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Emma @ The Movies (1786 KP) rated The Sun Is Also A Star (2019) in Movies
Jun 20, 2020
At some point I may get bored of YA adaptations that throw two young people together with a bit of adversity. I'm not saying that this wasn't good but there are other typed of YA books out there that could be done.
After years living in the US, Natasha and her family are a day away from being deported back to Jamaica. She's determined to find a way to have them stay so instead of packing she's off to make one last attempt to stay in the city she loves.
Daniel is about to have the biggest interview of his life, his whole future is resting on it, but he throws all thoughts of it aside when he sees Natasha looking up in a crowd of people ignoring the world. She's a beautiful anomaly in his life and he needs to find her no matter the consequences.
Circumstances bring the two together and Daniel manages to convince her that even an hour with him could change their lives forever.
When I write it down like that the story doesn't sound quite so... magical? Man sees attractive young woman and attempts to stalk her... yeah, slightly creepy, but thankfully the film doesn't feel like that.
Nicola Yoon is two for two with her novels (the first being Everything, Everything) and we've got another lovely film in The Sun Is Also A Star. Of course it's yet another book I haven't read, if only there were a few more hours of leisure time in our lives.
Thinking back on this I find the timeline for the film a little confusing, which is strange considering you know that the majority happens over the space of two days. Perhaps it's because it's a little far fetched, perhaps it's also because they're constantly going from place to place and it seems like more than just a day's worth of activity.
Natasha is played by Yara Shahidi, the only thing I know her from recently is Black-ish, which I love. I had reservations about this casting, actors going from long-running shows into films doesn't always end well, partly because of the different acting style needed and partly from my side and being very familiar with their character. I shouldn't have worried, she does a great job with this role, and it's nice to see a character that doesn't have a typical backstory.
The same can be said for Daniel, played by Riverdale's Charles Melton. Watching his struggle with the path of his life is really interesting and I liked the small flashback to where everything was decided. If we ignore the creepiness of the couple's meeting then Daniel is a nice down to earth character and Melton strikes a nice balance between his home life and his actual life around people he knows.
Together they make a captivating couple on screen, and I like how they're each other's support even though they don't know that much about each other. They have great chemistry and that definitely boosted the enjoyment of the film.
I hardly made any notes when watching this, those that I did were about the nice use of voiceovers (that sounded very much like nature documentary), some good songs at the beginning, and then the intriguing and nice way they ended it. It's an enjoyable watch but I think it's come at the wrong end of the YA adaptation trend, everything is very similar despite having some individual charm.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/08/the-sun-is-also-star-movie-review.html
After years living in the US, Natasha and her family are a day away from being deported back to Jamaica. She's determined to find a way to have them stay so instead of packing she's off to make one last attempt to stay in the city she loves.
Daniel is about to have the biggest interview of his life, his whole future is resting on it, but he throws all thoughts of it aside when he sees Natasha looking up in a crowd of people ignoring the world. She's a beautiful anomaly in his life and he needs to find her no matter the consequences.
Circumstances bring the two together and Daniel manages to convince her that even an hour with him could change their lives forever.
When I write it down like that the story doesn't sound quite so... magical? Man sees attractive young woman and attempts to stalk her... yeah, slightly creepy, but thankfully the film doesn't feel like that.
Nicola Yoon is two for two with her novels (the first being Everything, Everything) and we've got another lovely film in The Sun Is Also A Star. Of course it's yet another book I haven't read, if only there were a few more hours of leisure time in our lives.
Thinking back on this I find the timeline for the film a little confusing, which is strange considering you know that the majority happens over the space of two days. Perhaps it's because it's a little far fetched, perhaps it's also because they're constantly going from place to place and it seems like more than just a day's worth of activity.
Natasha is played by Yara Shahidi, the only thing I know her from recently is Black-ish, which I love. I had reservations about this casting, actors going from long-running shows into films doesn't always end well, partly because of the different acting style needed and partly from my side and being very familiar with their character. I shouldn't have worried, she does a great job with this role, and it's nice to see a character that doesn't have a typical backstory.
