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Melanie Caldicott (6 KP) rated Sorrowland in Books
Apr 29, 2021
You can also read my review at my blog - https://roamingthroughbooks.wordpress.com
Sorrowland is a genre-bending book which is like nothing I have ever read before and probably ever will again!
The story centres around Fern, an albino black teenage girl who gives birth to twins, Howling and Feral in the woods after escaping from a cult called Cainland. What follows is a mindboggling adventure surrounding her survival.
This is a coming of age story like no other – part sci-fi, part horror, part dystopian, part magical realism, this book defies genre. But amongst all the myriad of twists and turns this novel takes, what lies at the heart of it is a story about a girl who comes to understand her identity and rises above what has been spoken over her in her past.
During Fern’s journey of self-discovery the book examines themes such as racism, indoctrination, abuse and misogyny. There are many challenges in reading this book as we encounter a dystopian world that is disturbingly similar to our own exploring those who live on the fringe of society due to white domination. This not only includes Cainland, the cult set up by black people originally to challenge the white belief system, but also native American characters who quietly hold onto their truth in a far less bigoted and twisted way.
I love the big questions this book asks and the twisted paths it takes in asking them leading you into such unknown territories through the plot that you meet these issues head on in such different ways that you confront them anew and reexamine how you really feel about them and the impact that they have on our world.
Sorrowland is compelling and, although this would never be a genre I would normally read, I enjoyed the enigmatic nature of the evolving fantastical storyline and the constant surprises Rivers Solomon weaves into the plot. It is extremely well-written, with powerful characterisation, rich with poetic descriptions and intelligent themes.
However, the aims of the book seem to get a little muddled at times and I became confused about what Solomon wanted me to get out of the book. The story becomes so fast-paced and dense at times that this prevented me from taking a step back and truly immersing myself in the deeper themes of the novel.
This is a hard book to review. As I said, not something I would normally read, but the quality of the writing won me over. That said, I did not come away from the book feeling a sense of enjoyment, but instead, unsettled and disturbed by encountering a story of brutality with wild, savage characters and a frightening world where nothing is as it seems.
I would recommend this book – purely because you will be changed by it and this is one of the most powerful gifts of literature – but it is not a comfortable read and would not suit everyone.
Thanks to the publishers and NetGalley for the ARe-copy in exchange for this honest review.
Sorrowland is a genre-bending book which is like nothing I have ever read before and probably ever will again!
The story centres around Fern, an albino black teenage girl who gives birth to twins, Howling and Feral in the woods after escaping from a cult called Cainland. What follows is a mindboggling adventure surrounding her survival.
This is a coming of age story like no other – part sci-fi, part horror, part dystopian, part magical realism, this book defies genre. But amongst all the myriad of twists and turns this novel takes, what lies at the heart of it is a story about a girl who comes to understand her identity and rises above what has been spoken over her in her past.
During Fern’s journey of self-discovery the book examines themes such as racism, indoctrination, abuse and misogyny. There are many challenges in reading this book as we encounter a dystopian world that is disturbingly similar to our own exploring those who live on the fringe of society due to white domination. This not only includes Cainland, the cult set up by black people originally to challenge the white belief system, but also native American characters who quietly hold onto their truth in a far less bigoted and twisted way.
I love the big questions this book asks and the twisted paths it takes in asking them leading you into such unknown territories through the plot that you meet these issues head on in such different ways that you confront them anew and reexamine how you really feel about them and the impact that they have on our world.
Sorrowland is compelling and, although this would never be a genre I would normally read, I enjoyed the enigmatic nature of the evolving fantastical storyline and the constant surprises Rivers Solomon weaves into the plot. It is extremely well-written, with powerful characterisation, rich with poetic descriptions and intelligent themes.
However, the aims of the book seem to get a little muddled at times and I became confused about what Solomon wanted me to get out of the book. The story becomes so fast-paced and dense at times that this prevented me from taking a step back and truly immersing myself in the deeper themes of the novel.
