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Muito (Dentro Da Estrela Azulada) by Caetano Veloso
Muito (Dentro Da Estrela Azulada) by Caetano Veloso
1978
(0 Ratings)
Album Favorite

"There was a record store in the Times Square subway station, and another one on 42nd Street, both of which had big “international sections,” as they called it. It included everything from the rest of the world, all on vinyl, but with no information. You’d look at the cover and go, What’s this like? It was a total crapshoot. But occasionally, I’d hear something that would blow my mind, like a Fela Kuti record; the first one I picked up was called Expensive Shit, and obviously I picked that up because of the title. The covers were the best—like Cambodian pop records with a bunch of people in traditional garb, all holding electric guitars—and you’d look at them for clues. You’d think, What in the world could that be? You’d buy it, and it would be pretty cool. In 1986, I did a fiction film called True Stories. I guess you would call it a musical comedy. We were doing the mixing in San Francisco, so I’d go down to the big Tower Records on North Beach and go to the international section. One day, I came back with a whole bunch of Brazilian records, because I had maybe heard of a couple of the artists, but didn’t really know what their records were like. One was a Caetano Veloso record called Muito, and then there was a Milton Nascimento record, and probably a Gilberto Gil record, and those blew my mind. They had elements that were psychedelic and that had a Brazilian feel. They were really beautiful, but then I dug a little bit more and found out they were also really political. These guys had been exiled, thrown in jail. I was connecting with it, and I realized that my generation didn’t know any of this music. So I asked our record label, “Can we license this music, and can I make a compilation of my favorite cuts?” That one record led to another one: There was a Brazilian series, then a Cuban series, because Cuban music had not been available in the United States for decades. And I started my own label, Luaka Bop."

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Fieldwork Footage (1928)
Fieldwork Footage (1928)
1928 |
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Movie Favorite

"The last one I think might be the most unusual one and this is footage shot by Zora Neale Hurston, who we know as a writer, a novelist, the author of Their Eyes were Watching God (the basis for the eponymous film), which is her best-known work. [She] was also a playwright, short story writer, and screenwriter for a while in her career. Really a Renaissance woman. When she was a student, she was studying anthropology with France Boulez at Columbia, and she was doing her fieldwork as an anthropologist on the kinds of communities that she grew up in, in Florida. In the late 1920s, she had a car and a 16-millimeter camera and she drove down to Alabama and Florida and she shot footage, ethnographic footage, as a part of her research. We featured some of this material on the Pioneers of African-American Cinema box set that I co-curated that was released by Kino. The footage is not narrative and it’s not exactly documentary either, in the sense that she never put together a work that then she was sharing with other people — it was for her research purposes. But she shows men who are logging, for example. My favorite passage of the footage was when she shows children playing games. The can game, and games when they’re in a circle or square and trading off movement and those kinds of things. We can see she’s capturing information that she’s going to use to talk about these cultural practices in her academic writing. It’s also really clear in the attention she pays the children and the attention that she pays to the movements of women, the way that she captures, even in the silent films, the rhythm and the musicality of church service. We can see visually the style that she’s developing that then she folds into her writing practice. We can say, because we know about this work that Zora Neale Hurston seems to be one of the first African-American women filmmakers, and so it gives us a deeper sense of her creative practice and her intellectual practice as well."

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ClareR (5950 KP) rated The Hiding Game in Books

Sep 8, 2019 (Updated Sep 9, 2019)  
The Hiding Game
The Hiding Game
Naomi Wood | 2019 | Fiction & Poetry, History & Politics
10
10.0 (1 Ratings)
Book Rating
A completely engrossing novel about Weimar, Bauhaus and complicated relationships
The Hiding Game is set mostly in the period between the two World Wars at the Bauhaus art school. This was a time of great change in Germany, both politically and artistically. Paul Beckermann starts his study at Bauhaus in 1922, and forms one of a group of six friends. He falls in love with the unobtainable Charlotte, a young woman from Czechoslovakia, but she loves Jenö, who in turn is loved by Paul’s best friend Walter. It seems like an impossible love triangle (or even a square?!). These strong feelings lead to betrayal in a time that it was very easy to utterly destroy lives. The six friends drift apart, mainly out of necessity (Bauhaus was not liked at all by the traditionalists in the National Socialist party), but also they just couldn’t be together anymore.

Paul, as an older man living in England, looks back at this period in his life and how it went tragically wrong. Not all of the six friends were as fortunate as he was.

It’s a heartbreaking and also a suspenseful novel. Someone with only a limited knowledge of this period will know of the kind of tragedy that could befall people then. Paul’s guilt and sadness are palpable throughout the book, and I really felt for him. This isn’t really a book where the characters find some sort of forgiveness for themselves - there is none to find. Terrible things happened, and the survivors had to find a way to live with themselves afterwards.

I loved the details about Bauhaus. I did some study on it during my German degree, and it filled in some gaps in my knowledge (there are quite a few gaps to fill when you did that degree 25 years ago!), and I’m always on the lookout for books set in Germany, especially those with a good helping of history (this has it in spades!). And for me, this really didn’t disappoint. I loved it, and I’ll be recommending it to friends (ex-German degree friends as well!).

Many thanks to NetGalley and Picador for my copy of this wonderful book.
  
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