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ClareR (6134 KP) rated The Other Side of Mrs Wood in Books
Aug 15, 2023
I’ve read a couple of books recently with mediums front and centre, and I really enjoyed The Other Side of Mrs Wood.
Mrs Violet Wood is one of the best known mediums in London, if not the whole country. People come to her for solace and pure entertainment, and the local Mediums meet up regularly to practice their skills on one another. Feeling her age (bearing in mind she’s not 40 yet - and this really got my goat, if I’m completely honest!), Mrs Wood agrees to take on an apprentice who has been standing outside her seances, hoping to be noticed. Emmie Finch is a very keen pupil. Or is she?
We all know that seances are pure showmanship, and highly unlikely to actually make contact with the dead, but these women really believe what they’re doing - even as they set up the room to cheat those who were paying for their services. The seances where the mediums are there on their own would make anyone think that they believed 100% in what they were doing. Clearly they had their own moral codes, and no one appeared to be cheated out of money (but if you have someone paying you regularly for work that isn’t genuine, are you cheating them?!).
I did feel for Mrs Wood as she was pushed out of her position by the upstart Emmie, and could understand how she worried about losing her livelihood and her house. Mrs Wood descends into a bad place and pushes all of her friends away for a time. This seems out of character, but she’s being pushed to her limit. She doesn’t have the backstop of a husband to save her if everything goes wrong. Self-sufficient women of means were probably few and far between at this time, and if you lost everything it was a long fall.
I read this with The Pigeonhole, who again helped me with my NetGalley reads (I do like reading along with everyone else on there, it really adds a different perspective to the books I read). Many thanks to the author, Lucy Barker, Fourth Estate and to The Pigeonhole for serialising this fascinating book.
Mrs Violet Wood is one of the best known mediums in London, if not the whole country. People come to her for solace and pure entertainment, and the local Mediums meet up regularly to practice their skills on one another. Feeling her age (bearing in mind she’s not 40 yet - and this really got my goat, if I’m completely honest!), Mrs Wood agrees to take on an apprentice who has been standing outside her seances, hoping to be noticed. Emmie Finch is a very keen pupil. Or is she?
We all know that seances are pure showmanship, and highly unlikely to actually make contact with the dead, but these women really believe what they’re doing - even as they set up the room to cheat those who were paying for their services. The seances where the mediums are there on their own would make anyone think that they believed 100% in what they were doing. Clearly they had their own moral codes, and no one appeared to be cheated out of money (but if you have someone paying you regularly for work that isn’t genuine, are you cheating them?!).
I did feel for Mrs Wood as she was pushed out of her position by the upstart Emmie, and could understand how she worried about losing her livelihood and her house. Mrs Wood descends into a bad place and pushes all of her friends away for a time. This seems out of character, but she’s being pushed to her limit. She doesn’t have the backstop of a husband to save her if everything goes wrong. Self-sufficient women of means were probably few and far between at this time, and if you lost everything it was a long fall.
I read this with The Pigeonhole, who again helped me with my NetGalley reads (I do like reading along with everyone else on there, it really adds a different perspective to the books I read). Many thanks to the author, Lucy Barker, Fourth Estate and to The Pigeonhole for serialising this fascinating book.
Merissa (13952 KP) rated Changed (Gold Hockey #19) in Books
Aug 28, 2023
CHANGED is part of the Gold Hockey series and we finally get Mads and Lucas' story. Mads is Ben's sister, and we have met her in previous stories, where we found out she was a drug addict, and then a recovering addict. Now, she is fighting hard to make amends to those she has hurt in the past. Most people accept her recovery and help her make amends. Not Lucas though. Oh, no! He's been a hard-ass from the beginning but we find out why. Lucas has been on the receiving end of addicts who say they are quitting but don't. THAT is why his trust in Mads is non-existent. He is constantly doubting her word and waiting for her to mess up. When he makes the realisation that Mads is trying, and he has been a jerk, he will do anything he can to make up for his past behaviour.
This was an emotional story, with plenty here about how the actions of family can have an effect on a child/young adult/whatever, especially when drugs and abuse are in the mix. Lucas is self-aware enough to realise he is letting his own past affect his current views and tries to amend that.
Along with Mads and Lucas, there is a whole side story going on with Brit and Stefan, although they don't overshadow the main story. And then there is a final moment with Rome that I did not see coming! I knew he was being mentioned but simply thought it was because his was the next book in this series.
This was a great addition to the series, full of emotions and feelings, where life doesn't always run smoothly or as expected, but where family can be found to either make up for the one you have or to enhance the one you already have.
A fantastic read that I definitely recommend.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Aug 28, 2023
This was an emotional story, with plenty here about how the actions of family can have an effect on a child/young adult/whatever, especially when drugs and abuse are in the mix. Lucas is self-aware enough to realise he is letting his own past affect his current views and tries to amend that.
