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Buster's Mal Heart (2016)
Buster's Mal Heart (2016)
2016 | Mystery
Remember before the digital revolution and on demand TV channels when you had to stay up late and watch the films shown after midnight to see anything outside of the mainstream? Quite often they were awful, cheap, rambling experiences that maybe had one or two memorable scenes, or something so weird that you had to find out if any of your friends had seen it. Well, this is one of those films, except it was made in 2017 and I saw it in 2020 on Netflix.

I had added it to my watchlist some time during my obsession with Rami Malek and Mr Robot, knowing he had popped up in several cameo roles in big films over the years, but keen to see him take a lead role before the Oscar train of Bohemian Rhapsody and A-list fame. It is also that kind of film that arthouse cinemas would show during indie festivals or on late night double bills; stepping stones, hopefully, for all concerned to bigger things.

Writer director Sarah Adina Smith hasn’t quite made it yet, so you probably haven’t heard of her. She directed 2 episodes of Hanna, which I liked a lot, and will be talking about on The Wasteland at some point, and a few other bits of TV, but that’s about it. Judged on this oddity there is a good deal of vision and talent going on – but not yet an eye for total coherence.

Buster doesn’t know what it is, and neither do the critics, listing it as a mystery, a drama, a thriller, a sci-fi and a crime film, which… ok, yes, it has elements of all those, but isn’t really any of them, also. The titular character played by Malek is an ethereal enigma trapped in his own weird existence, and through a series of out of time and out of sequence flashbacks we come to understand his journey and descent into madness, after encountering a down at heel salesman with a big conspiracy theory to pedal, called The Inversion.

It remains shrouded in ambiguity and strangeness for most of the modest, but not off-putting, 96 minute running time, as Malek grows a beard, loses a beard and grows a beard again. Even when all is said and done, it takes a minute to put it all together and figure out what the point of it was. As something curious to let wash over you, I have to say I kinda liked it. Malek was as committed and interesting to watch as he always is, and I was just happy that films like this can still get made.

Ultimately, possibly a short film idea stretched too thin into a feature, which is an all too familiar phenomenon for new directors. But, an idea interesting and original enough to earn the right to be thought of as “showing potential”. If Smith ever does make it as big as say Jim Jarmusch or Kelly Reichardt then the arthouse geeks like me will be looking back on this with great interest. You just wonder how many people will see it at all, now the days of post midnight movies on a set channel are pretty much over?
  
The Westing Game
The Westing Game
Ellen Raskin | 2004 | Fiction & Poetry, Mystery, Young Adult (YA)
7
8.1 (7 Ratings)
Book Rating
While looking for my next read, I came across The Westing Game by Ellen Raskin. I had never heard of it before, but the synopsis sounded interesting. I decided to give it a read, and I'm glad I did.

Sixteen people all move into Sam Westing's apartment building after receiving a letter inviting them to move in. They are the only tenants in the building. Little do they know that they were picked to play in a game where they could potentially win a lot of money. However, they must play hard to win if they want to inherit millions even if the game may be dangerous.

I didn't realize it while reading The Westing Game, but this book is considered middle grade fiction. The way it is written, I think every age group would enjoy it. It's a fun and easy read. The plot flows smoothly, and the story progresses with ease. Each page is filled with mystery. I found myself guessing who was the murderer and which person would figure out the clues to inherit Sam Westing's inheritance. I will say that The Westing Game's mystery had me stumped. I never could guess who was who which made me love this book even more. This book is chock full of mystery and intrigue. It will leave you scratching your head as you read it trying to figure out who killed Sam Westing. There's plenty of plot twists, and just when you think you have figured everything out, you will find out how wrong your guess was. I've never read a book that stumped me so much while trying to figure out everything! However, by the end of the book, everything is revealed. All questions are answered, and the author lets us know how each character got on in life. One minor annoyance (and I believe it's a personal thing) was that the writing seemed a little choppy to me in how it was written. Maybe it is just that style, but I found it a bit peculiar. However, that didn't take away my interest in the story that much.

I thoroughly enjoyed the characters in Ellen Raskin's The Westing Game. I enjoyed the diversity of the characters in the book. I do wish there was a bit more backstory for each of the characters though. It's not that they didn't feel fleshed out because they did, but I would have enjoyed learning more about each one of them a bit more before they moved in to Westing's apartment building. I enjoyed Turtle's character the most. Although she was often looked over, her determination to prove herself was admirable. I like how, despite her young age, she threw herself into Sam Westing's game. Sydelle was my least favorite character. It wasn't because she wasn't written well, quite the opposite. I just found her personality annoying. I kept hoping she was somehow be kicked out. Even though she wasn't mentioned as much, I really liked Madame Hoo. I enjoyed her scenes and her personality on the pages she was mentioned in.

Trigger warnings for The Westing Game include minor violence, death, suicide, drinking, and minor racism from one of the characters.

With it's mysterious plot and interesting cast of characters, The Westing Game is one of those books that you will love reading while trying to figure out its plot. It will keep you on your toes at all times! I would definitely recommend The Westing Game by Ellen Raskin to those aged 13+ who are after an unpredictable and well written mystery novel.
  
