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Jean-Jacques Rousseau: Restless Genius
Book
The extraordinary life of Jean-Jacques Rousseau, the eighteenth-century literary genius who changed...
Debbiereadsbook (1487 KP) rated Smith's Corner: Layla & Levi (The Heartwood Series #2) in Books
Aug 31, 2021
Layla's history is dark, and painful reading and I cried for Layla
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is book 2 in the Heartwood Series. I would STRONGLY recommend you read book one, Delilah & Dallas, before this one. THAT book sets this one up nicely.
I also said in my review for that book, that I made put the clues together, and made a picture, but that I was fairly certain it was going to be worse than I thought.
And I wasn't wrong.
Layla has had to be strong, for Delilah and Cora but both girls are growing up now, and moving on with their lives. Levi is one of Dallas' older brother, and is quite literally, smitten with Layla. He knows she has secrets (Dallas knows some of them but wont tell Levi) but Levi also knows Layla is his, and he won't let her go.
I loved that Cora plays a bigger part here than Delilah, that Cora approves of Levi, and that Cora actively helps Levi win Layla over. And he does that beautifully!
When Layla eventually tells Levi all, he does exactly as Dallas does, all Alpha-Male-Protect-whats-Mine, but he tempers his reaction, he holds it all in til he is not in Layla's presence, and I loved him for that.
Layla's history is dark, and painful reading and I cried for Layla. Layla the child, but also Layla the adult. She has a huge support network now, but she didn't always, and she still struggles with letting people in. That Levi takes his time with Layla, getting to know her and letting her set the entire pace of their relationship was probably the only way he could have gotten in.
When Layla's past comes back to cause problems, I loved that ALL the brothers came to stand with her, beside her, to see that the past stays there. And that all solves itself so differently to what I was expecting!
And we are set up nicely for Ash and Alora, who are next. Ash has a tale to tell, and I can't wait to read it!
This book contains triggers: please be mindful of those reading this book.
Creeping up from 4 stars to 4.5 stars but rounded up for the blog.
same worded review will appear elsewhere
This is book 2 in the Heartwood Series. I would STRONGLY recommend you read book one, Delilah & Dallas, before this one. THAT book sets this one up nicely.
I also said in my review for that book, that I made put the clues together, and made a picture, but that I was fairly certain it was going to be worse than I thought.
And I wasn't wrong.
Layla has had to be strong, for Delilah and Cora but both girls are growing up now, and moving on with their lives. Levi is one of Dallas' older brother, and is quite literally, smitten with Layla. He knows she has secrets (Dallas knows some of them but wont tell Levi) but Levi also knows Layla is his, and he won't let her go.
I loved that Cora plays a bigger part here than Delilah, that Cora approves of Levi, and that Cora actively helps Levi win Layla over. And he does that beautifully!
When Layla eventually tells Levi all, he does exactly as Dallas does, all Alpha-Male-Protect-whats-Mine, but he tempers his reaction, he holds it all in til he is not in Layla's presence, and I loved him for that.
Layla's history is dark, and painful reading and I cried for Layla. Layla the child, but also Layla the adult. She has a huge support network now, but she didn't always, and she still struggles with letting people in. That Levi takes his time with Layla, getting to know her and letting her set the entire pace of their relationship was probably the only way he could have gotten in.
When Layla's past comes back to cause problems, I loved that ALL the brothers came to stand with her, beside her, to see that the past stays there. And that all solves itself so differently to what I was expecting!
And we are set up nicely for Ash and Alora, who are next. Ash has a tale to tell, and I can't wait to read it!
This book contains triggers: please be mindful of those reading this book.
Creeping up from 4 stars to 4.5 stars but rounded up for the blog.
same worded review will appear elsewhere
Lyndsey Gollogly (2893 KP) rated The White Magic Five and Dime ( Tarot Mysteries book 1) in Books
Aug 15, 2022
146 of 230
Kindle
The White Magic Five and Dime ( Tarot Mystery book 1)
By Steve Hockensmith and Lisa Falco
⭐️⭐️⭐️⭐️
When Alanis McLachlan learns that her mother's been murdered, she's completely unsurprised. Not that Alanis had been given a glimpse into the future. That would be crazy, right? It's just that her con-woman mom, Barbra, was bound to cross the wrong people sooner or later. It's why Alanis was lucky to get out of her childhood alive - and why she hadn't spoken to her mother in decades.
But there is a surprise in store for Alanis. Barbra left her something in her will: a New Age shop in the tiny tourist trap town of Berdache, Arizona. The White Magic Five & Dime.
After going to Berdache to claim her inheritance, Alanis is drawn into the mystery around her mother's death. Did one of Barbra's customers finally get wise to her con-artist ways and take revenge? Alanis thinks she knows how to find out: She'll make those customers her own until she can find the killer. Alanis McLachlan, cynic and unbeliever, is about to become a tarot card reader.
With a little help from her mother's teenage apprentice and a snarky tarot how-to book called Infinite Roads to Knowing, Alanis begins bluffing her way through phony readings. But the more she gets to know the cards, the more she sees real meaning in them...and the closer the murderer comes to making her the next victim.
Omg I had issues with this book so many issues!
This is going to be a strange little review. I absolutely didn’t like the main character at all, she was written to be witty and sarcastic and it just did not work at all. She was irritating and so not funny it was just trying to hard!
So you may ask why a 4⭐️ and my answer is simply because I really enjoyed the book she was the only thing I disliked. I didn’t see the murderer coming till the last minute and it was a fun book to read it made me smile and I’m very much an emotional reviewer.
So yes the main character drove me crazy but the story was really good!
Kindle
The White Magic Five and Dime ( Tarot Mystery book 1)
By Steve Hockensmith and Lisa Falco
⭐️⭐️⭐️⭐️
When Alanis McLachlan learns that her mother's been murdered, she's completely unsurprised. Not that Alanis had been given a glimpse into the future. That would be crazy, right? It's just that her con-woman mom, Barbra, was bound to cross the wrong people sooner or later. It's why Alanis was lucky to get out of her childhood alive - and why she hadn't spoken to her mother in decades.
But there is a surprise in store for Alanis. Barbra left her something in her will: a New Age shop in the tiny tourist trap town of Berdache, Arizona. The White Magic Five & Dime.
After going to Berdache to claim her inheritance, Alanis is drawn into the mystery around her mother's death. Did one of Barbra's customers finally get wise to her con-artist ways and take revenge? Alanis thinks she knows how to find out: She'll make those customers her own until she can find the killer. Alanis McLachlan, cynic and unbeliever, is about to become a tarot card reader.
