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Kyera (8 KP) rated The Young Elites in Books
Feb 1, 2018
Despite the fact that I found the main character disagreeable - the premise was enjoyable. Initially, Adelina is very dark and unrelatable. She relishes pain and fear, as a result, I don't have sympathy for her character. Even though her father treated her abysmally her entire life, that treatment only seemed to nurture the darkness inside her. It did not create it. The darkness is all her own.
The only time I truly felt her humanity was when she was with the kind Gemma. It is in those moments she allows herself to feel. even concern for her sister seems forced, like familial obligation rather than a love. Her concern is usually accompanied with ill thoughts and blackened memories towards her sister.
Raffaele and Gemma are the most human of the characters and more likeable than the rest. Dante's main role is to antagonize. Enzo's role is to function as a romantic interest and future savior of the realm. The Windwalker, Lucent, and the Architect, Michel, serve more as background pieces than fully developed characters. Obviously, this is an over=simplification of their roles but it helps to illustrate the weaknesses in character development in the book. Over the course of the novel, the reader is given small glimpses into the character or their backstory but it is insufficient as these are her main and supporting characters for which the book is titled. The Young Elites.
The world the author builds draws you in with its unique holidays, three moons, elegant dress and giant rays that swim through the sky. The elaborate and opulent headquarters (Fortunata Court) of the Dagger Society rise in your mind surrounded by towers, merchants and Inquisitors. Stylistically, the world is reminiscent of Renaissance Italy with its gondolas, dress and canals that might draw you in like the world of Assassin's Creed.
During the course of the novel, we watch as Adelina trains her abilities and before long she joins the Daggers on a mission. She also seems to adopt more humanity as the book progresses which makes her a slightly more appealing character - but she is unable to hold onto that ray of light for long before succumbing to the festering darkness within. (Leaving the reader just as unsympathetic as before.)
She would be more likeable if she didn't welcome that darkness and unless her character arc leads her to light and love, changing her affinities, I have no emotional stake in her well-being. I understand that the author wants to write a dark character, but I personally just don't have an emotional stake in the outcome of this book because I don't particularly identify with any of her characters. Without redeeming qualities, you cannot justify or form an attachment to the character (especially because she is the main character). I'm sure others would like her character, and she is certainly an interesting character, but I prefer a lead who is flawed but inherently good. Perhaps an anti-hero but not the villain.
Growing up unloved, she quickly falls in with the Daggers but questions their motivation and is willing to betray them with the slightest provocation. In her mind, no one could possibly just be kind. They must have an agenda or be using her in some fashion. She is easily manipulated and swayed. Whether she follows through with her vengeance, betrays or redeems is something you must discover by reading the book yourself. Will Adelina redeems herself or succumb to the darkness?
I'm intrigued by the premise and the characters, despite the critical parts of my review. As such, I look forward to seeing where this series goes. I would definitely recommend it to YA fans who enjoy rich worlds that aren't modern or people with special abilities.
The only time I truly felt her humanity was when she was with the kind Gemma. It is in those moments she allows herself to feel. even concern for her sister seems forced, like familial obligation rather than a love. Her concern is usually accompanied with ill thoughts and blackened memories towards her sister.
Raffaele and Gemma are the most human of the characters and more likeable than the rest. Dante's main role is to antagonize. Enzo's role is to function as a romantic interest and future savior of the realm. The Windwalker, Lucent, and the Architect, Michel, serve more as background pieces than fully developed characters. Obviously, this is an over=simplification of their roles but it helps to illustrate the weaknesses in character development in the book. Over the course of the novel, the reader is given small glimpses into the character or their backstory but it is insufficient as these are her main and supporting characters for which the book is titled. The Young Elites.
The world the author builds draws you in with its unique holidays, three moons, elegant dress and giant rays that swim through the sky. The elaborate and opulent headquarters (Fortunata Court) of the Dagger Society rise in your mind surrounded by towers, merchants and Inquisitors. Stylistically, the world is reminiscent of Renaissance Italy with its gondolas, dress and canals that might draw you in like the world of Assassin's Creed.
During the course of the novel, we watch as Adelina trains her abilities and before long she joins the Daggers on a mission. She also seems to adopt more humanity as the book progresses which makes her a slightly more appealing character - but she is unable to hold onto that ray of light for long before succumbing to the festering darkness within. (Leaving the reader just as unsympathetic as before.)
She would be more likeable if she didn't welcome that darkness and unless her character arc leads her to light and love, changing her affinities, I have no emotional stake in her well-being. I understand that the author wants to write a dark character, but I personally just don't have an emotional stake in the outcome of this book because I don't particularly identify with any of her characters. Without redeeming qualities, you cannot justify or form an attachment to the character (especially because she is the main character). I'm sure others would like her character, and she is certainly an interesting character, but I prefer a lead who is flawed but inherently good. Perhaps an anti-hero but not the villain.
Growing up unloved, she quickly falls in with the Daggers but questions their motivation and is willing to betray them with the slightest provocation. In her mind, no one could possibly just be kind. They must have an agenda or be using her in some fashion. She is easily manipulated and swayed. Whether she follows through with her vengeance, betrays or redeems is something you must discover by reading the book yourself. Will Adelina redeems herself or succumb to the darkness?
I'm intrigued by the premise and the characters, despite the critical parts of my review. As such, I look forward to seeing where this series goes. I would definitely recommend it to YA fans who enjoy rich worlds that aren't modern or people with special abilities.
Kyera (8 KP) rated The Rose Society in Books
Feb 1, 2018
This is the second book in the Young Elites series. Adelina has been cast off by the Dagger Society and the darkness in her heart is consuming her. Accompanied by only her sister, who she discovered is also a Young Elite like her, Adelina sets out to form her own version of the Dagger Society - the Rose Society. The crown prince is dead and Adelina focuses all of her rage and vengeance against Teren. She and Violetta have been practicing with their abilities and are stronger than before.
About one-quarter of the way through the book and it has hit its stride already. It is more immersive than the first, which seemed to suffer from slow pacing. Now that the plot has been established, it seems to allow the author more freedom with writing and storytelling. A number of new characters are introduced like Queen Maeve and her brothers, an unnamed charlatan, and the infamous Magiano.
Magiano is a greedy thief, but you can't help but be a little charmed by him. Adelina plans to surround herself with other Elites so that her Rose Society can flourish. She sets her sights on Magiano whose power is <spoiler>mimicry. He is able to copy the powers of the other Elites</spoiler> Unfortunately, he is not eager to abandon his life of solitary thievery and challenges the sisters. If they succeed, he will join them. Will his skills as a thief give him victory or will Adelina be able to weave enough illusions to secure herself an ally?
