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Hazel (1853 KP) rated Small Great Things in Books
Dec 7, 2018
Jodi Picoult has been my favourite author since I first came across her novels in 2008. With twenty-three novels under her belt, she continues to delight readers with her page-turning stories. Most of Picoult’s books contain a moral issue, often, but not always, in the form of medical ethics, as well as a hefty court case. Although following along similar lines, <i>Small Great Thing</i>s is a radical, revolutionary book, which, with great courage, Picoult has written with the intent to expose the reader to truths that most of us, as a society, are <s>intentionally</s> oblivious to.
The gist of the storyline is that a baby dies whilst under the care of a nurse, prompting the grieving parents to take her to court with the accusation of murder. Although that sounds like an interesting story, it barely begins to describe what the book is about. The character on trial, Ruth, is an African American labour and delivery nurse – something that in this day and age need not by an issue. On the other hand, the parents of the baby are White Supremacists: seriously racist with the belief that white people are the master race. The father, Turk, refuses to let his wife and child be treated by Ruth, however circumstances result in her being the only nurse available to watch Davis, when, unfortunately, he so happens to go into cardiac arrest. Although the reader knows that Ruth is not at fault, Turk insists she murdered his child – but is he accusing her of medical negligence, or punishing her for being black?
Three characters, all with different views and experience when it comes to racism, alternately narrate<i> Small Great Things</i>. Ruth and Turk represent the extremes at either side of the scale. Ruth experiences first hand the negative impact of prejudice in the American system and society, not only through this court case, but in everyday life as well. She also reveals the difficulties growing up in a predominately white environment, never feeling like she fitted in with her peers. Alternatively, Turk spent his teenage years attending KKK rallies, participating in a white power movement, and beating up anyone who was different: black, foreign, gay, Jewish and so forth.
The third character represents the majority of white people living in America. Kennedy is a public defender and the lawyer assigned to Ruth’s case. Like most of the population, she believes that she is not racist, and persuades Ruth to leave the colour of her skin out of the argument. However, as she gets to know her client, she begins to realize that it is nigh on impossible to ignore racial prejudice.
Picoult shocks the reader on two accounts: one, the way that people of colour have been, and still are, treated; and two, the revelation that an invisible empire of White Supremacists are living amongst us. Yet there is a third way in which Picoult provokes outrage – she indirectly accuses the reader of being racist, too.
There is always something to learn in a Jodi Picoult novel, for instance medical terminology, or the way in which a court trial is conducted. <i>Small Great Things</i> provides a lot more eye opening information than any of her previous books, unveiling facts about such a controversial subject.
Through Kennedy, the reader’s eyes are opened to the racial discrimination that we all turn a blind eye to. Ignored are the difficulties African Americans suffer when going shopping, applying for jobs, attending school, walking down the street, sitting on a bus, and so forth. Picoult asks me as a reader to think about how my life has been affected by racial discrimination: being served politely in shops because I am white, not having my ethnicity questioned when applying for college etc. Living in Britain I have not experienced openly hateful comments or behaviours towards people with a different skin tone – I used to believe this was primarily an American problem. Yet, <i>Small Great Things</i> has really made me think about the hierarchy of power within society, particularly in regards to the ethnicity of those at the top, compared with those at the bottom.
Jodi Picoult sat on the idea of writing a book about racism for well over a decade, yet it is particularly apt that it is published now, with the current predicaments America is facing. Although we have come a long way in attempts to achieve equality for all – compare the trial in <i>To Kill A Mockingbird</i> to Picoult’s version – recent events have revealed that we are no where near.
<i>Small Great Things</i> will shock everyone who reads it regardless of their ethnicity and so forth. Many may find it uncomfortable to read, become upset or outraged, and even feel like they are being directly targeted. If this is the case, then good – it should do that. Everyone needs to read this book. On the one hand it is a brilliant, well told story with a beautiful, almost poetic narrative, and on the other, it causes us to face up to the issues we are forever making light of or overlooking entirely. We have grown up believing that racism is a form of hatred when, actually, it is about power. However <i>Small Great Things </i>makes you feel, it is definitely worth reading, especially for the satisfying ending – one that you do not see coming.
The gist of the storyline is that a baby dies whilst under the care of a nurse, prompting the grieving parents to take her to court with the accusation of murder. Although that sounds like an interesting story, it barely begins to describe what the book is about. The character on trial, Ruth, is an African American labour and delivery nurse – something that in this day and age need not by an issue. On the other hand, the parents of the baby are White Supremacists: seriously racist with the belief that white people are the master race. The father, Turk, refuses to let his wife and child be treated by Ruth, however circumstances result in her being the only nurse available to watch Davis, when, unfortunately, he so happens to go into cardiac arrest. Although the reader knows that Ruth is not at fault, Turk insists she murdered his child – but is he accusing her of medical negligence, or punishing her for being black?
Three characters, all with different views and experience when it comes to racism, alternately narrate<i> Small Great Things</i>. Ruth and Turk represent the extremes at either side of the scale. Ruth experiences first hand the negative impact of prejudice in the American system and society, not only through this court case, but in everyday life as well. She also reveals the difficulties growing up in a predominately white environment, never feeling like she fitted in with her peers. Alternatively, Turk spent his teenage years attending KKK rallies, participating in a white power movement, and beating up anyone who was different: black, foreign, gay, Jewish and so forth.
The third character represents the majority of white people living in America. Kennedy is a public defender and the lawyer assigned to Ruth’s case. Like most of the population, she believes that she is not racist, and persuades Ruth to leave the colour of her skin out of the argument. However, as she gets to know her client, she begins to realize that it is nigh on impossible to ignore racial prejudice.
Picoult shocks the reader on two accounts: one, the way that people of colour have been, and still are, treated; and two, the revelation that an invisible empire of White Supremacists are living amongst us. Yet there is a third way in which Picoult provokes outrage – she indirectly accuses the reader of being racist, too.
There is always something to learn in a Jodi Picoult novel, for instance medical terminology, or the way in which a court trial is conducted. <i>Small Great Things</i> provides a lot more eye opening information than any of her previous books, unveiling facts about such a controversial subject.