With a little help from her mother's teenage apprentice and a snarky tarot how-to book called Infinite Roads to Knowing, Alanis begins bluffing her way through phony readings. But the more she gets to know the cards, the more she sees real meaning in them...and the closer the murderer comes to making her the next victim.
Omg I had issues with this book so many issues!
This is going to be a strange little review. I absolutely didn’t like the main character at all, she was written to be witty and sarcastic and it just did not work at all. She was irritating and so not funny it was just trying to hard!
So you may ask why a 4⭐️ and my answer is simply because I really enjoyed the book she was the only thing I disliked. I didn’t see the murderer coming till the last minute and it was a fun book to read it made me smile and I’m very much an emotional reviewer.
So yes the main character drove me crazy but the story was really good!
Fallen (Everwood Falls #2)
8.0
Rate It
Book
EVERWOOD FALLS… a small supernatural community tucked up in the Colorado Rockies where witches,...
Cozy Mystery Paranormal Romance Series
Debbiereadsbook (1487 KP) rated Married to the Vampire King (Blood Bonded Mates #2) in Books
May 6, 2024
longer, but so much better than book one!!
Independent reviewer for Gay Romance Reviews, I was gifted my copy of this book.
This is book 2 in the Blood Bonded Mates series. While not strictly necessary to read book one, Snowed In With The Vampire Prince, it will give you a better understanding of Pierce and James who play a huge part here. And you know, it was rather good! I thoroughly enjoyed that book. But this book??
Freaking LOVED this book!
Ethan is a with without any gifts. Nathaniel is the reigning Vampire King. The witches and vampires will kill each other, if Ethan doesn't do something, and that something is marry Nathaniel. The mirror told him so. What could possibly go wrong?? Well, turns out, feelings could get involved!
What I especially liked was how Ethan's secrets, and Nathaniel's, took time to come out, and they came out to each other slowly. I'm gonna be vague here, cos spoilers, but I loved this, I really did.
Nathaniel knew who Ethan was, right from the start, but he didn't know what would happen. He wanted to spring the idea at Ethan in good time, but things had a way of sending plans out the window!
I loved that we got to catch up with Pierce and James from book 1. They both play a huge part here and it was fab how they seamlessly slotted into this book. I hope they pop up in follwoing books too.
I loved how Ethan and Nathaniel surprised each other, at every turn. Me too, to be fair!! It's a lot longer than book one, some 300 odd pages, and I think this book needed those extra pages. The story was very multi layered.
There is romance and love, and betrayal of the highest order and I loved that I did not see who was the bad guy here! Totally sideswiped with that one, so well played there Mr castle, very well played.
I am loving wathcing these people develop and grow, and as the author puts out more stories, I wanna read them! I can't see who might be next, but I need, NEEEEEEEEEEEEEEEEEEEEEEEEEED to read it!
5 full and shiny stars!
*same worded review will appear elsewhere
This is book 2 in the Blood Bonded Mates series. While not strictly necessary to read book one, Snowed In With The Vampire Prince, it will give you a better understanding of Pierce and James who play a huge part here. And you know, it was rather good! I thoroughly enjoyed that book. But this book??
Freaking LOVED this book!
Ethan is a with without any gifts. Nathaniel is the reigning Vampire King. The witches and vampires will kill each other, if Ethan doesn't do something, and that something is marry Nathaniel. The mirror told him so. What could possibly go wrong?? Well, turns out, feelings could get involved!
What I especially liked was how Ethan's secrets, and Nathaniel's, took time to come out, and they came out to each other slowly. I'm gonna be vague here, cos spoilers, but I loved this, I really did.
Nathaniel knew who Ethan was, right from the start, but he didn't know what would happen. He wanted to spring the idea at Ethan in good time, but things had a way of sending plans out the window!
I loved that we got to catch up with Pierce and James from book 1. They both play a huge part here and it was fab how they seamlessly slotted into this book. I hope they pop up in follwoing books too.
I loved how Ethan and Nathaniel surprised each other, at every turn. Me too, to be fair!! It's a lot longer than book one, some 300 odd pages, and I think this book needed those extra pages. The story was very multi layered.
There is romance and love, and betrayal of the highest order and I loved that I did not see who was the bad guy here! Totally sideswiped with that one, so well played there Mr castle, very well played.
I am loving wathcing these people develop and grow, and as the author puts out more stories, I wanna read them! I can't see who might be next, but I need, NEEEEEEEEEEEEEEEEEEEEEEEEEED to read it!
5 full and shiny stars!
*same worded review will appear elsewhere
James P. Sumner (65 KP) rated Game Of Thrones in TV
Jul 1, 2019
Winter has come and gone... and there won't ever be anything like it again!
Contains spoilers, click to show
Game of Thrones. The only show that drove people to brag on social media about the fact they've never seen it every time a new series came out!
I watched this from Season 3, quickly binging the first two seasons about a week before it aired. I'm not a huge Fantasy fan, but this show really was something else. Despite the setting, it gave us everything - blood, guts, drama, sex... even comedy. It gave us some of the most vile and hated antagonists to ever grace the screen, and it made heroes out of the unlikeliest of people.
Watching it week-to-week was difficult for a couple of reasons. One, so much is going on (especially in the earlier seasons) that you can forget a lot in a week, and you find yourself questioning everything. Two, it's so bloody good, you didn't want to wait a whole week to get your fix! Obviously, now it's finished, the second issue is no longer relevant - it's available to binge to your heart's content, which you absolutely should do.
I want to address the recent criticism of the eighth and final season. We waited over two years for it, and many people felt it was rushed, too short and too shallow. I would say 75% of people who watched the last season were left disappointed. Myself included.
But a few days after it had finished, I found myself thinking about the series as a whole more and more. I was reading articles online, theories and arguments about how and why the story played out the way it did. I realised I had felt somewhat detached watching Season 8 because it HAD been two years since I watched Season 7. It's as if I'd forgotten what it was like to watch it.
So, having never seen any episode more than once, I went back to the beginning and watched all eight seasons in a little under three weeks...
SO MUCH BETTER the second time around!
For two reasons. Firstly, there was no break in the story at all. Watching it as it aired meant you had a 12-month break every 10 hours, basically. Easy to lose your thread. Easy to forget things. When that doesn't happen, it's much more enjoyable and actually makes a lot more sense. There was so much I'd forgotten over the course of the nine years it was on, I kind of felt like I'd cheated myself, in a way, by not watching Seasons 1-7 before Season 8 aired.
Second, much in the way that Star Wars Episodes 1-3 work better if you've seen 4-6 first, Game of Thrones was actually much more enjoyable having seen the ending, because things make a lot more sense in retrospect.