Her acts may even gain her the support of others, thus growing her society. But mercenaries aren't the most loyal of followers. Adelina causes chaos during the theft and must flee with Magiano and her sister. During the course of their escape, they discover another Elite, called <spoiler>Rainmaker, or Sergio. As his Elite name suggests, he can control the rain. His abilities are impressive enough to brew fierce storms and call down deadly lightning strikes</spoiler>. Her Society may be called Rose, unlike the Daggers she left behind, but she is much more ruthless and cold than her more violent sounding counterparts.
Queen Maeve has the ability to <spoiler>bring people back from the dead and she plans to do so with Enzo. Whether he will be the same Enzo as before his death or be utterly changed by his new bond with the Underworld, Maeve cannot know. </spoiler>
Adelina's love for Enzo and introduction of Magian leads to a typical love triangle. Enzo may have died, but Adelina still pines for him and it show. Despite those feelings, she forms a connection with Magiano and it complicates their relationship because "caring for a scoundrel is a dangerous thing." Magiano plays the role of the rogue with a hidden heart of gold, like Sinbad, Thorne from the Lunar Chronicles or Flynn Rider (*cough* Eugene Fitzherbert *cough*) from Tangled. He is a thief and a trickster, who is seemingly on in it for the money but over the course of the novel his heart gets in the way.
The battle is painted so vibrantly that it plays like a movie in your mind. The anticipation is palpable, each attack makes you catch your breath - who is going to die? Who will be victorious? The action and revelation in the book keep the reader hooked until the end.
Recommended, but you need to read the Young Elites first book for the story's foundation to be build... otherwise the story won't be as affecting and probably won't make sense. The conclusion of Rose Society leaves the reader intrigued and wondering what happens in the third novel.
About one-quarter of the way through the book and it has hit its stride already. It is more immersive than the first, which seemed to suffer from slow pacing. Now that the plot has been established, it seems to allow the author more freedom with writing and storytelling. A number of new characters are introduced like Queen Maeve and her brothers, an unnamed charlatan, and the infamous Magiano.
Magiano is a greedy thief, but you can't help but be a little charmed by him. Adelina plans to surround herself with other Elites so that her Rose Society can flourish. She sets her sights on Magiano whose power is <spoiler>mimicry. He is able to copy the powers of the other Elites</spoiler> Unfortunately, he is not eager to abandon his life of solitary thievery and challenges the sisters. If they succeed, he will join them. Will his skills as a thief give him victory or will Adelina be able to weave enough illusions to secure herself an ally?
Her acts may even gain her the support of others, thus growing her society. But mercenaries aren't the most loyal of followers. Adelina causes chaos during the theft and must flee with Magiano and her sister. During the course of their escape, they discover another Elite, called <spoiler>Rainmaker, or Sergio. As his Elite name suggests, he can control the rain. His abilities are impressive enough to brew fierce storms and call down deadly lightning strikes</spoiler>. Her Society may be called Rose, unlike the Daggers she left behind, but she is much more ruthless and cold than her more violent sounding counterparts.
Queen Maeve has the ability to <spoiler>bring people back from the dead and she plans to do so with Enzo. Whether he will be the same Enzo as before his death or be utterly changed by his new bond with the Underworld, Maeve cannot know. </spoiler>
Adelina's love for Enzo and introduction of Magian leads to a typical love triangle. Enzo may have died, but Adelina still pines for him and it show. Despite those feelings, she forms a connection with Magiano and it complicates their relationship because "caring for a scoundrel is a dangerous thing." Magiano plays the role of the rogue with a hidden heart of gold, like Sinbad, Thorne from the Lunar Chronicles or Flynn Rider (*cough* Eugene Fitzherbert *cough*) from Tangled. He is a thief and a trickster, who is seemingly on in it for the money but over the course of the novel his heart gets in the way.
The battle is painted so vibrantly that it plays like a movie in your mind. The anticipation is palpable, each attack makes you catch your breath - who is going to die? Who will be victorious? The action and revelation in the book keep the reader hooked until the end.
Recommended, but you need to read the Young Elites first book for the story's foundation to be build... otherwise the story won't be as affecting and probably won't make sense. The conclusion of Rose Society leaves the reader intrigued and wondering what happens in the third novel.
Kristy H (1252 KP) rated Small Great Things in Books
Feb 1, 2018
Ruth Jefferson is a successful labor and delivery nurse with over twenty years of experience. She has a nice home and a college-bound seventeen-year-old son, Edison. She also happens to be African American. When Ruth takes over for a colleague at shift change, she is simply doing a checkup on newborn baby boy Davis. But after his checkup, she's told Davis' parents don't want her touching their child. A post-it note in his file states that no African American staff should be touching the patient. Ruth is shocked-- and angry. The next day, when Davis has a medical emergency, Ruth is faced with a choice. Does she help the baby--defying the order of the parents and her supervisor? Ruth's decision leads her on a path that involves the police and being charged with a serious crime. Police come into her home, handcuffing her and her son. Her public defender, Kennedy McQuarrie, recommends that Ruth's defense not involve race: a lightning rod for juries, she says. But Ruth is angry and humiliated and wants to clear her name, at whatever the cost.
This is a touching and powerful novel. Told from the varying points of view of Ruth, Kennedy, and Turk--baby Davis' father-- it is a compelling look at how race and family history shapes the person we become. It is a poignant story at points: it is amazing what people can rationalize when it comes to hatred. I found the novel very fitting right now, with what's going on in the U.S. Honestly, it's very frightening at times and hits a little too close to home.
Picoult's characters are well-formed and dynamic, and you find yourself drawn into parts of each.
Turk, obviously, despite the loss of his child, is not a sympathetic character, but he is a complex one; his progression over the course of the novel is intriguing, and it's amazing how Picoult did not make him a one dimensional white supremacist. The book is extremely well-researched; both from the side of white supremacy, as well as racism and the medical aspects of Davis' case. Kennedy is likeable and her struggle with Ruth's case, as she realizes the depth of both the visible and latent racism her client faces on a daily basis, is real and relatable. I applaud Picoult for tackling such a difficult subject with such honesty. It's almost as if, through Kennedy, she's admitting exactly what she doesn't know. (I highly recommend reading Picoult's afterword, as well.)
