begun before he finds himself heading up an investigation into the murder of an unidentified young woman whose face has been brutally disfigured. And it's not long before Wes discovers that the Tradmouth force is as hopelessly overstretched as London's Met; in addition to the unidentified murder victim, the local police have been embroiled in a frantic search for a missing child. As Wes and his fellow detectives try to determine the identity of the young woman in hopes of catching her murderer, a strange parallel emerges between this case and a nearby archeological dig being conducted by Wes's college friend. Two skeletons have been unearthed in the ruins of a seventeenth-century merchant's house, one of them the apparent victim of a four-hundred-year-old murder. At first Wes is interested on a purely personal level, but strange connections between the murdered girl, the missing child, and the murder that occurred four hundred years ago soon begin to surface. Wes must act quickly to prove his suspicions, before another body joins those already residing in the dust of the merchant's house.
I struggled and struggled it had so many issues and the book was quite boring!
I will never encourage anyone to not read a book I think it’s important that people try as many books as possible. This is just my opinion.
Book
The Merchants House ( Wesley Peterson book 1)
By Kate Ellis
Once read a review will be written via Smashbomb and link posted in comments
Detective Sergeant (and amateur archaeologist) Wesley Peterson hoped that a transfer from the lively but frantic pace of London to the bucolic river port of Tradmouth would have a positive effect on both his personal and professional lives. But Wes's first day on the job has hardly begun before he finds himself heading up an investigation into the murder of an unidentified young woman whose face has been brutally disfigured. And it's not long before Wes discovers that the Tradmouth force is as hopelessly overstretched as London's Met; in addition to the unidentified murder victim, the local police have been embroiled in a frantic search for a missing child. As Wes and his fellow detectives try to determine the identity of the young woman in hopes of catching her murderer, a strange parallel emerges between this case and a nearby archeological dig being conducted by Wes's college friend. Two skeletons have been unearthed in the ruins of a seventeenth-century merchant's house, one of them the apparent victim of a four-hundred-year-old murder. At first Wes is interested on a purely personal level, but strange connections between the murdered girl, the missing child, and the murder that occurred four hundred years ago soon begin to surface. Wes must act quickly to prove his suspicions, before another body joins those already residing in the dust of the merchant's house.
I struggled and struggled it had so many issues and the book was quite boring!
I will never encourage anyone to not read a book I think it’s important that people try as many books as possible. This is just my opinion.
LeftSideCut (3776 KP) rated Underwater (2020) in Movies
Sep 11, 2020
Fair play, Underwater doesn't fuck around - 2 minutes in and all hell starts breaking loose and shit hits the fan pretty relentlessly until the credits roll. It's clear that director William Eubank wants your attention from the beginning - unfortunately it doesn't quite stay like this throughout...
I actually enjoyed Underwater for the most part, it's just that somewhere in the middle, it really starts to drag a bit, and I'm not even quite sure why - there's always something going on but it just lost me a bit.
Fortunately, the up and down middle act is book-ended by a very strong and tense first act, and one hell of a final third - no spoilers here but holy fuck!!!
The ending 'reveal' honestly elevates Underwater to loftier heights.
It also benefits from a good cast. Kristen Stewart has really grown on me in recent years and she's a fantastic lead in this. Always a pleasure to have Jessica Henwick and John Gallagher Jr. onscreen as well.
As per usual, I couldn't really get on with T.J. Miller - there's just something about that dude that always feels a bit too try hard - people liked him in Deadpool and now he's just typecast as the comic relief - Underwater doesn't really need comic relief.
There are some genuinely tense moments here and there, and the Aliens vibes are prominent - it's of course a few tiers under Aliens, but the bottom of the sea feels just as empty and otherworldly as space, and the creature designs are suitably eerie. The low light levels cover up a lot of CGI, so it never looks too fake either, with the exception of a couple of dodgy gore effects.
Underwater is a decent enough sci-fi-horror thriller that suffer a bit from pacing issues, but a good watch for those of you who like movie monsters.
I actually enjoyed Underwater for the most part, it's just that somewhere in the middle, it really starts to drag a bit, and I'm not even quite sure why - there's always something going on but it just lost me a bit.
Fortunately, the up and down middle act is book-ended by a very strong and tense first act, and one hell of a final third - no spoilers here but holy fuck!!!
The ending 'reveal' honestly elevates Underwater to loftier heights.
It also benefits from a good cast. Kristen Stewart has really grown on me in recent years and she's a fantastic lead in this. Always a pleasure to have Jessica Henwick and John Gallagher Jr. onscreen as well.
As per usual, I couldn't really get on with T.J. Miller - there's just something about that dude that always feels a bit too try hard - people liked him in Deadpool and now he's just typecast as the comic relief - Underwater doesn't really need comic relief.