***This is where it gets spoilery***
It becomes evident early on, even in the first season, that Jon Snow is one to watch. His shocking death at the end of Season 5 caused much confusion and debate. Obviously, his resurrection early in Season 6 put an end to that, and when the secret about his true identity is finally revealed in Season 8, it was a shocking moment, as everything started to fall into place and the true threat became evident.
However...
Having now done Seasons 1-8 back-to-back, the revelation that Jon Snow is, in fact, a Targaryen is far from surprising, given they've been dropping clues about it since back in the first few episodes. Obviously, at the time, these seemingly throwaway comments meant nothing, but now we know, there are numerous conversations throughout the show that border on being spoilers themselves.
Same with Arya Stark and her storyline. Second time around, even from Season 1, it's evident she was destined to slay The Night King. And as with Jon Snow, you never would've picked up on it at the time, but in hindsight it's been obvious for years.
Now, the major criticism about Season 8 was that it felt rushed and that it sacrificed too many characters arcs for the sake of finishing inside of six episodes. Watching it as it aired, I completely agreed. Jon Snow "suddenly" went from a brooding hero to a pointless extra. Daenerys Targaryen "suddenly" went from the freer of slaves and saviour of Westeros to an insane despot who slaughtered half the world because someone took her toys away.
Not true.
It seemed like that after two years of forgetting almost everything that had happened previously, but watching it from start to finish in one go, those things make perfect sense, and aren't actually that sudden. The Mother of Dragons showed clear and obvious signs of becoming The Mad Queen of Ashes very early on in the show. She was always kind and fair and just... but my goodness, did you get it if you pissed her off! Let's not forget she crucified almost 200 slave-owners long after they surrendered to prove a point. And poor Sam Tarly's father and brother! She had a mean streak, and she lived on a knife's edge. At any point since she married Khal Drogo back at the beginning of Season 1, the slightest push and she would snap. Fast forward to Season 8 and, after many years of fighting to fulfil her birthright and take the Iron Throne, she finds out she's not actually the heir to it at all... that's a pretty big push to a woman with a history of losing her shit when things don't go her way. So not much of a surprise at all, really.
And to address the criticism further, I'll analyse this as a writer. I tell stories for a living. When you're writing a novel, you look at it as a triangle, of sorts. It starts off wide and gradually gets to a point. Game of Thrones began very wide, with lots of characters and subplots. But as time goes on, it narrows and becomes more focused on the main threat... the main storylines - the battle against The Night King and the fight for the Iron Throne. Those two things are what nine years of storytelling were working towards, so yes, when you get to the final season and you have to wrap things up, it makes sense that you're going to focus on the big finish - the point of the series.
Not only that, for the first six seasons, the shows writers and creators had their hands held by George R. R. Martin and his source material. But then the TV show caught up with the books, which meant they suddenly had nothing more than a handful of bullet points to work off instead. Not easy to go from one to the other. They can't embellish things too much, because they run the risk of contradicting and undermining future books, which Mr. Martin wouldn't allow them to do. So they had to keep it simple, stick to the point and finish the job they started - nothing more.
Ultimately, no one likes to see their favourite show end. In hindsight, I think a lot of the criticism the final season received was because the audience forgot what came before it, and because they didn't want it to end.
If you're reading this having never watched it before.... first of all, sorry for ruining the story for you (but I did say it contained spoilers, in my defence). But you have the benefit of being able to binge through this, which means you'll get the full, uninterrupted experience, which is well worth the investment of your time to do.
If you HAVE watched the show before, I strongly suggest re-watching it from the beginning, because I enjoyed it far more the second time around.
This is the kind of show that comes along once a generation. The kind of show people talk about daily long after it finished. It redefines TV drama and I can promise you, you'll never see anything like it again.
That said, don't watch it if you're easily offended or grossed out. Or if you like animals. Oh, and don't watch Season 4, Episode 8 whilst you're eating. And don't watch Season 3, Episode 9 if you believe in the afterlife and have your heart set on getting into Heaven. And it's perfectly acceptable to watch Season 6, Episode 9 and feel like that's what you would do if faced with certain death.
Just perfect.
I watched this from Season 3, quickly binging the first two seasons about a week before it aired. I'm not a huge Fantasy fan, but this show really was something else. Despite the setting, it gave us everything - blood, guts, drama, sex... even comedy. It gave us some of the most vile and hated antagonists to ever grace the screen, and it made heroes out of the unlikeliest of people.
Watching it week-to-week was difficult for a couple of reasons. One, so much is going on (especially in the earlier seasons) that you can forget a lot in a week, and you find yourself questioning everything. Two, it's so bloody good, you didn't want to wait a whole week to get your fix! Obviously, now it's finished, the second issue is no longer relevant - it's available to binge to your heart's content, which you absolutely should do.
I want to address the recent criticism of the eighth and final season. We waited over two years for it, and many people felt it was rushed, too short and too shallow. I would say 75% of people who watched the last season were left disappointed. Myself included.
But a few days after it had finished, I found myself thinking about the series as a whole more and more. I was reading articles online, theories and arguments about how and why the story played out the way it did. I realised I had felt somewhat detached watching Season 8 because it HAD been two years since I watched Season 7. It's as if I'd forgotten what it was like to watch it.
So, having never seen any episode more than once, I went back to the beginning and watched all eight seasons in a little under three weeks...
SO MUCH BETTER the second time around!
For two reasons. Firstly, there was no break in the story at all. Watching it as it aired meant you had a 12-month break every 10 hours, basically. Easy to lose your thread. Easy to forget things. When that doesn't happen, it's much more enjoyable and actually makes a lot more sense. There was so much I'd forgotten over the course of the nine years it was on, I kind of felt like I'd cheated myself, in a way, by not watching Seasons 1-7 before Season 8 aired.
Second, much in the way that Star Wars Episodes 1-3 work better if you've seen 4-6 first, Game of Thrones was actually much more enjoyable having seen the ending, because things make a lot more sense in retrospect.
***This is where it gets spoilery***
It becomes evident early on, even in the first season, that Jon Snow is one to watch. His shocking death at the end of Season 5 caused much confusion and debate. Obviously, his resurrection early in Season 6 put an end to that, and when the secret about his true identity is finally revealed in Season 8, it was a shocking moment, as everything started to fall into place and the true threat became evident.
However...
Having now done Seasons 1-8 back-to-back, the revelation that Jon Snow is, in fact, a Targaryen is far from surprising, given they've been dropping clues about it since back in the first few episodes. Obviously, at the time, these seemingly throwaway comments meant nothing, but now we know, there are numerous conversations throughout the show that border on being spoilers themselves.