For me, the hardest parts of the book was that it gets a little too poetic in the Jodi Picoult way (those who frequently read her novels will identify), with her waxing on about race and parents and being brought together, versus letting the story tell itself. At points the book just goes on and on a bit, versus getting to the story and the point. There are lots of little subplots that go off, detracting at times from the main story and frustrating the reader. And, of course, there are some weird twists and plot points in the typical Picoult style, though they don't seem to pack the punch of her older novels. It all wraps up a little too smoothly, though I have to confess I sort of enjoyed the ending. It may have been a bit trite, but I am often a sucker for such things.
Overall, I was impressed with how Picoult approached this novel, and I enjoyed the storyline for the most part (I was certainly invested), though it dawdled at times and ended a bit too easily. I'd rate this a strong 3.5 - 3.75 stars. Certainly worth reading, especially if you're a Picoult fan.
I received a copy of this novel from the publisher and Netgalley; is available everywhere as of 10/11/2016.
This is a touching and powerful novel. Told from the varying points of view of Ruth, Kennedy, and Turk--baby Davis' father-- it is a compelling look at how race and family history shapes the person we become. It is a poignant story at points: it is amazing what people can rationalize when it comes to hatred. I found the novel very fitting right now, with what's going on in the U.S. Honestly, it's very frightening at times and hits a little too close to home.
Picoult's characters are well-formed and dynamic, and you find yourself drawn into parts of each.
Turk, obviously, despite the loss of his child, is not a sympathetic character, but he is a complex one; his progression over the course of the novel is intriguing, and it's amazing how Picoult did not make him a one dimensional white supremacist. The book is extremely well-researched; both from the side of white supremacy, as well as racism and the medical aspects of Davis' case. Kennedy is likeable and her struggle with Ruth's case, as she realizes the depth of both the visible and latent racism her client faces on a daily basis, is real and relatable. I applaud Picoult for tackling such a difficult subject with such honesty. It's almost as if, through Kennedy, she's admitting exactly what she doesn't know. (I highly recommend reading Picoult's afterword, as well.)
For me, the hardest parts of the book was that it gets a little too poetic in the Jodi Picoult way (those who frequently read her novels will identify), with her waxing on about race and parents and being brought together, versus letting the story tell itself. At points the book just goes on and on a bit, versus getting to the story and the point. There are lots of little subplots that go off, detracting at times from the main story and frustrating the reader. And, of course, there are some weird twists and plot points in the typical Picoult style, though they don't seem to pack the punch of her older novels. It all wraps up a little too smoothly, though I have to confess I sort of enjoyed the ending. It may have been a bit trite, but I am often a sucker for such things.
Overall, I was impressed with how Picoult approached this novel, and I enjoyed the storyline for the most part (I was certainly invested), though it dawdled at times and ended a bit too easily. I'd rate this a strong 3.5 - 3.75 stars. Certainly worth reading, especially if you're a Picoult fan.
I received a copy of this novel from the publisher and Netgalley; is available everywhere as of 10/11/2016.
I am honestly not completely sure about my thoughts on this play. I was so excited when it was announced that they would be releasing the script, especially since I will most likely not be able to see the stage production any time soon, but it left me in a weird mental state after reading it. Warning, there may be plot spoilers in this review, so read at your own peril. If you do not want to be spoiled, read the play first, then come back to my review.
I know that a play will never really be the same as reading a novel by good old JK, but it still felt so different from the rest of the Harry Potter series. I found myself wanting more out of it than I got. There was a lot of nostalgia for the other books that I felt when I was reading it. And I loved this play for that reason.
Now don't get me wrong, I really enjoyed the play. It was different, we got to see our Golden Trio all grown up, and see their interactions with other characters, including their children. I did, however, find myself getting angry at the characters--Harry and Ginny in particular. These two characters know, probably more than anyone else in this series, what it is like to be an outsider and to feel ostracized from other people. Yet they let their son feel the same way they did. To me, that sucks. They gave him huge shoes to fill in naming Albus what they did, but it seems that they never explained to him the meaning behind it. They let him hear all of the glorious stories of Dumbledore and Snape, but never let him in on the truth that both of those men were flawed individuals who messed up a lot. In not knowing that truth, Albus was made to think that he was not good enough. Again, super crappy thing to do to a child. Harry, you should know this!!
The plot itself was interesting. I think having to look at the past and see what changing any part of it could do to the future is something Albus, and even Harry, needed to understand. They must acknowledge the past, but still have the hope to look at the future. (Boom. Dumbledore style wisdom right there.) Even Scorpius needed to see what could happen. (By the way, I love Scorpius. I think he is my favorite of all of the children characters because he is adorable and so sassy.)
Just one question: WHERE WAS MY BOY TEDDY LUPIN?!?!?!?! I was looking for him the whole freaking play because I needed to see some of Remus and Tonks in another form, but we got NOTHING and I am upset. I was thinking of taking off another half star just for that fact alone, but I need to be not as bitter about it.
I cried while reading this. Whenever Albus was being self-deprecating, my heart broke even more. And Act 4 killed me. (SPOILERS) I sobbed when they were watching Voldy kill Lily and James. Straight up sobbed like a child.
I loved all of the stage directions and I think it would be very interesting to see how it all plays out on the stage. I honestly have no idea how they would do some of the effects.
Overall, it was a good addition to the Harry Potter novels. Was it as good or give me as many emotions as the novels did? No. But I enjoyed it for what it was.
I know that a play will never really be the same as reading a novel by good old JK, but it still felt so different from the rest of the Harry Potter series. I found myself wanting more out of it than I got. There was a lot of nostalgia for the other books that I felt when I was reading it. And I loved this play for that reason.
Now don't get me wrong, I really enjoyed the play. It was different, we got to see our Golden Trio all grown up, and see their interactions with other characters, including their children. I did, however, find myself getting angry at the characters--Harry and Ginny in particular. These two characters know, probably more than anyone else in this series, what it is like to be an outsider and to feel ostracized from other people. Yet they let their son feel the same way they did. To me, that sucks. They gave him huge shoes to fill in naming Albus what they did, but it seems that they never explained to him the meaning behind it. They let him hear all of the glorious stories of Dumbledore and Snape, but never let him in on the truth that both of those men were flawed individuals who messed up a lot. In not knowing that truth, Albus was made to think that he was not good enough. Again, super crappy thing to do to a child. Harry, you should know this!!
The plot itself was interesting. I think having to look at the past and see what changing any part of it could do to the future is something Albus, and even Harry, needed to understand. They must acknowledge the past, but still have the hope to look at the future. (Boom. Dumbledore style wisdom right there.) Even Scorpius needed to see what could happen. (By the way, I love Scorpius. I think he is my favorite of all of the children characters because he is adorable and so sassy.)
