Search
Search results
Ivana A. | Diary of Difference (1171 KP) rated Eleven Lines to Somewhere in Books
Oct 2, 2020
I am extremely happy and excited to be part of the blog tour for Eleven Lines to Somewhere by Alyson Rudd. Thank you to the team at HQ - for sending me a copy in exchange for an honest review. Check out the other book bloggers that are part of the tour as well:
Synopsis:
Everyone is searching for love. Sometimes we just take our own route to find it.
Ryan sees a young woman on the tube on his way to work, and he can't stop looking at her. Attracted and intrigued, he's set to find out more about this mysterious passenger that shares the tube with him.
Sylvie keeps travelling the underground, unable to leave for reasons unknown to Ryan. He hasn't been dating for ten years, when he was at university and the love of his life died.
But for some reason, he feels he needs to help Sylvie. In a world of missed opportunities and what-ifs, a connection has been made.
My Thoughts:
This is the second book I have read by Alyson Rudd, with the first one being The First Time Lauren Pailing Died. That book intrigued me, and when I saw Eleven Lines to Somewhere being published - I had to know and compare them.
At the beginning, I was intrigued, knowing what the synopsis is. We meet Ryan and Sylvie (separately), and we get a small glimpse into their lives. In the beginning, Ryan's story with his family and friends is more talked about. I liked getting to know Ryan, very slowly throughout the first half of the book. He is a very intriguing character himself, going through a personal time, as well as making very controversial decisions to get to know Sylvie better.
I liked Sylvie's story and her connection to the underground. It was very intriguing to me to read and understand how some moments in life can let us become something that we can't help but be. That a certain experience can cause such a need for Sylvie to action. I loved the psychological aspect of her characterisation, and how the trauma was handled.
Once Ryan and Sylvie got to know each other, the pace of the book changed, I felt. The pace was very slow, but the scenes moved very quickly in time.
Even though I loved Ryan and Sylvie as separate characters, I couldn't love them as a couple.
I felt that there was chemistry and romance missing, and somehow their connection to each other was based on the need to help the other one with their own trauma. For me, that being a single reason to love someone makes me think a person is in such a relationship to only feel better about themselves. Look - I helped someone, I am a better person now. But that's just my humble opinion.
There were a lot of side characters that had their own storylines - which I really enjoyed. A lot of drama and twists happened with them, which was quite enjoyable to read. Some characters in the end were thrown into the story abruptly, almost as if for convenience to the story line. But it worked well in the end.
I really enjoyed this story. Still a 4 star, but I enjoyed it more than The First Time Lauren Pailing Died. If you love contemporary books with a lot of characters, this will be a very good pick for you!
Synopsis:
Everyone is searching for love. Sometimes we just take our own route to find it.
Ryan sees a young woman on the tube on his way to work, and he can't stop looking at her. Attracted and intrigued, he's set to find out more about this mysterious passenger that shares the tube with him.
Sylvie keeps travelling the underground, unable to leave for reasons unknown to Ryan. He hasn't been dating for ten years, when he was at university and the love of his life died.
But for some reason, he feels he needs to help Sylvie. In a world of missed opportunities and what-ifs, a connection has been made.
My Thoughts:
This is the second book I have read by Alyson Rudd, with the first one being The First Time Lauren Pailing Died. That book intrigued me, and when I saw Eleven Lines to Somewhere being published - I had to know and compare them.
At the beginning, I was intrigued, knowing what the synopsis is. We meet Ryan and Sylvie (separately), and we get a small glimpse into their lives. In the beginning, Ryan's story with his family and friends is more talked about. I liked getting to know Ryan, very slowly throughout the first half of the book. He is a very intriguing character himself, going through a personal time, as well as making very controversial decisions to get to know Sylvie better.
I liked Sylvie's story and her connection to the underground. It was very intriguing to me to read and understand how some moments in life can let us become something that we can't help but be. That a certain experience can cause such a need for Sylvie to action. I loved the psychological aspect of her characterisation, and how the trauma was handled.
