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LeftSideCut (3778 KP) rated The Dead Don't Die (2019) in Movies
Jan 7, 2020 (Updated Jan 29, 2020)
Several Wild Animals
The Dead Don't Die is truly a bizarre experience.
Jim Jarmusch has crafted a gratuitously deadpan and self aware zombie film that tackles tired genre tropes in unique and confusing ways.
Truth be told, I was ready to hate it. I knew that it wasn't the same style of zombie-comedy as Zombieland, or Shaun of the Dead, and I expected to be bogged down in pretentiousness - I'm happy to admit that I was wrong in this case.
A lot of the complaints I've seen about TDDD is precisely that. That, and the fourth wall breaking, but those are two aspects that I actually really liked.
The humour is really subtle for the most part. The dead pan delivery of a lot of the script was quite jarring at first, but it didn't take long for it settle, and I actually ended up finding it pretty funny, just not in-your-face funny (which is a good thing).
The fourth wall stuff verges on being too-clever-for-its-own-good but it just about pulls it off, and gives an interesting alternate thought process to the general narrative.
The cast is brimming with people that I like and love - Bill Murray, Adam Driver (surely a full blown man crush by this point), Chloë Sevigny, Steve Buscemi, Danny Glover, Tilda Swinton... God damn I even love Iggy Pop. It's a great cast list for sure, and the charming and witty script gives them all a lot to do, even if some of the many characters feel under developed at times.
The zombie aspect is a bit if a back seat for me. I was certainly more invested in the aforementioned cast, than any actual zombie action, but I enjoyed the 'classic' shuffling zombies in a small town setting for what it's worth.
I'm not sure what I expected from The Dead Don't Die, but it certainly wasn't what I got, and that precisely why it stands out.
Jim Jarmusch has crafted a gratuitously deadpan and self aware zombie film that tackles tired genre tropes in unique and confusing ways.
Truth be told, I was ready to hate it. I knew that it wasn't the same style of zombie-comedy as Zombieland, or Shaun of the Dead, and I expected to be bogged down in pretentiousness - I'm happy to admit that I was wrong in this case.
A lot of the complaints I've seen about TDDD is precisely that. That, and the fourth wall breaking, but those are two aspects that I actually really liked.
The humour is really subtle for the most part. The dead pan delivery of a lot of the script was quite jarring at first, but it didn't take long for it settle, and I actually ended up finding it pretty funny, just not in-your-face funny (which is a good thing).
The fourth wall stuff verges on being too-clever-for-its-own-good but it just about pulls it off, and gives an interesting alternate thought process to the general narrative.
The cast is brimming with people that I like and love - Bill Murray, Adam Driver (surely a full blown man crush by this point), Chloë Sevigny, Steve Buscemi, Danny Glover, Tilda Swinton... God damn I even love Iggy Pop. It's a great cast list for sure, and the charming and witty script gives them all a lot to do, even if some of the many characters feel under developed at times.
The zombie aspect is a bit if a back seat for me. I was certainly more invested in the aforementioned cast, than any actual zombie action, but I enjoyed the 'classic' shuffling zombies in a small town setting for what it's worth.
I'm not sure what I expected from The Dead Don't Die, but it certainly wasn't what I got, and that precisely why it stands out.
JT (287 KP) rated King of Devil's Island (2011) in Movies
Mar 10, 2020
Any story about rebelling against the system is generally going to get an audience, people love an underdog story and King of Devil’s Island is a chilling one, in almost the literal sense.
Erling (Helstad) is a troubled individual and when he makes the journey to the island of Bastoy his stay is not going to be a pleasant one, but one of hardship and manual labour. Under the watchful eye of Bestyreren (the ever brilliant Skarsgård) he has to follow the rules or face punishment in the worst form possible, and that’s after trying to battle the freezing Nordic winters.
Even when he is read the rules the only thing on his mind is escape, failed attempts only bring more pain and misery. Inside he manages to share a bond with some of the other boys, but those who have been there for longer know the rules and rarely step out of line.
Along the way he is forced to deal with the harsh reality of the situation, and when Bestyreren let’s the return of vicious guard Bråthen back into the borstal the revolt begins. The Norwegian surroundings are an unforgiving place especially in this environment as Erling finds out the hard way, in one punishment he is made to move massive rocks from one spot on the ground to the other.
There is a sense that Bestyreren’s motives are for the good of the boys he presides over, he is harsh but fair and if anything he has empathy for them although he doesn’t show it. Turning them from outcast delinquents into responsible men.
The acting is solid, Skarsgård is always a commendable actor and turns in a decent performance, Benjamin Helstad also does a great job for someone quite unknown in world cinema. But Holst captures the essence for the need to survive and break the so called chains, it’s a powerful film, but then most Norwegian films that I have seen lately have been like that.
Erling (Helstad) is a troubled individual and when he makes the journey to the island of Bastoy his stay is not going to be a pleasant one, but one of hardship and manual labour. Under the watchful eye of Bestyreren (the ever brilliant Skarsgård) he has to follow the rules or face punishment in the worst form possible, and that’s after trying to battle the freezing Nordic winters.
Even when he is read the rules the only thing on his mind is escape, failed attempts only bring more pain and misery. Inside he manages to share a bond with some of the other boys, but those who have been there for longer know the rules and rarely step out of line.
Along the way he is forced to deal with the harsh reality of the situation, and when Bestyreren let’s the return of vicious guard Bråthen back into the borstal the revolt begins. The Norwegian surroundings are an unforgiving place especially in this environment as Erling finds out the hard way, in one punishment he is made to move massive rocks from one spot on the ground to the other.