Just one question: WHERE WAS MY BOY TEDDY LUPIN?!?!?!?! I was looking for him the whole freaking play because I needed to see some of Remus and Tonks in another form, but we got NOTHING and I am upset. I was thinking of taking off another half star just for that fact alone, but I need to be not as bitter about it.
I cried while reading this. Whenever Albus was being self-deprecating, my heart broke even more. And Act 4 killed me. (SPOILERS) I sobbed when they were watching Voldy kill Lily and James. Straight up sobbed like a child.
I loved all of the stage directions and I think it would be very interesting to see how it all plays out on the stage. I honestly have no idea how they would do some of the effects.
Overall, it was a good addition to the Harry Potter novels. Was it as good or give me as many emotions as the novels did? No. But I enjoyed it for what it was.
Dana (24 KP) rated Blood and Salt (Blood and Salt, #1) in Books
Mar 23, 2018
Once again, I am giving the old spoiler alert right at the beginning, so you have been warned.
I am actually giving this book a 3.5 stars instead of a three star review.
Okay, so now onto the actual review. I found this book very interesting. Though I was expecting something more like a thriller and/or horror novel, this was more like a non-scary cult novel. But it was not as creepy as I had hoped. I wanted to be terrified, but instead I was left without much of an emotional response at all.
This book reminded me, in a lot of ways, of that movie Children of the Corn. I don't really know why because the plot is not the same, but I think because it was set in the middle of a corn field that ate people with a cult in the middle of it. (Side note: I am not a fan of that movie, but my friends made me watch it with them. I found the movie quite boring, to be honest.)
Ash was an okay main character. I mean, she was strong, in a way, but she wasn't particularly striking in many ways. She, like many other young adult heroines, falls in love with the wrong guy, then gets betrayed by him, but unlike some of those other heroines, she doesn't really do much about it. Yes, she gets angry, but it almost feels like she is about to forgive him immediately. That didn't particularly make sense to me because if she was really pissed at him, I doubt she would forgive him that quickly.
Rhys was kinda annoying, to me. Yes, he is the twin brother so he is going to feel protective of his sister, but he refused to listen to anyone but himself. There is also the fact that, even though he sees all this magic stuff around him, he doesn't believe in it. Plus, to top it all off, he thinks his sister and his mother are crazy just because he thinks differently. I was not a fan of any of this. He is discounting the women in his family because he does not know how to deal with what he cannot see.
I wasn't a fan of Dane either, to be honest. He didn't help Ash as much as he said he was and when she would come to him for help, he would brush it off as if it didn't matter. He was kind of an ass.
The whole Katia plot was a bit weak. I saw it coming from a mile away, but I did enjoy the bits with Marie (her daughter). Whenever Marie was in a scene, even though she hardly talked, the scene, to me, got a whole lot more interesting. I loved seeing Ash try to figure out what the hell was going on with her.
I am not sure where I stand with the whole "light and dark" blood with Ash and Rhys. It seems a bit strange, but I think I can be okay with it if it is explained more in the next book.
Also, the magic as a whole has not been fully fleshed out and I hope to see more of it in the next book. I feel like there was a lot briefly touched on, but not fully explained.
All in all, I am looking forward to the next book, if only to see what the hell is going to happen next. The characters, while not my favorite, have the potential to grow into who they are and be developed more. I did not hate this book, but going with that, it wasn't my favorite book either. I am giving it the extra half-star because it has the potential to become something really cool in the next book.
Speaking of: The Last Harvest comes out 7 February 2017.
I am actually giving this book a 3.5 stars instead of a three star review.
Okay, so now onto the actual review. I found this book very interesting. Though I was expecting something more like a thriller and/or horror novel, this was more like a non-scary cult novel. But it was not as creepy as I had hoped. I wanted to be terrified, but instead I was left without much of an emotional response at all.
This book reminded me, in a lot of ways, of that movie Children of the Corn. I don't really know why because the plot is not the same, but I think because it was set in the middle of a corn field that ate people with a cult in the middle of it. (Side note: I am not a fan of that movie, but my friends made me watch it with them. I found the movie quite boring, to be honest.)
Ash was an okay main character. I mean, she was strong, in a way, but she wasn't particularly striking in many ways. She, like many other young adult heroines, falls in love with the wrong guy, then gets betrayed by him, but unlike some of those other heroines, she doesn't really do much about it. Yes, she gets angry, but it almost feels like she is about to forgive him immediately. That didn't particularly make sense to me because if she was really pissed at him, I doubt she would forgive him that quickly.
Rhys was kinda annoying, to me. Yes, he is the twin brother so he is going to feel protective of his sister, but he refused to listen to anyone but himself. There is also the fact that, even though he sees all this magic stuff around him, he doesn't believe in it. Plus, to top it all off, he thinks his sister and his mother are crazy just because he thinks differently. I was not a fan of any of this. He is discounting the women in his family because he does not know how to deal with what he cannot see.
I wasn't a fan of Dane either, to be honest. He didn't help Ash as much as he said he was and when she would come to him for help, he would brush it off as if it didn't matter. He was kind of an ass.
The whole Katia plot was a bit weak. I saw it coming from a mile away, but I did enjoy the bits with Marie (her daughter). Whenever Marie was in a scene, even though she hardly talked, the scene, to me, got a whole lot more interesting. I loved seeing Ash try to figure out what the hell was going on with her.
I am not sure where I stand with the whole "light and dark" blood with Ash and Rhys. It seems a bit strange, but I think I can be okay with it if it is explained more in the next book.
Also, the magic as a whole has not been fully fleshed out and I hope to see more of it in the next book. I feel like there was a lot briefly touched on, but not fully explained.
All in all, I am looking forward to the next book, if only to see what the hell is going to happen next. The characters, while not my favorite, have the potential to grow into who they are and be developed more. I did not hate this book, but going with that, it wasn't my favorite book either. I am giving it the extra half-star because it has the potential to become something really cool in the next book.
Speaking of: The Last Harvest comes out 7 February 2017.
Goddess in the Stacks (553 KP) rated The City of Brass: Daevabad Trilogy in Books
Mar 25, 2018
Fantastic world-building (1 more)
Character Development
So much to say about this outstanding debut novel! First I'd like to address the issues around the author, then I'll delve into the book itself. (It's fantastic, though!)
So the book has been touted as an "own voices" novel, seemingly much to the author's chagrin. She is Muslim, but she's a white convert (Chakraborty is her married name). She has striven to correct the misconception about her ethnicity when she finds it, tweeting about it and talking about it in interviews. (This interview is a good example.) Because the book is pure fantasy, in a fantasy realm after the first few chapters, I'm not too worried about it not actually being written by a middle-eastern author. She does note in the interview I linked that she's not qualified to write some stories because of her ethnicity, and I appreciate that recognition of privilege. As far as I can tell, (as a white person myself) she did justice to the bits of mythology that she included. (Given the reception by people who were so excited about it being an Own Voices book, I think I'm probably right.) Her twitter (@SChakrabs) is FULL of links to minority authors and retweets about their books. I am very impressed by the level of her advocacy for minority authors.