Through Kennedy, the reader’s eyes are opened to the racial discrimination that we all turn a blind eye to. Ignored are the difficulties African Americans suffer when going shopping, applying for jobs, attending school, walking down the street, sitting on a bus, and so forth. Picoult asks me as a reader to think about how my life has been affected by racial discrimination: being served politely in shops because I am white, not having my ethnicity questioned when applying for college etc. Living in Britain I have not experienced openly hateful comments or behaviours towards people with a different skin tone – I used to believe this was primarily an American problem. Yet, <i>Small Great Things</i> has really made me think about the hierarchy of power within society, particularly in regards to the ethnicity of those at the top, compared with those at the bottom.
Jodi Picoult sat on the idea of writing a book about racism for well over a decade, yet it is particularly apt that it is published now, with the current predicaments America is facing. Although we have come a long way in attempts to achieve equality for all – compare the trial in <i>To Kill A Mockingbird</i> to Picoult’s version – recent events have revealed that we are no where near.
<i>Small Great Things</i> will shock everyone who reads it regardless of their ethnicity and so forth. Many may find it uncomfortable to read, become upset or outraged, and even feel like they are being directly targeted. If this is the case, then good – it should do that. Everyone needs to read this book. On the one hand it is a brilliant, well told story with a beautiful, almost poetic narrative, and on the other, it causes us to face up to the issues we are forever making light of or overlooking entirely. We have grown up believing that racism is a form of hatred when, actually, it is about power. However <i>Small Great Things </i>makes you feel, it is definitely worth reading, especially for the satisfying ending – one that you do not see coming.
Zuky the BookBum (15 KP) rated The Good Kind of Bad in Books
Mar 15, 2018
Firstly Id like to thank Netgalley and Rita Brassington for the opportunity to read this in exchange for an honest review.
<b>3.5 stars!
<i>Secrets don't stay secret for long.</i></b>
This was definitely slow to start. After getting into my last read almost instantly <a href="https://www.goodreads.com/review/show/1637742966">;(All The Ugly and Wonderful Things)</a> this one didnt seem like it was going to be my cup of tea, but after I got to around the 20% mark things started getting a little more interesting. I did enjoy reading this book, it was a much lighter read than my previous so it was nice to not really feel anything <b>I really do mean that in the nicest way possible btw!</b> For me, this book was an easy & quick read that was entertaining but just a little bit OTT. I think this book has a lot of cliches, all very predictable, things I guessed rather easily and so if it hadnt been for that, this would have probably been rated higher, but I prefer books that challenge and shock me.
Another problem I had with this book was that I felt like there are whole chunks of time missing from the story that either really could have helped with character and plot development or could have been explained better so we realised it had disappeared before our eyes... <spoiler>eg. she runs to Ninas apartment (which she says is only a short distance), sees Nina die, then runs away to the police station, stays outside for a little bit pondering what she should do (and obviously she doesnt choose the right thing) then ends up a cafe, only for Evan to walk in a claim shes been gone hours? Like where the <i>heck</i> did all those hours go?</spoiler>
Everything in this book was <i>massively</i> over the top. Ive said before in a review that books are supposed to take you away from everything and land you into something fictional and exciting. But there does get a point where things become too fictional. The crazy storyline wouldnt have mattered so much if it wasnt for the fact that all the characters were completely unrealistic people.
However the biggest downfall for this book was the characters. To love a book, youve got to love the characters, and I didnt.
Our main lady (we never find out her first name) of the book was beyond irritating. I felt like every single little thing she did was the wrong thing. She faced some really awful stuff throughout the book and then went about sorting it out in all the wrongs ways! She wanted you to think she was a high class, intelligent, independant lady, but in actual fact she was airheaded, weak and damn right ridiculous. What annoyed me most about her was the fact that she was ready to believe <i>anyone.</i> She knew all the people in this book for 3 months tops and she always just believed what they said, no questions asked. <spoiler>Also no questions asked as to why Evan was calling her honey & baby all of a sudden!</spoiler>
As for Joe, its pretty obvious why you wouldnt like him. Hes a cock from the start of the relationship, I dont understand what she saw in him to begin with to be honest.
Then theres Evan, the good guy cop who comes to save the damsel in distress how predictable he is. Hes the easiest character to work out in the world of fictional characters. I mean cmon, there was no mystery to him at all.
After all my complaining, this was still an enjoyable read for me. It wasn't one of those books I try and force myself to read just to finish it, I actually wanted to find out what was happening. I will say that I <b>hadnt</b> predicted the <i>ending</i> ending. I had predicted most of what was going to happen but there were elements I hadnt been expecting. Thats definitely what gave it the extra point 5 of a star, otherwise it would have just remained a mediocre 3 stars. I would recommend this to people who like fast paced thrillers. I think this is the perfect holiday book!
<b>3.5 stars!
<i>Secrets don't stay secret for long.</i></b>
This was definitely slow to start. After getting into my last read almost instantly <a href="https://www.goodreads.com/review/show/1637742966">;(All The Ugly and Wonderful Things)</a> this one didnt seem like it was going to be my cup of tea, but after I got to around the 20% mark things started getting a little more interesting. I did enjoy reading this book, it was a much lighter read than my previous so it was nice to not really feel anything <b>I really do mean that in the nicest way possible btw!</b> For me, this book was an easy & quick read that was entertaining but just a little bit OTT. I think this book has a lot of cliches, all very predictable, things I guessed rather easily and so if it hadnt been for that, this would have probably been rated higher, but I prefer books that challenge and shock me.
Another problem I had with this book was that I felt like there are whole chunks of time missing from the story that either really could have helped with character and plot development or could have been explained better so we realised it had disappeared before our eyes... <spoiler>eg. she runs to Ninas apartment (which she says is only a short distance), sees Nina die, then runs away to the police station, stays outside for a little bit pondering what she should do (and obviously she doesnt choose the right thing) then ends up a cafe, only for Evan to walk in a claim shes been gone hours? Like where the <i>heck</i> did all those hours go?</spoiler>
Everything in this book was <i>massively</i> over the top. Ive said before in a review that books are supposed to take you away from everything and land you into something fictional and exciting. But there does get a point where things become too fictional. The crazy storyline wouldnt have mattered so much if it wasnt for the fact that all the characters were completely unrealistic people.
However the biggest downfall for this book was the characters. To love a book, youve got to love the characters, and I didnt.