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Darren (1599 KP) rated Scar (2007) in Movies

Sep 26, 2019  
Scar (2007)
Scar (2007)
2007 | Drama, Horror, Mystery
6
6.0 (2 Ratings)
Movie Rating
Characters – Joan is a character we meet at two different ages and flashback between through the film, the teenage version of her gets tortured by the serial killer leaving her with the scar on her face. The adult one heads back to her hometown for the first time since to see her niece graduate. When the killings start again she becomes the prime suspect though she believes she killed the killer all those years ago. She must learn who the killer is before her niece goes through the same ordeal she does. Olympia is the niece that is living the normal teenage life graduating only to become the latest target by the killer who has already taken her friends. Bishop is the serial killer that targeted Joan and her friend all those years ago, forcing the through a torturous ordeal, has he return? He enjoys making the victims suffer as he cuts them. We do get to meet other characters who mostly become victims of the killer, each one interacts in their own way.

Performances – Angela Bettis is strong in the leading role of this film, she often took chances on horror and this is one where she can lead the film and deal with the horrors involved. Kirby Bliss Blanton is solid in her role though she doesn’t get as much to do other than be generic teenager. Ben Cotton does make for a good villain that showed just how twisted his character it. The supporting cast are all solid enough without being challenged to do anything to make them standout.

Story – The story follows a victim returning home for the first time only to face a serial killer she believed she had killed to protect her niece. The story does a good job balance the two timelines as we see how Joan is reacting to the ordeal from her first encounter to the new encounter, playing along the lines that she might not be as clean as she thought she was. We also get to deal with how people can become interested in killings over the stories about the killer over the victim. The strangest twist in the film is the fact that another bigger film seemed to use the exact same twist and motives behind the killings, I won’t mention the film because it will ruin the end of the film.

Crime/Horror – The crime side of the film follows the action of the serial killer which plays into the horror because of the torturous nature that they follow through the film, the wounds feel real, look real and brutal with just how they are made to look.

Settings – The film takes place in a small town, which has a reputation, we see the normal locations, but it is in the shadows where we see the killer conduct their actions.

Special Effects – The effects come from the graphic body horror we are put through by the killer, the wounds being enough to make the blood appear over causing fatal wounds.


Scene of the Movie – The killer’s identity.

That Moment That Annoyed Me – The killer’s motivation.

Final Thoughts – When it comes to late night horrors sometimes we can just enjoy the events for what they are, this is one of the perfect examples of this giving us horror when we need it and a simple horror to watch.

 

Overall: Midnight horror treat.
  
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James P. Sumner (65 KP) created a post

Aug 22, 2019  
So everyone's talking about Spiderman. As a huge Marvel geek, I am obviously disappointed there's a chance all the work the MCU has put in could be undone to an extent now that Sony has ended its deal with Disney. The chatter online centres around how awful Disney, Marvel and Sony are because they only care about money and not the fans...

The thing is, those companies didn't get where they're at today by not thinking about money and making smart business decisions. It's a vicious circle. On the one hand, yes, it's the fans that make them the money by consuming the product, but those companies need to money to make that product. I know Disney isn't exactly short of a few quid, but I can kind of see their point here.

When Marvel/Disney first acquired the rights to Spiderman, they were desperate. They didn't actually fully acquire them, they basically rented them in an extortionate deal that saw Sony keep 95% of the profits. Fast-forward a few years and Spiderman: Far From Home grosses $1.1B worldwide. From Sony's point of view, it became their biggest movie ever. For Disney, it was their fourth billion-dollar movie of the year. Knowing they have an excellent product, the Disney/Marvel Finance department said, "Hey, 5% of a billion is WAY less than, say, 50% of a billion. Seeing as we do everything, we should totally ask for more money, right?"

A fair point. However, Sony's Finance Department saw the proposal and were all like, "Hey, did you know, if we give 50% of a billion away, we're left with WAY less than if we only give 5% of a billion away?" This was backed up by Sony's top execs saying, "We still own Spiderman. We're Kings of the world now because we had one huge hit that someone else gave us. They need us more than we need them now. Tell Disney they get the same 5% or they get nothing."

I understand Sony not wanting a 50/50 split when it's their IP, but they need to understand they only made the money they did because Marvel but its name on it. I also think Disney could've negotiated a little. Maybe 75/25, for the sake of not ruining a multi-billion-dollar franchise they've spent 11 years building?

As things stand, the next Spiderman film will be made by Sony and will not be a part of the MCU, although talks between the two companies are apparently ongoing. For me, this is easily remedied by one of three options:

1. Sony stops being greedy and making childish excuses, Disney stops being unrealistic, and they negotiate like grown-ups.
2. Disney pays whatever Sony wants to obtain the full rights to the Spiderman franchise - pretty sure it'll be worth it.
3. Disney just buys Sony to spite them. Because they can. Probably.

People who say these companies don't care about the fans are thinking with their comic book hearts and I get that. But this is all a business at the end of the day. Sony are acting like stubborn bullies here. Disney need to be the bigger person. Whatever amount they have to part with will still be made back twice over, because it's Marvel. What's right for business is also right for the fans - put the MCU franchise first.
     
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