So that aside, I LOVED THIS BOOK. I almost always enjoy fantasy inspired by non-western mythology: Children of Blood and Bone was fantastic, and though Forest of a Thousand Lanterns had a western fairytale at its heart, being reimagined through an Asian lense was really neat to read. The Bear and The Nightingale and The Girl in the Tower were Russian inspired, as were The Crown's Game/The Crown's Fate. I really do try to pick up non-western inspired fantasy when I can. City of Brass scratched that itch perfectly.
City of Brass opens in Cairo, where our heroine, Nahri, is a con-woman with small healing magics. When a ritual goes awry, she's thrust into the world of the djinn. It's when Nahri and her accidental bodyguard, Dara, arrive at the Djinns' city of Daevabad that the story really gets started.
I'm still a little confused about the difference between djinn and Daeva; Daeva seem to be one of the tribes but also the name for the entire race, and some of them get offended at being called djinn but some of them don't? I'm not really sure about that distinction. There is a clear line between djinn and Ifrit, though - Ifrit are immensely powerful, immortal beings who refused to subject themselves to punishment many centuries ago. I'm not sure I actually see a downside to being Ifrit, other than the djinn all think they're evil. The Ifrit, however, are out to get Nahri, and Dara's not having any of THAT.
I love Dara - he's a fascinating character, with a violent, mysterious backstory. I'm very eager to read more about him and figure out exactly what's up with his background. Nahri is also awesome - a little arrogant, but by the end of the book she's starting to learn she might need help from those around her. Unfortunately, also by the end of the book she doesn't know who to trust. The naive djinn prince, Ali, is the third main character of the book, and while I can see him having an interesting story, his personality is still a little flat. Hopefully the second book will see advancement in all three of these characters' personalities.
And I can't WAIT for the second book! City of Brass didn't exactly end on a cliffhanger, but it did leave many questions unanswered and our main characters' fates uncertain. Unfortunately, I can't find any information on the sequel, just that it's being edited. No release date or title yet.
Read this book. It's fantastic.
You can find all my reviews at http://goddessinthestacks.wordpress.com
So the book has been touted as an "own voices" novel, seemingly much to the author's chagrin. She is Muslim, but she's a white convert (Chakraborty is her married name). She has striven to correct the misconception about her ethnicity when she finds it, tweeting about it and talking about it in interviews. (This interview is a good example.) Because the book is pure fantasy, in a fantasy realm after the first few chapters, I'm not too worried about it not actually being written by a middle-eastern author. She does note in the interview I linked that she's not qualified to write some stories because of her ethnicity, and I appreciate that recognition of privilege. As far as I can tell, (as a white person myself) she did justice to the bits of mythology that she included. (Given the reception by people who were so excited about it being an Own Voices book, I think I'm probably right.) Her twitter (@SChakrabs) is FULL of links to minority authors and retweets about their books. I am very impressed by the level of her advocacy for minority authors.
So that aside, I LOVED THIS BOOK. I almost always enjoy fantasy inspired by non-western mythology: Children of Blood and Bone was fantastic, and though Forest of a Thousand Lanterns had a western fairytale at its heart, being reimagined through an Asian lense was really neat to read. The Bear and The Nightingale and The Girl in the Tower were Russian inspired, as were The Crown's Game/The Crown's Fate. I really do try to pick up non-western inspired fantasy when I can. City of Brass scratched that itch perfectly.
City of Brass opens in Cairo, where our heroine, Nahri, is a con-woman with small healing magics. When a ritual goes awry, she's thrust into the world of the djinn. It's when Nahri and her accidental bodyguard, Dara, arrive at the Djinns' city of Daevabad that the story really gets started.
I'm still a little confused about the difference between djinn and Daeva; Daeva seem to be one of the tribes but also the name for the entire race, and some of them get offended at being called djinn but some of them don't? I'm not really sure about that distinction. There is a clear line between djinn and Ifrit, though - Ifrit are immensely powerful, immortal beings who refused to subject themselves to punishment many centuries ago. I'm not sure I actually see a downside to being Ifrit, other than the djinn all think they're evil. The Ifrit, however, are out to get Nahri, and Dara's not having any of THAT.
I love Dara - he's a fascinating character, with a violent, mysterious backstory. I'm very eager to read more about him and figure out exactly what's up with his background. Nahri is also awesome - a little arrogant, but by the end of the book she's starting to learn she might need help from those around her. Unfortunately, also by the end of the book she doesn't know who to trust. The naive djinn prince, Ali, is the third main character of the book, and while I can see him having an interesting story, his personality is still a little flat. Hopefully the second book will see advancement in all three of these characters' personalities.
And I can't WAIT for the second book! City of Brass didn't exactly end on a cliffhanger, but it did leave many questions unanswered and our main characters' fates uncertain. Unfortunately, I can't find any information on the sequel, just that it's being edited. No release date or title yet.
Read this book. It's fantastic.
You can find all my reviews at http://goddessinthestacks.wordpress.com
Debbiereadsbook (1185 KP) rated The Garden (Lavender Shores #2) in Books
Feb 28, 2018
excellent narration!
Independent reviewer for Archaeolibrarian, I was gifted both the ebook and audio file of this book.
This is book two in the series, but can be read as a stand alone. Andrew and Joel from book one take part here, and I loved that, but you don't need their story to follow this one.
Gilbert is in town for Andrew and Joel's engagement party. He fins solace in Walden, the man who catches his eye at the gym. But it will only ever be sex for Gilbert, right? He doesn't do relationships. Neither does Walden, but it creeps up on them both and neither wants to walk, or commit. But they both have a dark past. Can they overcome that??
I said in my review for book one, The Palisade, that I was looking forward to Gilbert's story, and I was not disappointed.
His past, the one he ran from town for, smacks him in the face every time he comes back to town. And he hates being in Lavender Shores for that reason. But he won't let Andrew, his best friend, down. Meeting Walden, and then discovering his profession, and then Gilbert STILL not being able to walk away, is a shock to his system. Walden's past has a darker undertone and one that could well have been a deal breaker but Gilbert is like...and??
I loved how both men fought hard against their feelings! Loved that they battled with their innermost desires and insecurities. Loved that they were able to overcome it all.