Our main lady (we never find out her first name) of the book was beyond irritating. I felt like every single little thing she did was the wrong thing. She faced some really awful stuff throughout the book and then went about sorting it out in all the wrongs ways! She wanted you to think she was a high class, intelligent, independant lady, but in actual fact she was airheaded, weak and damn right ridiculous. What annoyed me most about her was the fact that she was ready to believe <i>anyone.</i> She knew all the people in this book for 3 months tops and she always just believed what they said, no questions asked. <spoiler>Also no questions asked as to why Evan was calling her honey & baby all of a sudden!</spoiler>
As for Joe, its pretty obvious why you wouldnt like him. Hes a cock from the start of the relationship, I dont understand what she saw in him to begin with to be honest.
Then theres Evan, the good guy cop who comes to save the damsel in distress how predictable he is. Hes the easiest character to work out in the world of fictional characters. I mean cmon, there was no mystery to him at all.
After all my complaining, this was still an enjoyable read for me. It wasn't one of those books I try and force myself to read just to finish it, I actually wanted to find out what was happening. I will say that I <b>hadnt</b> predicted the <i>ending</i> ending. I had predicted most of what was going to happen but there were elements I hadnt been expecting. Thats definitely what gave it the extra point 5 of a star, otherwise it would have just remained a mediocre 3 stars. I would recommend this to people who like fast paced thrillers. I think this is the perfect holiday book!
Rob Bell's book wins on pathos and good intentions, but not on solid argumentation or exegesis. He has a heart for the lost and the suffering, which is admirable. But he has to turn the Bible into theological silly putty to make his case.
There are a few major errors in Love Wins, which leads to his making other more minor mistakes. The first error is giving precedence to certain biblical themes (to the exclusion of others) over clear and specific biblical teaching. Bell makes much of themes like restoration in Scripture, but ignores themes of final punishment. By dwelling on those themes, he can transition to reading them into texts where they don't belong without being found out by biblical illiterates, such as Jesus' claim that Sodom and Gomorrah will fare better on the day of judgement than cities which rejected the direct revelation of God in Jesus Christ. Instead of reading this in its obvious sense-- that there are degrees of punishment on the final day and those who reject direct revelation of Jesus will suffer most-- he understands Jesus to be saying that there is a great deal of hope for Sodom and Gomorrah's salvation-- that their punishment was corrective instead of destructive. Even though he doesn't get anywhere close to proving his case (certainly only God knows whether or not some in Sodom will be saved, but the story of Abraham bargaining would suggest otherwise), he seems to fall back on the emotionally-driven claim that God saving everyone is a "better story" than damning some and saving others.
On his overuse of the word "story," it is one example where Bell is obnoxiously post-modern and emergent. He uses the word "story/stories" in his short book 138 times. For a book of around 200 pages, large font, and constantly skipped lines/single words on their own lines*, that's an impressive display of post-modernism.
Another major error is that he conflates a strong exclusivism with eternal conscious punishment which has the effect that when he attacks one, he is in effect attacking the other, making his job easier. In addition, he ignores annihilationism as an alternative to eternal conscious torment, which also strengthens the emotional pull of his position, since it is contrasted with an eternal conscious punishment where God damns people for never being able to hear the name of Jesus. (note: while I am annoyed at Bell's misrepresentations of eternal conscious torment, I am myself an annihilationist)
Bell explains that God will eventually win everyone over, but it must be of their accord. However, he doesn't explain how it is that everyone will be saved of their own free will. For emotional effect, Bell criticizes the eternal conscious hell camp with having a God that would turn his back on people in hell who are repenting and turning to God. Of course, this assumes that sinners turn to God on their own instead of by His grace. Bell here appears to be a Pelagian, or else doesn't know enough about soteriology to make such distinctions (a terrifying prospect for a Pastor). In any case, this is another example where he is misrepresenting eternal conscious hell proponents (the first I mentioned was when he claimed they were all strict exclusivists), which makes his book far harder to take seriously.
One strange and interesting point that Rob Bell makes comes from making the afterlife analogous to the parable of the prodigal son. He claims that hell is not being cast out of "the party," (despite Jesus' parable about the marriage supper being like a party where people are cast out of) but being at the party but not enjoying it. "Hell is being at the party," Bell claims. The message to take from that is never go to one of Rob Bell's parties.
*Bell's book is filled with skipped lines and one word sentences sitting on their own lines. I suppose this is done for dramatic effect-- indicating places where Bell would pause if this were one of his Nooma videos. However, it tends to just look irritating and faux artsy. I mostly listened to the book on Kindle's text-to-speech feature, and I could still tell when he was doing it. Like,
You put a series of short sentences on their own lines to make a point?
Really?
You do that?
And it's repetitive?
Extremely?
And annoying?
There are a few major errors in Love Wins, which leads to his making other more minor mistakes. The first error is giving precedence to certain biblical themes (to the exclusion of others) over clear and specific biblical teaching. Bell makes much of themes like restoration in Scripture, but ignores themes of final punishment. By dwelling on those themes, he can transition to reading them into texts where they don't belong without being found out by biblical illiterates, such as Jesus' claim that Sodom and Gomorrah will fare better on the day of judgement than cities which rejected the direct revelation of God in Jesus Christ. Instead of reading this in its obvious sense-- that there are degrees of punishment on the final day and those who reject direct revelation of Jesus will suffer most-- he understands Jesus to be saying that there is a great deal of hope for Sodom and Gomorrah's salvation-- that their punishment was corrective instead of destructive. Even though he doesn't get anywhere close to proving his case (certainly only God knows whether or not some in Sodom will be saved, but the story of Abraham bargaining would suggest otherwise), he seems to fall back on the emotionally-driven claim that God saving everyone is a "better story" than damning some and saving others.
On his overuse of the word "story," it is one example where Bell is obnoxiously post-modern and emergent. He uses the word "story/stories" in his short book 138 times. For a book of around 200 pages, large font, and constantly skipped lines/single words on their own lines*, that's an impressive display of post-modernism.
Another major error is that he conflates a strong exclusivism with eternal conscious punishment which has the effect that when he attacks one, he is in effect attacking the other, making his job easier. In addition, he ignores annihilationism as an alternative to eternal conscious torment, which also strengthens the emotional pull of his position, since it is contrasted with an eternal conscious punishment where God damns people for never being able to hear the name of Jesus. (note: while I am annoyed at Bell's misrepresentations of eternal conscious torment, I am myself an annihilationist)
Bell explains that God will eventually win everyone over, but it must be of their accord. However, he doesn't explain how it is that everyone will be saved of their own free will. For emotional effect, Bell criticizes the eternal conscious hell camp with having a God that would turn his back on people in hell who are repenting and turning to God. Of course, this assumes that sinners turn to God on their own instead of by His grace. Bell here appears to be a Pelagian, or else doesn't know enough about soteriology to make such distinctions (a terrifying prospect for a Pastor). In any case, this is another example where he is misrepresenting eternal conscious hell proponents (the first I mentioned was when he claimed they were all strict exclusivists), which makes his book far harder to take seriously.