Along with Mads and Lucas, there is a whole side story going on with Brit and Stefan, although they don't overshadow the main story. And then there is a final moment with Rome that I did not see coming! I knew he was being mentioned but simply thought it was because his was the next book in this series.
This was a great addition to the series, full of emotions and feelings, where life doesn't always run smoothly or as expected, but where family can be found to either make up for the one you have or to enhance the one you already have.
A fantastic read that I definitely recommend.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Aug 28, 2023
Sim 299 (I Am Sleepless #1)
8.0
Rate It
Book
The planet Ethos is at war with a savage enemy known as the Splicers. Their only successful defense...
Young Adult Science Fiction Dystopian Mystery
Debbiereadsbook (1727 KP) rated Magic Always Sings (Magic Series #2) in Books
Dec 19, 2023
loved what the magic did!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
I wrote in a review for the first book I read of this author: First I've read of this author, I'd like to read a longer book, with more to get my teeth into. And this book delivers, big time!
This is the second book in the Magic Sings series, and I have not read book one, Magic Never Lies. I didn't feel I was missing anything, and I will go back, at some point, and read that book. Not because I need to, but because I want to.
Rowan is a rock star who cannot write songs, hasn't for some time. He NEEDS to, or he will be in trouble. Having someone else's songs shoved at him, and his magic goes haywire. Rowan loves these songs. Meeting Jesse sends him into a tailspin: he knows Jesse but can't recall from when. Once the penny drops, Rowan goes all out to settle his magic. But Rowan isn't out, and doesn't want to come out, not yet. Can they make this work?
What this is, right, is a wonderful tale of being true to yourself. Jesse has loved Rowan for a long time, and he will take him anyway he can get him, but Jesse knows Rowan is not being true to himself, regardless of what he said all those years ago. It's quite difficult reading, when Rowan tells Jesse why he won't come out, but the magic inside Rowan will not be denied.
I loved the magic thing, I really did. It just is, you know? You don't need a long winded explanation about it. Some people have it, and some don't, and I loved what the magic did to them both. Makes them kinda face their feelings, really!
I didn't think it overly explicit, but I liked that here, for these two. It's more about admitting your feelings, and letting them all out. Fairly low on the angst scale too.
A thoroughly enjoyable longer book by this author, and my to-read list is somewhat longer now too!
4 very VERY good stars
*same worded review will appear elsewhere
I wrote in a review for the first book I read of this author: First I've read of this author, I'd like to read a longer book, with more to get my teeth into. And this book delivers, big time!
This is the second book in the Magic Sings series, and I have not read book one, Magic Never Lies. I didn't feel I was missing anything, and I will go back, at some point, and read that book. Not because I need to, but because I want to.
Rowan is a rock star who cannot write songs, hasn't for some time. He NEEDS to, or he will be in trouble. Having someone else's songs shoved at him, and his magic goes haywire. Rowan loves these songs. Meeting Jesse sends him into a tailspin: he knows Jesse but can't recall from when. Once the penny drops, Rowan goes all out to settle his magic. But Rowan isn't out, and doesn't want to come out, not yet. Can they make this work?
What this is, right, is a wonderful tale of being true to yourself. Jesse has loved Rowan for a long time, and he will take him anyway he can get him, but Jesse knows Rowan is not being true to himself, regardless of what he said all those years ago. It's quite difficult reading, when Rowan tells Jesse why he won't come out, but the magic inside Rowan will not be denied.
I loved the magic thing, I really did. It just is, you know? You don't need a long winded explanation about it. Some people have it, and some don't, and I loved what the magic did to them both. Makes them kinda face their feelings, really!
I didn't think it overly explicit, but I liked that here, for these two. It's more about admitting your feelings, and letting them all out. Fairly low on the angst scale too.
A thoroughly enjoyable longer book by this author, and my to-read list is somewhat longer now too!
4 very VERY good stars
*same worded review will appear elsewhere
Heather Cranmer (2721 KP) rated On Wings of Silence: Mexico '68 in Books
May 6, 2019
A Well Written and Interesting Historical Fiction Novel
I'm a fan of books written in verse. There's just something special about them that calls out to me. When I first heard about On Wings of Silence: Mexico '68 by Dede Fox, the synopsis intrigued me. When I heard that it was written in verse, it was then that I knew I had to read this book. I ended up loving this book.
I will admit that I had never heard of the Tlatelolco Massacre before I read On Wings of Silence: Mexico '68. The plot does a fantastic job of explaining the massacre to those who know nothing about it. It was also interesting to read about Diana's time in Mexico as an American university student. Everything is told through Diana's perspective. This book made me want to research more about the Tlatelolco Massacre that the Mexican government tried to keep hushed up.