Again written in the first person, from both men. Because I KNEW this going in, I was aware and able to set my mind in the right place, cos lord knows, I say it often enough that i don't like first person books!! But because I KNEW that, I really did enjoy it. And you do get a better sense of the person in the first. Not sure I would have got it all from a third person book. huh. Check me out! Might actually be getting over it!
I've filed this on the Over 18 shelf, because there are some darker undertones, and some might find them difficult to read. Nothing is described in great detail, but you are told about them.
I have book three, The Veranda, to read shortly. That is Donovan's book, Gilbert's therapist. I loved their interaction here. I look forward to getting into Donovan's mind!
Creeping up to 4 stars
Audio Review
Kirt Graves continues to narrate this series. And he is growing on me!
He manages to get across things that I miss when reading, the depth of his emotions is powerful and comes across amazingly well. I do find, more and more, I'm enjoying LISTENING to first person books, and that can only be because of the outstanding narration of those books.
Graves voices for Gilbert and Walden are just what I heard in my head (do you do that? hear people talking in your head when you are reading?? ) when I read this book. When Joel and Andrew pop up, the voices are consistent from The Palisade. I had no trouble keeping up with multi person conversations.
When Walden tells Gilbert what he did, Graves manages to pull out all the stops and I cried at that bit! I knew it was coming, of course, but I wasn't prepared for it, actually hearing it in Walden's voice.
I cannot wait to see what Graves does with Donovan and Spencer (book3) but I'm especially keen to get my hands on Lamont and Tyler's story (book4)
4 stars for the book
5 stars for the narration
4.5 stars overall
**same worded review will appear elsewhere**
This is book two in the series, but can be read as a stand alone. Andrew and Joel from book one take part here, and I loved that, but you don't need their story to follow this one.
Gilbert is in town for Andrew and Joel's engagement party. He fins solace in Walden, the man who catches his eye at the gym. But it will only ever be sex for Gilbert, right? He doesn't do relationships. Neither does Walden, but it creeps up on them both and neither wants to walk, or commit. But they both have a dark past. Can they overcome that??
I said in my review for book one, The Palisade, that I was looking forward to Gilbert's story, and I was not disappointed.
His past, the one he ran from town for, smacks him in the face every time he comes back to town. And he hates being in Lavender Shores for that reason. But he won't let Andrew, his best friend, down. Meeting Walden, and then discovering his profession, and then Gilbert STILL not being able to walk away, is a shock to his system. Walden's past has a darker undertone and one that could well have been a deal breaker but Gilbert is like...and??
I loved how both men fought hard against their feelings! Loved that they battled with their innermost desires and insecurities. Loved that they were able to overcome it all.
Again written in the first person, from both men. Because I KNEW this going in, I was aware and able to set my mind in the right place, cos lord knows, I say it often enough that i don't like first person books!! But because I KNEW that, I really did enjoy it. And you do get a better sense of the person in the first. Not sure I would have got it all from a third person book. huh. Check me out! Might actually be getting over it!
I've filed this on the Over 18 shelf, because there are some darker undertones, and some might find them difficult to read. Nothing is described in great detail, but you are told about them.
I have book three, The Veranda, to read shortly. That is Donovan's book, Gilbert's therapist. I loved their interaction here. I look forward to getting into Donovan's mind!
Creeping up to 4 stars
Audio Review
Kirt Graves continues to narrate this series. And he is growing on me!
He manages to get across things that I miss when reading, the depth of his emotions is powerful and comes across amazingly well. I do find, more and more, I'm enjoying LISTENING to first person books, and that can only be because of the outstanding narration of those books.
Graves voices for Gilbert and Walden are just what I heard in my head (do you do that? hear people talking in your head when you are reading?? ) when I read this book. When Joel and Andrew pop up, the voices are consistent from The Palisade. I had no trouble keeping up with multi person conversations.
When Walden tells Gilbert what he did, Graves manages to pull out all the stops and I cried at that bit! I knew it was coming, of course, but I wasn't prepared for it, actually hearing it in Walden's voice.
I cannot wait to see what Graves does with Donovan and Spencer (book3) but I'm especially keen to get my hands on Lamont and Tyler's story (book4)
4 stars for the book
5 stars for the narration
4.5 stars overall
**same worded review will appear elsewhere**
Heather Cranmer (2721 KP) rated The Catastrophic History of You and Me in Books
Jun 7, 2018
(This review will be available on my blog <a href="http://themisadventuresofatwentysomething.blogspot.com/">The (Mis)Adventures of a Twenty-Soemthing Year Old Girl</a> from the middle of August).
I'd been wanting to read The Catastrophic History of You and Me by Jess Rothenberg for awhile now. I had found it cheap on Amazon and decided to buy it. Although it was a kind of good book, I wish I had seen if my library had it to borrow.
I don't really need to explain the synopsis in my words because the official one seems to describe what the book is about quite well. If I explain it, I'd just be saying the same thing, but not as good.
The title is a mouthful, but I like it. It's one of the first things that made me want to pick up this book. I do believe that the title fits this book perfectly!
The cover is what caught my eye the most! It is absolutely gorgeous! It's also a scene that appears in the book a few times.
The world building was done quite well, and I loved the setting! I love how when Brie dies, she's transported by bus to a pizza place she frequented quite a bit. There's something about that that I just found funny! There's only one time that I felt confused, but I don't want to say anything due to spoilers. Oh, and one more thing. Brie says her family called her by cheese nicknames due to her name. However, Patrick as well as other people she sees in the afterlife due that as well. However, I just don't think everyone would associate her name with cheese, nor would they be so blatant to tease her about it. Other then that, the world building is easy to imagine.
For about half of the book, the pacing seemed a bit slow to me. In fact, I was thinking about giving up on the book altogether. However, the second half picks up the pacing, and it becomes quite an enjoyable read from there on out..
I've always been interested in plots where someone dies and gets to look at their friends and family. Brie wants to get back at Jacob in the afterlife for breaking her heart. She sees the consequences, and we are left to wonder what Brie will do. We also find out Jacob's big secret which I didn't see coming. I also didn't see the other plot twist. I love being surprised!!
I started off liking Brie. She seemed like a really insecure but nice girl. However, I soon found her to be annoying and mean. I understand wanting revenge on someone who has hurt you, but what she did was really uncalled for. I also found her thought pattern to be really vicious and spiteful. I didn't like how she treated Patrick either. She tries to make amends, but it's just too little, too late for me. I did like Patrick and found him to be a rather sweet and friendly guy. The way he spoke sometimes annoyed me, but overall, he was very likable.