Once Ryan and Sylvie got to know each other, the pace of the book changed, I felt. The pace was very slow, but the scenes moved very quickly in time.
Even though I loved Ryan and Sylvie as separate characters, I couldn't love them as a couple.
I felt that there was chemistry and romance missing, and somehow their connection to each other was based on the need to help the other one with their own trauma. For me, that being a single reason to love someone makes me think a person is in such a relationship to only feel better about themselves. Look - I helped someone, I am a better person now. But that's just my humble opinion.
There were a lot of side characters that had their own storylines - which I really enjoyed. A lot of drama and twists happened with them, which was quite enjoyable to read. Some characters in the end were thrown into the story abruptly, almost as if for convenience to the story line. But it worked well in the end.
I really enjoyed this story. Still a 4 star, but I enjoyed it more than The First Time Lauren Pailing Died. If you love contemporary books with a lot of characters, this will be a very good pick for you!
Ivana A. | Diary of Difference (1171 KP) rated The Move in Books
Oct 2, 2020
I am very excited to be part of the Blog Tour for The Move by Felicity Everett. Especially on New Year’s Day, finishing the year with a blog tour. Thank you to the team at HQ, for sending me an advance readers copy in exchange for an honest review.
Karen moves into a new home with her husband Nick. It is a new house and a fresh start. But it is still the same husband.
I do love myself a bit of family thriller and drama novels. The Move seemed like the perfect choice to get myself cosy, right before saying goodbye to the old year and entering the “new year – new me” attitude. And in the end, it does have this vibe, as our main female protagonist finds her true self and starts making the right choices in her life.
However, this book was not as exciting as I expected it to be.
There is a woman that is going through a hard time and a mental health recovery, judging by her memories and thoughts. Her husband had an affair and she didn’t handle that well at all. But now, it seems that she is well. Her husband got them a new home, with new neighbors, in the idyllic little village, where she can do the things she loves the most.
But her neighbors are not the best kind of type – they all seem weird. And her husband is not really listening to her when she speaks. Her child Ethan is here and there, the relationship shattered by the actions of his father.
And we spend the whole book standing by Karen’s side, watching all the dull things she is doing in the house, talking to her neighbors and being depressed and constantly worrying about everything.
I felt bad for Karen, because she is still going through a mental breakdown, even though really trying to figure out her life. She is really trying, but her husband, friends and neighbors are slowly pushing her down again. The Move has a very big voice on mental health. How important it is that we have our support network next to us, and I am glad that Karen finds Cath in all that mess of a life. Also, how important it is to trust your own guts. When all your friends keep telling you your marriage is perfect and you are so lucky, only because it looks so from the outside, you shouldn’t always believe them. Don’t ever ignore the little things. And don’t ever stay with a man that doesn’t believe in you.
As far as the book goes though, it was quite monotonous and uninteresting. No major plot twists, no big cliff-hanger. I was reading the whole time, waiting for the big moment to come, and it never did.
And in the end, even though we clearly know what choice Karen makes for her life, we don’t have a conclusive ending. We have one of those endings that sort of finishes and lets the reader figure out what happens next. I am not a fan of those, and it might be why I am slightly disappointed in how it all wrapped up.
I would still recommend it if you love family dramas and thrillers. However, if you are expecting for a book that will keep you on the edge, I am afraid you need to still keep looking.
Karen moves into a new home with her husband Nick. It is a new house and a fresh start. But it is still the same husband.
I do love myself a bit of family thriller and drama novels. The Move seemed like the perfect choice to get myself cosy, right before saying goodbye to the old year and entering the “new year – new me” attitude. And in the end, it does have this vibe, as our main female protagonist finds her true self and starts making the right choices in her life.
However, this book was not as exciting as I expected it to be.
There is a woman that is going through a hard time and a mental health recovery, judging by her memories and thoughts. Her husband had an affair and she didn’t handle that well at all. But now, it seems that she is well. Her husband got them a new home, with new neighbors, in the idyllic little village, where she can do the things she loves the most.