The prose in On Wings of Silence: Mexico '68 was done beautifully and perfectly. Every word elicited all kinds of feelings whilst reading this book. Because this novel was written in verse, it really drove those feelings home and made them feel more realistic. I think I experienced a total spectrum of feelings while reading On Wings of Silence: Mexico '68. Some readers may have a little trouble with some of the Spanish in this book, but there are enough context clues to figure out what is being said.
I really cared and felt for Diana, the main character in On Wings of Silence: Mexico '68. Diana was such an authentic and fleshed out character which can sometimes be a challenge in books written in verse. Dede Fox made character writing appear easy! My heart felt so full while Diana was falling in love with Guillermo. I felt as if I was falling in love at the same time. When Guillermo went missing while on the phone with Diana, I felt such panic. Her search for her boyfriend felt as if it was my search. I was worried for Guillermo as if he was a real person instead of a fictional character. (Sadly, as this book is based on an actual historical event, I imagine that feeling was all too real for many people.) I lived in hope Guillermo would turn up at some point. I'll just leave it at that because you'll have to read the book in order to find out Guillermo's fate. Diana was such a strong female character as well. I really admired her. Natalie and Melinda, Diana's roommates, were likable characters, but we don't get much of a backstory on them. I feel as if this was done on purpose so the reader could really focus more on Diana's story.
The pacing was done fantastically! I devoured this book in one sitting. I couldn't get enough. Each word flowed beautifully into the next, and I was left captivated and hungry for more of the story.
Trigger warnings for On Wings of Silence: Mexico '68 include attempted rape, sexual assault, violence (although not graphic), drinking, some minor profanities in English and Spanish, and political corruption.
Overall, On Wings of Silence: Mexico '68 is a beautifully written piece of literature that will leave its reader with a plethora of feelings as well as a history lesson. I would definitely recommend On Wings of Silence: Mexico '68 by Dede Fox to everyone 16+.
--
(Thanks to the Dede Fox for providing me with a paperback of On Wings of Silence: Mexico '68 in exchange for an honest and unbiased review.)
I will admit that I had never heard of the Tlatelolco Massacre before I read On Wings of Silence: Mexico '68. The plot does a fantastic job of explaining the massacre to those who know nothing about it. It was also interesting to read about Diana's time in Mexico as an American university student. Everything is told through Diana's perspective. This book made me want to research more about the Tlatelolco Massacre that the Mexican government tried to keep hushed up.
The prose in On Wings of Silence: Mexico '68 was done beautifully and perfectly. Every word elicited all kinds of feelings whilst reading this book. Because this novel was written in verse, it really drove those feelings home and made them feel more realistic. I think I experienced a total spectrum of feelings while reading On Wings of Silence: Mexico '68. Some readers may have a little trouble with some of the Spanish in this book, but there are enough context clues to figure out what is being said.
I really cared and felt for Diana, the main character in On Wings of Silence: Mexico '68. Diana was such an authentic and fleshed out character which can sometimes be a challenge in books written in verse. Dede Fox made character writing appear easy! My heart felt so full while Diana was falling in love with Guillermo. I felt as if I was falling in love at the same time. When Guillermo went missing while on the phone with Diana, I felt such panic. Her search for her boyfriend felt as if it was my search. I was worried for Guillermo as if he was a real person instead of a fictional character. (Sadly, as this book is based on an actual historical event, I imagine that feeling was all too real for many people.) I lived in hope Guillermo would turn up at some point. I'll just leave it at that because you'll have to read the book in order to find out Guillermo's fate. Diana was such a strong female character as well. I really admired her. Natalie and Melinda, Diana's roommates, were likable characters, but we don't get much of a backstory on them. I feel as if this was done on purpose so the reader could really focus more on Diana's story.
The pacing was done fantastically! I devoured this book in one sitting. I couldn't get enough. Each word flowed beautifully into the next, and I was left captivated and hungry for more of the story.
Trigger warnings for On Wings of Silence: Mexico '68 include attempted rape, sexual assault, violence (although not graphic), drinking, some minor profanities in English and Spanish, and political corruption.
Overall, On Wings of Silence: Mexico '68 is a beautifully written piece of literature that will leave its reader with a plethora of feelings as well as a history lesson. I would definitely recommend On Wings of Silence: Mexico '68 by Dede Fox to everyone 16+.
--
(Thanks to the Dede Fox for providing me with a paperback of On Wings of Silence: Mexico '68 in exchange for an honest and unbiased review.)
Amanda (96 KP) rated The Tattooist of Auschwitz in Books
May 29, 2019
“If you wake up in the morning, it is a good day.”