The dialogue was very easy to understand and flowed very well. Like I said, there were times I didn't like the way Patrick spoke, but that wasn't very often. I found it interesting to see how Brie's family and friends carried on without her. There's also some swearing in this book.
Overall, The Catastrophic History of You and Me started out a bit boring, but it got better. It turns out to be a sweet story with a moral to it, I believe.
I'd recommend this book to those age 14+ who are looking for a sweet read with a great message attached to it.
I'd give The Catastrophic History of You and Me by Jess Rothenberg a 3.5 out of 5.
I'd been wanting to read The Catastrophic History of You and Me by Jess Rothenberg for awhile now. I had found it cheap on Amazon and decided to buy it. Although it was a kind of good book, I wish I had seen if my library had it to borrow.
I don't really need to explain the synopsis in my words because the official one seems to describe what the book is about quite well. If I explain it, I'd just be saying the same thing, but not as good.
The title is a mouthful, but I like it. It's one of the first things that made me want to pick up this book. I do believe that the title fits this book perfectly!
The cover is what caught my eye the most! It is absolutely gorgeous! It's also a scene that appears in the book a few times.
The world building was done quite well, and I loved the setting! I love how when Brie dies, she's transported by bus to a pizza place she frequented quite a bit. There's something about that that I just found funny! There's only one time that I felt confused, but I don't want to say anything due to spoilers. Oh, and one more thing. Brie says her family called her by cheese nicknames due to her name. However, Patrick as well as other people she sees in the afterlife due that as well. However, I just don't think everyone would associate her name with cheese, nor would they be so blatant to tease her about it. Other then that, the world building is easy to imagine.
For about half of the book, the pacing seemed a bit slow to me. In fact, I was thinking about giving up on the book altogether. However, the second half picks up the pacing, and it becomes quite an enjoyable read from there on out..
I've always been interested in plots where someone dies and gets to look at their friends and family. Brie wants to get back at Jacob in the afterlife for breaking her heart. She sees the consequences, and we are left to wonder what Brie will do. We also find out Jacob's big secret which I didn't see coming. I also didn't see the other plot twist. I love being surprised!!
I started off liking Brie. She seemed like a really insecure but nice girl. However, I soon found her to be annoying and mean. I understand wanting revenge on someone who has hurt you, but what she did was really uncalled for. I also found her thought pattern to be really vicious and spiteful. I didn't like how she treated Patrick either. She tries to make amends, but it's just too little, too late for me. I did like Patrick and found him to be a rather sweet and friendly guy. The way he spoke sometimes annoyed me, but overall, he was very likable.
The dialogue was very easy to understand and flowed very well. Like I said, there were times I didn't like the way Patrick spoke, but that wasn't very often. I found it interesting to see how Brie's family and friends carried on without her. There's also some swearing in this book.
Overall, The Catastrophic History of You and Me started out a bit boring, but it got better. It turns out to be a sweet story with a moral to it, I believe.
I'd recommend this book to those age 14+ who are looking for a sweet read with a great message attached to it.
I'd give The Catastrophic History of You and Me by Jess Rothenberg a 3.5 out of 5.
Heather Cranmer (2721 KP) rated The Perks of Being a Wallflower in Books
Jun 6, 2018
(This review can be found on my blog <a href="http://themisadventuresofatwentysomething.blogspot.com">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>).
Okay, so I'd been wanting to read The Perks of Being a Wallflower by Stephen Chbosky since I heard about the film. Everyone went on about how great the book was, and I knew that I had to read it. There was one major thing that bothered me, but on the whole I loved it!
Charlie is a freshman in high school and is a little bit of a geek. This is the coming of age of Charlie as he writes letters to unknown friend. Together, we experience the highs and lows of one year of his life in which he does a lot of firsts and finds out some important information about himself.
I like the title of this book. I really do. Our main character is a big time wallflower, and he does discover that it has its perks. Therefore, the title really explains the books. I also think it's quite an original title and an interesting sounding one at that.
The cover of this book is quite simple yet it just kind of works. I think that if there would've been more on the cover, it would've lost its appeal.
Chbosky did an excellent job with the world building. Reading this book, it took me back to my high school days. I thought the author did a great job in capturing the essence of high school kids. I also love how the narration of the story was told through letters.
I thought the pacing was spot on. I would've finished this book in less than a day if real life hadn't have got in the way! I devoured every word, and I couldn't wait to find out what Charlie would experience next.
As for the dialogue, I thought it did sound like a bunch of teenagers talking to one another which is was supposed to. However, the way Charlie spoke bugged me a bit. His dialogue (both internally and to the other characters) made him sound like he was either really young or a bit slow. Perhaps this was done on purpose, and I'm missing the point completely. There are references to sex, drugs, and the like so please keep this in mind when deciding if this is the book for you as I know some people might not like reading about that. As for swear words, I think there may've been only one, but it wasn't a bad swear word.
As stated in the previous paragraph, I felt that the character of Charlie seemed to be either slow or really young. I'm not saying that he was a poorly written character because he wasn't. He just came across as too naive on most things to feel believable a lot of the time. He is meant to be 15 year old, yet he acts, speaks and thinks more like a 10 year old. Maybe this was just me, but that really bugged me! However, I did love Sam and Patrick. I loved how feminine and sweet Sam came across as, and I loved how big of a personality Patrick had. I would have to say that Patrick was probably my favourite character in the book.
The Perks of Being a Wallflower was definitely an enjoyable read for me. I think if Charlie would've acted more like his age, it would've been a tad bit better.
I'd recommend this book to everyone aged 14+ that enjoys reading about the ups and downs of life as well as those adults who want to remember their high school years.
Okay, so I'd been wanting to read The Perks of Being a Wallflower by Stephen Chbosky since I heard about the film. Everyone went on about how great the book was, and I knew that I had to read it. There was one major thing that bothered me, but on the whole I loved it!
Charlie is a freshman in high school and is a little bit of a geek. This is the coming of age of Charlie as he writes letters to unknown friend. Together, we experience the highs and lows of one year of his life in which he does a lot of firsts and finds out some important information about himself.
I like the title of this book. I really do. Our main character is a big time wallflower, and he does discover that it has its perks. Therefore, the title really explains the books. I also think it's quite an original title and an interesting sounding one at that.
The cover of this book is quite simple yet it just kind of works. I think that if there would've been more on the cover, it would've lost its appeal.
Chbosky did an excellent job with the world building. Reading this book, it took me back to my high school days. I thought the author did a great job in capturing the essence of high school kids. I also love how the narration of the story was told through letters.
I thought the pacing was spot on. I would've finished this book in less than a day if real life hadn't have got in the way! I devoured every word, and I couldn't wait to find out what Charlie would experience next.