Same with Arya Stark and her storyline. Second time around, even from Season 1, it's evident she was destined to slay The Night King. And as with Jon Snow, you never would've picked up on it at the time, but in hindsight it's been obvious for years.
Now, the major criticism about Season 8 was that it felt rushed and that it sacrificed too many characters arcs for the sake of finishing inside of six episodes. Watching it as it aired, I completely agreed. Jon Snow "suddenly" went from a brooding hero to a pointless extra. Daenerys Targaryen "suddenly" went from the freer of slaves and saviour of Westeros to an insane despot who slaughtered half the world because someone took her toys away.
Not true.
It seemed like that after two years of forgetting almost everything that had happened previously, but watching it from start to finish in one go, those things make perfect sense, and aren't actually that sudden. The Mother of Dragons showed clear and obvious signs of becoming The Mad Queen of Ashes very early on in the show. She was always kind and fair and just... but my goodness, did you get it if you pissed her off! Let's not forget she crucified almost 200 slave-owners long after they surrendered to prove a point. And poor Sam Tarly's father and brother! She had a mean streak, and she lived on a knife's edge. At any point since she married Khal Drogo back at the beginning of Season 1, the slightest push and she would snap. Fast forward to Season 8 and, after many years of fighting to fulfil her birthright and take the Iron Throne, she finds out she's not actually the heir to it at all... that's a pretty big push to a woman with a history of losing her shit when things don't go her way. So not much of a surprise at all, really.
And to address the criticism further, I'll analyse this as a writer. I tell stories for a living. When you're writing a novel, you look at it as a triangle, of sorts. It starts off wide and gradually gets to a point. Game of Thrones began very wide, with lots of characters and subplots. But as time goes on, it narrows and becomes more focused on the main threat... the main storylines - the battle against The Night King and the fight for the Iron Throne. Those two things are what nine years of storytelling were working towards, so yes, when you get to the final season and you have to wrap things up, it makes sense that you're going to focus on the big finish - the point of the series.
Not only that, for the first six seasons, the shows writers and creators had their hands held by George R. R. Martin and his source material. But then the TV show caught up with the books, which meant they suddenly had nothing more than a handful of bullet points to work off instead. Not easy to go from one to the other. They can't embellish things too much, because they run the risk of contradicting and undermining future books, which Mr. Martin wouldn't allow them to do. So they had to keep it simple, stick to the point and finish the job they started - nothing more.
Ultimately, no one likes to see their favourite show end. In hindsight, I think a lot of the criticism the final season received was because the audience forgot what came before it, and because they didn't want it to end.
If you're reading this having never watched it before.... first of all, sorry for ruining the story for you (but I did say it contained spoilers, in my defence). But you have the benefit of being able to binge through this, which means you'll get the full, uninterrupted experience, which is well worth the investment of your time to do.
If you HAVE watched the show before, I strongly suggest re-watching it from the beginning, because I enjoyed it far more the second time around.
This is the kind of show that comes along once a generation. The kind of show people talk about daily long after it finished. It redefines TV drama and I can promise you, you'll never see anything like it again.
That said, don't watch it if you're easily offended or grossed out. Or if you like animals. Oh, and don't watch Season 4, Episode 8 whilst you're eating. And don't watch Season 3, Episode 9 if you believe in the afterlife and have your heart set on getting into Heaven. And it's perfectly acceptable to watch Season 6, Episode 9 and feel like that's what you would do if faced with certain death.
Just perfect.
Charlie Cobra Reviews (1840 KP) rated The Old Guard (2020) in Movies
Aug 27, 2020
Kick Ass Action (2 more)
Good Casting and Supporting Actors/Characters
Cool Concept
The Musical Score/ Soundtrack (3 more)
Some characters were a little cliché
Characters not fully developed or given enough backstory
Dialogue
In With The Old Guard (7/10)
Contains spoilers, click to show
The Old Guard is 2020 action movie directed by Gina Prince-Bythewood and written by Greg Rucka, The film was produced by Skydance Media, Denver and Delilah Productions and Marc Evans Productions and distributed by Netflix. Producers on the movie include David Ellison, Dana Goldberg, Don Granger, Charlize Theron, AJ Dix, Beth Kono and Marc Evans. The film stars Charlize Theron, Kiki Layne, Marwan Kenzari, Luca Marinelli and Matthias Schoenaerts.
Andy (Charlize Theron), and her covert group of tight-knit immortals have fought and protected the mortal world for centuries with their mysterious inability to die. With their extraordinary abilities suddenly exposed on an emergency mission, the group finds themselves hunted by those who will stop at nothing to replicate their power. Nile (Kiki Layne), the newest soldier, joins their ranks, to help the group eliminate the threat and avoid capture as they find out who's found them.
This move was pretty bad ass. I liked it quite a bit. Charlize Theron definitely kicks ass as Andy in this flick and has a bunch of really cool action sequences throughout the film. The supporting cast was really good as well. I hadn't heard of the graphic novel or comic that it was based off of by the film's writer Greg Rucka but now I really want to check it out because the backstory they give the characters and their actions seem really cool. Now I know a lot of people give the whole girl power thing bad energy online and a lot of stuff gets hate and trolls for stuff like that but I dig this film. (examples Captain Marvel, The girl power scene in Endgame, etc...) I definitely got that vibe that the director was a woman without even paying attention to it in the opening credits and that's not a bad thing, just an observation. The way certain things happened in the movie, the soundtrack (which was good but felt like it didn't match) and the two main characters/protagonists are female as well. I think Gina Prince-Bythewood did a great job in mixing in the story and the action in this movie. Of course when coming up with a cool concept like this there always going to be plot holes or things that don't make sense and this movie is no exception, some characters are a little cliché but there acting pretty good and their performances were good but the dialogue definitely suffered from the writing. There was some weird lines in there and some scenes that just kind of faltered. The villain wasn't that memorable and the film had some slow places, not that pacing was off but maybe dragged on a little too long. I think this movie was still great good though and if you're looking for a good action flick to check out you should definitely give it a try, I give it a 7/10.