But her neighbors are not the best kind of type – they all seem weird. And her husband is not really listening to her when she speaks. Her child Ethan is here and there, the relationship shattered by the actions of his father.
And we spend the whole book standing by Karen’s side, watching all the dull things she is doing in the house, talking to her neighbors and being depressed and constantly worrying about everything.
I felt bad for Karen, because she is still going through a mental breakdown, even though really trying to figure out her life. She is really trying, but her husband, friends and neighbors are slowly pushing her down again. The Move has a very big voice on mental health. How important it is that we have our support network next to us, and I am glad that Karen finds Cath in all that mess of a life. Also, how important it is to trust your own guts. When all your friends keep telling you your marriage is perfect and you are so lucky, only because it looks so from the outside, you shouldn’t always believe them. Don’t ever ignore the little things. And don’t ever stay with a man that doesn’t believe in you.
As far as the book goes though, it was quite monotonous and uninteresting. No major plot twists, no big cliff-hanger. I was reading the whole time, waiting for the big moment to come, and it never did.
And in the end, even though we clearly know what choice Karen makes for her life, we don’t have a conclusive ending. We have one of those endings that sort of finishes and lets the reader figure out what happens next. I am not a fan of those, and it might be why I am slightly disappointed in how it all wrapped up.
I would still recommend it if you love family dramas and thrillers. However, if you are expecting for a book that will keep you on the edge, I am afraid you need to still keep looking.
ezPDF Reader: Interactive PDF Reader for iPad
Business and Productivity
App
ezPDF Reader is the world's first and only PDF viewer with the embedded multimedia (audio & video)...
Logic Master 1 - Mind Twist
Games and Entertainment
App
Looking for a game that is brilliant, creative and strange at the same time? Now you can become a...
Veggie Weekend – Healthy Vegan Vegetarian Recipes
Food & Drink and Health & Fitness
App
Enjoy a delicious and healthy Veggie Weekend with Filibaba. Veggie Weekend is free to download, with...
Restorando
Food & Drink and Lifestyle
App
• Search, discover and make reservations in the best restaurants and bars in Latin America. It's...
Bob Mann (459 KP) rated Censor (2021) in Movies
Sep 3, 2021
Niamh Algar is fabulous (1 more)
Novel story and great direction
A genuinely original story (at last!)
Positives:
- I often whinge on about there being no novelty in movies anymore, with everything being derivative of everything else. Well here's a case for the defence. There have been movies before about the mental effect of working in the horror movie business (Toby Jones in "Berberian Sound Studio" comes to mind). But none (as far as I'm aware) from the viewpoint of a film censor. This novelty gave the movie the scope to go in a number of different directions - including as a historical drama. But it focuses on a study of how loss and grief can suddenly emerge in dramatic ways even after many years. Director Prano Bailey-Bond co-wrote this and directs it with such verve that she is very much added to my "one to watch" list for writer-directors.
- Irish actress Niamh Algar is just brilliant here, reminiscent of Morfydd Clark's fantastic performance in "Saint Maud" (not the only parallel to be drawn in this review). The acting during the dramatic conclusion is utterly chilling.
- While the ending of the movie might be polarising, I loved it. No spoilers, but it's one of my favourite endings of any movie so far this year. It reminded me strongly of the ending of "Saint Maud".
- The editing is by Mark Towns (who also did "Saint Maud"). And it's bloody marvellous, particularly during that finale! While it doesn't shy away from showing some pretty horrible stuff, Towns shows much of this subliminally in the edit (shades of the "Psycho" shower scene). This probably helped with its certification (of which more later).
- The music by Emilie Levienaise-Farrouch is quirky and fitting for the movie. I loved the jaunty end-title music.
- Has one of the best impalings since Timothy Dalton fell on that model church spire in "Hot Fuzz"!
Negatives:
- While Algar is utterly fabulous, I was less convinced by the acting of some of her fellow censors in the office. Some of this felt a bit wooden to me.