As for the dialogue, I thought it did sound like a bunch of teenagers talking to one another which is was supposed to. However, the way Charlie spoke bugged me a bit. His dialogue (both internally and to the other characters) made him sound like he was either really young or a bit slow. Perhaps this was done on purpose, and I'm missing the point completely. There are references to sex, drugs, and the like so please keep this in mind when deciding if this is the book for you as I know some people might not like reading about that. As for swear words, I think there may've been only one, but it wasn't a bad swear word.
As stated in the previous paragraph, I felt that the character of Charlie seemed to be either slow or really young. I'm not saying that he was a poorly written character because he wasn't. He just came across as too naive on most things to feel believable a lot of the time. He is meant to be 15 year old, yet he acts, speaks and thinks more like a 10 year old. Maybe this was just me, but that really bugged me! However, I did love Sam and Patrick. I loved how feminine and sweet Sam came across as, and I loved how big of a personality Patrick had. I would have to say that Patrick was probably my favourite character in the book.
The Perks of Being a Wallflower was definitely an enjoyable read for me. I think if Charlie would've acted more like his age, it would've been a tad bit better.
I'd recommend this book to everyone aged 14+ that enjoys reading about the ups and downs of life as well as those adults who want to remember their high school years.
<a href="http://fuzzysparrow.tumblr.com/post/101435382283/review">October 2014 Book of the Month</a>
<i>I received this book for free through Goodreads First Reads.</i>
It has been over twenty years since Lois Lowry’s controversial children’s story <i>The Giver</i> was published and it certainly deserves its status as an essential modern classic. Jonas has grown up in the perfect world of the Community whose survival relies on strict rules and rituals. Adults are assigned spouses and children (one boy and one girl) as they take up their role within the society. At the beginning of the book Jonas is approaching then end of his eleventh year and feeling apprehensive about the Ceremony of Twelve where he will be assigned a job for him to do for the rest of his adult life. Jonas gets selected as the Receiver of Memory – a very rare position – and begins to experience memories from humans who lived a long time ago. For Jonas this is exciting until he begins to see the flaws in his perfect world.
Dystopian literature has become popular over the past few years and it would not be surprising if it were <i>The Giver</i> that inspired these contemporary works. Lowry claims that she did not intend for The Giver to have a sinister feel about it; she was writing an adventure story and exploring the concept of the importance of memory, but it turned out to be something much more thought provoking. As the children’s novelist Margaret Mahy (<i>The Haunting</i>) pointed out, up until the publication of this novel in 1993 Lowry was best known for her funny stories about Anastasia Krupnik resulting in <i>The Giver</i> being even more shocking and unexpected.
<i>The Giver</i> highlights that attempting to produce perfection can often result in the loss of good things as well as the bad. The notion of the ideal world may seem like a wonderful proposal, but in order to achieve it humans would have to do away with free choice as in ironing out the inequalities and injustices of the present world would result in everything becoming the same for each individual.
This is a difficult concept to grasp, particularly for a child. Although intended as a children’s series, <i>The Giver</i> and its following installments are more suitable for young adults and older. The only issue with this is that the writing style was target at a younger audience meaning that the overall story is short and lacks depth. If it were to have been written for older readers then there would have been the scope for it to become a much lengthier novel.
There are a lot of mixed reviews surrounding this book although they have changed greatly since the original publication. To begin with <i>The Giver</i> was banned in some areas however the dystopian theme has become accepted in today’s society. What many people comment on now is the oversimplification of such strong ideas. Then again, as already mentioned, it needs to be emphasized that this book was aimed at children, thus the language reflects the reading skills of its target audience.
<i>The Giver</i> is a gem of a book that not only is enjoyable but also can educate the reader on the dangers of attempting a utopian society and why it is important to retain human memories – even the bad – in order that wisdom can exist. Those who have become fans of contemporary dystopian novels, for example <i>Divergent</i> by Veronica Roth or <i>Delirium</i> by Lauren Oliver, will be sure to love this series.
<i>I received this book for free through Goodreads First Reads.</i>
It has been over twenty years since Lois Lowry’s controversial children’s story <i>The Giver</i> was published and it certainly deserves its status as an essential modern classic. Jonas has grown up in the perfect world of the Community whose survival relies on strict rules and rituals. Adults are assigned spouses and children (one boy and one girl) as they take up their role within the society. At the beginning of the book Jonas is approaching then end of his eleventh year and feeling apprehensive about the Ceremony of Twelve where he will be assigned a job for him to do for the rest of his adult life. Jonas gets selected as the Receiver of Memory – a very rare position – and begins to experience memories from humans who lived a long time ago. For Jonas this is exciting until he begins to see the flaws in his perfect world.
Dystopian literature has become popular over the past few years and it would not be surprising if it were <i>The Giver</i> that inspired these contemporary works. Lowry claims that she did not intend for The Giver to have a sinister feel about it; she was writing an adventure story and exploring the concept of the importance of memory, but it turned out to be something much more thought provoking. As the children’s novelist Margaret Mahy (<i>The Haunting</i>) pointed out, up until the publication of this novel in 1993 Lowry was best known for her funny stories about Anastasia Krupnik resulting in <i>The Giver</i> being even more shocking and unexpected.
<i>The Giver</i> highlights that attempting to produce perfection can often result in the loss of good things as well as the bad. The notion of the ideal world may seem like a wonderful proposal, but in order to achieve it humans would have to do away with free choice as in ironing out the inequalities and injustices of the present world would result in everything becoming the same for each individual.
This is a difficult concept to grasp, particularly for a child. Although intended as a children’s series, <i>The Giver</i> and its following installments are more suitable for young adults and older. The only issue with this is that the writing style was target at a younger audience meaning that the overall story is short and lacks depth. If it were to have been written for older readers then there would have been the scope for it to become a much lengthier novel.
There are a lot of mixed reviews surrounding this book although they have changed greatly since the original publication. To begin with <i>The Giver</i> was banned in some areas however the dystopian theme has become accepted in today’s society. What many people comment on now is the oversimplification of such strong ideas. Then again, as already mentioned, it needs to be emphasized that this book was aimed at children, thus the language reflects the reading skills of its target audience.
<i>The Giver</i> is a gem of a book that not only is enjoyable but also can educate the reader on the dangers of attempting a utopian society and why it is important to retain human memories – even the bad – in order that wisdom can exist. Those who have become fans of contemporary dystopian novels, for example <i>Divergent</i> by Veronica Roth or <i>Delirium</i> by Lauren Oliver, will be sure to love this series.