The same can be said for Daniel, played by Riverdale's Charles Melton. Watching his struggle with the path of his life is really interesting and I liked the small flashback to where everything was decided. If we ignore the creepiness of the couple's meeting then Daniel is a nice down to earth character and Melton strikes a nice balance between his home life and his actual life around people he knows.
Together they make a captivating couple on screen, and I like how they're each other's support even though they don't know that much about each other. They have great chemistry and that definitely boosted the enjoyment of the film.
I hardly made any notes when watching this, those that I did were about the nice use of voiceovers (that sounded very much like nature documentary), some good songs at the beginning, and then the intriguing and nice way they ended it. It's an enjoyable watch but I think it's come at the wrong end of the YA adaptation trend, everything is very similar despite having some individual charm.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/08/the-sun-is-also-star-movie-review.html
TravelersWife4Life (31 KP) rated Dust (Heirs of Neverland, #1) in Books
Feb 24, 2021
<a href="https://travelingwife4life.wordpress.com/2020/08/05/the-dust-celebrate-lit/">Travelers Wife 4 Life</a>
Wholly Guacamole was this a captivating book! Take it from someone who was pretty indifferent to the tale of Peter Pan and his adventures before this book, that you will be immersed in a world full of life, dreams, and the pursuit of finding a family. This is Kara Swanson’s first book in her Heirs of Neverland series, and I already can not wait to get my hands on the second book! Dust was AMAZING!
<b>“Play it safe, you mean. I’ve never wanted to be safe Lily. I want to stop hook and save Neverland- even if that means a bit of danger. A smirk tugs at my lips. “Especially if it means danger.”- Peter Pan</b>
The characters in this story were unlike any I have encountered before. They were very real and raw, talking about issues outside of the realm of make-believe and “Magic”, and dealing with them in very lifelike ways. The characters do not fit the mold for Peter Pan and his gang, which I thoroughly loved. Peter had such growth through the story that it was almost tangible. Claire was dreamlike and I enjoyed seeing her unique perspective of Peter and Tiger Lily. I believe Claire is a very relatable character and I am so excited to see where Kara Swanson leads her in the next book. Plus, I loved the hint of romance between Claire and Peter; I am a sucker for a sweet coming of age romance. Both main characters show tremendous growth by the end of the story, Peter maybe a new favorite of mine in terms of character growth and self-reflection.
<b>“His whole face lights up with delight, like a child inviting a grown-up to see a new creation they’ve made. He’s inviting me into his world.” – Claire</b>
The setting for this book is partially the US and then moves to London, which is to be expected; I mean how can you tell the story of Peter Pan without Big Ben? It flows beautifully with Kara Swanson’s edgier tale of Peter and the Lost Boys. From dancing fairies to the feeling of gliding through the air Kara Swanson describes the actions and emotions of the characters in vivid detail making me feel like I was gliding alongside Peter ready for any adventure to come our way. I truly enjoyed this tale and cannot express my anticipation for the next book in the series to release!
I give this book 5 out of 5 stars for the amazing characters, the great twist on a classic tale, and for making me like the story of Peter Pan and the adventures of Lost Boys. I will definitely be reading my kids this story someday, much better than even the original!
<b>“You were created for more than to bear the weight of your shadows- but you have to choose to no longer let them define you. You have to choose to let the light shine through the shattered pieces.” – Tiger Lilly</b>
I could go on forever quoting this book…so you can check out my <a href="https://www.instagram.com/travelerswife4life/">IG</a>; or <a href="https://twitter.com/TravelersWife4L">Twittert</a>; for some more amazing quotes!
*I volunteered to read this book in return for my honest feedback. The thoughts and opinions expressed within are my own.
Wholly Guacamole was this a captivating book! Take it from someone who was pretty indifferent to the tale of Peter Pan and his adventures before this book, that you will be immersed in a world full of life, dreams, and the pursuit of finding a family. This is Kara Swanson’s first book in her Heirs of Neverland series, and I already can not wait to get my hands on the second book! Dust was AMAZING!