Spoiler Section Review:
Man, I have seen this movie getting ripped on reviews online and a lot of it is actually on the soundtrack. Now I understand completely, to me the song choices were off for the mood or tone of the film from the beginning but I saw what "they" were going for because all the songs had a similar theme which was connected by women. It was one of the reasons I felt like the movie was directed by a woman before I looked it up. Now I didn't hate the music, I actually liked some of the songs but for some people I can understand how it distracts, how it lessens in a way the impact of the cinematography and graphic violence of the film. Also the plot holes and logic when it comes to cool concept like the one for this movie. Like when they heal, the bullets get pushed out of their body, but what about Andy's earrings? That's literally the only example of plot holes I've found in other reviews, but every review hating on it says that. Other people hated on it's "woke politics" whatever that means and cheap and lacking in most places. I'll admit that they dropped the ball on putting in decent enough backstory for the characters who were supposed to have live for hundreds of years. You would think they would have some good flashback scenes but they only show a couple and some are weird and blurry sometimes. They just really dropped the ball on developing the characters more or giving you a reason to like them or care about them. They're were the two gay guys but for some people that is a little cliché already because everyone movie is trying to be inclusive now so it comes off as unoriginal. I'll admit that Kiki Layne's performance could be better in certain scenes especially in the beginning some of the girl soldiers didn't seem like "real soldiers" whatever that means, lol. but didn't look the part or act the part. And even at the end her character totally just shifts into kill mode when the whole time she couldn't get over the first person she killed and we're supposed to believe that she believes in the cause the fight for now. I mean she has some good scenes too though. There's just a lot of convenience or hand of god ("deus ex machina") throughout the movie. It's hard for me to give this a higher score when some of the points against it are legitimate but I think some of them are just haters. Anyways I give this movie a 7/10 and I for one personally can't wait for the sequel.
Andy (Charlize Theron), and her covert group of tight-knit immortals have fought and protected the mortal world for centuries with their mysterious inability to die. With their extraordinary abilities suddenly exposed on an emergency mission, the group finds themselves hunted by those who will stop at nothing to replicate their power. Nile (Kiki Layne), the newest soldier, joins their ranks, to help the group eliminate the threat and avoid capture as they find out who's found them.
This move was pretty bad ass. I liked it quite a bit. Charlize Theron definitely kicks ass as Andy in this flick and has a bunch of really cool action sequences throughout the film. The supporting cast was really good as well. I hadn't heard of the graphic novel or comic that it was based off of by the film's writer Greg Rucka but now I really want to check it out because the backstory they give the characters and their actions seem really cool. Now I know a lot of people give the whole girl power thing bad energy online and a lot of stuff gets hate and trolls for stuff like that but I dig this film. (examples Captain Marvel, The girl power scene in Endgame, etc...) I definitely got that vibe that the director was a woman without even paying attention to it in the opening credits and that's not a bad thing, just an observation. The way certain things happened in the movie, the soundtrack (which was good but felt like it didn't match) and the two main characters/protagonists are female as well. I think Gina Prince-Bythewood did a great job in mixing in the story and the action in this movie. Of course when coming up with a cool concept like this there always going to be plot holes or things that don't make sense and this movie is no exception, some characters are a little cliché but there acting pretty good and their performances were good but the dialogue definitely suffered from the writing. There was some weird lines in there and some scenes that just kind of faltered. The villain wasn't that memorable and the film had some slow places, not that pacing was off but maybe dragged on a little too long. I think this movie was still great good though and if you're looking for a good action flick to check out you should definitely give it a try, I give it a 7/10.
Spoiler Section Review:
Man, I have seen this movie getting ripped on reviews online and a lot of it is actually on the soundtrack. Now I understand completely, to me the song choices were off for the mood or tone of the film from the beginning but I saw what "they" were going for because all the songs had a similar theme which was connected by women. It was one of the reasons I felt like the movie was directed by a woman before I looked it up. Now I didn't hate the music, I actually liked some of the songs but for some people I can understand how it distracts, how it lessens in a way the impact of the cinematography and graphic violence of the film. Also the plot holes and logic when it comes to cool concept like the one for this movie. Like when they heal, the bullets get pushed out of their body, but what about Andy's earrings? That's literally the only example of plot holes I've found in other reviews, but every review hating on it says that. Other people hated on it's "woke politics" whatever that means and cheap and lacking in most places. I'll admit that they dropped the ball on putting in decent enough backstory for the characters who were supposed to have live for hundreds of years. You would think they would have some good flashback scenes but they only show a couple and some are weird and blurry sometimes. They just really dropped the ball on developing the characters more or giving you a reason to like them or care about them. They're were the two gay guys but for some people that is a little cliché already because everyone movie is trying to be inclusive now so it comes off as unoriginal. I'll admit that Kiki Layne's performance could be better in certain scenes especially in the beginning some of the girl soldiers didn't seem like "real soldiers" whatever that means, lol. but didn't look the part or act the part. And even at the end her character totally just shifts into kill mode when the whole time she couldn't get over the first person she killed and we're supposed to believe that she believes in the cause the fight for now. I mean she has some good scenes too though. There's just a lot of convenience or hand of god ("deus ex machina") throughout the movie. It's hard for me to give this a higher score when some of the points against it are legitimate but I think some of them are just haters. Anyways I give this movie a 7/10 and I for one personally can't wait for the sequel.
Purple Phoenix Games (2266 KP) rated Quests of Valeria in Tabletop Games
Jun 12, 2019
One of the best parts of the board gaming experience is finding a fun group of people with whom to play! Sometimes, though, coordinating a game night is easier said than done. We all must occasionally forego the group experience and face the world as the Lonely Only. But fear not! The world of solo-play is a vast and exciting realm! What follows is a chronicle of my journey into the solo-playing world – notes on gameplay, mechanics, rules, difficulty, and overall experience with solo variations of commonly multiplayer games! I hope this will provide some insight as you continue to grow your collection, or explore your already owned games!
A royal King may rule the city of Valeria, but we all know who really is responsible for the prosperity of this kingdom – it’s YOU, the Guild Masters! Your hard work behind the scenes (providing work for Citizens, and overseeing the completion of various Quests) has helped turn Valeria into the thriving epicenter of life and commerce that it is today! Make sure you keep up the good work, because if you don’t, another Guild Master will jump at the opportunity to outperform you and win the favor of the King!
Quests of Valeria, a game of card drafting and hand management, pits players against each other as they try to hire Citizens to complete Quests and earn Victory Points. Each Quest requires certain Citizen roles and Resources to be completed, so strategy is key! Work efficiently, or another Guild Master could swipe a Citizen or Quest right out from under you! On your turn, you will take 2 actions from these listed: Draw, Hire, Reserve, or Quest. Citizen and Quest cards sometimes have special powers that, when played, allow you to take bonus actions on your turn. The game continues until a player has completed their 5th quest, and then all players count up their Victory Points. The player with the highest score is the winner! In solo play, the game ends when either the Citizen or Quest card deck is completely depleted – the solo player then counts up their Victory Points and tries to beat their personal best score!
