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Gareth von Kallenbach (980 KP) rated Last Flag Flying (2017) in Movies
Jul 11, 2019
The true cost of war goes beyond the numbers of the dead and wounded that we see in textbooks, lectures, and in news reports. Each number represents a person who either perished or was injured. We overlook the extended impact that this loss of life or experience has on their families and friends. Even more, we often overlook the lasting impact that warfare has on the men and women exposed to it.
In Last Flag Flying Steve Carell (The Office, 40-Year-Old Virgin), Brian Cranston (Breaking Bad), and Laurence Fishburne (The Matrix) play veterans who reunite thirty years after serving together in Vietnam to bury one of their sons who has been killed in Iraq. Doc (Steve Carell) tracks down his friends in order to find some closure as to events they faced in their past and to find some sanity and clarity in the death of his son.
The film brings home the horror of war and demonstrates how men and women, out of a sense of duty, find themselves in the same situation as previous generations as they left home to serve their nation. The film is uncomfortable, with good reason, as it makes audiences reflect on the meaning of sacrifice, duty, and honor. The three characters offer the film the opportunity to demonstrate the contrast between youth and experience. It demonstrates how people can have the same experiences but are changed by it to varying degrees. Nothing is uniform about how they adapt to their experiences or in how they cope with the horrors they witnessed.
Last Flag Flying offers a much-needed, sobering perspective about war and how the experiences of war never quite leave those who survived. Carell, Cranston, and Fishburne offer up performances that demonstrate the power of friendship and brotherhood that forms for those who serve together. For those who served and those who haven’t, the film offers audiences the ability to gain a greater understanding of what life is like for those men and women once they take off the uniform.
In Last Flag Flying Steve Carell (The Office, 40-Year-Old Virgin), Brian Cranston (Breaking Bad), and Laurence Fishburne (The Matrix) play veterans who reunite thirty years after serving together in Vietnam to bury one of their sons who has been killed in Iraq. Doc (Steve Carell) tracks down his friends in order to find some closure as to events they faced in their past and to find some sanity and clarity in the death of his son.
The film brings home the horror of war and demonstrates how men and women, out of a sense of duty, find themselves in the same situation as previous generations as they left home to serve their nation. The film is uncomfortable, with good reason, as it makes audiences reflect on the meaning of sacrifice, duty, and honor. The three characters offer the film the opportunity to demonstrate the contrast between youth and experience. It demonstrates how people can have the same experiences but are changed by it to varying degrees. Nothing is uniform about how they adapt to their experiences or in how they cope with the horrors they witnessed.
Last Flag Flying offers a much-needed, sobering perspective about war and how the experiences of war never quite leave those who survived. Carell, Cranston, and Fishburne offer up performances that demonstrate the power of friendship and brotherhood that forms for those who serve together. For those who served and those who haven’t, the film offers audiences the ability to gain a greater understanding of what life is like for those men and women once they take off the uniform.
Synopsis: RENEWED is a devotional providing healing for those in ministry who have been hurt in the church.
Ministry is a privilege, but it can also be a painful experience. Unrealistic expectations, church conflict, forced resignations, and our own struggles with burnout, loneliness, and insecurity can make church feel more like a place of wounding than a place of healing. How can wounded leaders find the courage to reject bitterness and keep loving the church?
RENEWED is a forty-day devotional for women in ministry, ministry wives, and lay leaders who have been wounded by their congregations. You are not alone. God sees your pain. He knows your hurts. And he is waiting to bind up your broken heart. This forty-day journey into the healing love of Jesus will help you find the courage to stop hiding and start loving the church again.
My Review: Working in ministry can be hard, complex and difficult at times. Leigh has done an impressive job of putting in perspective what happens in ministry. Churches are built up of people and personalities; so there will be times of conflicts, difficult people and those who wish to oppose ideas in your ministry.
This book of devotions will help those in ministry learn to turn to God and His word for comfort and understanding. There are topics of lamenting, forgiveness, learning to lean on Him in rough times and just giving it all to Him.
This is a must-have book for anyone in ministry, especially for pastor's wives so they will know what they are going to be facing when they take on the role of Pastor's Wife and knowing that they aren't the only one experiencing those certain situations; it's comforting knowing that you aren't the only one.
This would make a lovely gift for any women in ministry, I have truly enjoyed this book and found it very useful in my life.
received this book free from the publisher. I was not required to write a positive review and the opinions I have expressed are my own. I am disclosing this in accordance with the Federal Trade Commission’s 16 CFR, Part 255 : “Guides Concerning the Use of Endorsements and Testimonials in Advertising.
Ministry is a privilege, but it can also be a painful experience. Unrealistic expectations, church conflict, forced resignations, and our own struggles with burnout, loneliness, and insecurity can make church feel more like a place of wounding than a place of healing. How can wounded leaders find the courage to reject bitterness and keep loving the church?
RENEWED is a forty-day devotional for women in ministry, ministry wives, and lay leaders who have been wounded by their congregations. You are not alone. God sees your pain. He knows your hurts. And he is waiting to bind up your broken heart. This forty-day journey into the healing love of Jesus will help you find the courage to stop hiding and start loving the church again.
My Review: Working in ministry can be hard, complex and difficult at times. Leigh has done an impressive job of putting in perspective what happens in ministry. Churches are built up of people and personalities; so there will be times of conflicts, difficult people and those who wish to oppose ideas in your ministry.