This is a hard book to review. As I said, not something I would normally read, but the quality of the writing won me over. That said, I did not come away from the book feeling a sense of enjoyment, but instead, unsettled and disturbed by encountering a story of brutality with wild, savage characters and a frightening world where nothing is as it seems.
I would recommend this book – purely because you will be changed by it and this is one of the most powerful gifts of literature – but it is not a comfortable read and would not suit everyone.
Thanks to the publishers and NetGalley for the ARe-copy in exchange for this honest review.
Heather Cranmer (2721 KP) rated Local Woman Missing in Books
Jul 28, 2021
I had been after a good thriller for awhile, when I read about Local Woman Missing by Mary Kubica, my interest was piqued very much. I will say that this book certainly filled that thriller sized hole for sure!
As soon as I started reading Local Woman Missing, I was instantly transported inside the book. I kept trying to piece together what happened to Shelby, Delilah, and Meredith just to find out I was totally wrong each time. That's one of the beautiful things about this book, there are so many twists and turns! I loved all the plot twists which there were plenty. Just when it looked like one mystery was solved, the author would through in a twist. I loved how Mary Kubica had us going back and forth between present time to eleven years earlier when Meredith, Shelby, and Delilah all went missing. The world building is done fantastically, and the pacing is spot on. I found myself frantically reading each page to try to guess what would happen. I did like the way all the loose endings were tied up by the ending. There's nothing left to speculate which was a big plus in my book as I hate guessing what happened to each character. I like being told exactly what happens, and Kubica did just so.
I absolutely adored how each character was written. I could imagine each and every character in my mind. It was like I was right in the midst of the action with them. It was easy to imagine Meredith's husband Josh's panic when his wife and 6 year old daughter went missing. As a mother of a 6 year old myself, I think I would just go crazy! I could also feel Meredith's pain when things started to really go wrong for her. I really just wanted to be a friend to her because she seemed really sweet and down to Earth. Bea and Kate were two of my favorite characters. I thought they had such a great relationship, and I thought they were really great people for being so helping and warm towards everyone when things when Meredith and Delilah went missing. I enjoyed reading things from Kate's point of view to piece together everything that was going on after Meredith and Delilah went missing. Reading Leo's point of view was the most interesting for me. It was eye opening to see how having his sister and mom missing affected him. I really wanted to adopt little Leo as my own because reading what he endured really broke my heart at times.
Trigger warnings for Local Woman Missing include profanity, cheating on spouses, child abuse, kidnapping, violence, death, mentions of suicide, and drunk driving.
All in all, Local Woman Missing checks all the boxes to be a successful thriller such as a fascinating plot with a plethora of twists at turns throughout. I would definitely recommend Local Woman Missing by Mary Kubica to those aged 18+ who love to expect the unexpected. This book will not leave you disappointed one bit.
As soon as I started reading Local Woman Missing, I was instantly transported inside the book. I kept trying to piece together what happened to Shelby, Delilah, and Meredith just to find out I was totally wrong each time. That's one of the beautiful things about this book, there are so many twists and turns! I loved all the plot twists which there were plenty. Just when it looked like one mystery was solved, the author would through in a twist. I loved how Mary Kubica had us going back and forth between present time to eleven years earlier when Meredith, Shelby, and Delilah all went missing. The world building is done fantastically, and the pacing is spot on. I found myself frantically reading each page to try to guess what would happen. I did like the way all the loose endings were tied up by the ending. There's nothing left to speculate which was a big plus in my book as I hate guessing what happened to each character. I like being told exactly what happens, and Kubica did just so.