As a solo game, Quests of Valeria is played almost exactly the same way, with one main gameplay difference. That difference has to do with the setup and handling of the available Citizen and Quest cards. In group play, Citizens and Quest cards remain in the game until their are either hired, completed, or actively discarded. In solo play, at the end of each turn, the Citizen and Quest cards at the furthest left side of the Tavern Line (play area, see photo below for reference) are discarded permanently from the game. All other cards shift one or more spaces as far left as possible in the Tavern Line and any remaining empty slots are refilled from their respective draw decks. This puts a time limit on how long cards remain in the game without being hired/completed. It really forces you to strategize which Citizens to hire and when since they only appear for a finite amount of time. The same goes for Quests – each turn pushes Quests closer to elimination from the game, so you must act quickly and efficiently to complete as many as you can before they are discarded.
I really like the idea of the shifting Tavern Line in solo play. The game would be so easy without it – there would be no rush to do anything and no real strategy involved since I could just bide my time until I have the appropriate Citizens to complete each Quest. With the shifting line, I do have to come up with an ever-changing strategy. I can’t just focus on one Quest – I have to be looking ahead to see what I need for the next quest and how long I have to complete that one too.
My only dislike of this game is that sometimes it can be slow-going getting your Guild up and running. Sometimes the Citizens and Resources I need just aren’t showing up in the Tavern Line (thanks to my awful card shuffling, I’m sure) and I just get to watch those Quests make their way through the line towards the discard pile. And then usually with my luck, I discard precious cards from my hand to Hire a Citizen that I was waiting for only to have all of those Quests slowly replaced by Quests for the Citizens that I was passing on! Since I can only have a maximum of 8 Citizens in my Guild at any given time, I can’t just recruit everybody until I get a Quest that needs those people. It’s a balancing act for sure, and it’s one that I haven’t quite mastered. I’m sure that once I figure out a better strategy for handling this type of situation, I’ll enjoy the game more. But for now, these stand-stills have me stumped.
Overall, I enjoy Quests of Valeria as a solo game. It requires a decent amount of strategy, and the more I play it, the more I like it. There’s no single strategy for success, and I like to try out different ones with each game – do I try to finish as many easy Quests as possible (fewer VPs each, but more Quests overall), or do I save up my Citizens and go only for the big Quests (lots of VPs, but also lots of required Citizens/Resources)? There’s not a right answer, and I enjoy being able to adapt my strategy to the cards currently in play. For such a simple game (Hire Citizens, complete Quests), Quest of Valeria keeps me engaged the entire time. It’s easy to learn, fast to play, and strategic enough that it keeps you hooked. Give it a try as a solo game – it might surprise you!
https://purplephoenixgames.wordpress.com/2019/03/28/solo-chronicles-quests-of-valeria/
A royal King may rule the city of Valeria, but we all know who really is responsible for the prosperity of this kingdom – it’s YOU, the Guild Masters! Your hard work behind the scenes (providing work for Citizens, and overseeing the completion of various Quests) has helped turn Valeria into the thriving epicenter of life and commerce that it is today! Make sure you keep up the good work, because if you don’t, another Guild Master will jump at the opportunity to outperform you and win the favor of the King!
Quests of Valeria, a game of card drafting and hand management, pits players against each other as they try to hire Citizens to complete Quests and earn Victory Points. Each Quest requires certain Citizen roles and Resources to be completed, so strategy is key! Work efficiently, or another Guild Master could swipe a Citizen or Quest right out from under you! On your turn, you will take 2 actions from these listed: Draw, Hire, Reserve, or Quest. Citizen and Quest cards sometimes have special powers that, when played, allow you to take bonus actions on your turn. The game continues until a player has completed their 5th quest, and then all players count up their Victory Points. The player with the highest score is the winner! In solo play, the game ends when either the Citizen or Quest card deck is completely depleted – the solo player then counts up their Victory Points and tries to beat their personal best score!
As a solo game, Quests of Valeria is played almost exactly the same way, with one main gameplay difference. That difference has to do with the setup and handling of the available Citizen and Quest cards. In group play, Citizens and Quest cards remain in the game until their are either hired, completed, or actively discarded. In solo play, at the end of each turn, the Citizen and Quest cards at the furthest left side of the Tavern Line (play area, see photo below for reference) are discarded permanently from the game. All other cards shift one or more spaces as far left as possible in the Tavern Line and any remaining empty slots are refilled from their respective draw decks. This puts a time limit on how long cards remain in the game without being hired/completed. It really forces you to strategize which Citizens to hire and when since they only appear for a finite amount of time. The same goes for Quests – each turn pushes Quests closer to elimination from the game, so you must act quickly and efficiently to complete as many as you can before they are discarded.
I really like the idea of the shifting Tavern Line in solo play. The game would be so easy without it – there would be no rush to do anything and no real strategy involved since I could just bide my time until I have the appropriate Citizens to complete each Quest. With the shifting line, I do have to come up with an ever-changing strategy. I can’t just focus on one Quest – I have to be looking ahead to see what I need for the next quest and how long I have to complete that one too.
My only dislike of this game is that sometimes it can be slow-going getting your Guild up and running. Sometimes the Citizens and Resources I need just aren’t showing up in the Tavern Line (thanks to my awful card shuffling, I’m sure) and I just get to watch those Quests make their way through the line towards the discard pile. And then usually with my luck, I discard precious cards from my hand to Hire a Citizen that I was waiting for only to have all of those Quests slowly replaced by Quests for the Citizens that I was passing on! Since I can only have a maximum of 8 Citizens in my Guild at any given time, I can’t just recruit everybody until I get a Quest that needs those people. It’s a balancing act for sure, and it’s one that I haven’t quite mastered. I’m sure that once I figure out a better strategy for handling this type of situation, I’ll enjoy the game more. But for now, these stand-stills have me stumped.
Overall, I enjoy Quests of Valeria as a solo game. It requires a decent amount of strategy, and the more I play it, the more I like it. There’s no single strategy for success, and I like to try out different ones with each game – do I try to finish as many easy Quests as possible (fewer VPs each, but more Quests overall), or do I save up my Citizens and go only for the big Quests (lots of VPs, but also lots of required Citizens/Resources)? There’s not a right answer, and I enjoy being able to adapt my strategy to the cards currently in play. For such a simple game (Hire Citizens, complete Quests), Quest of Valeria keeps me engaged the entire time. It’s easy to learn, fast to play, and strategic enough that it keeps you hooked. Give it a try as a solo game – it might surprise you!
https://purplephoenixgames.wordpress.com/2019/03/28/solo-chronicles-quests-of-valeria/
Heather Cranmer (2721 KP) rated When Patty Went Away in Books
Jun 7, 2018
(This review can be found on my blog <a href=http://themisadventuresofatwentysomething.blogspot.com/">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>.