There are some genuinely tense moments here and there, and the Aliens vibes are prominent - it's of course a few tiers under Aliens, but the bottom of the sea feels just as empty and otherworldly as space, and the creature designs are suitably eerie. The low light levels cover up a lot of CGI, so it never looks too fake either, with the exception of a couple of dodgy gore effects.
Underwater is a decent enough sci-fi-horror thriller that suffer a bit from pacing issues, but a good watch for those of you who like movie monsters.
LoganCrews (2861 KP) rated Bridget Jones's Diary (2001) in Movies
Sep 20, 2020
Renée is of course perfect, as are Hugh and Colin and all three of their respective characters. In fact this is still just as tight, snappy, and cute as it was back in the day - but per no real fault of its own this (or at least a hefty amount of its elements) became the basis for pretty much *every* chintzy romcom clone that was to come for the foreseeable future to the point where a lot of this just feels rather rote now in light of that *and* today's version of the mainstream romcom. Not that there still isn't revolutionary stuff that stands out, particularly the representation of a demographic that wasn't usually seen as romantic lead status at the time given by this lead. Though while it starts out lovely enough there's a clear dip in quality at a point and it treads water by the end. I find the first half very interesting in that - at the time - it probably played as a very adorable yet scandalous romp but now plays more like a biting, ballsy foray into societal satire in light of the #MeToo movement. Plus that's when the witty dialogue, engrossment, and visual competence is at its best anyway. But those aforementioned cringey and overused romcom clichés (people falling off boats, making a mess while cooking, interrupting some sort of wedding announcement, cheeky but actually annoying best friends who serve no purpose, etc etc) bog it down more and more until it runs on full autopilot mode. The parent subplot is a nonentity too but that's whatever I guess. Though I do stand with the majority in that the Firth x Grant fight scene is - naturally - a masterpiece. Agreeable even though approximately no interesting threads get pulled.
LoganCrews (2861 KP) rated Palo Alto (2014) in Movies
Sep 20, 2020
Flooringly seismic, as someone who was around this exact age in this exact time period - this is the perfect representation of high school in 2012/2013 to a T. I'm always put off by how high school kids in movies from around this time never talk right, and even when its ever so close there's still just that slight amount of "out-of-touch adult writes how they think teens speak" jargon which completely takes me out of it. Not here, the way people talk to each other here is scarily dead-on to how me and my shithead friends used to talk to each other to the comma. The fact that there's no clear-cut good or bad guys, just varying degrees of shitty; those tiny but thick iPod touches that had the messaging apps with the grey background and green messages; weird fake meme-sounding music abound parties with lethal amounts of alcohol... trades in the (still tantalizing in its own way) metaphorical cringe that these movies usually have and finally depicts high schoolers from this time as the snaky, rash, social-status obsessed psychopaths that we were - the type who would sooner ask for mouthwash after they vomited up hours worth of alcohol rather than water. The déjà vu I felt during this was unreal, and beyond that it's the movie equivalent to an opiate - not to mention daring, economical, accurate, and cautiously brisk with tremendous performances across the board (Nat Wolff holy *shit*). What happens when you stick a bunch of emotionally unstable sociopaths who don't like each other (or are at least fooled into thinking they do) into a 5-days-a-week institution and leave them to their own devices in the early 2010s. I fucking *lived* this movie - which may even be the best one directed by a Coppola.
Bong Mines Entertainment (15 KP) rated We Were Kings - Single by Neon Dreams in Music
Jun 25, 2019
Neon Dreams (Frank Kadillac, Adrian Morrisis) is a pop outfit based in Halifax, Nova Scotia. Not too long ago, they released a music video for their “We Were Kings” single.
“The video for ‘We Were Kings’ was shot by my close friend Alex Gayoso and directed by me. We were driving through Utah and found this piece of land that was incredible. It had all the landscapes in one place. As a Coldplay fan, I had this idea for doing a one-take video like ‘Yellow’ but making it our own.” – Frank Kadillac
‘We Were Kings’ tells an interesting tale of a young man who reminisces on his teenage years when he was thirteen and six-feet-tall.
Back then, he was shy and the new kid in town, until he obtained a friend. Together, they skipped classes; he wrote songs that his friend sang along to.
Later, he admits that the other children used to beat him up because of the color of his skin. Even then, his friend was there to pick him up.
Even though he hasn’t seen his friend since then, he still remembers the days when they had crowns before they were kings.
“I want to be honest about who I am. I was raised by a single mother who had me when she was only 17. We moved around a lot. I was sleeping in closets, couches – wherever we could stay until we got evicted. I was the new kid in 10 different schools. ‘We Were Kings’ is a heartfelt thank you to those that helped me get through my difficult teenage years. I wanted to make a song that shows these people they’re always in my heart. Nothing has ever changed about my feelings towards them.” – Frank Kadillac
“The video for ‘We Were Kings’ was shot by my close friend Alex Gayoso and directed by me. We were driving through Utah and found this piece of land that was incredible. It had all the landscapes in one place. As a Coldplay fan, I had this idea for doing a one-take video like ‘Yellow’ but making it our own.” – Frank Kadillac
‘We Were Kings’ tells an interesting tale of a young man who reminisces on his teenage years when he was thirteen and six-feet-tall.