I absolutely adored how each character was written. I could imagine each and every character in my mind. It was like I was right in the midst of the action with them. It was easy to imagine Meredith's husband Josh's panic when his wife and 6 year old daughter went missing. As a mother of a 6 year old myself, I think I would just go crazy! I could also feel Meredith's pain when things started to really go wrong for her. I really just wanted to be a friend to her because she seemed really sweet and down to Earth. Bea and Kate were two of my favorite characters. I thought they had such a great relationship, and I thought they were really great people for being so helping and warm towards everyone when things when Meredith and Delilah went missing. I enjoyed reading things from Kate's point of view to piece together everything that was going on after Meredith and Delilah went missing. Reading Leo's point of view was the most interesting for me. It was eye opening to see how having his sister and mom missing affected him. I really wanted to adopt little Leo as my own because reading what he endured really broke my heart at times.
Trigger warnings for Local Woman Missing include profanity, cheating on spouses, child abuse, kidnapping, violence, death, mentions of suicide, and drunk driving.
All in all, Local Woman Missing checks all the boxes to be a successful thriller such as a fascinating plot with a plethora of twists at turns throughout. I would definitely recommend Local Woman Missing by Mary Kubica to those aged 18+ who love to expect the unexpected. This book will not leave you disappointed one bit.
Heather Cranmer (2721 KP) rated Made You Up in Books
Jun 22, 2021
I'm big into books that deal with mental illnesses. When I heard about Made You Up by Francesca Zappia, I knew it was a book that was right up my alley. I was not left feeling disappointed.
The plot and world building felt very realistic although I'm not Schizophrenic nor do I know anyone who is. I could not tell what was real and what was a delusion by Alex. Kudos to Zappia for giving us a brief glimpse into how a Schizophrenic would feel. I kept second guessing myself throughout Made You Up. Sometimes it would be obvious that Alex was hallucinating, but there were many times everything felt too real to be a hallucination. I would be wrong, and something realistic would be a hallucination. As you can imagine, there were many plot twists throughout this book. There was one major plot twist which I had predicted towards the beginning which turned out to be true thanks to subtle hints the author would throw in, so be sure to be attention to every word on the page to try to grasp what is Alex's reality and what is not. I did feel like the main storyline of Made You Up was whether or not Miles, the boy Alex met briefly when she was a young child, was actually real or not since she meets him again her senior year of high school. It was fun trying to guess if Miles was real or not and if he was the same boy Alex met as a child.
All of the characters in Made You Up had a lot of depth to them. They were all easy for me to imagine as real people instead of characters in a book. I enjoyed reading about Alex and her thought process and what all she had to go through all the time due to her Schizophrenia. Alex, like all the characters in this book, was a very likable character. Miles was interesting. I didn't really know what to make of him throughout the book (mainly because I was trying to figure out if he was real or imaginary). I did enjoy him, and I was definitely intrigued by his back story. It was great learning about him. I loved little Charlie and how much she seemed to love her big sister, Alex. Alex loved Charlie so much as well, and I loved reading about the tight sisterly bond between them.
Trigger warnings for Made You Up include some profanity, some violence, death, minor gore, some child abuse, mental illness, a minor sexual situation, bullying, references to Nazis, attempted murder, and death.
All in all, Made You Up is a very interesting read with a fantastic plot and well developed characters. It's obvious the author did her homework before writing this novel. I would definitely recommend Made You Up by Francesca Zappia to those aged 16+ who are seeking a book full of twists and turns. Just be warned that this book will have you second guessing almost everything (which isn't a bad thing).
The plot and world building felt very realistic although I'm not Schizophrenic nor do I know anyone who is. I could not tell what was real and what was a delusion by Alex. Kudos to Zappia for giving us a brief glimpse into how a Schizophrenic would feel. I kept second guessing myself throughout Made You Up. Sometimes it would be obvious that Alex was hallucinating, but there were many times everything felt too real to be a hallucination. I would be wrong, and something realistic would be a hallucination. As you can imagine, there were many plot twists throughout this book. There was one major plot twist which I had predicted towards the beginning which turned out to be true thanks to subtle hints the author would throw in, so be sure to be attention to every word on the page to try to grasp what is Alex's reality and what is not. I did feel like the main storyline of Made You Up was whether or not Miles, the boy Alex met briefly when she was a young child, was actually real or not since she meets him again her senior year of high school. It was fun trying to guess if Miles was real or not and if he was the same boy Alex met as a child.
