"In the same [kin] as Ordinary People, I have to throw All the President’s Men in there, which is a completely different film for Redford to do, but probably one of the greatest journalism films of all time. There are so many elements to that film that are unique to it. The relationship between [Bob] Woodward and [Carl] Bernstein, the way those are portrayed, and then just the whole mystery of the Watergate being spilled out for us. When that happened, I was… I don’t remember, I must have been three or four, five. Those were the years — that was the first time I can remember in my lifetime of something going on politically, and so I actually have memory of that time. And I don’t remember what it was, but I remember the words “Watergate” meaning something. Meaning something big, even though I didn’t understand what they were. Just for that film to be so dialogue heavy, and so all about performance, and the written word, it is one of the most on-the-edge-of-your-seat thrillers that I can think of that is pretty powerful… It’s the most riveting film about people who sit down and type, you know what I mean? You can imagine, it’s pretty intense."