The blurb intrigued me a lot. This was a book I really wanted to read. However, I was a bit disappointed when I finally got a chance to read it.
The title definitely fits the book for at least the second half. (I'll go into more detail about that later). The title reminds me of someone who checks out of reality though.
I like the serene look of the cover. I don't really know how it ties into the book though. The cover made me think more of a holiday romance type.
I can't really fault the world building. I thought it was done rather well and very believable. From a historic viewpoint, the facts and events were all correct. It was interesting that Ms. Burt chose to narrate through the point of view of a man. She did a great job of making it work though. There was one or two times I felt a bit confused, but I put it down to just a personal thing like maybe I wasn't paying as much attention as I should've been. The only thing that bothered me was when the narrator of the book would suddenly start talking about a memory. It was too sudden, and I didn't know if it was happening in present time or if it was indeed a memory. I felt as if a memory could've had a better introduction so the audience was aware that it happened at another time in the book.
I felt that the pacing was too slow for about the first two-thirds of the book. It seemed to drone on and on about a topic I wasn't that interested in (farming). I realize that Ms. Burt was setting up a back story, but there was too much focus on the whole farming aspect of the book and not about Patty disappearing as the title and the blurb would suggest. Once the main character goes to Montreal, the pacing picks up decently, and it becomes a book that I had a hard time putting down.
The whole story line was a bit weak, I felt. First off, it reads like two books. The first two-thirds of the book is about a family who has lost their farm due to a bad storm. The reader then takes a journey into finding out how this family struggles to survive without their means of income. I found it a bit tedious because I don't really care about farming, and this book used a lot of farming terminology. The last third of the book is when Jack goes to Montreal to look for Patty. This explores the seedy side of Montreal (which could be just about anywhere) and prostitution involving runaways. I thought the story line was strong during this bit.
I felt that Jack was a well developed character and very likable. It was easy to feel what he was feeling and to feel sorry for him with all that he was going through. Molly is a strict God fearing woman. However, I felt that there was too much focus on her being overweight which was uncalled for. I didn't really like how Christianity was portrayed when it came to Molly. I'm sure there are people in the world like her, but there were times when I just felt a bit offended. I would've loved to know more about Patty and Edie as individuals. I just felt like they didn't get enough time throughout the book, Patty especially. I found it a bit hard to care about Edie and Patty especially as I felt like I didn't have enough information on them to care.
The dialogue fit this book very well. However, I think a lot of people will struggle with the farming terminology and have a hard time relating to the whole farm scenario. As I've said before, this book reads like two books in one. To further prove my point, even the dialogue is different. During the whole family losing their farm scenario, the language isn't vulgar nor is there any swearing (that I could remember). Once Jack gets to Montreal, the language turns a bit vulgar, and there is some swearing.
Overall, When Patty Went Away is just an alright read. The plot could've been better and the merging of ideas could've been smoother. Saying that, the main character is very likable and the world building was good.
I'd recommend this book to those 18+ who know something about farming or those who want a book that will last awhile.
<b>I'd give When Patty Went Away by Jeannie Burt a 2.5 out of 5.</b>
(I received a free paperback of this book from LibraryThing for free in exchange for a fair and honest review).
The blurb intrigued me a lot. This was a book I really wanted to read. However, I was a bit disappointed when I finally got a chance to read it.
The title definitely fits the book for at least the second half. (I'll go into more detail about that later). The title reminds me of someone who checks out of reality though.
I like the serene look of the cover. I don't really know how it ties into the book though. The cover made me think more of a holiday romance type.
I can't really fault the world building. I thought it was done rather well and very believable. From a historic viewpoint, the facts and events were all correct. It was interesting that Ms. Burt chose to narrate through the point of view of a man. She did a great job of making it work though. There was one or two times I felt a bit confused, but I put it down to just a personal thing like maybe I wasn't paying as much attention as I should've been. The only thing that bothered me was when the narrator of the book would suddenly start talking about a memory. It was too sudden, and I didn't know if it was happening in present time or if it was indeed a memory. I felt as if a memory could've had a better introduction so the audience was aware that it happened at another time in the book.
I felt that the pacing was too slow for about the first two-thirds of the book. It seemed to drone on and on about a topic I wasn't that interested in (farming). I realize that Ms. Burt was setting up a back story, but there was too much focus on the whole farming aspect of the book and not about Patty disappearing as the title and the blurb would suggest. Once the main character goes to Montreal, the pacing picks up decently, and it becomes a book that I had a hard time putting down.
The whole story line was a bit weak, I felt. First off, it reads like two books. The first two-thirds of the book is about a family who has lost their farm due to a bad storm. The reader then takes a journey into finding out how this family struggles to survive without their means of income. I found it a bit tedious because I don't really care about farming, and this book used a lot of farming terminology. The last third of the book is when Jack goes to Montreal to look for Patty. This explores the seedy side of Montreal (which could be just about anywhere) and prostitution involving runaways. I thought the story line was strong during this bit.
I felt that Jack was a well developed character and very likable. It was easy to feel what he was feeling and to feel sorry for him with all that he was going through. Molly is a strict God fearing woman. However, I felt that there was too much focus on her being overweight which was uncalled for. I didn't really like how Christianity was portrayed when it came to Molly. I'm sure there are people in the world like her, but there were times when I just felt a bit offended. I would've loved to know more about Patty and Edie as individuals. I just felt like they didn't get enough time throughout the book, Patty especially. I found it a bit hard to care about Edie and Patty especially as I felt like I didn't have enough information on them to care.
The dialogue fit this book very well. However, I think a lot of people will struggle with the farming terminology and have a hard time relating to the whole farm scenario. As I've said before, this book reads like two books in one. To further prove my point, even the dialogue is different. During the whole family losing their farm scenario, the language isn't vulgar nor is there any swearing (that I could remember). Once Jack gets to Montreal, the language turns a bit vulgar, and there is some swearing.
Overall, When Patty Went Away is just an alright read. The plot could've been better and the merging of ideas could've been smoother. Saying that, the main character is very likable and the world building was good.
I'd recommend this book to those 18+ who know something about farming or those who want a book that will last awhile.
<b>I'd give When Patty Went Away by Jeannie Burt a 2.5 out of 5.</b>
(I received a free paperback of this book from LibraryThing for free in exchange for a fair and honest review).
Andy Meakin (5 KP) rated Thor: Ragnarok (2017) in Movies
Jul 11, 2018
Thor-oughly entertaining.