This book of devotions will help those in ministry learn to turn to God and His word for comfort and understanding. There are topics of lamenting, forgiveness, learning to lean on Him in rough times and just giving it all to Him.
This is a must-have book for anyone in ministry, especially for pastor's wives so they will know what they are going to be facing when they take on the role of Pastor's Wife and knowing that they aren't the only one experiencing those certain situations; it's comforting knowing that you aren't the only one.
This would make a lovely gift for any women in ministry, I have truly enjoyed this book and found it very useful in my life.
received this book free from the publisher. I was not required to write a positive review and the opinions I have expressed are my own. I am disclosing this in accordance with the Federal Trade Commission’s 16 CFR, Part 255 : “Guides Concerning the Use of Endorsements and Testimonials in Advertising.
Jonas Carpignano recommended The Secret Garden (1993) in Movies (curated)
Jonas Carpignano recommended Fish Tank (2010) in Movies (curated)
Gareth von Kallenbach (980 KP) rated Patriots Day (2016) in Movies
Jul 12, 2019
There are events in history that are burned into our memories. The attack on Pearl Harbor, JFK assassination, Challenger explosion, Oklahoma City bombing, and 9/11 stand out as moments when their respective generations ask “where were you when?” The same can be said with the Boston Marathon bombing of 2013. In Patriot’s Day we bear witness to the various people involved with the events that unfolded during that week. We are reminded of the tension and fear that the nation experienced as law enforcement tried to find those responsible. The film reopens a wound that has just begun to heal so that we are reminded of the vulnerability that everyone, from every walk of life has to terrorism and acts of violence.
Patriot’s Day stars Mark Wahlberg as a police officer and native Bostonian who is placed on duty for the Boston Marathon. The film is not about him or his personal experience. Rather, the film is more about the myriad of individuals who witness or fall victim to the attack that day. Unlike similar films that deal with the topic of terrorism, the film does not focus on the effect the events have on one or two people. The film is complex and demonstrates the circumstances of the attack, the investigation, the apprehension, and the personal experiences through a variety of voices and faces. The film makes the experience personal and does not depend on sensationalism to sell the story.
The film will captivate those that see it in being able to learn more about the individuals involved or who fell victim. It is also remarkable in its ability to weave the storytelling so that each player has a strong development before their portion of the tale is fully realized. It allows for an appreciation of the individuals involved and demonstrates that they are more than just names in a report. Patriot’s Day is a film that will open wounds for those who witnessed and experienced the events first-hand, but allows for those who have little to no memory of that week to delve deeper into the way that the events played out and truly understand the manner in which the city of Boston went from hurting, to healing, to being strong.
Patriot’s Day stars Mark Wahlberg as a police officer and native Bostonian who is placed on duty for the Boston Marathon. The film is not about him or his personal experience. Rather, the film is more about the myriad of individuals who witness or fall victim to the attack that day. Unlike similar films that deal with the topic of terrorism, the film does not focus on the effect the events have on one or two people. The film is complex and demonstrates the circumstances of the attack, the investigation, the apprehension, and the personal experiences through a variety of voices and faces. The film makes the experience personal and does not depend on sensationalism to sell the story.
The film will captivate those that see it in being able to learn more about the individuals involved or who fell victim. It is also remarkable in its ability to weave the storytelling so that each player has a strong development before their portion of the tale is fully realized. It allows for an appreciation of the individuals involved and demonstrates that they are more than just names in a report. Patriot’s Day is a film that will open wounds for those who witnessed and experienced the events first-hand, but allows for those who have little to no memory of that week to delve deeper into the way that the events played out and truly understand the manner in which the city of Boston went from hurting, to healing, to being strong.
Awix (3310 KP) rated Star Inspector (Zvyozdniy inspektor) (1980) in Movies
May 26, 2019 (Updated May 26, 2019)
Borderline-unwatchable Soviet-era sci-fi film, also known as Space Cop (according to the subtitles on the version I saw, anyway). The reappearance of a ship thought lost in space, and an attack on Space Police HQ, results in a patrol spaceship being sent to investigate, the search leading to one of those planets which looks suspiciously like a quarry. What ensues there is a joyless, repetitive trudge.
Feels like one of those films made by people who've had sci-fi explained to them over the phone, but who have no first-hand familiarity with the genre, or indeed much familiarity with storytelling in general. This is before we get to the primitive production values, the aspects of the story which don't travel well (the villains are a trio named Doug, Marge, and Steve), or the heavy reliance on technobabble plot devices. Has the general feel of an episode of Space 1999. There are some interesting psychedelic visuals on display, and the special effects are often amusing (this was not the intention), but this is grim stuff for the most part.
Feels like one of those films made by people who've had sci-fi explained to them over the phone, but who have no first-hand familiarity with the genre, or indeed much familiarity with storytelling in general. This is before we get to the primitive production values, the aspects of the story which don't travel well (the villains are a trio named Doug, Marge, and Steve), or the heavy reliance on technobabble plot devices. Has the general feel of an episode of Space 1999. There are some interesting psychedelic visuals on display, and the special effects are often amusing (this was not the intention), but this is grim stuff for the most part.
When the Hills Ask for Your Blood: a Personal Story of Genocide and Rwanda
Book
"Tremendous. A moving and haunting tribute to the human spirit." (William Boyd). Into the heart of a...