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Steven Sklansky (231 KP) rated Beauty and the Beast (2017) in Movies
Nov 25, 2017
Beauty and the Plot Holes
I know I shouldn't be looking to much in to animated movies turned in to live action, but this movie really had some obvious plot holes. I will get to a few of those in a bit. First I would like to say this was not a bad movie. I actually enjoyed it more then I thought I would have. The CGI was really good and the music/songs were done really well and really funny.
This movie played really closely to the animated movie. The beginning of the movie was one of the thing I felt was really off. I did not like the party being the back drop to him being a stuck up snob. I would have preferred him just turning the old lady away at the door and then getting cursed. I also thought all of the people turned into household objects were servants in the castle and not just party guests. Then at the end of the movie you have the household objects mingling with towns folks. I know they had to do it with how the beginning of the movie was set up, but it was really weird.
As I stated earlier I really like the CGI, I thought it fit in really well with the live actors. The Beast looked amazing, it had a very life like look to it. All of the household objects looked fantastic as well. They way they moved in the scenes, it did not feel computerized at all.
Now I know most of you have probably seen the animated movie and hopefully most of you have seen this movie. But one thing I like doing when I am watching a remake or know the story really well, I like to find the plot holes that are really funny and I will mention a few here. First is I like the fact they are in France and only say a few french words. I know its supposed to be a kids movie and most of them don't want to read subtitles, but at least give them all an accent. The only one with an accent was the candle holder. Second I would like to point out during the whole movie to and from the castle there were wolves that were ready to attack onsite. But when Belle headed back to the village to save her dad the Beast was not concerned at all about the wolves getting her. Last I would like to say that with how dangerous everything in the woods were Belle's dad left the horse behind at the castle even though he new about the wolves and how far away it was. Also there was the fact that if Belle was going to be there forever, why does she even need the horse.
Well this was a fun movie and think everyone should see it, maybe with a kid in the room so it is not weird. Until next time, enjoy the show.
This movie played really closely to the animated movie. The beginning of the movie was one of the thing I felt was really off. I did not like the party being the back drop to him being a stuck up snob. I would have preferred him just turning the old lady away at the door and then getting cursed. I also thought all of the people turned into household objects were servants in the castle and not just party guests. Then at the end of the movie you have the household objects mingling with towns folks. I know they had to do it with how the beginning of the movie was set up, but it was really weird.
As I stated earlier I really like the CGI, I thought it fit in really well with the live actors. The Beast looked amazing, it had a very life like look to it. All of the household objects looked fantastic as well. They way they moved in the scenes, it did not feel computerized at all.
Now I know most of you have probably seen the animated movie and hopefully most of you have seen this movie. But one thing I like doing when I am watching a remake or know the story really well, I like to find the plot holes that are really funny and I will mention a few here. First is I like the fact they are in France and only say a few french words. I know its supposed to be a kids movie and most of them don't want to read subtitles, but at least give them all an accent. The only one with an accent was the candle holder. Second I would like to point out during the whole movie to and from the castle there were wolves that were ready to attack onsite. But when Belle headed back to the village to save her dad the Beast was not concerned at all about the wolves getting her. Last I would like to say that with how dangerous everything in the woods were Belle's dad left the horse behind at the castle even though he new about the wolves and how far away it was. Also there was the fact that if Belle was going to be there forever, why does she even need the horse.
Well this was a fun movie and think everyone should see it, maybe with a kid in the room so it is not weird. Until next time, enjoy the show.
Sensitivemuse (246 KP) rated Our Dark Duet in Books
Dec 13, 2017
Great Sequel !
***Possible spoilers below. You’ve been warned***
The plot was off to a pretty slow start in this one. Before I start, I’d have to recommend you read This Savage Song before going to this book. You would need the foundation that was set up in This Savage Song to really benefit and enjoy reading Our Dark Duet.
As mentioned before, the plot was off to a slow start. Kate and August are on both different ends of the spectrum but have changed drastically. They’ve definitely ‘grown up’ so to speak. Kate becomes monster hunter extraordinaire. August leads his own squad in the FTF. Kate’s part of the story was definitely more interesting. Despite trying hard not to warm up to people she manages to have her small group of friends (but of course, shuns them anyway despite one of them trying to reach out to her numerous times). I love this quality in Kate. It makes her so much more realistic and puts her way from the group of those ‘stone cold butt kickers that apparently have no soul’.
That being said about Kate. Oh. Lord. That ending. Kate dying with August nearby got my stomach into knots and twists. I can’t believe it. It was beautifully written though and a suitable ending for her. Kate was pretty much a pariah and a lone wolf. August was one of the few that was able to get to know Kate at a more deeper level. It was only fitting that she meets her end with that one person by her side. Beautifully done.
I didn’t really think the romance scene between Kate and August was necessary. It was a minor filler that didn’t need to be added. I never saw August and Kate that way. They were too different and didn’t have that nice ongoing chemistry together. Fighting partners, yes. Partners in love? No I don’t think so.
So more about characters dying. Am I the only one that felt a punch to the gut when Ilsa died? Ilsa was a character I really loved in these two books. She went down in a blaze of glory though (albeit, a shocked blaze of glory.)