Summary Thoughts on "Censor": The workings of the UK film censors have always fascinated me, and here's a novel insight into their work during a very difficult period in their history: the National Viewers and Listener's Association, headed by the fearsome Mary Whitehouse, was up in arms at the potential damage to people's (and particularly children's) mental wellbeing from the influx of "video nasties" arriving in homes on VHS tapes. The film needs to be applauded for coming up with such a novel storyline.
What I found surprising (and ironic) is that this got away with only a "15" certificate. Editor Mark Towns suggested to me, in a private communication on Twitter, that the BBFC rated it thus due to the "context" in which the violence was set. But I remember the first 'X' film I saw. It was Brian De Palma's "The Fury", which (from memory) was purely rated as such for the final scene in which John Cassavetes's character explodes in a gory fountain. Judging from "Censor"'s "15" certificate, things have become significantly more permissive in recent years!
(For the full graphical review check out onemannsmovies on the web, facebook and (for the video review) Tiktok. Thanks)
- I often whinge on about there being no novelty in movies anymore, with everything being derivative of everything else. Well here's a case for the defence. There have been movies before about the mental effect of working in the horror movie business (Toby Jones in "Berberian Sound Studio" comes to mind). But none (as far as I'm aware) from the viewpoint of a film censor. This novelty gave the movie the scope to go in a number of different directions - including as a historical drama. But it focuses on a study of how loss and grief can suddenly emerge in dramatic ways even after many years. Director Prano Bailey-Bond co-wrote this and directs it with such verve that she is very much added to my "one to watch" list for writer-directors.
- Irish actress Niamh Algar is just brilliant here, reminiscent of Morfydd Clark's fantastic performance in "Saint Maud" (not the only parallel to be drawn in this review). The acting during the dramatic conclusion is utterly chilling.
- While the ending of the movie might be polarising, I loved it. No spoilers, but it's one of my favourite endings of any movie so far this year. It reminded me strongly of the ending of "Saint Maud".
- The editing is by Mark Towns (who also did "Saint Maud"). And it's bloody marvellous, particularly during that finale! While it doesn't shy away from showing some pretty horrible stuff, Towns shows much of this subliminally in the edit (shades of the "Psycho" shower scene). This probably helped with its certification (of which more later).
- The music by Emilie Levienaise-Farrouch is quirky and fitting for the movie. I loved the jaunty end-title music.
- Has one of the best impalings since Timothy Dalton fell on that model church spire in "Hot Fuzz"!
Negatives:
- While Algar is utterly fabulous, I was less convinced by the acting of some of her fellow censors in the office. Some of this felt a bit wooden to me.
Summary Thoughts on "Censor": The workings of the UK film censors have always fascinated me, and here's a novel insight into their work during a very difficult period in their history: the National Viewers and Listener's Association, headed by the fearsome Mary Whitehouse, was up in arms at the potential damage to people's (and particularly children's) mental wellbeing from the influx of "video nasties" arriving in homes on VHS tapes. The film needs to be applauded for coming up with such a novel storyline.
What I found surprising (and ironic) is that this got away with only a "15" certificate. Editor Mark Towns suggested to me, in a private communication on Twitter, that the BBFC rated it thus due to the "context" in which the violence was set. But I remember the first 'X' film I saw. It was Brian De Palma's "The Fury", which (from memory) was purely rated as such for the final scene in which John Cassavetes's character explodes in a gory fountain. Judging from "Censor"'s "15" certificate, things have become significantly more permissive in recent years!
(For the full graphical review check out onemannsmovies on the web, facebook and (for the video review) Tiktok. Thanks)
Bob Mann (459 KP) rated Johnny English Strikes Again (2018) in Movies
Sep 28, 2021
Spy spoof caper that’s only passably amusing.
It’s a HILARIOUS concept. It’s Bond but not as we know it: a suave, sophisticated, well-dressed hero but someone who’s a complete klutz when it comes to the spy business. Rowan Atkinson is perfect in the role: because when he plays his face ”straight” he IS strangely good-looking and certainly pulls off the air of confidence, intelligence and sophistication well.