All of the characters in Made You Up had a lot of depth to them. They were all easy for me to imagine as real people instead of characters in a book. I enjoyed reading about Alex and her thought process and what all she had to go through all the time due to her Schizophrenia. Alex, like all the characters in this book, was a very likable character. Miles was interesting. I didn't really know what to make of him throughout the book (mainly because I was trying to figure out if he was real or imaginary). I did enjoy him, and I was definitely intrigued by his back story. It was great learning about him. I loved little Charlie and how much she seemed to love her big sister, Alex. Alex loved Charlie so much as well, and I loved reading about the tight sisterly bond between them.
Trigger warnings for Made You Up include some profanity, some violence, death, minor gore, some child abuse, mental illness, a minor sexual situation, bullying, references to Nazis, attempted murder, and death.
All in all, Made You Up is a very interesting read with a fantastic plot and well developed characters. It's obvious the author did her homework before writing this novel. I would definitely recommend Made You Up by Francesca Zappia to those aged 16+ who are seeking a book full of twists and turns. Just be warned that this book will have you second guessing almost everything (which isn't a bad thing).
Joe Goodhart (27 KP) rated The Wild Storm, Vol. 2 in Books
Nov 30, 2020
I am old enough to remember when Jean Grey became Dark Phoenix. I am also old enough to remember reading all the Image Comics titles in the 90's, because they were cool! Not all of them (*cough* Rob Liefeld's YOUNGBLOOD and assorted other titles he helmed) were good, but some, like WILDC.A.T.s and WETWORKS, were a little cooler and better other than the aforementioned titles. Those "cooler" books split off and became a separate publishing imprint, Wildstorm. Unfortunately, some things, not unlike THE A-TEAM or THE GREATEST AMERICAN HERO, don't hold up as well, but they will always hold a "special spot" in our nerdy, li'l hearts!
In the late 90's, a writer came onboard looking to revamp one of the so-so books, STORMWATCH. That writer was Warren Ellis, and the series that spun out of the revamped STORMWATCH was THE AUTHORITY. With that book, Ellis made one hell of an impression with a lot of people, myself included, earning him, and THE AUTHORITY, a very high spot on the Nerd Chart.
I skipped out when, in 2017 (I think), DC Comics absorbed the Wildstorm characters/books, making them "exist" in the same comics universe as Superman and Batman!
Jump ahead to 2018. Warren Ellis approaches DC, offering THE WILD STORM, a massive (24 issues!) reboot of the Wildstorm universe. They greenlight it. And, what a ride!
Forget everything about the 90s WILDC.A.T.s, Grifter, even THE AUTHORITY. This is a blank slate, with so much potential!
Volume 2, reprinting issues 7-12, is just.. words elude me. It's not mind-numbing like a lot of what Marvel and DC are churning out of late, but it certainly makes my brain itch. Watching familiar faces being reworked and presented in a totally different way is fun and interesting at the same time. It's also equally entertaining to see equally familiar plots and sub-plots taken apart and put back together in an uniquely satisfying way.
The series is not TOO wordy, yet wordy enough that the story gives us much to chew on and reflect long after this volume, or any of the individual issues themselves, are read. My hat goes off to Warren Ellis, for he has clear outdone himself, something I did not think could be done!
However, as much as I was taken in by Ellis' writing, it is also worth noting Jon Davis-Hunt's art. At times, he reminded me of Keith Giffen's LEGION OF SUPER-HEROES work (back when Tom and Mary Bierbaum were writing it), simple, at first viewing, but further study shows so much more in each panel. I felt his art suits the angle that Ellis is shooting for, and for that, I am glad that he seems to be invested in the art until the 24th, and final, issue of the series is completed.