<b>“Play it safe, you mean. I’ve never wanted to be safe Lily. I want to stop hook and save Neverland- even if that means a bit of danger. A smirk tugs at my lips. “Especially if it means danger.”- Peter Pan</b>
The characters in this story were unlike any I have encountered before. They were very real and raw, talking about issues outside of the realm of make-believe and “Magic”, and dealing with them in very lifelike ways. The characters do not fit the mold for Peter Pan and his gang, which I thoroughly loved. Peter had such growth through the story that it was almost tangible. Claire was dreamlike and I enjoyed seeing her unique perspective of Peter and Tiger Lily. I believe Claire is a very relatable character and I am so excited to see where Kara Swanson leads her in the next book. Plus, I loved the hint of romance between Claire and Peter; I am a sucker for a sweet coming of age romance. Both main characters show tremendous growth by the end of the story, Peter maybe a new favorite of mine in terms of character growth and self-reflection.
<b>“His whole face lights up with delight, like a child inviting a grown-up to see a new creation they’ve made. He’s inviting me into his world.” – Claire</b>
The setting for this book is partially the US and then moves to London, which is to be expected; I mean how can you tell the story of Peter Pan without Big Ben? It flows beautifully with Kara Swanson’s edgier tale of Peter and the Lost Boys. From dancing fairies to the feeling of gliding through the air Kara Swanson describes the actions and emotions of the characters in vivid detail making me feel like I was gliding alongside Peter ready for any adventure to come our way. I truly enjoyed this tale and cannot express my anticipation for the next book in the series to release!
I give this book 5 out of 5 stars for the amazing characters, the great twist on a classic tale, and for making me like the story of Peter Pan and the adventures of Lost Boys. I will definitely be reading my kids this story someday, much better than even the original!
<b>“You were created for more than to bear the weight of your shadows- but you have to choose to no longer let them define you. You have to choose to let the light shine through the shattered pieces.” – Tiger Lilly</b>
I could go on forever quoting this book…so you can check out my <a href="https://www.instagram.com/travelerswife4life/">IG</a>; or <a href="https://twitter.com/TravelersWife4L">Twittert</a>; for some more amazing quotes!
*I volunteered to read this book in return for my honest feedback. The thoughts and opinions expressed within are my own.
Bob Mann (459 KP) rated Judas and the Black Messiah (2021) in Movies
Apr 25, 2021
Kaluuya and Stanfield excel (1 more)
Great US history lesson on the Black Panther movement
"Politics is war without bloodshed"
The ‘Judas’ in “Judas and the Black Messiah” is Bill O’Neil (LaKeith Stanfield). He works as an informer for FBI man Mitchell (Jesse Plemons), who has him over a barrel for impersonating an FBI officer. Fred Hampton (Daniel Kaluuya) runs the Chicago chapter of the Black Panther party and O’Neil is a trusted comrade on the inside.
Will O’Neil – always concerned that ‘snitches get stiches’ – stay on the side of ‘the pigs’, or be influenced by the ideals and good deeds of Chairman Fred?
Positives:
- Before this movie, I really had no idea what the Black Panthers were or how they operated. (If pushed, I would have tagged them as “internal terrorists” or similar). So this movie was really valuable to me in further understanding their role as a political movement. And their use of community programmes – focused, for example, around child nutrition and health improvements in inner cities – was a revelation.
- Given the BLM movement, and further ‘blue-on-black’ shootings, the film is timely. (Even more so for me, since the George Floyd trial verdict came out last night). “The United States vs Billie Holiday” showed how brutally the civil rights movement was put down by the authorities in the 40’s. This shows the same thing happened in the 70’s too. It’s again a movie that leaves you angry and frustrated at how poorly the black community have been abused in America. I guess counter to that is the positive view that things HAVE evidently improved significantly since then, albeit that the US is still on this journey.
