"Andrei Tarkovsky. Again, incredibly… I mean, all these films are extremely influential to my own moviemaking, and they were the kinds of movies that just spun me around. I couldn’t compare them with anything else I’d seen at the time. And Stalker was definitely one of those. There was a sense of pace that I’d never experienced in a film before, such a wonderful sustained atmosphere, and then just this incredible metaphysical story. I think it’s still one of the great science fiction movies, and it’s so philosophical and yet so visual. The philosophical ideas are conveyed in terms of pure cinema and visuals as opposed to people talking. Quite a skill, I have to say."

"Super influential record for the new wave of British heavy metal. Super influential record for Megadeth and Metallica. That was one of those records that everyone should listen to but not a lot of people know about. I think the beauty of it is the simplicity of the British riffing and the general approach to the music. I'm sad to have seen the band fall apart from its classic line-up although I don't know that they were necessarily prepared for greatness, if I can put it that way without being offensive. They were heralded to be the next Led Zeppelin and I get it. But I think internal problems started around when Canterbury came out in 1983."

"And then I would say second would be Lars and the Real Girl by Craig Gillepsie. You read the log line and you’re like, “Huh, blow-up doll. Interesting.” But then, the whole movie is really talking about everybody’s desperate need for community. We’re not made to be isolated; we’re not made to be alone. And also how the town embraces the doll. There’s even one time when Ryan Gosling had to let the doll go, and the whole town came and sat in his living room, and they didn’t say anything. Many times, in those kinds of death scenes, people have a lot of talking, but they just kind of sat there with him. I loved that"