You have to admit, Sloan is one of the better villains I have read in a long while. I like him teaming up with Alice even though villains they are, they are looking out for themselves. He’s creepy, malicious, calculating, and cunning. He’s a perfect villain.
The last half of the book, which was filled with action, blood, explosions and all the good stuff set the pace for the great ending to a wonderfully written duology. I know fans out there are asking for more, as it’s not the end of the adventures for August and Soro. For me, it’s just enough and it’s a perfect ending. Well done Ms Schwab! Now I’m off to read your other works!
The plot was off to a pretty slow start in this one. Before I start, I’d have to recommend you read This Savage Song before going to this book. You would need the foundation that was set up in This Savage Song to really benefit and enjoy reading Our Dark Duet.
As mentioned before, the plot was off to a slow start. Kate and August are on both different ends of the spectrum but have changed drastically. They’ve definitely ‘grown up’ so to speak. Kate becomes monster hunter extraordinaire. August leads his own squad in the FTF. Kate’s part of the story was definitely more interesting. Despite trying hard not to warm up to people she manages to have her small group of friends (but of course, shuns them anyway despite one of them trying to reach out to her numerous times). I love this quality in Kate. It makes her so much more realistic and puts her way from the group of those ‘stone cold butt kickers that apparently have no soul’.
That being said about Kate. Oh. Lord. That ending. Kate dying with August nearby got my stomach into knots and twists. I can’t believe it. It was beautifully written though and a suitable ending for her. Kate was pretty much a pariah and a lone wolf. August was one of the few that was able to get to know Kate at a more deeper level. It was only fitting that she meets her end with that one person by her side. Beautifully done.
I didn’t really think the romance scene between Kate and August was necessary. It was a minor filler that didn’t need to be added. I never saw August and Kate that way. They were too different and didn’t have that nice ongoing chemistry together. Fighting partners, yes. Partners in love? No I don’t think so.
So more about characters dying. Am I the only one that felt a punch to the gut when Ilsa died? Ilsa was a character I really loved in these two books. She went down in a blaze of glory though (albeit, a shocked blaze of glory.)
You have to admit, Sloan is one of the better villains I have read in a long while. I like him teaming up with Alice even though villains they are, they are looking out for themselves. He’s creepy, malicious, calculating, and cunning. He’s a perfect villain.
The last half of the book, which was filled with action, blood, explosions and all the good stuff set the pace for the great ending to a wonderfully written duology. I know fans out there are asking for more, as it’s not the end of the adventures for August and Soro. For me, it’s just enough and it’s a perfect ending. Well done Ms Schwab! Now I’m off to read your other works!
BBC Drama
This eBook was provided by the publisher via NetGalley in exchange for an honest review
Many people in Britain may have recently watched the drama series Our Zoo on BBC1 about the Mottershead family who moved to Oakfield, Upton in 1930 with the aim of building a zoo without bars. Based on a true story the drama over exaggerated the difficulties the family faced in developing what became to be the famous Chester Zoo. Until 2010 when TV producer Adam Kemp approached her, June Mottershead had never thought about making her history available to the public. As the truth had to be bent slightly for the television production with the removal of certain characters and added romance, and, of course, the laws preventing chimpanzees from being filmed, June Mottershead has penned the true story, also called Our Zoo, which is just as fascinating as what was shown on screen.
June was only four when she moved to Upton with her parents, grandparents, and her fourteen-year-old sister Muriel as well as a selection of animals. The BBC1 drama only showed up until the point that her father, George, had finally been given permission to build his zoo despite the petition against it. In the book, however, this occurs within the first few chapters and then continues on until June’s marriage to her husband Fred Williams in 1949. In fact the time period of the narrative jumps around depending on the animals or events that June is describing.
A large chunk of the book is focused on the effect the Second World War had on the zoo. As can be expected the rationings of vital products took its toll on the animals’ diets and, although the zoo never took a direct hit, the Liverpool blitz caused havoc by destroying the glass tanks in the aquarium. On the other hand, the amount of animals rapidly grew, as it was not just humans that became refugees during the war.
It was a delight to read about June’s relationships with some of the animals, particularly Mary the chimpanzee who was also June’s best friend as a child and behaved in a humanlike manner. Alas, as well as the happy moments there were the inevitable upsetting accounts of the deaths some of the animals, either from old age, illness or accidents.
While Our Zoo cannot be described as a novel, it neither has the feel of an autobiography. The conversational tone of the writing made it a pleasure to read and easy to visualize (admittedly watching the televised version had already provided a certain image).
This easy to read book is a strong recommendation for those who enjoyed the BBC adaptation and wish to find out what happened next. It does not matter if you have not watched the drama, as it is overall a fascinating story to read.
Many people in Britain may have recently watched the drama series Our Zoo on BBC1 about the Mottershead family who moved to Oakfield, Upton in 1930 with the aim of building a zoo without bars. Based on a true story the drama over exaggerated the difficulties the family faced in developing what became to be the famous Chester Zoo. Until 2010 when TV producer Adam Kemp approached her, June Mottershead had never thought about making her history available to the public. As the truth had to be bent slightly for the television production with the removal of certain characters and added romance, and, of course, the laws preventing chimpanzees from being filmed, June Mottershead has penned the true story, also called Our Zoo, which is just as fascinating as what was shown on screen.