Look, plain and simple. Go read Volume, because you will most certainly want to read this volume, and then, Volume 3, when it comes out in March. This is a smart series, and if you are old enough to remember the 90s Wildstorm characters (like me), you'll be sorry if you don't check it out! 'Nuff said!
In the late 90's, a writer came onboard looking to revamp one of the so-so books, STORMWATCH. That writer was Warren Ellis, and the series that spun out of the revamped STORMWATCH was THE AUTHORITY. With that book, Ellis made one hell of an impression with a lot of people, myself included, earning him, and THE AUTHORITY, a very high spot on the Nerd Chart.
I skipped out when, in 2017 (I think), DC Comics absorbed the Wildstorm characters/books, making them "exist" in the same comics universe as Superman and Batman!
Jump ahead to 2018. Warren Ellis approaches DC, offering THE WILD STORM, a massive (24 issues!) reboot of the Wildstorm universe. They greenlight it. And, what a ride!
Forget everything about the 90s WILDC.A.T.s, Grifter, even THE AUTHORITY. This is a blank slate, with so much potential!
Volume 2, reprinting issues 7-12, is just.. words elude me. It's not mind-numbing like a lot of what Marvel and DC are churning out of late, but it certainly makes my brain itch. Watching familiar faces being reworked and presented in a totally different way is fun and interesting at the same time. It's also equally entertaining to see equally familiar plots and sub-plots taken apart and put back together in an uniquely satisfying way.
The series is not TOO wordy, yet wordy enough that the story gives us much to chew on and reflect long after this volume, or any of the individual issues themselves, are read. My hat goes off to Warren Ellis, for he has clear outdone himself, something I did not think could be done!
However, as much as I was taken in by Ellis' writing, it is also worth noting Jon Davis-Hunt's art. At times, he reminded me of Keith Giffen's LEGION OF SUPER-HEROES work (back when Tom and Mary Bierbaum were writing it), simple, at first viewing, but further study shows so much more in each panel. I felt his art suits the angle that Ellis is shooting for, and for that, I am glad that he seems to be invested in the art until the 24th, and final, issue of the series is completed.
Look, plain and simple. Go read Volume, because you will most certainly want to read this volume, and then, Volume 3, when it comes out in March. This is a smart series, and if you are old enough to remember the 90s Wildstorm characters (like me), you'll be sorry if you don't check it out! 'Nuff said!
BankofMarquis (1832 KP) rated Shazam! (2019) in Movies
Sep 1, 2019
Entertaining Enough
In the battle of DC vs Marvel in the Cinematic world, the prevailing theory is that DC is "righting the ship" with back-to-back decent films - AQUAMAN and SHAZAM. And...after viewing both of these films, I will agree that they are moving the ship in the correct direction, but they have a long, long way to go before they can say they have "righted" this ship.
SHAZAM is a fun. light, comedic-ish film that will appeal to kids and tweens and will be considered "not bad" by older teens and adults - and that is an improvement for a DC comic book film.
Asher Angel stars as Billy Batson, a troubled teenager with family/parental issues (is there any other kind in these types of films?) who is given the power of SHAZAM by a mysterious wizard (the always dependable Djimon Hounsou), when he says the magical word SHAZAM he is instantly changed into the SuperHero SHAZAM. The Superhero part of this character is played by Zachary Levi (TV's CHUCK) and that is the first problem for me with this film, I didn't feel that these 2 actors connected much to form the illusion of 1 person. Asher is all "broody and moody" - you know, the way an adult would direct a teenage actor to perform as a troubled teen - while Levi, who is having some fun, looks like he is trying just a bit too hard to showcase his "inner teenager" while wrapped inside a body hugging, muscle enhancing costume.
Billy Batson is sent to a foster home full of a "It's A Small World" group of troubled youth that have - despite their differences - formed into a family. Want to bet that Billy figures out that "family" does not mean his mother and father who abandoned him but rather those around you that love and care for you?