- Nominated for Best Supporting Actor Oscars are both Stanfield and Kaluuya. (This is a highly debatable point, since arguably both of these gents are lead actors in the movie!) Both of them deliver outstanding performances, and Kaluuya has already picked up the BAFTA. Kaluuya demonstrates a huge amount of energy and charisma, particularly during the delivery of his stirring speeches. But Stanfield delivers a superbly nuanced performance, and perhaps impressed me even more.
- Also deserved, in a movie predominantly featuring a black cast, is recognition of the ever-excellent Jesse Plemons. As the steely-eyed FBI family man, he’s chilling to watch.
Negatives:
- I had issues with the sound mixing here. I found some of the dialogue – already hard for me to follow sometimes due to the speed of delivery and the accents – drowned out by background music and foley sounds.
- Martin Sheen’s make-up as J. Edgar Hoover was rather over-the-top and detracted from the role. (Sheen is in little more than a few cameo scenes).
Summary Thoughts:
I’m pleased I’ve managed to see this impressive Oscar contender before Sunday’s Academy Awards event. Interestingly, I noticed that historical advisors on the movie were Deborah Johnson (played here beautifully by Dominique Fishback) and the baby she was carrying (now Fred Hampton Jnr.).
As well as the two Supporting Actor nominations, it’s also up for Best Film, Best Original Screenplay, Best Cinematography (Sean Bobbitt) and Best Song (for “Fight for You”, played over the end titles, and very good).
(For the full graphical review, please check out One Mann's Movies here https://bob-the-movie-man.com/2021/04/21/judas-and-the-black-messiah-war-is-politics-with-bloodshed/. Thanks.)
Will O’Neil – always concerned that ‘snitches get stiches’ – stay on the side of ‘the pigs’, or be influenced by the ideals and good deeds of Chairman Fred?
Positives:
- Before this movie, I really had no idea what the Black Panthers were or how they operated. (If pushed, I would have tagged them as “internal terrorists” or similar). So this movie was really valuable to me in further understanding their role as a political movement. And their use of community programmes – focused, for example, around child nutrition and health improvements in inner cities – was a revelation.
- Given the BLM movement, and further ‘blue-on-black’ shootings, the film is timely. (Even more so for me, since the George Floyd trial verdict came out last night). “The United States vs Billie Holiday” showed how brutally the civil rights movement was put down by the authorities in the 40’s. This shows the same thing happened in the 70’s too. It’s again a movie that leaves you angry and frustrated at how poorly the black community have been abused in America. I guess counter to that is the positive view that things HAVE evidently improved significantly since then, albeit that the US is still on this journey.
- Nominated for Best Supporting Actor Oscars are both Stanfield and Kaluuya. (This is a highly debatable point, since arguably both of these gents are lead actors in the movie!) Both of them deliver outstanding performances, and Kaluuya has already picked up the BAFTA. Kaluuya demonstrates a huge amount of energy and charisma, particularly during the delivery of his stirring speeches. But Stanfield delivers a superbly nuanced performance, and perhaps impressed me even more.
- Also deserved, in a movie predominantly featuring a black cast, is recognition of the ever-excellent Jesse Plemons. As the steely-eyed FBI family man, he’s chilling to watch.
Negatives:
- I had issues with the sound mixing here. I found some of the dialogue – already hard for me to follow sometimes due to the speed of delivery and the accents – drowned out by background music and foley sounds.
- Martin Sheen’s make-up as J. Edgar Hoover was rather over-the-top and detracted from the role. (Sheen is in little more than a few cameo scenes).
Summary Thoughts:
I’m pleased I’ve managed to see this impressive Oscar contender before Sunday’s Academy Awards event. Interestingly, I noticed that historical advisors on the movie were Deborah Johnson (played here beautifully by Dominique Fishback) and the baby she was carrying (now Fred Hampton Jnr.).
As well as the two Supporting Actor nominations, it’s also up for Best Film, Best Original Screenplay, Best Cinematography (Sean Bobbitt) and Best Song (for “Fight for You”, played over the end titles, and very good).