June was only four when she moved to Upton with her parents, grandparents, and her fourteen-year-old sister Muriel as well as a selection of animals. The BBC1 drama only showed up until the point that her father, George, had finally been given permission to build his zoo despite the petition against it. In the book, however, this occurs within the first few chapters and then continues on until June’s marriage to her husband Fred Williams in 1949. In fact the time period of the narrative jumps around depending on the animals or events that June is describing.
A large chunk of the book is focused on the effect the Second World War had on the zoo. As can be expected the rationings of vital products took its toll on the animals’ diets and, although the zoo never took a direct hit, the Liverpool blitz caused havoc by destroying the glass tanks in the aquarium. On the other hand, the amount of animals rapidly grew, as it was not just humans that became refugees during the war.
It was a delight to read about June’s relationships with some of the animals, particularly Mary the chimpanzee who was also June’s best friend as a child and behaved in a humanlike manner. Alas, as well as the happy moments there were the inevitable upsetting accounts of the deaths some of the animals, either from old age, illness or accidents.
While Our Zoo cannot be described as a novel, it neither has the feel of an autobiography. The conversational tone of the writing made it a pleasure to read and easy to visualize (admittedly watching the televised version had already provided a certain image).
This easy to read book is a strong recommendation for those who enjoyed the BBC adaptation and wish to find out what happened next. It does not matter if you have not watched the drama, as it is overall a fascinating story to read.
Rachel King (13 KP) rated The Lost Angel in Books
Feb 11, 2019
This book had almost too much going on, with an extensive glossary in the beginning pages - complete with color photos - that I needed to read beforehand to keep up with the plot. Javier Sierra made a point of mixing fact with fiction in this novel, and the book reads like an extensive 'conspiracy theory.' My husband is much more familiar with many aspects of the plot, and I often asked him if what I was reading about was really true or not. The book opens with a quotation of Genesis 6: 2-3, which states "...the sons of God saw that the daughters of man were beautiful; and they took wives for themselves of all whom they chose. And the Lord said, 'My Spirit shall not strive with man forever, for he is indeed flesh; yet his days shall be one hundred and twenty years.'" This is followed by a quote from John Dee, who figures prominently in the plot, though I did not find the quote to be especially inspiring.
The main focus of the book is about a group of people who consider themselves descendants of those angels that joined with "the daughters of man," and want to find a way to get back into heaven. They will use any means necessary to accomplish this -- murder, deceit, even putting the whole planet in jeopardy.
The main character, Julia Alvarez, is a psychic who is completely duped by their antics. I understand that the author means for the reader to feel sympathy for the angelic descendants through Julia's narration, but the way that Julia allows herself to be used and deceived by even her own husband disgusts me. She believes whatever they tell her and does not question anything. In fact, anyone that does question this main family is characterized as foolish and forgettable, such as Ellen Watson and Inspector Figueiras.
There was one main problem I had with the plot, which is that in the Bible, the angels that mate with human women are 'fallen' because they disobeyed God, which is never addressed. What is also never addressed is any scriptural substantiation for what they believed about Noah and the ark. They believed they could force God to take them back into heaven with their thrown-together mish-mash of technology. How is that believable? God kicked the angels out - they certainly can't force their way back in! Not to mention, this family does not back up their belief that they are descendants of angels with actual scientific proof, such as DNA tests, even though they all claim to be men (and woman) of science.
Overall, the book twists a blasphemous tale of Biblical scripture, using factual information to support a fictitious plot. It has suspense, intrigue, and even a bit of romance, but the end is neither believable nor enjoyable. While books of this nature became popular thanks to the works of Dan Brown, (yes, I've read his stuff, too), I found this book to be merely an okay read.
The main focus of the book is about a group of people who consider themselves descendants of those angels that joined with "the daughters of man," and want to find a way to get back into heaven. They will use any means necessary to accomplish this -- murder, deceit, even putting the whole planet in jeopardy.
The main character, Julia Alvarez, is a psychic who is completely duped by their antics. I understand that the author means for the reader to feel sympathy for the angelic descendants through Julia's narration, but the way that Julia allows herself to be used and deceived by even her own husband disgusts me. She believes whatever they tell her and does not question anything. In fact, anyone that does question this main family is characterized as foolish and forgettable, such as Ellen Watson and Inspector Figueiras.
There was one main problem I had with the plot, which is that in the Bible, the angels that mate with human women are 'fallen' because they disobeyed God, which is never addressed. What is also never addressed is any scriptural substantiation for what they believed about Noah and the ark. They believed they could force God to take them back into heaven with their thrown-together mish-mash of technology. How is that believable? God kicked the angels out - they certainly can't force their way back in! Not to mention, this family does not back up their belief that they are descendants of angels with actual scientific proof, such as DNA tests, even though they all claim to be men (and woman) of science.