So I thought about it, and I’ve decided to write my review for this book. I’ve never read books that center around The Holocaust. I never thought I would, because I’ve seen several movies and just the sheer graphics of it alone made me sad. I know this was supposed to be based on a true story, but I went into it with the mindset that it wasn’t true, because most times, some of those stories are fabricated for drama purposes. I’ve read that even Heather Morris added some things to the story for that reason, so again, I saw it as just another story.
The story centers around Lale who is transferred to Auschwitz, but is given the job as a tattooist. From the descriptions, he has to use a really awful needle and has to press down hard enough for the numbers to be seen and never removed – a highly painful process that he has to perform even on children. Then one day, he tattoos a lady that catches his eye, Gita, and from then on he plans to love her and marry her WHEN they get out of Auschwitz.
Off the bat, something about the writing kind of bothered. I couldn’t quite pin point what it was. I read somewhere that this book was originally written as a screen play and I think that was it. To me, the style had a vagueness to it that made it feel like some parts I was reading something from an old story book from when I was in high school. I’m not saying that style was terrible. This particular writing style is not my favorite to read.
I liked the premise of the story. I can’t begin to imagine what it was truly like in those camps. I can’t comment on it either, but like I said, I also didn’t go into this book thinking it was all a true story about these two people. So, there were some bits of the story that I had a hard time believing, but then again, I’m not sure if it was a true part or a fabrication part.
All in all, the story wasn’t bad. I felt so horribly for Lale having to have that job, but he survived, and Gita. The remembering of their families and wondering if they are alive or dead struck me a bit. I know I’ve said this, but I can’t imagine that kind of pain. I feel horrible whenever Lale thought of his mother.
“His mother he can see perfectly. But how do you say goodbye to your mother? The person who gave you breath, who taught you how to live?”
You can’t, that’s the answer.
The book didn’t live up to the hype, in my opinion, but Morris wrote a nice and moving story in the end. I know there are some other stories like this. One of my Twitter friends recommend the Librarian of Auschwitz, so perhaps I will see about that book.
I don’t believe I’ll be seeking out the sequel to this book. I do hope it’s better than the first, but the story is still good.
So I thought about it, and I’ve decided to write my review for this book. I’ve never read books that center around The Holocaust. I never thought I would, because I’ve seen several movies and just the sheer graphics of it alone made me sad. I know this was supposed to be based on a true story, but I went into it with the mindset that it wasn’t true, because most times, some of those stories are fabricated for drama purposes. I’ve read that even Heather Morris added some things to the story for that reason, so again, I saw it as just another story.
The story centers around Lale who is transferred to Auschwitz, but is given the job as a tattooist. From the descriptions, he has to use a really awful needle and has to press down hard enough for the numbers to be seen and never removed – a highly painful process that he has to perform even on children. Then one day, he tattoos a lady that catches his eye, Gita, and from then on he plans to love her and marry her WHEN they get out of Auschwitz.
Off the bat, something about the writing kind of bothered. I couldn’t quite pin point what it was. I read somewhere that this book was originally written as a screen play and I think that was it. To me, the style had a vagueness to it that made it feel like some parts I was reading something from an old story book from when I was in high school. I’m not saying that style was terrible. This particular writing style is not my favorite to read.
I liked the premise of the story. I can’t begin to imagine what it was truly like in those camps. I can’t comment on it either, but like I said, I also didn’t go into this book thinking it was all a true story about these two people. So, there were some bits of the story that I had a hard time believing, but then again, I’m not sure if it was a true part or a fabrication part.
All in all, the story wasn’t bad. I felt so horribly for Lale having to have that job, but he survived, and Gita. The remembering of their families and wondering if they are alive or dead struck me a bit. I know I’ve said this, but I can’t imagine that kind of pain. I feel horrible whenever Lale thought of his mother.
“His mother he can see perfectly. But how do you say goodbye to your mother? The person who gave you breath, who taught you how to live?”
You can’t, that’s the answer.
The book didn’t live up to the hype, in my opinion, but Morris wrote a nice and moving story in the end. I know there are some other stories like this. One of my Twitter friends recommend the Librarian of Auschwitz, so perhaps I will see about that book.
I don’t believe I’ll be seeking out the sequel to this book. I do hope it’s better than the first, but the story is still good.
Movie Metropolis (309 KP) rated Geostorm (2017) in Movies
Jun 10, 2019
The 90's are back
I’ve got to start by telling you I wasn’t holding out much hope for Geostorm and that’s for quite a few reasons. Firstly, Gerard Butler’s career has been on a bit of a slide recently.
Last year was particularly rough for the Scotsman, with London Has Fallen and Gods of Egypt receiving less than 2 stars here at Movie Metropolis. Secondly, Geostorm has had one of the most turbulent productions of any blockbuster in recent memory.