Back then, he was shy and the new kid in town, until he obtained a friend. Together, they skipped classes; he wrote songs that his friend sang along to.
Later, he admits that the other children used to beat him up because of the color of his skin. Even then, his friend was there to pick him up.
Even though he hasn’t seen his friend since then, he still remembers the days when they had crowns before they were kings.
“I want to be honest about who I am. I was raised by a single mother who had me when she was only 17. We moved around a lot. I was sleeping in closets, couches – wherever we could stay until we got evicted. I was the new kid in 10 different schools. ‘We Were Kings’ is a heartfelt thank you to those that helped me get through my difficult teenage years. I wanted to make a song that shows these people they’re always in my heart. Nothing has ever changed about my feelings towards them.” – Frank Kadillac
Emma @ The Movies (1786 KP) rated Isle of Dogs (2018) in Movies
Sep 25, 2019
When, by executive decree, all the canine pets of Megasaki City are exiled to a vast garbage-dump called Trash Island, 12-year-old Atari sets off alone in a miniature Junior-Turbo Prop and flies across the river in search of his bodyguard-dog, Spots. There, with the assistance of a pack of newly-found mongrel friends, he begins an epic journey that will decide the fate and future of the entire Prefecture.
Before this even hit our screens I was worried I was going to be bored of it because I'd seen the trailer so much. Thankfully that wasn't the case.
It was a beautifully crafted film, and refreshingly different. I loved that it was from the dog's point of view, kind of a reverse Lassie. All the individual dogs and their quirks are very entertaining. And those dumb little moments they have that you'll identify with if you've ever owned a dog.
When Chief and Atari as separated from the rest of the pack on Trash Island I really like how the master/pet relationship is reversed when Atari see's the ride. The amount of times I had been in Chief's position... "Don't do it." *shifty look and edges closer* "Don't" *edges further*
My only wish for this film would be that there was more dog, less person. But despite that it was amusing, and very stylish.
As films go this month there were a few that were hit with "controversy" of some description, and Isle Of Dogs was no exception with cried of cultural misappropriation. I can't say that this is going to be something I can ever say I'd be on the receiving end of, but any rational person would not take a film as an accurate portrayal of a culture and its people.
Before this even hit our screens I was worried I was going to be bored of it because I'd seen the trailer so much. Thankfully that wasn't the case.
It was a beautifully crafted film, and refreshingly different. I loved that it was from the dog's point of view, kind of a reverse Lassie. All the individual dogs and their quirks are very entertaining. And those dumb little moments they have that you'll identify with if you've ever owned a dog.
When Chief and Atari as separated from the rest of the pack on Trash Island I really like how the master/pet relationship is reversed when Atari see's the ride. The amount of times I had been in Chief's position... "Don't do it." *shifty look and edges closer* "Don't" *edges further*
My only wish for this film would be that there was more dog, less person. But despite that it was amusing, and very stylish.
As films go this month there were a few that were hit with "controversy" of some description, and Isle Of Dogs was no exception with cried of cultural misappropriation. I can't say that this is going to be something I can ever say I'd be on the receiving end of, but any rational person would not take a film as an accurate portrayal of a culture and its people.
Emma @ The Movies (1786 KP) rated The Little Mermaid (1989) in Movies
Sep 25, 2019
There are just some things that probably shouldn't be seen again, and for me the Little Mermaid is one of them. Any Disney movie with singable song in is a win for me, and of course, throw in a singalong version and it's even better. It doesn't really change the fact that... perhaps... *hushed tones* this one isn't a particularly good film. I know. I'm sorry. But apart from the bits with the big three songs in, nothing overly exciting happens. And poor old Ursula's song really isn't that good either, and I love a good villain song.
By far the best bit about this whole event was the audience. There were 17 of us watching, including the Ariel from the lobby, three children, 1 father, with the rest exclusively women over the age of 25. But out of those it was the family of four in front of me that won the evening.
They were wonderful. Mum, dad, daughter of about three and baby. Never judge a book by it's cover, I honestly thought dad was there under duress... but no I'll get to that in a bit. Cue the trailers, and The Incredibles 2. Frozone comes on the screen and daughter goes "daddy he looks like you!" And yes, the similarity was uncanny. Daughter is laughing, mum is laughing, I'm laughing. Dad turns to her completely deadpan and says "it's not funny, we don't laugh about it." But we all did. The movie starts and daughter is humming the Disney tune as the logo comes up. It was one of the cutest things I've witnessed, until the film itself starts up. Dad is singing along with he rest of us, he's even reciting the words of the script to his daughter... with voices. People... that's family goals right there.