One strange and interesting point that Rob Bell makes comes from making the afterlife analogous to the parable of the prodigal son. He claims that hell is not being cast out of "the party," (despite Jesus' parable about the marriage supper being like a party where people are cast out of) but being at the party but not enjoying it. "Hell is being at the party," Bell claims. The message to take from that is never go to one of Rob Bell's parties.
*Bell's book is filled with skipped lines and one word sentences sitting on their own lines. I suppose this is done for dramatic effect-- indicating places where Bell would pause if this were one of his Nooma videos. However, it tends to just look irritating and faux artsy. I mostly listened to the book on Kindle's text-to-speech feature, and I could still tell when he was doing it. Like,
You put a series of short sentences on their own lines to make a point?
Really?
You do that?
And it's repetitive?
Extremely?
And annoying?
BookInspector (124 KP) rated Erotic Stories for Punjabi Widows in Books
Sep 24, 2020
When I started reading this book, I really didn't know what to expect from it. The name of the book was simply unbelievable. The more I read it, the more it shocked me, and I know for sure, that after reading this book, I will never look the same at South Asian aunties and the community. The description of the book is quite accurate. British born Punjabi Nikki gets a job in gurdwara in Southall, London, to teach reading and writing to Punjabi widows, who are mostly from villages. She quickly notices that these widows are not interested in learning how to write, instead, they are very keen to share their erotic fantasies with other women. While teaching the widows, Nikki learns, that Southall, and the community itself are hiding many dirty secrets of its own.
I found the characters of this book very amusing, and at the same time very close to my heart. I loved how author put two opposites in the book; Nikki, who wants to live her life and make her own choices, and her sister Mindi-who still wants things done the traditional way. All the widows, who participated in this book, were really interesting and diverse personalities. They all had a story to tell, not only erotic one, but the one of their life as well. I do know quite a lot of South Asian people, and the way author described them in the book is very accurate. I am not including their fantasies, but the part of how they present themselves to society, is quite accurate. Respect of the family is the main value in Asian society, and all people try to maintain that. That’s why Nikki is kind of rebel against traditional values, which is sometimes quite shameful in the eye of the community. Everything in this book sounds very real and believable: characters, plot and the way author described places used in this book, it’s unbelievably accurate. I liked that author included more than one character in this book, and told the story from Nikki’s and her employer’s Kulvinder’s perspective. Kulvinder has huge influence in the book, with the tragic story of her daughter Maya, who died very young. Through the views of Nikki and Kulvinder, the story of the book unfolds very nicely, and keeps the suspense going.
The plot of the book is very original; nevertheless, it tells couple of different stories at the same time. Most of the action in this book happens in Southall, London. As the author said in the book, she lived in Southall, while she was studying at university. That explains why she wrote about this place with such detail. She described every corner and street with great accuracy, and beautifully presented the spirit of that place. How do I know? I visited that place many times, that’s why the similarity shocked me. This book tells not only the story of widow’s fantasies, but also involves murders, and many dark secrets of the society itself, and that really made the book amusing, twisty and hard to put down. The more Nikki gets involved with the widows, the more this story turns and thickens. Author discussed a lot of important topics in this book, such as: honour killings; family relations between parents and children, and what honour and respect of the family means in Asian society; immigration and adjustment problems; and many more. Author showed really nicely, that women, even after marriage remain women, and that after washing dishes, cooking and cleaning houses, they have their wishes and desires, which are not always fulfilled. Let me tell you one thing, those erotic stories they tell are really kinky, and has wide variety of action going on, so it is definitely not for young people to read.
So, as I mentioned before, and as it is obvious from the name of the book, it contains so foul language but at the same time is very comic and funny to read. This book is quite detailed, but it doesn’t make it boring, it helps to understand the situations better. I really liked, that the chapters were divided, so it was easier and more fun to read it. The ending of the book is nice and ended the book really well, by putting all characters at peace. To conclude, I really enjoyed this layered, funny and very beautifully written book and I do recommend reading it to everyone, who would like to have an insight of South Asian community, and get involved with those great topics which author brought up in this book.
I found the characters of this book very amusing, and at the same time very close to my heart. I loved how author put two opposites in the book; Nikki, who wants to live her life and make her own choices, and her sister Mindi-who still wants things done the traditional way. All the widows, who participated in this book, were really interesting and diverse personalities. They all had a story to tell, not only erotic one, but the one of their life as well. I do know quite a lot of South Asian people, and the way author described them in the book is very accurate. I am not including their fantasies, but the part of how they present themselves to society, is quite accurate. Respect of the family is the main value in Asian society, and all people try to maintain that. That’s why Nikki is kind of rebel against traditional values, which is sometimes quite shameful in the eye of the community. Everything in this book sounds very real and believable: characters, plot and the way author described places used in this book, it’s unbelievably accurate. I liked that author included more than one character in this book, and told the story from Nikki’s and her employer’s Kulvinder’s perspective. Kulvinder has huge influence in the book, with the tragic story of her daughter Maya, who died very young. Through the views of Nikki and Kulvinder, the story of the book unfolds very nicely, and keeps the suspense going.
The plot of the book is very original; nevertheless, it tells couple of different stories at the same time. Most of the action in this book happens in Southall, London. As the author said in the book, she lived in Southall, while she was studying at university. That explains why she wrote about this place with such detail. She described every corner and street with great accuracy, and beautifully presented the spirit of that place. How do I know? I visited that place many times, that’s why the similarity shocked me. This book tells not only the story of widow’s fantasies, but also involves murders, and many dark secrets of the society itself, and that really made the book amusing, twisty and hard to put down. The more Nikki gets involved with the widows, the more this story turns and thickens. Author discussed a lot of important topics in this book, such as: honour killings; family relations between parents and children, and what honour and respect of the family means in Asian society; immigration and adjustment problems; and many more. Author showed really nicely, that women, even after marriage remain women, and that after washing dishes, cooking and cleaning houses, they have their wishes and desires, which are not always fulfilled. Let me tell you one thing, those erotic stories they tell are really kinky, and has wide variety of action going on, so it is definitely not for young people to read.