All of the kids in this "family" are well played, as are the "father and mother" figures. Standouts are Faithe Herman as smart-as-a-whip/cute-as-a-button Darla and, especially, Jack Dylan Grazer (hypochondriac Eddie in IT: CHAPTER 1) as the lad who becomes Billy's best friend. He is just as fun and charismatic as he was in IT. To be honest, I think I wanted more of a movie about this group of people than the typical "Super Hero/Super Villain" film.
However, I can forgive this film for focusing on the Hero/Villain dynamic for Mark Strong (SHERLOCK) is wonderfully villainous as the bad guy with daddy issues of his own and "that guy" actor John Glover is in it all too briefly as his dad.
Director David F. Sandberg (ANNABELLE: CREATION) does a nice job of keeping the action going at a fast enough pace to keep things entertaining - albeit in a way that was rather pedestrian and "nothing new". But he aims this film squarely at the older kid/younger tween audience and they will enjoy this very much, whilst the rest of us will not be bored as we accompany them.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
SHAZAM is a fun. light, comedic-ish film that will appeal to kids and tweens and will be considered "not bad" by older teens and adults - and that is an improvement for a DC comic book film.
Asher Angel stars as Billy Batson, a troubled teenager with family/parental issues (is there any other kind in these types of films?) who is given the power of SHAZAM by a mysterious wizard (the always dependable Djimon Hounsou), when he says the magical word SHAZAM he is instantly changed into the SuperHero SHAZAM. The Superhero part of this character is played by Zachary Levi (TV's CHUCK) and that is the first problem for me with this film, I didn't feel that these 2 actors connected much to form the illusion of 1 person. Asher is all "broody and moody" - you know, the way an adult would direct a teenage actor to perform as a troubled teen - while Levi, who is having some fun, looks like he is trying just a bit too hard to showcase his "inner teenager" while wrapped inside a body hugging, muscle enhancing costume.
Billy Batson is sent to a foster home full of a "It's A Small World" group of troubled youth that have - despite their differences - formed into a family. Want to bet that Billy figures out that "family" does not mean his mother and father who abandoned him but rather those around you that love and care for you?
All of the kids in this "family" are well played, as are the "father and mother" figures. Standouts are Faithe Herman as smart-as-a-whip/cute-as-a-button Darla and, especially, Jack Dylan Grazer (hypochondriac Eddie in IT: CHAPTER 1) as the lad who becomes Billy's best friend. He is just as fun and charismatic as he was in IT. To be honest, I think I wanted more of a movie about this group of people than the typical "Super Hero/Super Villain" film.
However, I can forgive this film for focusing on the Hero/Villain dynamic for Mark Strong (SHERLOCK) is wonderfully villainous as the bad guy with daddy issues of his own and "that guy" actor John Glover is in it all too briefly as his dad.
Director David F. Sandberg (ANNABELLE: CREATION) does a nice job of keeping the action going at a fast enough pace to keep things entertaining - albeit in a way that was rather pedestrian and "nothing new". But he aims this film squarely at the older kid/younger tween audience and they will enjoy this very much, whilst the rest of us will not be bored as we accompany them.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
Heather Cranmer (2721 KP) rated The Bird Eater in Books
Sep 13, 2019
I've read some of Ania Ahlborn's work before and loved it. The Bird Eater was no different. I loved this book and was completely enthralled throughout!
I thought the world building in The Bird Eater was fantastic! There were a few times when I was questioning the main character's choices such as why he didn't describe or ask around about the boy that was shadowing him. However, I don't know what I would do if that situation ever happened to me. I loved how the story took place in a small town. I find small towns creepier than big cities.
The pacing was perfect! Never once did I feel bored with this book. In fact, it was hard to put down. I constantly had to know what would happen next!