Overall, the book twists a blasphemous tale of Biblical scripture, using factual information to support a fictitious plot. It has suspense, intrigue, and even a bit of romance, but the end is neither believable nor enjoyable. While books of this nature became popular thanks to the works of Dan Brown, (yes, I've read his stuff, too), I found this book to be merely an okay read.
graveyardgremlin (7194 KP) rated Bloodshot (Cheshire Red Reports, #1) in Books
Feb 15, 2019
What a truly awesome and fresh take on vampires in the crowded genre of Urban Fantasy! The star of <u><b>Bloodshot</b></u> is vampire Raylene Pendle, a top thief of priceless artifacts, who takes on a case from another vampire. This vampire, Ian Stott, was blinded by a top-secret government program and wants Raylene to steal back papers dealing with those experiments. What follows is a fast-paced, scene-changing adventure filled with unique characters that fulfills everything the book promised and more.
Raylene is your typical vampire in a lot of ways: the sun gives her a nasty sunburn to the extent of death, there's no awakening to dusk after decapitation or going up in flames, and of course, she's preternaturally fast and strong. However, she differs in that she's paranoid, self-deprecating, neurotic, and a tad OCD. So while Raylene can kick some major ass and make sarcastic remarks like the rest of the UF heroines, she also second- (and third and fourth) guesses herself a lot and is always prepared for the worst, usually thanks to her quick wits and sometimes even to the helpful contents of her "go-bag". I found Raylene to be a terrific protagonist, and for someone who claims to be anti-social, she sure picks up a lot of "pet people" throughout the duration of the book, which makes her a big, warm, gooey marshmallow inside (even if she doesn't own up to the fact).
What did surprise me was how funny the book was. I laughed, giggled, chortled, snorted, and smiled (usually rather goofily) quite often (there was many a line that left me in hysterics -- good thing I was reading in the privacy of my own home). Judging by the cover, I expected a more serious and suspenseful read, but while I wouldn't say this was exactly light, it wasn't as heavy as I imagined either. The plot moves swiftly each step of the way and kept me glued to the pages; there wasn't one dull moment to be had. Every character that popped up in the book was interesting and fully fleshed out, no bores within these covers, and helped move the story along. The writing was great, from Raylene's first-person inner dialogue to the action scenes, not one thing bothered me overly much.
While there is a sense of closure to the book as a whole, the story is really just beginning and I am left eager (and impatient beyond belief) for the next installment, [b:Hellbent|9842559|Hellbent (Cheshire Red Reports, #2)|Cherie Priest|http://www.goodreads.com/images/nocover-60x80.jpg|14733361] (set to come out August 30, 2011). If one book can make you a fan of an author, surely this one did it for me. Cherie Priest created a great intro to a character whose very vitality is evident every page of this book and has made Raylene one of my new favorites in the UF field.
Raylene is your typical vampire in a lot of ways: the sun gives her a nasty sunburn to the extent of death, there's no awakening to dusk after decapitation or going up in flames, and of course, she's preternaturally fast and strong. However, she differs in that she's paranoid, self-deprecating, neurotic, and a tad OCD. So while Raylene can kick some major ass and make sarcastic remarks like the rest of the UF heroines, she also second- (and third and fourth) guesses herself a lot and is always prepared for the worst, usually thanks to her quick wits and sometimes even to the helpful contents of her "go-bag". I found Raylene to be a terrific protagonist, and for someone who claims to be anti-social, she sure picks up a lot of "pet people" throughout the duration of the book, which makes her a big, warm, gooey marshmallow inside (even if she doesn't own up to the fact).
What did surprise me was how funny the book was. I laughed, giggled, chortled, snorted, and smiled (usually rather goofily) quite often (there was many a line that left me in hysterics -- good thing I was reading in the privacy of my own home). Judging by the cover, I expected a more serious and suspenseful read, but while I wouldn't say this was exactly light, it wasn't as heavy as I imagined either. The plot moves swiftly each step of the way and kept me glued to the pages; there wasn't one dull moment to be had. Every character that popped up in the book was interesting and fully fleshed out, no bores within these covers, and helped move the story along. The writing was great, from Raylene's first-person inner dialogue to the action scenes, not one thing bothered me overly much.
While there is a sense of closure to the book as a whole, the story is really just beginning and I am left eager (and impatient beyond belief) for the next installment, [b:Hellbent|9842559|Hellbent (Cheshire Red Reports, #2)|Cherie Priest|http://www.goodreads.com/images/nocover-60x80.jpg|14733361] (set to come out August 30, 2011). If one book can make you a fan of an author, surely this one did it for me. Cherie Priest created a great intro to a character whose very vitality is evident every page of this book and has made Raylene one of my new favorites in the UF field.
Solomon Wendt (30 KP) rated The Big Book of Madness in Tabletop Games
May 5, 2019
Cooperation (3 more)
Spell Casting
Some randomization
Multiple Difficulties
Small cards (1 more)
Unclear rules/mechanics
This game is made by iello games, makers of Mountains of Madness and King of Tokyo. It is about student magicians that feel they aren't learning enough in their classes and decide to sneak into a library to learn new spells. There, they find a grimoire that contains monsters and accidentally releases them. They must work together to defeat the monsters and seal the book, learning from the books around them to learn new spells and collect elements to cast the spells, all while trying not to give into madness.