(For the full graphical review, please check out One Mann's Movies here https://bob-the-movie-man.com/2021/04/21/judas-and-the-black-messiah-war-is-politics-with-bloodshed/. Thanks.)
Bob Mann (459 KP) rated Minari (2020) in Movies
Apr 23, 2021
Ensemble cast acting (2 more)
Music and Cinematography
Engrossing story
A Korean Hillbilly Elegy, done right
In "Minari", a struggling Korean immigrant family - the Yi's led by Jacob (Steven Yeun) and Monica (Yeri Han) - leave California for Arkansas farmland to seek a better life. While employed sexing chicks at a factory, Jacob dreams of farming the land on which they live to improve their lives. But will his obsession for this dream stand between him and his family?
The tale is told through the eyes of young David (Alan S. Kim), who is struggling with a hole in the heart and doubts about his mortality. The arrival of Monica's mother (Yuh-Jung Youn) is resented by David, but the woman is wise (as well as foul mouthed) and perhaps the pair will eventually learn to respect one another?
Positives:
- Gloriously bucolic cinematography (by Lachlan Milne) frames an engrossing story of an immigrant family striving for the American dream. The fact that it is semi-biographical for the writer/director Lee Isaac Chung (also Oscar nominated for both) makes it all the more fascinating.
- All of the leading cast work fabulously as an ensemble. Steven Yeun and Yuh-Jung Youn have all the Oscar nomination glory (with Youn as the Grandmother odds-on to win the Supporting Actress award on Sunday). But Yeri Han is also great and the film wouldn't work unless the two child actors (Alan Kim and Noel Cho) delivered, which they do in spades.
- The music, by Emile Mosseri, is strikingly good and - deservedly - also Oscar nominated.
Negatives:
- The ending. Now, I'm all for leaving things in a thoughtful way, allowing the viewer to ponder on things. But this ending was a little too obscure for me. You need to understand (with thanks to this article) that the vegetable Minari purifies (water), grows in unfavourable soils and only really thrives in its second season. Now, forgive me for not being 'up' on my Korean plant botany, but this was too much of a leap for me. For the uninitiated (I assume 95% of the audience) the ending will feel abrupt and unsatisfying.
Summary Thoughts on "Minari":
Having watched "Hillbilly Elegy" and "Minari" on consecutive nights, I was struck by the unexpected parallels between the films (over and above the Yi's calling themselves "Hillbillies"). Both feature a dysfunctional family (though less so here). And both also feature a lead character, from an impoverished background, trying to better themselves and follow the 'American dream'. And front and centre is the growing relationship between a young boy and their grandmother.
But there the similarities end. For I just loved the simplicity of the story-telling in "Minari". No fancy flashbacks and disjointed timeline here. And a sense that you were really in on the journey of both Jacob and his farm and of the relationship between David and his Grandma.
This was heading at one point for a 10 star rating for me. But - for me anyway - the obscurity of the ending left me with a "WTF" feeling. So I've tempered my rating. Still a great film though, and recommended.
(For the full graphical review, please check out the post on One Mann's Movies on the web or Facebook. Thanks).
The tale is told through the eyes of young David (Alan S. Kim), who is struggling with a hole in the heart and doubts about his mortality. The arrival of Monica's mother (Yuh-Jung Youn) is resented by David, but the woman is wise (as well as foul mouthed) and perhaps the pair will eventually learn to respect one another?
Positives:
- Gloriously bucolic cinematography (by Lachlan Milne) frames an engrossing story of an immigrant family striving for the American dream. The fact that it is semi-biographical for the writer/director Lee Isaac Chung (also Oscar nominated for both) makes it all the more fascinating.
- All of the leading cast work fabulously as an ensemble. Steven Yeun and Yuh-Jung Youn have all the Oscar nomination glory (with Youn as the Grandmother odds-on to win the Supporting Actress award on Sunday). But Yeri Han is also great and the film wouldn't work unless the two child actors (Alan Kim and Noel Cho) delivered, which they do in spades.
- The music, by Emile Mosseri, is strikingly good and - deservedly - also Oscar nominated.