I'm a big fan of horror, but I'm really picky about what kind of horror I read. Luckily, the plot for The Bird Eater held my attention. At the beginning of the book, the reader is introduced to a teenage boy who has an affinity for evil. Aaron's aunt is murdered by this boy, and Aaron is shipped off to another state. After the death of his young son, Aaron returns to his childhood home on the advice of his therapist. From there, Aaron spirals into what he thinks is insanity but what is actually something a lot more sinister. There's a little bit of a plot twist, but I didn't feel like it was a big one. I didn't think there was a cliff hanger ending, but let's just say that another book could be written to make this a series if the author wanted it to be.
I found the characters to be very well written. It was easy to like Aaron and also to feel sorry for him. He's a man who is very depressed and still grieving the loss of his young son. Aaron's wife has left him due to him being so depressed. He wants to get better for himself and also so his wife will take him back. The spooky kid was also a great character. I thought he had just the right enough amount of scariness without making him a cheesy character.
I really enjoyed the dialogue in The Bird Eater. The author didn't use words that I found difficult to understand. The dialogue seems to be written for the average person (such as myself). I felt the dialogue flowed very smoothly and never once felt disjointed or awkward. There is some swearing is this book and a lot of violence and gore. This book doesn't really have any sex in it though.
Overall, The Bird Eater is a fantastic book that will delight fans of the horror genre. With a great setting, fantastic world building, and a super sinister character, this is a book that horror fans can not afford to miss! I'd recommend The Bird Eater by Ania Ahlborn especially to those aged 18+ who are big fans of horror and thrillers. The violence and gore may put some people off though.
I thought the world building in The Bird Eater was fantastic! There were a few times when I was questioning the main character's choices such as why he didn't describe or ask around about the boy that was shadowing him. However, I don't know what I would do if that situation ever happened to me. I loved how the story took place in a small town. I find small towns creepier than big cities.
The pacing was perfect! Never once did I feel bored with this book. In fact, it was hard to put down. I constantly had to know what would happen next!
I'm a big fan of horror, but I'm really picky about what kind of horror I read. Luckily, the plot for The Bird Eater held my attention. At the beginning of the book, the reader is introduced to a teenage boy who has an affinity for evil. Aaron's aunt is murdered by this boy, and Aaron is shipped off to another state. After the death of his young son, Aaron returns to his childhood home on the advice of his therapist. From there, Aaron spirals into what he thinks is insanity but what is actually something a lot more sinister. There's a little bit of a plot twist, but I didn't feel like it was a big one. I didn't think there was a cliff hanger ending, but let's just say that another book could be written to make this a series if the author wanted it to be.
I found the characters to be very well written. It was easy to like Aaron and also to feel sorry for him. He's a man who is very depressed and still grieving the loss of his young son. Aaron's wife has left him due to him being so depressed. He wants to get better for himself and also so his wife will take him back. The spooky kid was also a great character. I thought he had just the right enough amount of scariness without making him a cheesy character.
I really enjoyed the dialogue in The Bird Eater. The author didn't use words that I found difficult to understand. The dialogue seems to be written for the average person (such as myself). I felt the dialogue flowed very smoothly and never once felt disjointed or awkward. There is some swearing is this book and a lot of violence and gore. This book doesn't really have any sex in it though.
Overall, The Bird Eater is a fantastic book that will delight fans of the horror genre. With a great setting, fantastic world building, and a super sinister character, this is a book that horror fans can not afford to miss! I'd recommend The Bird Eater by Ania Ahlborn especially to those aged 18+ who are big fans of horror and thrillers. The violence and gore may put some people off though.
Andy K (10823 KP) rated Rope (1948) in Movies
Sep 18, 2019
80 minutes of magic!
Two men, the charismatic and charming Phillip, and the cowardly and sheepish Brandon have just strangled their mutual friend, David, and are holding him in their arms. To dispose of the body, they decide on the bold move a placing it in a large trunk in the middle of the living room of their high rise apartment building. They don't have much time to discuss their situation before guests start arriving for their dinner party which had been planned beforehand.