So, as I mentioned before, and as it is obvious from the name of the book, it contains so foul language but at the same time is very comic and funny to read. This book is quite detailed, but it doesn’t make it boring, it helps to understand the situations better. I really liked, that the chapters were divided, so it was easier and more fun to read it. The ending of the book is nice and ended the book really well, by putting all characters at peace. To conclude, I really enjoyed this layered, funny and very beautifully written book and I do recommend reading it to everyone, who would like to have an insight of South Asian community, and get involved with those great topics which author brought up in this book.
Heather Cranmer (2721 KP) rated Etude (The Dark Nocturne #2) in Books
Aug 15, 2022
After reading and loving Serenade, the first book in The Dark Nocturne series by Morgan Shamy, I automatically started the second book in the series, Etude, right away. Morgan Shamy proved, yet again, that she's making the paranormal fantasy genre her own with this book!
In Etude, November has been away from St. Paul's Academy for a month. She wants nothing to do with the school or anyone from the school after what happened in Serenade. When kids start falling into comas, she thinks she may be the cause thanks to Vincent. Reluctantly, she returns to the school to try to save the day. However, bad things start happening (again) to November and her friends.
Just like with the plot of Serenade, Etude's plot is very original. I have never read anything like it, and that's a good thing! It is refreshing to read something original in a given genre especially when all previous books you've read in that genre start sounding the same. Anyway, I will admit that the plot of Etude does start off a bit slow. However, about sixty percent or so into the book, the pacing definitely picks up. I couldn't put the book down after that! I had suspicions about who would be the bad people and who were the good all throughout this book. I had to keep reading to see if I was right and to find out what would happen between Vincent and November. I loved the introduction of the dream world in Etude as well. With witches and blood walkers (vampires) roaming around in the novel, the action was there all throughout the book! Two plot twists were easy for me to figure out, but there were a couple of more plot twists (including a major one), that I just didn't see coming! Turns out that you really never know who you can trust in the Dark Nocturne universe. The book does end on a minor cliff hanger.
The characters in Etude are just as fleshed out and well developed as before. (I would even go as far as to say they're even more developed in this book than in the first in the series, and they were fleshed out well in that story.) While November is written well, I found her annoying in Etude. I don't know if it's because I'm about 20 years older than her, so I have more wisdom, but I found her lack of telling people about suspicious people and not trusting those around her more a bit infuriating. The fact that she would trust a stranger over her friends and not tell them when said stranger shares something major that could end up harming everyone really infuriated me. I wanted to bang my head against a brick wall! I kept screaming at November (in my head) to just tell someone about the suspicious character and what they would do to her (and to others). Yet November just seemed to let it slide until it becomes too late. I wish Vincent was in the story more because I loved Vincent in Serenade, but I know why he's not around as much in Etude. Cam was more more likeable in this book, and I loved how he seemed to be a better friend to everyone in Etude. Margaret was also really sweet in this book, and I think she ended up being my favorite character even if she wasn't featured a lot throughout the novel. Marcus was written well, but I always had my reservations about him. He seemed very selfish throughout the book (even if he said he wanted to help save his sisters). I also really liked Deva, although she was another character that wasn't featured that much in Etude. Be sure not to get attached to any one character though because Morgan Shamy is not afraid of killing anyone off (like in the first book)! That's another think I love about this series.
Trigger warnings for Etude include violence, death, murder, and mind control.
All in all, Etude is a fantastic follow up to the very well written Serenade. If you like figuring out which characters are the baddies, a plot that will consume you, and being whisked off to a magical world, then Etude is for you. I would definitely recommend Etude by Morgan Shamy to those aged 14+ who love an original take on paranormal fantasy where character loyalties aren't always as they seem. As for me, I've already started reading Promenade, the third book in the series because I'm addicted!
In Etude, November has been away from St. Paul's Academy for a month. She wants nothing to do with the school or anyone from the school after what happened in Serenade. When kids start falling into comas, she thinks she may be the cause thanks to Vincent. Reluctantly, she returns to the school to try to save the day. However, bad things start happening (again) to November and her friends.
Just like with the plot of Serenade, Etude's plot is very original. I have never read anything like it, and that's a good thing! It is refreshing to read something original in a given genre especially when all previous books you've read in that genre start sounding the same. Anyway, I will admit that the plot of Etude does start off a bit slow. However, about sixty percent or so into the book, the pacing definitely picks up. I couldn't put the book down after that! I had suspicions about who would be the bad people and who were the good all throughout this book. I had to keep reading to see if I was right and to find out what would happen between Vincent and November. I loved the introduction of the dream world in Etude as well. With witches and blood walkers (vampires) roaming around in the novel, the action was there all throughout the book! Two plot twists were easy for me to figure out, but there were a couple of more plot twists (including a major one), that I just didn't see coming! Turns out that you really never know who you can trust in the Dark Nocturne universe. The book does end on a minor cliff hanger.
The characters in Etude are just as fleshed out and well developed as before. (I would even go as far as to say they're even more developed in this book than in the first in the series, and they were fleshed out well in that story.) While November is written well, I found her annoying in Etude. I don't know if it's because I'm about 20 years older than her, so I have more wisdom, but I found her lack of telling people about suspicious people and not trusting those around her more a bit infuriating. The fact that she would trust a stranger over her friends and not tell them when said stranger shares something major that could end up harming everyone really infuriated me. I wanted to bang my head against a brick wall! I kept screaming at November (in my head) to just tell someone about the suspicious character and what they would do to her (and to others). Yet November just seemed to let it slide until it becomes too late. I wish Vincent was in the story more because I loved Vincent in Serenade, but I know why he's not around as much in Etude. Cam was more more likeable in this book, and I loved how he seemed to be a better friend to everyone in Etude. Margaret was also really sweet in this book, and I think she ended up being my favorite character even if she wasn't featured a lot throughout the novel. Marcus was written well, but I always had my reservations about him. He seemed very selfish throughout the book (even if he said he wanted to help save his sisters). I also really liked Deva, although she was another character that wasn't featured that much in Etude. Be sure not to get attached to any one character though because Morgan Shamy is not afraid of killing anyone off (like in the first book)! That's another think I love about this series.
Trigger warnings for Etude include violence, death, murder, and mind control.