Negatives:
- The ending. Now, I'm all for leaving things in a thoughtful way, allowing the viewer to ponder on things. But this ending was a little too obscure for me. You need to understand (with thanks to this article) that the vegetable Minari purifies (water), grows in unfavourable soils and only really thrives in its second season. Now, forgive me for not being 'up' on my Korean plant botany, but this was too much of a leap for me. For the uninitiated (I assume 95% of the audience) the ending will feel abrupt and unsatisfying.
Summary Thoughts on "Minari":
Having watched "Hillbilly Elegy" and "Minari" on consecutive nights, I was struck by the unexpected parallels between the films (over and above the Yi's calling themselves "Hillbillies"). Both feature a dysfunctional family (though less so here). And both also feature a lead character, from an impoverished background, trying to better themselves and follow the 'American dream'. And front and centre is the growing relationship between a young boy and their grandmother.
But there the similarities end. For I just loved the simplicity of the story-telling in "Minari". No fancy flashbacks and disjointed timeline here. And a sense that you were really in on the journey of both Jacob and his farm and of the relationship between David and his Grandma.
This was heading at one point for a 10 star rating for me. But - for me anyway - the obscurity of the ending left me with a "WTF" feeling. So I've tempered my rating. Still a great film though, and recommended.
(For the full graphical review, please check out the post on One Mann's Movies on the web or Facebook. Thanks).
Bob Mann (459 KP) rated Palm Springs (2020) in Movies
Apr 14, 2021
Cristin Milioti - a breakout comedy role (1 more)
Nice variants on Groundhog Day
Did anyone order Groundhog for Two?
Nyles (Andy Samberg) is reliving the same day over and over again at a wedding in Palm Springs. Suddenly joining him in the loop is fellow wedding guest Sarah (Cristin Milioti). The no-hoper man has given up trying to find a way to break the spell. Can the more intelligent woman succeed? Or if not, can they find satisfaction and – who knows – love in the never-ending grind of eternity?
Positives:
- So, it's obviously a retread of "Groundhog Day" (so 1/5 for originality), but it has some fresh fun with the concept.
- It starts off at the "town dance" stage of G/D, where Bill Murray's character has lived enough lives to perfect everything. This is a smart move, and allows those of the audience 'in the know' (which I would guess is 80%+) the joy of getting to the fun bits early.
- It also luxuriates in having two (actually, more than two) people experiencing the 'phenomenon'. This leads to some truly hilarious scenes of Nyles and Sarah living life to the max.
- Because this dynamic duo can talk to each other, we get deeper existential discussion about the downsides of eternity and what life is all about.
- The best comedies also have some element of pathos as well, to mix the highs with some lows, and this movie does that nicely. The despair felt by Nyles at one point in the movie is heartfelt and moving.
- The element of female empowerment in here (no spoilers) is very 2020's and entertaining.
- The mushroom-induced hallucinations (again, no spoilers) made me laugh.
- I wasn't familiar with either Samberg (who is a regular in TVs "Brooklyn Nine-Nine") or Milioti. Samberg was fine, but came across a bit "Saturday Night Live cookie-cutter". Milioti though is a real comedic find, nicely filling the sort of young-kooky-woman space that the younger Sarah Silverman used to do in movies. One to watch.
Negatives:
- The movie starts off at such a pace that the minority of the audience not familiar with the "Groundhog Day" concepts will have a "WTF" attitude and possibly turn them off during the first 20 minutes. (There is explanation, but it takes this long).
- The movie is rude. Very rude. This doesn't bother me, but it does shift the viewing options away from the "Groundhog Day" set and more towards the "Hangover" set. This will limit the audience, so I'm not sure it was a wise move by the writers.
Thoughts:
Of all the films showing this week, this one seems to have the most hype through social media: "SEE THIS, YOU'LL LOVE IT" screamed the posts. And - don't get me wrong - it's pretty good and has more than the requisite half-dozen laugh-out-loud moments to merit being called a comedy. But - perhaps my expectations were too high - it's no where near, in my book anyway the 5* classic that "Groundhog Day" was. Any any movie that borrows so much from the plot of that film has to be prepared to be directly compared and rated against it.