It actually completed main shooting in 2014 but after a negative audience reaction, it’s release date was pushed back numerous times and costly reshoots were drafted in to sort out the presumed mess. Now, in Autumn 2017 it’s arrived. But what’s it like?
After an unprecedented series of natural disasters, the world’s leaders banded together to create an intricate net of satellites to control the global climate and keep people safe. But now, something is wrong: the system built to protect the planet is attacking it, and it becomes a race against the clock to uncover the real threat before a worldwide geostorm wipes out everything and everyone along with it.
Sounding like something straight from the SyFy channel, Geostorm’s premise is utterly ridiculous but disaster movies have never been particularly well-known for their deep, meaningful and accurate storylines. In fact, some of the very best films in the genre, Deep Impact, Armageddon, Volcano wrestled with significant plot holes – audiences don’t care about that when they can watch the planet getting destroyed.
Morbid, right? Most definitely, but the same applies here. The special effects are so darn good, as a tidal wave obliterates Dubai, and the action interspersed at the right intervals, that the lack of cohesive plot and at times hideous and expositional dialogue really doesn’t matter.
The cinematography by director Dean Devlin (in his first feature film) is really rather good. It’s not ground-breaking but considering 95% of the movie is CGI, he works with green screen well and the script’s twists and turns make it a damn sight more interesting than the majority of 2017’s blockbusters.
“Geostorm channels those brilliantly camp disaster movies from the 80s and 90s beautifully.”
Gerard Butler is actually very decent, but there is a lot more talent on offer here than you would first expect. Ed Harris is always dependable and Andy Garcia plays a President similar to Morgan Freeman’s turn in 1998s Deep Impact. It’s cheesier than a Dairylea triangle, but that’s exactly how disaster films are meant to be.
Geostorm channels those brilliantly camp disaster movies from the 80s and 90s beautifully. Dante’s Peak, Earthquake and Volcano can all be felt here. It takes itself a lot less seriously than 2015’s San Andreas, and has a decent sense of humour to boot.
The scenes on-board the International Space Station are a little dull and to be fair, for a film titled Geostorm, there could be a little more ‘storming’ going on, but it’s a fun, throwaway film that requires nothing but your mind to switch off.
Overall, despite a ridiculously turbulent birth, Geostorm is an honest film. Sure, it’s premise is plagued by plot inconsistencies and the characters aren’t fleshed out enough for us to care about their fates, but it’s a rollercoaster ride of special effects and disaster, which I’m not ashamed to say, I really enjoyed.
https://moviemetropolis.net/2017/10/21/geostorm-review/
Last year was particularly rough for the Scotsman, with London Has Fallen and Gods of Egypt receiving less than 2 stars here at Movie Metropolis. Secondly, Geostorm has had one of the most turbulent productions of any blockbuster in recent memory.
It actually completed main shooting in 2014 but after a negative audience reaction, it’s release date was pushed back numerous times and costly reshoots were drafted in to sort out the presumed mess. Now, in Autumn 2017 it’s arrived. But what’s it like?
After an unprecedented series of natural disasters, the world’s leaders banded together to create an intricate net of satellites to control the global climate and keep people safe. But now, something is wrong: the system built to protect the planet is attacking it, and it becomes a race against the clock to uncover the real threat before a worldwide geostorm wipes out everything and everyone along with it.
Sounding like something straight from the SyFy channel, Geostorm’s premise is utterly ridiculous but disaster movies have never been particularly well-known for their deep, meaningful and accurate storylines. In fact, some of the very best films in the genre, Deep Impact, Armageddon, Volcano wrestled with significant plot holes – audiences don’t care about that when they can watch the planet getting destroyed.
Morbid, right? Most definitely, but the same applies here. The special effects are so darn good, as a tidal wave obliterates Dubai, and the action interspersed at the right intervals, that the lack of cohesive plot and at times hideous and expositional dialogue really doesn’t matter.
The cinematography by director Dean Devlin (in his first feature film) is really rather good. It’s not ground-breaking but considering 95% of the movie is CGI, he works with green screen well and the script’s twists and turns make it a damn sight more interesting than the majority of 2017’s blockbusters.
“Geostorm channels those brilliantly camp disaster movies from the 80s and 90s beautifully.”
Gerard Butler is actually very decent, but there is a lot more talent on offer here than you would first expect. Ed Harris is always dependable and Andy Garcia plays a President similar to Morgan Freeman’s turn in 1998s Deep Impact. It’s cheesier than a Dairylea triangle, but that’s exactly how disaster films are meant to be.
Geostorm channels those brilliantly camp disaster movies from the 80s and 90s beautifully. Dante’s Peak, Earthquake and Volcano can all be felt here. It takes itself a lot less seriously than 2015’s San Andreas, and has a decent sense of humour to boot.