All in all, Etude is a fantastic follow up to the very well written Serenade. If you like figuring out which characters are the baddies, a plot that will consume you, and being whisked off to a magical world, then Etude is for you. I would definitely recommend Etude by Morgan Shamy to those aged 14+ who love an original take on paranormal fantasy where character loyalties aren't always as they seem. As for me, I've already started reading Promenade, the third book in the series because I'm addicted!
Steven Sklansky (231 KP) rated Halt and Catch Fire - Season 4 in TV
Nov 6, 2017
Writing (2 more)
Cast
Very nostalgic
The Future is Here, So Watch How it Arrived
Well this was the 4th and final season of Halt and Catch Fire and it went by way to fast. This was such a fantastic season and it was sad to see it go. For those of you that have never seen this show, shame on you and go watch it on Netflix. For those who haven't caught up I will not spoil anything for you.
This show is about a group of programmers that try to stay ahead of the technology curve and make the last tech better. This season was all about making a search engine. You know like Yahoo or Google. It was such a long road to get there and there was a lot of obstacle to get there first and be the best.
The 2 groups going after it were the father/daughter pair and mother/tech firm pair. I won't tell you who one but it was wild. Both companies took different directions to make the same product and it was very interesting to see the progression. The best part of this show is how they take the real life way they got there and used fake names like Comet and Rover, but also used the real competition like AOL and Netscape to show they are in the same universe.
The characters this season really had a lot of drama, some good and some bad, but for my still it was a little much. I know TV shows need it to keep people watching to feel like they are involved, but sometimes you have to let the big picture speak for itself. But I did not mind it at all, sometimes you have to look the other way to enjoy the show.
This whole show was leading us to the future of technology and it was so much fun watching everything grow just like I did when I was a kid. Watching them play Nintendo for the first time and this season added Playstation which was kind of cool. But this show could have lasted so much longer and even added to characters along the way to make it happen. I think they jump a head in time too fast to make show reach the finish line. I with they would have stretched it a little longer. Oh well, all good things must come to an end.
Like I said earlier, if you haven't watch the show, get to watching and let me know what you think. If you have watched, lets get talking about how much you loved or hated it. Till next time, enjoy the show.
This show is about a group of programmers that try to stay ahead of the technology curve and make the last tech better. This season was all about making a search engine. You know like Yahoo or Google. It was such a long road to get there and there was a lot of obstacle to get there first and be the best.
The 2 groups going after it were the father/daughter pair and mother/tech firm pair. I won't tell you who one but it was wild. Both companies took different directions to make the same product and it was very interesting to see the progression. The best part of this show is how they take the real life way they got there and used fake names like Comet and Rover, but also used the real competition like AOL and Netscape to show they are in the same universe.
The characters this season really had a lot of drama, some good and some bad, but for my still it was a little much. I know TV shows need it to keep people watching to feel like they are involved, but sometimes you have to let the big picture speak for itself. But I did not mind it at all, sometimes you have to look the other way to enjoy the show.
This whole show was leading us to the future of technology and it was so much fun watching everything grow just like I did when I was a kid. Watching them play Nintendo for the first time and this season added Playstation which was kind of cool. But this show could have lasted so much longer and even added to characters along the way to make it happen. I think they jump a head in time too fast to make show reach the finish line. I with they would have stretched it a little longer. Oh well, all good things must come to an end.
Like I said earlier, if you haven't watch the show, get to watching and let me know what you think. If you have watched, lets get talking about how much you loved or hated it. Till next time, enjoy the show.
Haley Mathiot (9 KP) rated The Lawyer's Lawyer (Jack Tobin, #3) in Books
Apr 27, 2018
You know what makes certain books fantastic? Character development. That was the strongest point of The Lawyer’s Lawyer; the characters were wonderful.
Jack, the protagonist, was clever and intelligent and innovative and full of emotion (and hilarious when drunk). He was the kind of person I’d want to hang around… and for that matter, so were his friends. They left you with the feeling of belonging, of security. And by the end of the book, you’re thanking your lucky stars Jack had those friends, because they saved his rear end!
Danny was awesome. For the sake of keeping this review spoiler-free, I’ll just say this: The best people are the ones who do everything in love—whether those things are good or bad is up for you to decide.
And the bad guys! Sometimes the bad guys are the best! This was definitely the case in this book. One of the characters, Sam (the police chief), started off as this guy who was a little annoying. But as the story went on, I began to like him less and less, and finally at the end, I despised him. And the lawyer who represented the State in the case? Man that guy was a twit. I hated his guts. I wanted to slap him across the face.
The other exceptional attribute of this book was the narrator for the audiobook. He is incredibly talented, giving unique and identifiable voices to each character that totally described their person in a few sounds. I’m adding Rick Zieff to my list of narrators to look for in the future!
There were a few parts I would have liked to see improved: namely the beginning of the story, a chapter in the middle, and the very last scene. In the beginning, we are met with character development and background information, which is all fine… but there’s this one random case that Jack works that has nothing to do with the main plot. I kept waiting for it to come back into the main story, but it never did, and it felt out of place.
Then there was the scene in the middle, and the other part, the ending. These scenes were just borderline sappy. Danny and Jack are in love and they date and have hot sex and get all wishy-washy and twitterpated. And I’ll be the first to admit that I thoroughly enjoy being twitterpated, especially with sexy fictional characters. But I’m going to be brutally honest here… James Sheehan, you are a thriller writer… NOT a romance writer. And there’s a good reason for that: Because you suck at romance.
All in all, I absolutely loved The Lawyer’s Lawyer, and look forward to more from Sheehan.
Content/Recommendation: Some language, mild violence, mention of sex. Ages 17+
Jack, the protagonist, was clever and intelligent and innovative and full of emotion (and hilarious when drunk). He was the kind of person I’d want to hang around… and for that matter, so were his friends. They left you with the feeling of belonging, of security. And by the end of the book, you’re thanking your lucky stars Jack had those friends, because they saved his rear end!
Danny was awesome. For the sake of keeping this review spoiler-free, I’ll just say this: The best people are the ones who do everything in love—whether those things are good or bad is up for you to decide.
And the bad guys! Sometimes the bad guys are the best! This was definitely the case in this book. One of the characters, Sam (the police chief), started off as this guy who was a little annoying. But as the story went on, I began to like him less and less, and finally at the end, I despised him. And the lawyer who represented the State in the case? Man that guy was a twit. I hated his guts. I wanted to slap him across the face.
