Smashbomb

"I’m as influenced by contemporary filmmakers as I am by past filmmakers, so for me it was important to put two of them on here. The two films that my crew, my cinematographer, and I talk about when we’re going out to shoot are The Secret of the Grain and Fish Tank. They’re reference points for us. The lived-in intimacy of The Secret of the Grain and those two dinner sequences! The story is great, it’s fun, it’s engaging, but those dinner scenes are moments that have touched me very much. I felt, for the first time, that I was truly living with people I didn’t know. The film has these ongoing dialogue scenes that just feel so natural, even though they’re constructed, and those kinds of scenes set the bar for what cinema can do. Fish Tank I love because I love Andrea Arnold, and I can relate to this young protagonist who isn’t so goal-oriented. It’s not like she’s got a mission. She’s just trying to grow up, and she’s as confused about her life situation as anyone else. And it leads her to make some bad decisions, but ultimately we really like her because we know what she’s going through. She’s never presented as someone who we need to decide whether or not she’s likable. There’s an ambiguity to her presentation—you’re just letting her be herself. To me, it’s one of the great examples in modern cinema where a director casts someone and lets the person take over the role, as opposed to tailoring the person to the role as written. I think the movie benefits from that, and everyone around her just falls into her world. Michael Fassbender—you’ve never seen him like that, not because he’s better than he’s ever been, but because he’s forced to deal with the energy of this girl who’s just being herself. So this is just one of those movies I have to keep showing to people who haven’t seen it and have to keep watching to remember that representation of that girl, which is as good as anything I’ve seen in modern cinema."

Source

Kudos

Gareth von Kallenbach (980 KP) rated Patriots Day (2016) in Movies

Jul 12, 2019

Patriots Day (2016)

2016 | Crime, Drama, Thriller

7.9

(28 Ratings)

Movie Rating

There are events in history that are burned into our memories. The attack on Pearl Harbor, JFK assassination, Challenger explosion, Oklahoma City bombing, and 9/11 stand out as moments when their respective generations ask “where were you when?” The same can be said with the Boston Marathon bombing of 2013. In Patriot’s Day we bear witness to the various people involved with the events that unfolded during that week. We are reminded of the tension and fear that the nation experienced as law enforcement tried to find those responsible. The film reopens a wound that has just begun to heal so that we are reminded of the vulnerability that everyone, from every walk of life has to terrorism and acts of violence.

Patriot’s Day stars Mark Wahlberg as a police officer and native Bostonian who is placed on duty for the Boston Marathon. The film is not about him or his personal experience. Rather, the film is more about the myriad of individuals who witness or fall victim to the attack that day. Unlike similar films that deal with the topic of terrorism, the film does not focus on the effect the events have on one or two people. The film is complex and demonstrates the circumstances of the attack, the investigation, the apprehension, and the personal experiences through a variety of voices and faces. The film makes the experience personal and does not depend on sensationalism to sell the story.

The film will captivate those that see it in being able to learn more about the individuals involved or who fell victim. It is also remarkable in its ability to weave the storytelling so that each player has a strong development before their portion of the tale is fully realized. It allows for an appreciation of the individuals involved and demonstrates that they are more than just names in a report. Patriot’s Day is a film that will open wounds for those who witnessed and experienced the events first-hand, but allows for those who have little to no memory of that week to delve deeper into the way that the events played out and truly understand the manner in which the city of Boston went from hurting, to healing, to being strong.

Kudos

Awix (3310 KP) rated Star Inspector (Zvyozdniy inspektor) (1980) in Movies

May 26, 2019 (Updated May 26, 2019)

Borderline-unwatchable Soviet-era sci-fi film, also known as Space Cop (according to the subtitles on the version I saw, anyway). The reappearance of a ship thought lost in space, and an attack on Space Police HQ, results in a patrol spaceship being sent to investigate, the search leading to one of those planets which looks suspiciously like a quarry. What ensues there is a joyless, repetitive trudge.

Feels like one of those films made by people who've had sci-fi explained to them over the phone, but who have no first-hand familiarity with the genre, or indeed much familiarity with storytelling in general. This is before we get to the primitive production values, the aspects of the story which don't travel well (the villains are a trio named Doug, Marge, and Steve), or the heavy reliance on technobabble plot devices. Has the general feel of an episode of Space 1999. There are some interesting psychedelic visuals on display, and the special effects are often amusing (this was not the intention), but this is grim stuff for the most part.