The game mechanics feature deck building, spell casting, cooperation, and some randomization of spells available and monsters to defeat. There are schools of magic related to the four elements; air, earth, fire, and water. Each element has two magician students that specializes in that element for a total of 8 different characters, each with their own special ability. There are four decks of spells, again related to the elements, that is randomized during set up, changing what spells are available game to game. Similarly, the monsters you must face are randomized, so the chance of having the same exact game as another is rare. The gameplay remains consistent, though.
Over the course of 6 rounds, players work together to defeat monsters. It is a pure cooperation game. No one has any secret objective and should communicate with other players. Games of this fashion, such as Pandemic, tend to end up having one or two people make all the decisions for the group. It my many plays of the game, I have only had that happen once or twice. The variation in spells, magicians, and elements usually make a player uniquely helpful to the group, allowing players to choose how they want to build their character. Although each magician has an elemental alignment, you can choose to focus on different elements and spells and are not limited to one type of role. Each element of magic has a different role to deal the challenges players face, meaning a good balance can be very beneficial. However, due to the randomization, it is possible either the spells or the monsters leave one of the elements non-essential, but that is fairly uncommon.
Overall, the game is very enjoyable and can be played multiple times with different variations. The difficulty can be adjusted if ot feels it is too hard or easy. My group that plays about once a week are clearing the 2nd difficulty 50% of the time and haven't cleared it with a variation yet. It can be a challenge and has elements of luck and strategy. It is a fun game to play with friends, especially because it is cooperative, and I would recommend adding it to your collection.
The game is 2-5 players and runs 60-90 minutes. It is family friendly and a great game for those who love magic fandoms such as Harry Potter.
The game mechanics feature deck building, spell casting, cooperation, and some randomization of spells available and monsters to defeat. There are schools of magic related to the four elements; air, earth, fire, and water. Each element has two magician students that specializes in that element for a total of 8 different characters, each with their own special ability. There are four decks of spells, again related to the elements, that is randomized during set up, changing what spells are available game to game. Similarly, the monsters you must face are randomized, so the chance of having the same exact game as another is rare. The gameplay remains consistent, though.
Over the course of 6 rounds, players work together to defeat monsters. It is a pure cooperation game. No one has any secret objective and should communicate with other players. Games of this fashion, such as Pandemic, tend to end up having one or two people make all the decisions for the group. It my many plays of the game, I have only had that happen once or twice. The variation in spells, magicians, and elements usually make a player uniquely helpful to the group, allowing players to choose how they want to build their character. Although each magician has an elemental alignment, you can choose to focus on different elements and spells and are not limited to one type of role. Each element of magic has a different role to deal the challenges players face, meaning a good balance can be very beneficial. However, due to the randomization, it is possible either the spells or the monsters leave one of the elements non-essential, but that is fairly uncommon.
Overall, the game is very enjoyable and can be played multiple times with different variations. The difficulty can be adjusted if ot feels it is too hard or easy. My group that plays about once a week are clearing the 2nd difficulty 50% of the time and haven't cleared it with a variation yet. It can be a challenge and has elements of luck and strategy. It is a fun game to play with friends, especially because it is cooperative, and I would recommend adding it to your collection.
The game is 2-5 players and runs 60-90 minutes. It is family friendly and a great game for those who love magic fandoms such as Harry Potter.
Movie Metropolis (309 KP) rated Big Hero 6 (2014) in Movies
Jun 11, 2019
Genuinely Moving
The Marvel Studios movie train has been non-stop over the last few years, from Iron Man to The Avengers, it shows no signs of slowing. Now though, a take-over by Disney has ensured both studios enter into rather unknown territory.
The first film from this collaboration is Big Hero 6, an animated superhero film in the same vein as Pixar’s The Incredibles. But does it reach those dizzying heights?
Big Hero 6 follows Hiro Hamada, a 14-year-old robotics prodigy as he goes about his life in the fictional city of San Fransokyo alongside his brother Tadashi. Hiro has lost his way after a family tragedy and it takes his brother’s robot Baymax to help find himself again.
The story unfortunately is the film’s weakest link, being predictable at best and downright clichéd at its worst. In this respect, Big Hero 6 falls well short of the standards set by the majority of Pixar’s movies.
Thankfully, the visuals are absolutely stunning, a match for Disney’s best, if not quite up to the level of last year’s How to Train YourBig_Hero_6_Poster_2 Dragon 2. The city of San Fransokyo is beautifully realised in sweeping, gloriously colourful shots that show of the animation best when they’re from above.
The characters themselves are rendered in painstaking detail and in particular sequences it becomes difficult to tell the film apart from a live-action feature.
Vocal performances are also very good. Ryan Potter plays Hiro as a vulnerable, pre-pubescent teen who by the end of the film comes to realise just who he is exceptionally well. James Cromwell, Maya Rudolph and Damon Wayans also lend their recognisable voices to people in the film.
However, by far the stand-out is Baymax, a hilariously funny healthcare robot. Disney’s animators should be given plaudits for crafting a character which despite its lack of facial features and emotive tones is so engaging to watch.
Unfortunately, when Baymax evolves into super-Baymax, his characterisation suffers and the funny, caring nature of him is lost somewhat.
The final third of the film delves into generic superhero fodder, but picks up again just before the end credits role with a deeply emotive.
Big Hero 6 also gets increasingly dark the further into the movie you get, the comedic elements get muddled in a plot which isn’t quite sure which way it wants to go and young children may find it a little to scary to stomach.