There is a sense that Bestyreren’s motives are for the good of the boys he presides over, he is harsh but fair and if anything he has empathy for them although he doesn’t show it. Turning them from outcast delinquents into responsible men.
The acting is solid, Skarsgård is always a commendable actor and turns in a decent performance, Benjamin Helstad also does a great job for someone quite unknown in world cinema. But Holst captures the essence for the need to survive and break the so called chains, it’s a powerful film, but then most Norwegian films that I have seen lately have been like that.
ClareR (5711 KP) rated One Year of Ugly in Books
Apr 3, 2020
A different look at refugees.
I didn’t expect to like this book as much as I did, and I really didn’t expect to laugh as much. It’s not a particularly funny subject, when you consider that it’s about Venezuelan refugees in Trinidad. Honestly, I didn’t know that there WERE Venezuelan refugees in Trinidad. The whole Palacio family have fled Venezuela and it’s corrupt regime, and have started a new life in Trinidad as refugees. The work they do is under the radar of the authorities. When their matriarch, Aunt Celia, suddenly dies, a rather flamboyant character, Ugly, turns up and demands his money. This is the point where they find out that they’re actually illegal refugees, and that Aunt Celia hadn’t actually secured them any legitimate, legal rights to be there. So they’re now at the mercy of Ugly. He demands that they work off the debts that Celia incurred, by taking in fellow refugees as they pass through to nw lives in Trinidad. He leaves them under no misapprehension that if they don’t comply to his wishes, violence will follow.
There is a real dark humour throughout this book. Parts are genuinely funny, but there are other parts, mainly those involving Ugly, which are really menacing. This isn’t a fluffy ‘everything works out for the best’ type of story, and I think it’s really good that Mackenzie is highlighting something that a lot of us know nothing about. It seems universal that no matter where a refugee comes from, that their lives are constantly in danger and that they are preyed upon by the unscrupulous. I’ve read a couple of books about refugees that broke my heart, and while I did feel sympathy for the characters in this book, I appreciated the humour - after all, some people do deal with trauma with humour.
I was really pleasantly surprised by this book, and yes, I would recommend it. I’m looking forward to seeing what the author will write about next.
There is a real dark humour throughout this book. Parts are genuinely funny, but there are other parts, mainly those involving Ugly, which are really menacing. This isn’t a fluffy ‘everything works out for the best’ type of story, and I think it’s really good that Mackenzie is highlighting something that a lot of us know nothing about. It seems universal that no matter where a refugee comes from, that their lives are constantly in danger and that they are preyed upon by the unscrupulous. I’ve read a couple of books about refugees that broke my heart, and while I did feel sympathy for the characters in this book, I appreciated the humour - after all, some people do deal with trauma with humour.
I was really pleasantly surprised by this book, and yes, I would recommend it. I’m looking forward to seeing what the author will write about next.
Lyndsey Gollogly (2893 KP) rated Rhapsodic (The Bargainer #1) in Books
Apr 27, 2020
Callypso Lillis is a siren with a very big problem, one that stretches up her arm and far into her past. For the last seven years she’s been collecting a bracelet of black beads up her wrist, magical IOUs for favors she’s received. Only death or repayment will fulfill the obligations. Only then will the beads disappear.
Everyone knows that if you need a favor, you go to the Bargainer to make it happen. He’s a man who can get you anything you want … at a price. And everyone knows that sooner or later he always collects.
But for one of his clients, he’s never asked for repayment. Not until now. When Callie finds the fae king of the night in her room, a grin on his lips and a twinkle in his eye, she knows things are about to change. At first it’s just a chaste kiss—a single bead’s worth—and a promise for more.
For the Bargainer, it’s more than just a matter of rekindling an old romance. Something is happening in the Otherworld. Fae warriors are going missing one by one. Only the women are returned, each in a glass casket, a child clutched to their breast. And then there are the whispers among the slaves, whispers of an evil that’s been awoken.
If the Bargainer has any hope to save his people, he’ll need the help of the siren he spurned long ago. Only, his foe has a taste for exotic creatures, and Callie just happens to be one.
I loved it! I’ve only read one other book by this author and I that too! It’s so romantic! I absolutely love the story line! Not much more to say as it’s one of those that I recommend just going in and reading! The last book that I loved like this was the Merry Gentry series by Laurell K Hamilton
Everyone knows that if you need a favor, you go to the Bargainer to make it happen. He’s a man who can get you anything you want … at a price. And everyone knows that sooner or later he always collects.
But for one of his clients, he’s never asked for repayment. Not until now. When Callie finds the fae king of the night in her room, a grin on his lips and a twinkle in his eye, she knows things are about to change. At first it’s just a chaste kiss—a single bead’s worth—and a promise for more.
For the Bargainer, it’s more than just a matter of rekindling an old romance. Something is happening in the Otherworld. Fae warriors are going missing one by one. Only the women are returned, each in a glass casket, a child clutched to their breast. And then there are the whispers among the slaves, whispers of an evil that’s been awoken.
If the Bargainer has any hope to save his people, he’ll need the help of the siren he spurned long ago. Only, his foe has a taste for exotic creatures, and Callie just happens to be one.
I loved it! I’ve only read one other book by this author and I that too! It’s so romantic! I absolutely love the story line! Not much more to say as it’s one of those that I recommend just going in and reading! The last book that I loved like this was the Merry Gentry series by Laurell K Hamilton
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