The scenes on-board the International Space Station are a little dull and to be fair, for a film titled Geostorm, there could be a little more ‘storming’ going on, but it’s a fun, throwaway film that requires nothing but your mind to switch off.
Overall, despite a ridiculously turbulent birth, Geostorm is an honest film. Sure, it’s premise is plagued by plot inconsistencies and the characters aren’t fleshed out enough for us to care about their fates, but it’s a rollercoaster ride of special effects and disaster, which I’m not ashamed to say, I really enjoyed.
https://moviemetropolis.net/2017/10/21/geostorm-review/
Purple Phoenix Games (2266 KP) rated Welcome To... in Tabletop Games
Jun 12, 2019
Are there still city planners? They go by a different name nowadays right? Civil engineers? Am I thinking of the wrong thing? In any case, you get to be one of those people in Welcome To…, which has one of the strangest titles for a game, especially when you look at that box cover. Are you gonna go all in on pools? Parks? Bisses (ooh I’m not too sure about this one)? Plan out your best three-street neighborhood in this light and fun roll cardflip-and-write game.
Here is a quick overview of game play without going through the whole rule book. Divide the shuffled card deck into three equal piles. Flip over the top card of each pile. You now have setup the game and revealed the first three combinations of cards you can use on your turn (see play pic at end of this post). Do you like that 3 and Pool combo? Cool. Write a 3 on the roof of a house on any of the streets on your sheet and mark a pool there too. FLIP all the cards again. Wanna take that 9 and Park? Okay. Mark a 9 on a house, Graffitimaster, and beautify your hood with an upgraded park. FLIP. Repeat. There are other cards that will be revealed as the game goes on, but I am simplifying two turns for you.
That’s the game. Everyone takes turns at the same time using the three card combinations presented to try to get the most points for having the best barrio. There are bonus goal cards that can be achieved too, but they are completely optional (akin to building the Wonders in 7 Wonders). Have I won this game yet in all my plays? Yes, once. But it’s not really about winning or losing. You are essentially playing against yourself and just trying to get the best score you can. It’s just that the other players are doing the same thing and you have to compare scores at the end.
Okay, the good and bad. Bad first – the pencils. The game comes with several golf pencils that just don’t cut it on the papers provided. Grab a good pen or marker to see your marks. The other components in the game are great. The game play is quick, as long as you don’t suffer from AP and have to carefully plan out every possibility for every possible combination presented. That can really slow the game down. Luckily, I don’t suffer from that and most of the time I probably need to do a more thorough job thinking through my turns, but that’s my burden to bear.
Aside from those items, the game is really good. I don’t own a large number of roll-and-writes somehow (and I WAS alive during 2018), so this was a great pickup for me as a variation in the genre. Okay fine, I also Kickstarted the expansion with the different themed pages, so I’m also looking forward to that fulfillment. All in all the game is very solid, and different enough to all my other games that I will be keeping it and trying to outscore my last play every time. We at Purple Phoenix Games give this a well-planned 19 / 24.
https://purplephoenixgames.wordpress.com/2019/02/04/welcome-to-review/
Here is a quick overview of game play without going through the whole rule book. Divide the shuffled card deck into three equal piles. Flip over the top card of each pile. You now have setup the game and revealed the first three combinations of cards you can use on your turn (see play pic at end of this post). Do you like that 3 and Pool combo? Cool. Write a 3 on the roof of a house on any of the streets on your sheet and mark a pool there too. FLIP all the cards again. Wanna take that 9 and Park? Okay. Mark a 9 on a house, Graffitimaster, and beautify your hood with an upgraded park. FLIP. Repeat. There are other cards that will be revealed as the game goes on, but I am simplifying two turns for you.
That’s the game. Everyone takes turns at the same time using the three card combinations presented to try to get the most points for having the best barrio. There are bonus goal cards that can be achieved too, but they are completely optional (akin to building the Wonders in 7 Wonders). Have I won this game yet in all my plays? Yes, once. But it’s not really about winning or losing. You are essentially playing against yourself and just trying to get the best score you can. It’s just that the other players are doing the same thing and you have to compare scores at the end.
Okay, the good and bad. Bad first – the pencils. The game comes with several golf pencils that just don’t cut it on the papers provided. Grab a good pen or marker to see your marks. The other components in the game are great. The game play is quick, as long as you don’t suffer from AP and have to carefully plan out every possibility for every possible combination presented. That can really slow the game down. Luckily, I don’t suffer from that and most of the time I probably need to do a more thorough job thinking through my turns, but that’s my burden to bear.