Thankfully the negatives here are far outweighed by the positives and Big Hero 6 steamrolls itself into a moving finale which leaves itself open for a sequel nicely.
Overall, from stunning visuals to engaging characters, Big Hero 6 continues Disney’s penchant for creating fun and watchable films. Despite a lack of originality, the character of Baymax makes up for most of the other shortcomings and ensures the generic story is genuinely moving.
https://moviemetropolis.net/2015/02/05/genuinely-moving-big-hero-6-review/
The first film from this collaboration is Big Hero 6, an animated superhero film in the same vein as Pixar’s The Incredibles. But does it reach those dizzying heights?
Big Hero 6 follows Hiro Hamada, a 14-year-old robotics prodigy as he goes about his life in the fictional city of San Fransokyo alongside his brother Tadashi. Hiro has lost his way after a family tragedy and it takes his brother’s robot Baymax to help find himself again.
The story unfortunately is the film’s weakest link, being predictable at best and downright clichéd at its worst. In this respect, Big Hero 6 falls well short of the standards set by the majority of Pixar’s movies.
Thankfully, the visuals are absolutely stunning, a match for Disney’s best, if not quite up to the level of last year’s How to Train YourBig_Hero_6_Poster_2 Dragon 2. The city of San Fransokyo is beautifully realised in sweeping, gloriously colourful shots that show of the animation best when they’re from above.
The characters themselves are rendered in painstaking detail and in particular sequences it becomes difficult to tell the film apart from a live-action feature.
Vocal performances are also very good. Ryan Potter plays Hiro as a vulnerable, pre-pubescent teen who by the end of the film comes to realise just who he is exceptionally well. James Cromwell, Maya Rudolph and Damon Wayans also lend their recognisable voices to people in the film.
However, by far the stand-out is Baymax, a hilariously funny healthcare robot. Disney’s animators should be given plaudits for crafting a character which despite its lack of facial features and emotive tones is so engaging to watch.
Unfortunately, when Baymax evolves into super-Baymax, his characterisation suffers and the funny, caring nature of him is lost somewhat.
The final third of the film delves into generic superhero fodder, but picks up again just before the end credits role with a deeply emotive.
Big Hero 6 also gets increasingly dark the further into the movie you get, the comedic elements get muddled in a plot which isn’t quite sure which way it wants to go and young children may find it a little to scary to stomach.
Thankfully the negatives here are far outweighed by the positives and Big Hero 6 steamrolls itself into a moving finale which leaves itself open for a sequel nicely.
Overall, from stunning visuals to engaging characters, Big Hero 6 continues Disney’s penchant for creating fun and watchable films. Despite a lack of originality, the character of Baymax makes up for most of the other shortcomings and ensures the generic story is genuinely moving.
https://moviemetropolis.net/2015/02/05/genuinely-moving-big-hero-6-review/
Movie Metropolis (309 KP) rated Harry Potter and the Half-Blood Prince (2009) in Movies
Jun 11, 2019
The sixth instalment in the internationally loved wizarding franchise has been perhaps one of the most awaited films of the decade; even more so considering the gruelling year fans have had to wait since it was decided to push the film back 12 months.
David Yates is once again at the helm, which after the fifth film is somewhat of a surprise to many critics. With rumours speculating the return of Alfonso Cuaron as director, I breathed a sigh of relief, thinking perhaps we could get things back on track.
Alas, it was not to be. After two disappointing instalments, a third would be disastrous, though unfortunately, it seems to be the case here. Yates’ films just refuse to hit the spot, delving into unnecessary storylines that really don’t progress the film further. Take for example the climatic finale of the book atop the astronomy tower; well it’s been cut, replaced with an hour or so of non-stop snogging… ridiculous? I have words much stronger than that to describe it, but yes, ridiculous can do for now.
It would be silly to expect things to be perfect, but a little cohesion would have been welcome; to people who have not read the books, these films are starting to get incomprehensible and even to those that have, it still isn’t an enjoyable experience. Remember the chapter where The Burrow blows up? No? Well that’s because there isn’t one, but it’s been added, for explosions sake.
The Dursleys are cut, Dobby – cut, Dumbledore’s funeral – cut, Kreacher – cut, Bill and Fleur – cut, in fact most of the important things from the book; have been cut.
Happily, there is a rather small pot of gold at the end of this murky rainbow. The acting from most is absolutely excellent, Daniel Radcliffe has grown into his role brilliantly and Michael Gambon seems to finally have chosen the right moods for Dumbledore and his character. Newcomer Jim Broadbent is superb in his role as potions master Horace Slughorn and Alan Rickman is as usual glorious and fully able to spread his wings in the larger role he has been given in this film. On the negative side, Bonnie Wright as Ginny Weasley hasn’t developed into her role well, with her acting still being stilted; unfortunate, as her part is much larger in this film than the others.