The other exceptional attribute of this book was the narrator for the audiobook. He is incredibly talented, giving unique and identifiable voices to each character that totally described their person in a few sounds. I’m adding Rick Zieff to my list of narrators to look for in the future!
There were a few parts I would have liked to see improved: namely the beginning of the story, a chapter in the middle, and the very last scene. In the beginning, we are met with character development and background information, which is all fine… but there’s this one random case that Jack works that has nothing to do with the main plot. I kept waiting for it to come back into the main story, but it never did, and it felt out of place.
Then there was the scene in the middle, and the other part, the ending. These scenes were just borderline sappy. Danny and Jack are in love and they date and have hot sex and get all wishy-washy and twitterpated. And I’ll be the first to admit that I thoroughly enjoy being twitterpated, especially with sexy fictional characters. But I’m going to be brutally honest here… James Sheehan, you are a thriller writer… NOT a romance writer. And there’s a good reason for that: Because you suck at romance.
All in all, I absolutely loved The Lawyer’s Lawyer, and look forward to more from Sheehan.
Content/Recommendation: Some language, mild violence, mention of sex. Ages 17+
Rachel King (13 KP) rated The Hunger Games in Books
Feb 11, 2019
Right away this book captures my attention with a quick introduction to Katniss's survival skills followed by the District 12 Hunger Games lottery, a grim holiday that nobody wants to celebrate, but is still mandatory. It does not take long for the reader to feel sympathetic towards Katniss and the hardship she struggles with everyday just to survive.
Every detail leading up to the actual event of the Hunger Games has a surreal feel, as Katniss is primped and paraded like a beauty pageant contestant, as if everyone is ignoring the fact that these are children, with all but one facing imminent death. This is reality television meets the ancient gladiator games of Rome, combined with the sick irony of using a nation's most precious commodity -- its children. As a mother of three, I can not even fathom living in a country that tolerated this year after year. These Hunger Games are the country's way of preventing rebellion in its citizens through fear, brainwashing, and desensitization, as it is mandatory for every citizen to watch. In some districts, this is so successful that children are routinely trained specifically for the Hunger Games, volunteering to face murder and death for a chance at fame and fortune.
The love triangle is obvious early on, though the conflict can't come into play until the second book in the series. Peeta is the one in the spotlight, the one that humanizes Katniss for the viewers and makes her likable due to his own romantic feelings for her. Unfortunately, Katniss is too busy staying alive to be certain of her true feelings, even though she can pretend well enough to convince even Peeta. Peeta is self-sacrificing, while Katniss is observant and resourceful. Katniss is able to avoid becoming a cold-hearted murderer only because of Peeta's presence.
Regarding the actual Game, those that run it operate to keep the entertainment value up, adding to the danger of the contestants still alive, handing out gifts to give one an edge over another, forcing contestants into battle to increase bloodshed and drama, and generally treating the twenty-four as actors and actresses in any other fictional television drama. What Katniss keeps returning to is how "normal" these people of the Capitol see of the deaths of these children. It occurred to me while reading this that it would be better to be one of those that died in the Games, rather than live with being the monster responsible for the deaths of twenty-three other children purely for the entertainment of the shallow and self-absorbed.
This book is both shocking and heart-rending, and I look forward to the next installment, Catching Fire.
Every detail leading up to the actual event of the Hunger Games has a surreal feel, as Katniss is primped and paraded like a beauty pageant contestant, as if everyone is ignoring the fact that these are children, with all but one facing imminent death. This is reality television meets the ancient gladiator games of Rome, combined with the sick irony of using a nation's most precious commodity -- its children. As a mother of three, I can not even fathom living in a country that tolerated this year after year. These Hunger Games are the country's way of preventing rebellion in its citizens through fear, brainwashing, and desensitization, as it is mandatory for every citizen to watch. In some districts, this is so successful that children are routinely trained specifically for the Hunger Games, volunteering to face murder and death for a chance at fame and fortune.
The love triangle is obvious early on, though the conflict can't come into play until the second book in the series. Peeta is the one in the spotlight, the one that humanizes Katniss for the viewers and makes her likable due to his own romantic feelings for her. Unfortunately, Katniss is too busy staying alive to be certain of her true feelings, even though she can pretend well enough to convince even Peeta. Peeta is self-sacrificing, while Katniss is observant and resourceful. Katniss is able to avoid becoming a cold-hearted murderer only because of Peeta's presence.
Regarding the actual Game, those that run it operate to keep the entertainment value up, adding to the danger of the contestants still alive, handing out gifts to give one an edge over another, forcing contestants into battle to increase bloodshed and drama, and generally treating the twenty-four as actors and actresses in any other fictional television drama. What Katniss keeps returning to is how "normal" these people of the Capitol see of the deaths of these children. It occurred to me while reading this that it would be better to be one of those that died in the Games, rather than live with being the monster responsible for the deaths of twenty-three other children purely for the entertainment of the shallow and self-absorbed.
This book is both shocking and heart-rending, and I look forward to the next installment, Catching Fire.
MaryAnn (14 KP) rated Secrets (Beauties from Ashes, #1) in Books
Mar 5, 2019
Every girl has a secret she hopes the light will never find–but the demons already have.
Four girls. Four sets of secrets. Four searching for answers.
Mackenzie is the shy, awkward new girl at school, depressed and desperate for a real friend. When she stumbles upon the deepest secret of a sarcastic, angry-at-the-world track star, Krystal, they become instant enemies-especially about the flirtatious baseball player, Bryce.
Tammi, a gloomy singer/musician who couldn’t care less about what others think of her, meets Sadie, a dancer and a people-pleaser with a cotton candy disposition. They have nothing in common until their lives begin to collide in more ways than one.
As the girls’ worlds begin to converge, their secrets rather than their similarities draw them together. Meanwhile, all that’s kept hidden has left them vulnerable to a battle in an invisible realm where demonic creatures fight to keep the girls chained to their pasts while angels of light work to free them.
Can good ever come from evil? Can beauty ever arise from ashes?
My Thoughts: This is an amazing story of how 4 teenage girls deal not only with every day teenage issues, but with a war with demons. There is a war waging around us that we can not see and this book illustrates this extremely well. Do we think of where our bad moods and thoughts come from? This is an intense and creative novel that truly illustrates what goes on in a realm that we cannot see. This novel teaches us that with God, we can be set free from our past and win the battle against evil.