Aside from those items, the game is really good. I don’t own a large number of roll-and-writes somehow (and I WAS alive during 2018), so this was a great pickup for me as a variation in the genre. Okay fine, I also Kickstarted the expansion with the different themed pages, so I’m also looking forward to that fulfillment. All in all the game is very solid, and different enough to all my other games that I will be keeping it and trying to outscore my last play every time. We at Purple Phoenix Games give this a well-planned 19 / 24.
https://purplephoenixgames.wordpress.com/2019/02/04/welcome-to-review/
Rikki Hammond (33 KP) rated Dominant Species in Tabletop Games
Jun 12, 2019 (Updated Jun 12, 2019)
Interesting term mechanism (2 more)
Each species plays slightly differently
Some interesting event card powers
Woefully long at high player counts (2 more)
Boring to look at
Can be almost impossible to come back from losing
An absolute slog of a game
Dominant species is one of those games that you will either love or hate. Now I don't despise many games but this is definitely one of them.
Players choose one of many different types of species in the game, and try to become the dominant species of the game by expanding their species across the different hexagonal tiles on the board, through migrating, reproducing, and attacking other animals. If a player has more animals on a tile than other players, they are considered the dominant species of that tile and can therefore gain victory points from doing so.
Turns are determined by players placing their action pawns on different spaces on the grid to the right of the board. Once everyone has placed their pawns on the grid, actions are then worked from the top of the grid to the bottom. These actions include, but are not limoted to moving your species to another tile, attacking another species, or picking up an event card to use later. The game ends once this stack of event cards runs out, and final scoring takes place.
Each species starts out with a certain traits which means they are suited to a certain type of terrain. You can use one of your actions to gain different traits and therefore allows you to expand your species into different terrain tiles. The event cards are also useful in that they give you special abilities or can change the game in some way. This could be having your species migrate more than once in a turn, to removing every other species from your own tiles.
I like the way the turn mechanism works as it gives each player a little bit of freedom as to where they can place their pawns, and how soon they want their turn to be taken. There are a finite amount of spaces on each place of the grid so if you're action is taken up by other players before you get to it then that's just tough luck. I also like that the different species are slightly different and so gives the game a slight bit of replayability.
These are all the positives that I can give this game however. The game in general is just incredibly dull and boring to look at. Each species is differentiated by different coloured cubes and cones on the board. Take the player boards away and this game could literally be about anything you want.
The game also goes on for far too long especially at higher player counts, and especially if people don't quickly pick up those event cards, as that is the only way the game will end.
The game can also be horrendously unfair to a player. If you make one or two wrong judgements at the start of the game it can be nigh on impossible to come back from being in last place which to me, does not sound fun at all.
Personally I do not recommend dominant species as a game and I do think there are much better ones out there.
Players choose one of many different types of species in the game, and try to become the dominant species of the game by expanding their species across the different hexagonal tiles on the board, through migrating, reproducing, and attacking other animals. If a player has more animals on a tile than other players, they are considered the dominant species of that tile and can therefore gain victory points from doing so.
Turns are determined by players placing their action pawns on different spaces on the grid to the right of the board. Once everyone has placed their pawns on the grid, actions are then worked from the top of the grid to the bottom. These actions include, but are not limoted to moving your species to another tile, attacking another species, or picking up an event card to use later. The game ends once this stack of event cards runs out, and final scoring takes place.
Each species starts out with a certain traits which means they are suited to a certain type of terrain. You can use one of your actions to gain different traits and therefore allows you to expand your species into different terrain tiles. The event cards are also useful in that they give you special abilities or can change the game in some way. This could be having your species migrate more than once in a turn, to removing every other species from your own tiles.
I like the way the turn mechanism works as it gives each player a little bit of freedom as to where they can place their pawns, and how soon they want their turn to be taken. There are a finite amount of spaces on each place of the grid so if you're action is taken up by other players before you get to it then that's just tough luck. I also like that the different species are slightly different and so gives the game a slight bit of replayability.
These are all the positives that I can give this game however. The game in general is just incredibly dull and boring to look at. Each species is differentiated by different coloured cubes and cones on the board. Take the player boards away and this game could literally be about anything you want.
The game also goes on for far too long especially at higher player counts, and especially if people don't quickly pick up those event cards, as that is the only way the game will end.
The game can also be horrendously unfair to a player. If you make one or two wrong judgements at the start of the game it can be nigh on impossible to come back from being in last place which to me, does not sound fun at all.
Personally I do not recommend dominant species as a game and I do think there are much better ones out there.
Re-Read Update:
I am in love with this series, all over again. I have been wanting to re-read this series for a while and my recent-ish read of Wires and Nerve reignited my love of this series. It had been a while since I was in the world and I had forgotten how much I loved these books.