By far the best bit about this whole event was the audience. There were 17 of us watching, including the Ariel from the lobby, three children, 1 father, with the rest exclusively women over the age of 25. But out of those it was the family of four in front of me that won the evening.
They were wonderful. Mum, dad, daughter of about three and baby. Never judge a book by it's cover, I honestly thought dad was there under duress... but no I'll get to that in a bit. Cue the trailers, and The Incredibles 2. Frozone comes on the screen and daughter goes "daddy he looks like you!" And yes, the similarity was uncanny. Daughter is laughing, mum is laughing, I'm laughing. Dad turns to her completely deadpan and says "it's not funny, we don't laugh about it." But we all did. The movie starts and daughter is humming the Disney tune as the logo comes up. It was one of the cutest things I've witnessed, until the film itself starts up. Dad is singing along with he rest of us, he's even reciting the words of the script to his daughter... with voices. People... that's family goals right there.
Darren (1599 KP) rated Black Sheep (2006) in Movies
Oct 14, 2019
Characters/Performance – Henry is the successful brother that gets traumatised when he is young, now grown up he comes to back to the farm to collect his part of the money. When he learns the truth, he must now face his nightmares and fight off the killer sheep running over the farm. Angus the brother that has been experimenting on sheep for his own personal gain, this puts his own life and members of his farm. Experience is the environmentalist that wants to expose the farm but she quickly turns when she needs to fight to survive.
Performance wise, each performance adds to the comedy being told through this film, no one is great but they all know just how to get the extra laugh needed from their characters.
Story – Only in horror could you come up with an idea of genetical altered sheep that will try to kill people. If you watch this story with this in mind, you will truly enjoy this story because it is just that bonkers it works.
Horror/Comedy – The horror would be, how scary do you find sheep? Well what about killer mutant sheep, that is your horror side to the story but this could also be used to describe the comedy involved in this film too.
Settings – The film is set upon on the farm which is good for the horror isolation side of the film as they must use the land to fight the sheep off.
Special Effects – All the effects are practical and all come off looking fantastic when you look to add the extra element of gore to the film.
Final Thoughts – This is one of those horrors you can put on and enjoy because the laughs and idea are so farfetched you just must laugh to get through it all.
Overall: Fun and enjoyable horror comedy.
Performance wise, each performance adds to the comedy being told through this film, no one is great but they all know just how to get the extra laugh needed from their characters.
Story – Only in horror could you come up with an idea of genetical altered sheep that will try to kill people. If you watch this story with this in mind, you will truly enjoy this story because it is just that bonkers it works.
Horror/Comedy – The horror would be, how scary do you find sheep? Well what about killer mutant sheep, that is your horror side to the story but this could also be used to describe the comedy involved in this film too.
Settings – The film is set upon on the farm which is good for the horror isolation side of the film as they must use the land to fight the sheep off.
Special Effects – All the effects are practical and all come off looking fantastic when you look to add the extra element of gore to the film.
Final Thoughts – This is one of those horrors you can put on and enjoy because the laughs and idea are so farfetched you just must laugh to get through it all.
Overall: Fun and enjoyable horror comedy.
Tim McGuire (301 KP) rated Hell or High Water (2016) in Movies
Aug 21, 2019
Classic Western in Modern Day
351. Hell or High Water. Have you ever wondered what a classic western style story would be like filmed today without much done to update the script? No, me either, until I realized that's exactly what I was watching... Story about two bank robbing brothers, Tanner and Toby Howard, raising enough cash to keep the bad bank man from taking the farm. Ya see, they struck oil on that land, not much, but enough to get by. Toby is the smart one, doing bad things for good reasons. Tanner is the wild card, doing bad things just to do bad things, but deep down, doing it for his brother! But coming up quick behind them is the law, Texas Ranger kinda law!! The old sheriff, Marcus Hamilton, just about to retire, and through pretty much intuition alone ends up in the right places at the right times, and with Marcus his Native American partner, Alberto, who is assaulted by the racist humor of the sheriff all day, but deep down, there's a bromance going on! And as Tanner and Toby continue their bank robbing ways, Tanner gets a little cocky takes on a bank full of people, shots fired, they barely escape with their lives, the townsfolk round up an armed posse to go after them chasing them up the road, but right around the corner is the sheriff, because deep down he knew where those pesky Howard boys were gonna strike next leading up to the ultimate showdown between the Texas Rangers and a couple of law breaking cowboys!! So this takes place in modern day, but it had the classic western set up. So if your looking for a modern day western, go for it, looking for Heat, or Point Break, i'd say probably not. Filmbufftim on FB
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