(For the full graphical review, please check out the version on One Mann's Movies here: https://bob-the-movie-man.com/2021/04/14/palm-springs-did-anyone-order-groundhog-for-two/ . Thanks).
Positives:
- So, it's obviously a retread of "Groundhog Day" (so 1/5 for originality), but it has some fresh fun with the concept.
- It starts off at the "town dance" stage of G/D, where Bill Murray's character has lived enough lives to perfect everything. This is a smart move, and allows those of the audience 'in the know' (which I would guess is 80%+) the joy of getting to the fun bits early.
- It also luxuriates in having two (actually, more than two) people experiencing the 'phenomenon'. This leads to some truly hilarious scenes of Nyles and Sarah living life to the max.
- Because this dynamic duo can talk to each other, we get deeper existential discussion about the downsides of eternity and what life is all about.
- The best comedies also have some element of pathos as well, to mix the highs with some lows, and this movie does that nicely. The despair felt by Nyles at one point in the movie is heartfelt and moving.
- The element of female empowerment in here (no spoilers) is very 2020's and entertaining.
- The mushroom-induced hallucinations (again, no spoilers) made me laugh.
- I wasn't familiar with either Samberg (who is a regular in TVs "Brooklyn Nine-Nine") or Milioti. Samberg was fine, but came across a bit "Saturday Night Live cookie-cutter". Milioti though is a real comedic find, nicely filling the sort of young-kooky-woman space that the younger Sarah Silverman used to do in movies. One to watch.
Negatives:
- The movie starts off at such a pace that the minority of the audience not familiar with the "Groundhog Day" concepts will have a "WTF" attitude and possibly turn them off during the first 20 minutes. (There is explanation, but it takes this long).
- The movie is rude. Very rude. This doesn't bother me, but it does shift the viewing options away from the "Groundhog Day" set and more towards the "Hangover" set. This will limit the audience, so I'm not sure it was a wise move by the writers.
Thoughts:
Of all the films showing this week, this one seems to have the most hype through social media: "SEE THIS, YOU'LL LOVE IT" screamed the posts. And - don't get me wrong - it's pretty good and has more than the requisite half-dozen laugh-out-loud moments to merit being called a comedy. But - perhaps my expectations were too high - it's no where near, in my book anyway the 5* classic that "Groundhog Day" was. Any any movie that borrows so much from the plot of that film has to be prepared to be directly compared and rated against it.
(For the full graphical review, please check out the version on One Mann's Movies here: https://bob-the-movie-man.com/2021/04/14/palm-springs-did-anyone-order-groundhog-for-two/ . Thanks).
Bob Mann (459 KP) rated The United States vs. Billie Holiday (2021) in Movies
Apr 16, 2021
Spasmodic biopic anchored by an astonishing performance by Andra Day
It's the late 40's in the US. We follow the distressing story of Billie Holiday (Andra Day) through her period of fame and drug addiction, while constantly pursued by Harry Anslinger (Garrett Hedlund) of the FBI. The reason? Holiday kept repeatedly singing the song "Strange Fruit" at her concerts, seen as being incendiary in support of the emerging civil rights movement. While surrounded by exploitative men, can she escape the destructive cycle and find true love with her "soldier boy" Jimmy Fletcher (Trevante Rhodes).
Positives:
- Andra Day. My word! What an acting performance from the lady. Apart from a small role in the Chadwick Boseman movie "Marshall", this is her live-action feature debut. Talk about knocking it out of the park! This is a raw and very brave performance (in terms of the degree of passion and nudity required. And that's even before you take into account that she is rendering all of Billie Holiday's songs in pitch-perfect fashion. Astonishing. With a Golden Globe win under her belt, it could be an interesting battle for the Oscar between her and Frances McDormand later in the month.