I love fairytales and Marissa Meyer’s retellings of the classic tales we’ve all grown up with are fantastic. She turns the mousey girl from the original fairytale into a relatable character that we fall in love with. Cinderella is not one of my favourite fairytales because I prefer my heroines to have a little more spunk and backbone, but Cinder is just perfect.
Kai is one of those characters that is just so good. He is incredibly kind to Cinder, even when he believes that she is just a mechanic with a grease mark on her forehead, despite his station in life generally lending itself to an air of superiority. Prince Kai only wants what is best for his people and the Commonwealth, willing to sacrifice himself for their well-being if need be. He is definitely one of my favourite male characters, although if I’m being honest I probably have a lot of those.
Most importantly, we meet Iko the droid with the faulty personality chip that we couldn’t fall in love with more. Her loyalty and pure desire to just be a person are heartwarming. (And also sad, because she is a droid and not treated like a person by anyone but Cinder.)
We don’t see much of the world that Cinder lives in beyond New Beijing aside from small, throwaway comments. The world building that is done though is vivid and allows the reader to see the city grow in their mind. As this is a re-read, I am also aware that the world building is expanded extensively over the course of the novels and can understand the more rudimentary foundation being laid here.
I appreciated the effortless melding of elements from the classic fairytale into this unique science fiction world. It is wonderfully done and the story is well written. I would highly recommend this series to young adult/teen readers who enjoy fairytale retellings, science fiction, and intricate, interconnected stories.
_
This is one of the books that I saw on display at my local library and completely judged the book by its cover. I didn't know what it was about, but it looked interesting and I put it on my mental TBR list. Many years later, I have finally gotten a chance to read it (and the rest of the series.) This book was completely worth the wait. As a fan of fairytale retellings, like Beastly by Alex Flinn, I had high hopes for this book. It gave the reader wonderful little homages to the classic fairytale while weaving the story through a world and characters all its own.
The world building in this novel, while not expansive was wonderfully done. As a reader, I could imagine Cinder meandering down the dingy, packed streets of New Beijing while Kai fretted over his father in the ornate, sprawling palace. There were a number of important characters and none of them were overlooked. You were able to learn about their personalities, histories, or relationships in a way that gave each depth.
Recommended for anyone who liked YA, romance, fairytales, sci-fi, or good books.
I am in love with this series, all over again. I have been wanting to re-read this series for a while and my recent-ish read of Wires and Nerve reignited my love of this series. It had been a while since I was in the world and I had forgotten how much I loved these books.
I love fairytales and Marissa Meyer’s retellings of the classic tales we’ve all grown up with are fantastic. She turns the mousey girl from the original fairytale into a relatable character that we fall in love with. Cinderella is not one of my favourite fairytales because I prefer my heroines to have a little more spunk and backbone, but Cinder is just perfect.
Kai is one of those characters that is just so good. He is incredibly kind to Cinder, even when he believes that she is just a mechanic with a grease mark on her forehead, despite his station in life generally lending itself to an air of superiority. Prince Kai only wants what is best for his people and the Commonwealth, willing to sacrifice himself for their well-being if need be. He is definitely one of my favourite male characters, although if I’m being honest I probably have a lot of those.
Most importantly, we meet Iko the droid with the faulty personality chip that we couldn’t fall in love with more. Her loyalty and pure desire to just be a person are heartwarming. (And also sad, because she is a droid and not treated like a person by anyone but Cinder.)
We don’t see much of the world that Cinder lives in beyond New Beijing aside from small, throwaway comments. The world building that is done though is vivid and allows the reader to see the city grow in their mind. As this is a re-read, I am also aware that the world building is expanded extensively over the course of the novels and can understand the more rudimentary foundation being laid here.
I appreciated the effortless melding of elements from the classic fairytale into this unique science fiction world. It is wonderfully done and the story is well written. I would highly recommend this series to young adult/teen readers who enjoy fairytale retellings, science fiction, and intricate, interconnected stories.
_
This is one of the books that I saw on display at my local library and completely judged the book by its cover. I didn't know what it was about, but it looked interesting and I put it on my mental TBR list. Many years later, I have finally gotten a chance to read it (and the rest of the series.) This book was completely worth the wait. As a fan of fairytale retellings, like Beastly by Alex Flinn, I had high hopes for this book. It gave the reader wonderful little homages to the classic fairytale while weaving the story through a world and characters all its own.
The world building in this novel, while not expansive was wonderfully done. As a reader, I could imagine Cinder meandering down the dingy, packed streets of New Beijing while Kai fretted over his father in the ornate, sprawling palace. There were a number of important characters and none of them were overlooked. You were able to learn about their personalities, histories, or relationships in a way that gave each depth.
Recommended for anyone who liked YA, romance, fairytales, sci-fi, or good books.