"That to me is the most romantic film of all time, and it makes me cry whenever I watch it. I think that I can credit that film for my hairstyle on Seinfeld back in the day, because I thought Helena Bonham Carter was so exquisite – because she was. And those costumes and that love story, which was so restrained, which made it feel so much more romantic. It’s a very moving story about the love between two people, and I just adored it. And Daniel Day-Lewis gave the most remarkably comedic performance. If you go back and watch that film, which I encourage you to do because it truly holds up – I watched it recently and I was bawling my eyes out – but Daniel Day-Lewis is so f–king funny."

"When I was at school, Raymond Pettibon was one of my favourite artists. I'm not into comic books and I don't really like comic book artwork for records and some people probably would describe Raymond Pettibon in that style. And yet despite that, he just has something else. He has ideas. That particular picture on the cover of Goo was an image I was familiar with before I even knew who Sonic Youth were, which is probably a bit unusual. I came across it in one of his books. As a sixteen-year-old there were so many of his images, especially when those images included text, that really sparked off my thoughts. I found them really evocative. Sonic Youth are obviously a brilliant band but I only came to learn that a lot later."

"This could possibly be my favourite ever album. I first heard it through Adrian's dad, who's a massive music…I was going to say "freak", but let's say "fan" [laughs]. He's one of those people whose passion for music is relentless. This reminds me of the early days of the band being together, and we all fell in love with it together. And what I love most about it is that every time I go back to it, it's like I haven't finished with it. It's so layered in its music and its storytelling – there's so much going on. I feel like I'm going on a different adventure every time I listen to it. It's like this ever-changing kaleidoscope of colours to get lost in. That's a perfect record to me.
"

"First, One Flew Over the Cuckoo’s Nest was very important to me. I probably saw that when I was 12 or 13. I really loved acting, and it was the first thing I had ever seen, it felt like, on film where acting just felt alive in a way that I had never seen before. I couldn’t believe how free and chaotic and amazing and human it all felt. Those therapy scenes are just so incredible and special. To be able to have a scene of 15 people where no one is taking you out of it and everyone just seems very vivid. It was scary to me how alive it was but very, very exciting. It just felt like, what an incredible thing it would be to be a part of that."

"This is in no particular order, but Private Benjamin. That, I think, is a perfectly made comedy. I usually stop watching when she gets together with Armand Assante, not that I have anything against it, but for me, the movie’s over. [laughs] I thought Goldie Hawn was great, and the people who play her parents, those secondary characters whose names escape me now, do some incredible work. Albert Brooks – I just saw Private Benjamin again for the first time in four or five years a couple of months ago – he is amazing, he is so good. He’s only in the first couple of scenes, and he plays her husband and he has a heart attack on the night of their wedding reception. But it’s a great comic performance by Goldie Hawn."