After the guests arrive, the usual small talk and chit chat commences with those attending including David fiance and a former college professor of the men. After the idle conversation starts to bore, it is mentioned how interesting it would be to murder someone and the consequences of doing so. It's no dig deal to dispose of people you don't like is it? Some party-goers are not keen on this conversation and lead it in a new direction eventually focusing on the missing David who has not yet arrived.
Eventually, the unresolved issue of David's absence is brushed aside for the moment and the guests leave to go about their lives. The college professor returns after having been given verbal clues in the former conversations about the nefarious activity of Phillip and David as well as some physical ones. He confronts the duo and David is unable to hold back.
The mystery has been revealed and the men have to deal with the fallout and consequences.
The physical limitation of the amount of film cameras of the day were able to hold was the only drawback for the way Hitchcock managed to shoot this film. There are only 10 total shots within the film ranging from 4 to 10 minutes. The cuts were achieved through normal editing, but also the actors and camera intersecting for brief moments where a momentary black frame would occur continuing the action right after this moment.
I can't even imagine the amount of rehearsal and takes would have been necessary for both the actors and production crew to orchestrate visual and vocal cues and not making mistakes for such a long time for each shot to be completed successfully. The film feels much like a stage production having all the scenes occur mainly in the living room and foyer areas, but that had to be by design.
With no elaborate staging, the audience is left to enjoy the masterful screenplay nonstop and trying to figure out if the two murderers will actually be able to dissuade blame or be confronted with the guilt.
One of many Jimmy Stewart's many Hitchcock collaborations, his performance mostly gets overlooked here in comparison to Vertigo and Rear Window; however, once he arrives at the party it is kind to see him and he delivers another captivating and motivated performance.
In the current days of digital filmmaking and continuous camera shots which can now be processed with computers, it is monumental Hitchcock was able to achieve this feat back in the day with only relentless dedication, but also precise and genius execution.
After the guests arrive, the usual small talk and chit chat commences with those attending including David fiance and a former college professor of the men. After the idle conversation starts to bore, it is mentioned how interesting it would be to murder someone and the consequences of doing so. It's no dig deal to dispose of people you don't like is it? Some party-goers are not keen on this conversation and lead it in a new direction eventually focusing on the missing David who has not yet arrived.
Eventually, the unresolved issue of David's absence is brushed aside for the moment and the guests leave to go about their lives. The college professor returns after having been given verbal clues in the former conversations about the nefarious activity of Phillip and David as well as some physical ones. He confronts the duo and David is unable to hold back.
The mystery has been revealed and the men have to deal with the fallout and consequences.
The physical limitation of the amount of film cameras of the day were able to hold was the only drawback for the way Hitchcock managed to shoot this film. There are only 10 total shots within the film ranging from 4 to 10 minutes. The cuts were achieved through normal editing, but also the actors and camera intersecting for brief moments where a momentary black frame would occur continuing the action right after this moment.
I can't even imagine the amount of rehearsal and takes would have been necessary for both the actors and production crew to orchestrate visual and vocal cues and not making mistakes for such a long time for each shot to be completed successfully. The film feels much like a stage production having all the scenes occur mainly in the living room and foyer areas, but that had to be by design.
With no elaborate staging, the audience is left to enjoy the masterful screenplay nonstop and trying to figure out if the two murderers will actually be able to dissuade blame or be confronted with the guilt.
One of many Jimmy Stewart's many Hitchcock collaborations, his performance mostly gets overlooked here in comparison to Vertigo and Rear Window; however, once he arrives at the party it is kind to see him and he delivers another captivating and motivated performance.
In the current days of digital filmmaking and continuous camera shots which can now be processed with computers, it is monumental Hitchcock was able to achieve this feat back in the day with only relentless dedication, but also precise and genius execution.
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