Unfortunately, just like the previous two films, Harry Potter and the Half Blood Prince really hasn’t hit the spot, it seems the larger books of the boy wizards saga have in reality stumped their respective directors, ending up as a complete mess. It certainly has its moments, though at 153 minutes it should have; but it seems the best film from the 8 has been made slightly too prematurely. Film number 7, come on down!
https://moviemetropolis.net/2010/10/28/harry-potter-the-half-blood-prince/
David Yates is once again at the helm, which after the fifth film is somewhat of a surprise to many critics. With rumours speculating the return of Alfonso Cuaron as director, I breathed a sigh of relief, thinking perhaps we could get things back on track.
Alas, it was not to be. After two disappointing instalments, a third would be disastrous, though unfortunately, it seems to be the case here. Yates’ films just refuse to hit the spot, delving into unnecessary storylines that really don’t progress the film further. Take for example the climatic finale of the book atop the astronomy tower; well it’s been cut, replaced with an hour or so of non-stop snogging… ridiculous? I have words much stronger than that to describe it, but yes, ridiculous can do for now.
It would be silly to expect things to be perfect, but a little cohesion would have been welcome; to people who have not read the books, these films are starting to get incomprehensible and even to those that have, it still isn’t an enjoyable experience. Remember the chapter where The Burrow blows up? No? Well that’s because there isn’t one, but it’s been added, for explosions sake.
The Dursleys are cut, Dobby – cut, Dumbledore’s funeral – cut, Kreacher – cut, Bill and Fleur – cut, in fact most of the important things from the book; have been cut.
Happily, there is a rather small pot of gold at the end of this murky rainbow. The acting from most is absolutely excellent, Daniel Radcliffe has grown into his role brilliantly and Michael Gambon seems to finally have chosen the right moods for Dumbledore and his character. Newcomer Jim Broadbent is superb in his role as potions master Horace Slughorn and Alan Rickman is as usual glorious and fully able to spread his wings in the larger role he has been given in this film. On the negative side, Bonnie Wright as Ginny Weasley hasn’t developed into her role well, with her acting still being stilted; unfortunate, as her part is much larger in this film than the others.
Unfortunately, just like the previous two films, Harry Potter and the Half Blood Prince really hasn’t hit the spot, it seems the larger books of the boy wizards saga have in reality stumped their respective directors, ending up as a complete mess. It certainly has its moments, though at 153 minutes it should have; but it seems the best film from the 8 has been made slightly too prematurely. Film number 7, come on down!
https://moviemetropolis.net/2010/10/28/harry-potter-the-half-blood-prince/
Purple Phoenix Games (2266 KP) rated Everdell in Tabletop Games
Jun 12, 2019
I have seen so many people say this game is amazing. So I threw the Collector’s Edition on my wish list for my birthday (in October if you wanted to know) and Christmas. It’s a pricey game, so I understood not receiving it. But then after Christmas I visited my FLGS Games +1 in Davenport, IA, and there it was. Retail version, but dagnabbit, I needed it. So I got it. And played it. Holy smokes was I blown away. Guys, the squishy berries are legit. This is Everdell.
As in all my reviews I am not going to explain the entire game. There are videos for that. There are digital scans of the rulebook for that. I’m going to give you my impressions and opinions on the games I played.
Disclaimer: We are reviewing the vanilla Everdell retail edition. We do not have plans to review the Collector’s Edition, but if we get our paws on a copy, we will update this review with its information. Same goes for the Pearlbrook expansion. -T
So I am going to start off with the negatives: the font on the cards. I understand why they made the font so small – they wanted to highlight as much of the gorgeous art as possible. So everything gets shoved to the sides of the cards and subsequently gets smushed in the process. That makes for a very difficult time trying to read the cards and the abilities and the chaining card names. That certainly put a hamper on Bryan’s experience with the game, and that’s a big big reason he has it at a 3. It’s near unplayable for him for that matter. I told him to put on his big-boy glasses, but, you know, younger brothers and all…
However, the gameplay is where it’s at with this one. The worker placement is excellent, with great choices every turn, even when Laura monopolizes the pebble space. The chaining cards a la 7 Wonders is familiar and they make sense – the Innkeeper goes with the Inn, etc. The gameplay is fluid and after a round or two we all “got it” and the game became quite fun. The components are incredible – even with the retail version we played we got those awesome little squishy berries. The theme is so stinkin cute with all the woodland creatures, and paired with the incredible art and components I was mesmerized. The game did not wear out its welcome, nor was it too quick. It was just right. I will definitely be pulling this one out much much more over the year, and I hope to convince Bryan and Josh that it’s better than their first play.
We at Purple Phoenix Games are all over the place with this one, awarding it a score of 18 / 24.
https://purplephoenixgames.wordpress.com/2019/02/15/everdell-review/
As in all my reviews I am not going to explain the entire game. There are videos for that. There are digital scans of the rulebook for that. I’m going to give you my impressions and opinions on the games I played.