In this story-line, not only did the girls had to deal with some issues from their past, from abuse, arents dealing with depression and alcoholism; they had their usual teenage issues to deal with as well. We as readers learn how they all came together to face these demons controlling them and winning the war.
While reading this book, it made me think what is happening around me when I have a bad thought or a bad mood; those demons in this book will come to my mind to remind me that all I need to do is turn to God in prayer.
The unbelievers are given the gospel and learn how to trust in God and learn how prayer works in their lives.
This was an amazing book, those who enjoy reading about the spiritual realm around us will certainly enjoy this book as much as I did. I am looking forward to her next book in the Beauty from the Ashes series "The Uninvited".
Four girls. Four sets of secrets. Four searching for answers.
Mackenzie is the shy, awkward new girl at school, depressed and desperate for a real friend. When she stumbles upon the deepest secret of a sarcastic, angry-at-the-world track star, Krystal, they become instant enemies-especially about the flirtatious baseball player, Bryce.
Tammi, a gloomy singer/musician who couldn’t care less about what others think of her, meets Sadie, a dancer and a people-pleaser with a cotton candy disposition. They have nothing in common until their lives begin to collide in more ways than one.
As the girls’ worlds begin to converge, their secrets rather than their similarities draw them together. Meanwhile, all that’s kept hidden has left them vulnerable to a battle in an invisible realm where demonic creatures fight to keep the girls chained to their pasts while angels of light work to free them.
Can good ever come from evil? Can beauty ever arise from ashes?
My Thoughts: This is an amazing story of how 4 teenage girls deal not only with every day teenage issues, but with a war with demons. There is a war waging around us that we can not see and this book illustrates this extremely well. Do we think of where our bad moods and thoughts come from? This is an intense and creative novel that truly illustrates what goes on in a realm that we cannot see. This novel teaches us that with God, we can be set free from our past and win the battle against evil.
In this story-line, not only did the girls had to deal with some issues from their past, from abuse, arents dealing with depression and alcoholism; they had their usual teenage issues to deal with as well. We as readers learn how they all came together to face these demons controlling them and winning the war.
While reading this book, it made me think what is happening around me when I have a bad thought or a bad mood; those demons in this book will come to my mind to remind me that all I need to do is turn to God in prayer.
The unbelievers are given the gospel and learn how to trust in God and learn how prayer works in their lives.
This was an amazing book, those who enjoy reading about the spiritual realm around us will certainly enjoy this book as much as I did. I am looking forward to her next book in the Beauty from the Ashes series "The Uninvited".
Acanthea Grimscythe (300 KP) rated Wolf Blood in Books
Jan 31, 2019
Wolf Blood is a fresh, new take on the apocalypse–free of zombies and nuclear fallout. It’s a welcome breath of fresh air in a market that’s already overly saturated with the same tropes, and for that Steve Morris deserves props. That’s not to say that there aren’t issues with Wolf Blood. There are several, actually. It does, however, mean that this is a title worth taking the time to read if you’re sick of the same washed up material.
Professor Wiseman and his three students, Samuel, Leann, and Adam, have tucked themselves away in the Carpathians after a poorly received publication foretelling of a werewolf apocalypse is met with widespread mockery and criticism. His reputation ruined, the Professor and his students continue their research in quiet solitude–until things go wrong. All three students become infected, soon returning to London to bring back the superiority of wolves.
Let’s be honest, this idea is pretty interesting and in execution, Morris does a pretty decent job. I didn’t find any outwardly obvious plot holes, and that’s a plus too. The book is fast-paced, making for an easy and quick read. It isn’t bogged down with too much exposition, either. In fact, it might not have enough in some cases. Fortunately, it doesn’t detract too much from what’s going on.
Also, characters. There are too many characters whose purpose isn’t revealed in this book. Granted it’s the first of a series and they probably have a reason to exist later on down the road, but ultimately I feel it would have been better if those characters were introduced later. Instead we end up with a handful of people we don’t care about, and not enough time to develop feelings for those we do meet.
Morris’s werewolves are an important topic of discussion too. They are somewhere in-between the romanticized version and the truly monstrous. As a fan of gore and horror, I was hoping for purely the latter–especially since it is an apocalypse book. While there is some sappiness to this crew of mangy mutts, much of their desires lean toward the more primal nature of a wolf.
Overall, I thoroughly enjoyed reading this; I devoured it in just over twenty-four hours and, considering all that’s going on in my life, that’s a good thing. Rating wise, I’m stuck between three and four. Considering how much fun I had reading it, I’ve decided to lean toward the higher rating. This is definitely a fun book.
I would like to thank the publisher and NetGalley for providing me with a free copy of this book in exchange for an honest and unbiased review.
Professor Wiseman and his three students, Samuel, Leann, and Adam, have tucked themselves away in the Carpathians after a poorly received publication foretelling of a werewolf apocalypse is met with widespread mockery and criticism. His reputation ruined, the Professor and his students continue their research in quiet solitude–until things go wrong. All three students become infected, soon returning to London to bring back the superiority of wolves.
Let’s be honest, this idea is pretty interesting and in execution, Morris does a pretty decent job. I didn’t find any outwardly obvious plot holes, and that’s a plus too. The book is fast-paced, making for an easy and quick read. It isn’t bogged down with too much exposition, either. In fact, it might not have enough in some cases. Fortunately, it doesn’t detract too much from what’s going on.
Also, characters. There are too many characters whose purpose isn’t revealed in this book. Granted it’s the first of a series and they probably have a reason to exist later on down the road, but ultimately I feel it would have been better if those characters were introduced later. Instead we end up with a handful of people we don’t care about, and not enough time to develop feelings for those we do meet.
Morris’s werewolves are an important topic of discussion too. They are somewhere in-between the romanticized version and the truly monstrous. As a fan of gore and horror, I was hoping for purely the latter–especially since it is an apocalypse book. While there is some sappiness to this crew of mangy mutts, much of their desires lean toward the more primal nature of a wolf.
Overall, I thoroughly enjoyed reading this; I devoured it in just over twenty-four hours and, considering all that’s going on in my life, that’s a good thing. Rating wise, I’m stuck between three and four. Considering how much fun I had reading it, I’ve decided to lean toward the higher rating. This is definitely a fun book.
I would like to thank the publisher and NetGalley for providing me with a free copy of this book in exchange for an honest and unbiased review.