- There is zero sugar-coating on this version of Holiday's biopic. Various scenes in here, especially a drug-induced retelling of the alleged origins of "Strange Fruit", are harrowing and leave a lasting impression. For the second time in a week (the other being "The Mauritanian"), I am left angry about the racism and injustice present in the US systems of government. (An astonishing caption at the end of the film - regarding a 2020 senate bill - left me speechless). Much of the movie's content is based on truth: there is a nice "fact vs fiction" summary here on collider.com.
- Elements of the story are very moving. A love-making scene (very much as opposed to a sex scene) between Billie and Jimmy is sensitively handled: like seeing an abused dog finally being shown some kindness. (Well - I was moved anyway).
- Production design for the movie (by Daniel Dorrance) is fabulous, with sets such as the Café Society brimming with 40's style.
Negatives:
- Sadly, for all of its positives, the overall concoction is a bit of a muddle. Nothing flows terribly well, and the script hops around all over the place. This left me - while never totally disengaged - feeling a bit bored and restless at times.
- I KNOW that it was common parlance at the time, but the excessive use of the "N-word" throughout the film is bound to upset some watchers.
- The movie is just SOOOO gritty and downbeat, that it left me feeling angry and upset after watching it.
Summary Thoughts: As a biopic, it comes across as jerky and spasmodic. It has moments of genius, particularly in some of the musical performances. But there are also spells where it fails to fully engage. If I was rating this purely on its content, it would probably be a 5/10. But you just can't ignore the quality here of Andra Day's performance. So for that reason, I have added 2 extra stars into the rating.
(For the full graphical review, please check out the One Mann's Movies review here - https://bob-the-movie-man.com/2021/04/16/the-united-states-vs-billie-holiday-strange-fruit-hangin-from-the-poplar-trees/. Thanks.)
Positives:
- Andra Day. My word! What an acting performance from the lady. Apart from a small role in the Chadwick Boseman movie "Marshall", this is her live-action feature debut. Talk about knocking it out of the park! This is a raw and very brave performance (in terms of the degree of passion and nudity required. And that's even before you take into account that she is rendering all of Billie Holiday's songs in pitch-perfect fashion. Astonishing. With a Golden Globe win under her belt, it could be an interesting battle for the Oscar between her and Frances McDormand later in the month.
- There is zero sugar-coating on this version of Holiday's biopic. Various scenes in here, especially a drug-induced retelling of the alleged origins of "Strange Fruit", are harrowing and leave a lasting impression. For the second time in a week (the other being "The Mauritanian"), I am left angry about the racism and injustice present in the US systems of government. (An astonishing caption at the end of the film - regarding a 2020 senate bill - left me speechless). Much of the movie's content is based on truth: there is a nice "fact vs fiction" summary here on collider.com.
- Elements of the story are very moving. A love-making scene (very much as opposed to a sex scene) between Billie and Jimmy is sensitively handled: like seeing an abused dog finally being shown some kindness. (Well - I was moved anyway).
- Production design for the movie (by Daniel Dorrance) is fabulous, with sets such as the Café Society brimming with 40's style.
Negatives:
- Sadly, for all of its positives, the overall concoction is a bit of a muddle. Nothing flows terribly well, and the script hops around all over the place. This left me - while never totally disengaged - feeling a bit bored and restless at times.
- I KNOW that it was common parlance at the time, but the excessive use of the "N-word" throughout the film is bound to upset some watchers.
- The movie is just SOOOO gritty and downbeat, that it left me feeling angry and upset after watching it.
Summary Thoughts: As a biopic, it comes across as jerky and spasmodic. It has moments of genius, particularly in some of the musical performances. But there are also spells where it fails to fully engage. If I was rating this purely on its content, it would probably be a 5/10. But you just can't ignore the quality here of Andra Day's performance. So for that reason, I have added 2 extra stars into the rating.
(For the full graphical review, please check out the One Mann's Movies review here - https://bob-the-movie-man.com/2021/04/16/the-united-states-vs-billie-holiday-strange-fruit-hangin-from-the-poplar-trees/. Thanks.)