Disclaimer: We are reviewing the vanilla Everdell retail edition. We do not have plans to review the Collector’s Edition, but if we get our paws on a copy, we will update this review with its information. Same goes for the Pearlbrook expansion. -T
So I am going to start off with the negatives: the font on the cards. I understand why they made the font so small – they wanted to highlight as much of the gorgeous art as possible. So everything gets shoved to the sides of the cards and subsequently gets smushed in the process. That makes for a very difficult time trying to read the cards and the abilities and the chaining card names. That certainly put a hamper on Bryan’s experience with the game, and that’s a big big reason he has it at a 3. It’s near unplayable for him for that matter. I told him to put on his big-boy glasses, but, you know, younger brothers and all…
However, the gameplay is where it’s at with this one. The worker placement is excellent, with great choices every turn, even when Laura monopolizes the pebble space. The chaining cards a la 7 Wonders is familiar and they make sense – the Innkeeper goes with the Inn, etc. The gameplay is fluid and after a round or two we all “got it” and the game became quite fun. The components are incredible – even with the retail version we played we got those awesome little squishy berries. The theme is so stinkin cute with all the woodland creatures, and paired with the incredible art and components I was mesmerized. The game did not wear out its welcome, nor was it too quick. It was just right. I will definitely be pulling this one out much much more over the year, and I hope to convince Bryan and Josh that it’s better than their first play.
We at Purple Phoenix Games are all over the place with this one, awarding it a score of 18 / 24.
https://purplephoenixgames.wordpress.com/2019/02/15/everdell-review/
Purple Phoenix Games (2266 KP) rated 7 Wonders in Tabletop Games
Jun 12, 2019
So rarely does a game present itself that is both very difficult for highly educated people to learn the first play through, and is simultaneously easy enough to play in under 15 minutes whilst carrying on a conversation about something entirely different. Such is my love. Such is 7 Wonders.
The time has come for you to build your perfect civilization! You have plans for a glorious Wonder laid in front of you to truly emphasize your majesty. Will you be able to use your resources (and your neighbors’) wisely to construct your Wonder? Will you be able to build enough production facilities, guilds, trading facilities, temples, science, and military might to best your opponents? These are your goals as you play through 7 Wonders using a beautiful combination of card drafting, hand management, civilization building, and set collection mechanics.
DISCLAIMER: We are discussing 7 Wonders using the vanilla base game without any expansions. We have access to all expansions except the new Armada, and we will be reviewing those as well in the future, so stay tuned. -T
Okay, so like I mentioned in the intro: this game can be a bit of a bear to teach, especially if you use it as a gateway game to card drafting to newer gamers. The card drafting itself is not difficult – choose a card from the cards in your hand and then pass the rest to your neighbor. Grab the cards you received from your other neighbor and repeat the process. Drafting is easy. The hard part is deciding which of your cards will benefit you the most, and paying for the cost to build said card. I find that most players grasp the evaluating benefits and drafting, but then forget that they have to pay for the cards in order to place them on their civ. Once the payment is understood, and the combos of cards that fuel and pay for future cards, the game becomes a wonderful (eh? eh??) game of figuring out the best puzzle pieces to place in front of you.
I don’t want to explain the entire game here, so I will just tell you that 7 Wonders has been an evergreen game for me. I love it every single time it comes out, even if others in my group are less affectionate. When playing with players who get it and love it, the game can be an easy 13-15 minute exercise in VP optimization. When playing with newbies, though, there are lots of concepts to internalize and remember, and lots of nuances that may be missed when trying to remember aforementioned concepts. So, my recommendation is this: if you do not already own this game, buy it now. I feel it is a must to have in any collection, and it is a great starting point to other games.
Purple Phoenix Games gives this one a 21 / 24 because Bryan hates it.
https://purplephoenixgames.wordpress.com/2019/01/07/7-wonders-review/
The time has come for you to build your perfect civilization! You have plans for a glorious Wonder laid in front of you to truly emphasize your majesty. Will you be able to use your resources (and your neighbors’) wisely to construct your Wonder? Will you be able to build enough production facilities, guilds, trading facilities, temples, science, and military might to best your opponents? These are your goals as you play through 7 Wonders using a beautiful combination of card drafting, hand management, civilization building, and set collection mechanics.
DISCLAIMER: We are discussing 7 Wonders using the vanilla base game without any expansions. We have access to all expansions except the new Armada, and we will be reviewing those as well in the future, so stay tuned. -T
Okay, so like I mentioned in the intro: this game can be a bit of a bear to teach, especially if you use it as a gateway game to card drafting to newer gamers. The card drafting itself is not difficult – choose a card from the cards in your hand and then pass the rest to your neighbor. Grab the cards you received from your other neighbor and repeat the process. Drafting is easy. The hard part is deciding which of your cards will benefit you the most, and paying for the cost to build said card. I find that most players grasp the evaluating benefits and drafting, but then forget that they have to pay for the cards in order to place them on their civ. Once the payment is understood, and the combos of cards that fuel and pay for future cards, the game becomes a wonderful (eh? eh??) game of figuring out the best puzzle pieces to place in front of you.
I don’t want to explain the entire game here, so I will just tell you that 7 Wonders has been an evergreen game for me. I love it every single time it comes out, even if others in my group are less affectionate. When playing with players who get it and love it, the game can be an easy 13-15 minute exercise in VP optimization. When playing with newbies, though, there are lots of concepts to internalize and remember, and lots of nuances that may be missed when trying to remember aforementioned concepts. So, my recommendation is this: if you do not already own this game, buy it now. I feel it is a must to have in any collection, and it is a great starting point to other games.
Purple Phoenix Games gives this one a 21 / 24 because Bryan hates it.
https://purplephoenixgames.wordpress.com/2019/01/07/7-wonders-review/