Thor has always come across as the weaker of the Marvel film series’. The first film was well made, but never really demanded a repeat watch. The second, whilst not as bad as some people will attest, still felt more like a stop gap filler. You can’t blame the casting for the feeling of nonchalance that the films, so far, have delivered. Hemsworth is great in the role, and the support cast have always given their all, from Hiddleston as Loki, to Anthony Hopkins as Odin. But the stories have just felt superfluous, generic, and lacking in anything fantastical or mystical. In addition they have made the same error that DC made when they adapted Green Lantern – they spent too much time on Earth! You see, there are enough super-hero films that focus on a threat to Earth, so even though you could argue that it is faithful to the comics to have Thor defending Midgard against some mythical enemy, it has the unfortunate effect of making it seem just a little too…familiar. Wisely the decision was made for this third film to break away from Midgard, and go ‘cosmic’ with the story – and the end result is a damn sight better as a result.
The film spends the first act tying up some loose ends from the previous film, and returning Thor to Asgard. There he finds things are not as he left, and pretty soon Hela (Cate Blanchett) arrives to take control of Asgard, and threaten all the kingdoms with her army. Thor himself finds himself stranded on a remote junk-planet called Sakaar, where he finds himself thrown into gladiatorial combat against…well…an old friend. Can Thor unite an army to return to Asgard and save his people?
To say the film is immense fun would be an understatement! Director Taika Waititi, known for comedy dramas such as Hunt for the Wilderpeople and What We Do In The Shadows, definitely had an aim to explore the somewhat sillier side of the character, and the film is funny from the outset. Thor, who has always been a little naïve and shown some more awkward moments, is really given a lot of great lines, jibes, and clumsy aspects to round him out as more than just a ‘dumb, cocky Asgardian’. Throughout the film, characters quip and riff on ideas, creating genuine laughs and quotable moments, with even the newer characters getting their moments to impress on the audience. Amongst those newer additions, Karl Urban as Skurge, Jeff Goldblum as Grandmaster, and Tessa Thompson as Valkyrie steal any moments they appear on screen (Goldblum in particular just needs to have a wry grin and a raised eyebrow and all focus is on him). But Waititi himself gets to play with the best new addition to the cast, and one we will apparently see more of in the future, as Korg, a Kronan warrior.
So far, so entertaining, but is it all comedy and no substance? Far from it! The comedy serves well to balance against the dark drama of the story. This is titled Ragnarok, and Hela’s assault on Asgard is chilling indeed. In addition, the weaving in of elements from the Planet Hulk storyline, to give the mid-point journey part of the film some meat, ensures that there is never any dip in the tale, and there is plenty going on. The delicate balance of drama, emotion, and comedy is very reminiscent of the Guardians of the Galaxy films, and the franchise is so much better for it. After all, Asgardians are an alien race, so why not explore the cosmos a little with them? Even the soundtrack feels a little ‘Guardians-esque’ in style, with Led Zeppelin’s fabulous Immigrant Song being utilised perfectly for battle moments, but a somewhat electro-pop-synth score resonating throughout the film.
This is a film that flies by in run time (130 minutes, but never dragging), and finally gives Thor an identity in the Marvel Cinematic Universe. As the end credits finish rolling, the immediate desire is to watch it all again – which is not a feeling that the other two films left in me at all. Jostling for position in the top three Marvel films to date (Avengers and Guardians for those who are curious – yes, I know Winter Soldier and Civil War are damned good too, but these films are just fun). Thor: Ragnarok looks amazing, and entertains thoroughly. Ragnarok may mean the end of Asgard according to myth and legend, but it signals the true start of Thor as a character in his own right. All of that positive without even mentioning Ruffalo as Hulk (which you just knew was going to be great anyway)! Just watch the film for yourself, and enjoy.
The film spends the first act tying up some loose ends from the previous film, and returning Thor to Asgard. There he finds things are not as he left, and pretty soon Hela (Cate Blanchett) arrives to take control of Asgard, and threaten all the kingdoms with her army. Thor himself finds himself stranded on a remote junk-planet called Sakaar, where he finds himself thrown into gladiatorial combat against…well…an old friend. Can Thor unite an army to return to Asgard and save his people?
To say the film is immense fun would be an understatement! Director Taika Waititi, known for comedy dramas such as Hunt for the Wilderpeople and What We Do In The Shadows, definitely had an aim to explore the somewhat sillier side of the character, and the film is funny from the outset. Thor, who has always been a little naïve and shown some more awkward moments, is really given a lot of great lines, jibes, and clumsy aspects to round him out as more than just a ‘dumb, cocky Asgardian’. Throughout the film, characters quip and riff on ideas, creating genuine laughs and quotable moments, with even the newer characters getting their moments to impress on the audience. Amongst those newer additions, Karl Urban as Skurge, Jeff Goldblum as Grandmaster, and Tessa Thompson as Valkyrie steal any moments they appear on screen (Goldblum in particular just needs to have a wry grin and a raised eyebrow and all focus is on him). But Waititi himself gets to play with the best new addition to the cast, and one we will apparently see more of in the future, as Korg, a Kronan warrior.
So far, so entertaining, but is it all comedy and no substance? Far from it! The comedy serves well to balance against the dark drama of the story. This is titled Ragnarok, and Hela’s assault on Asgard is chilling indeed. In addition, the weaving in of elements from the Planet Hulk storyline, to give the mid-point journey part of the film some meat, ensures that there is never any dip in the tale, and there is plenty going on. The delicate balance of drama, emotion, and comedy is very reminiscent of the Guardians of the Galaxy films, and the franchise is so much better for it. After all, Asgardians are an alien race, so why not explore the cosmos a little with them? Even the soundtrack feels a little ‘Guardians-esque’ in style, with Led Zeppelin’s fabulous Immigrant Song being utilised perfectly for battle moments, but a somewhat electro-pop-synth score resonating throughout the film.
This is a film that flies by in run time (130 minutes, but never dragging), and finally gives Thor an identity in the Marvel Cinematic Universe. As the end credits finish rolling, the immediate desire is to watch it all again – which is not a feeling that the other two films left in me at all. Jostling for position in the top three Marvel films to date (Avengers and Guardians for those who are curious – yes, I know Winter Soldier and Civil War are damned good too, but these films are just fun). Thor: Ragnarok looks amazing, and entertains thoroughly. Ragnarok may mean the end of Asgard according to myth and legend, but it signals the true start of Thor as a character in his own right. All of that positive without even mentioning Ruffalo as Hulk (which you just knew was going to be great anyway)! Just watch the film for yourself, and enjoy.