So it was that 2003’s Johnny English was a refreshing novelty. Roll forwards 15 years (via 2011’s “Johnny English Reborn”) and the concoction needs… you know… actual JOKES.
For “Johnny English Strikes Again” is unfortunately a pretty lame affair.
The Plot
Johnny English (Atkinson) is retired from MI7 and living life as a Geography teacher at a public school. Aside from teaching them about sheep farming in Australia and magma, English delights in teaching his young pupils the tricks of the spy trade: “You’re looking particularly beautiful tonight”, with a twinkle and a vodka martini in hand. “You’re looking particularly beautiful tonight” repeats the class.
But the quiet life of English is about to end, since a cyber-attack has exposed all of MI7’s current agents and the Prime Minister (Emma Thompson) needs to re-hire a retired agent who is currently ‘off the grid’. But noone – friend or foe – is safe when the bumbling English and his faithful helper Bough (Ben Miller) go back into the field.
The Turns
As UK comedy professionals, Atkinson and Miller deliver their English/Bough schtick serviceably enough. The brilliant Emma Thompson though is woefully underused as a straight-woman, being asked to do little more than an exasperated Theresa May impersonation.
If you need a sexy and sophisticated femme fatale for a Bond spoof, what better than a real ex-Bond girl? So the extremely sexy and sophisticated Olga Kurylenko (Camille from “Quantum of Solace”) plays Ophelia Bhuletova, which sounds much funnier when pronounced by Atkinson. And a very good job she does too.
The Review
To emphasise the positive for a moment, the film is suitably glossy, which are table stakes for a spy caper like this or Austin Powers.
But the script by William Davies (who did the previous Johnny Englishes, but nothing much since “Reborn”) doesn’t deliver any real laugh-out-loud moments. My hopes were raised when the “pensioner interviews” happened and Charles Dance, Edward Fox and Michael Gambon turned up. Great, I thought… having the old timers play off Atkinson will be fun. But unfortunately they were nothing but cameos and (although one of the film’s comedy highlights) they came and went in the blink of an eye.
Elsewhere the film relied too much on a few running jokes: ostensibly the need for health and safety in MI7, where guns are rather frowned upon, given their potential to caused injury or worse. A ‘virtual reality’ training mission also delivers smiles but outstays its welcome.
The film is a first-time feature for TV-comedy director David Kerr.
Final thoughts
There are films which are wildly offensive. There are films that are just plain bad. This is neither: it is as Douglas Adams might have described it as “Mostly Harmless”. But to get any more than the rating I have given it, a comedy film has to make me laugh and this one failed miserably. It’s a watchable TV film for a rainy afternoon, but not worth heading out to the cinema to watch.
So it was that 2003’s Johnny English was a refreshing novelty. Roll forwards 15 years (via 2011’s “Johnny English Reborn”) and the concoction needs… you know… actual JOKES.
For “Johnny English Strikes Again” is unfortunately a pretty lame affair.
The Plot
Johnny English (Atkinson) is retired from MI7 and living life as a Geography teacher at a public school. Aside from teaching them about sheep farming in Australia and magma, English delights in teaching his young pupils the tricks of the spy trade: “You’re looking particularly beautiful tonight”, with a twinkle and a vodka martini in hand. “You’re looking particularly beautiful tonight” repeats the class.
But the quiet life of English is about to end, since a cyber-attack has exposed all of MI7’s current agents and the Prime Minister (Emma Thompson) needs to re-hire a retired agent who is currently ‘off the grid’. But noone – friend or foe – is safe when the bumbling English and his faithful helper Bough (Ben Miller) go back into the field.
The Turns
As UK comedy professionals, Atkinson and Miller deliver their English/Bough schtick serviceably enough. The brilliant Emma Thompson though is woefully underused as a straight-woman, being asked to do little more than an exasperated Theresa May impersonation.
If you need a sexy and sophisticated femme fatale for a Bond spoof, what better than a real ex-Bond girl? So the extremely sexy and sophisticated Olga Kurylenko (Camille from “Quantum of Solace”) plays Ophelia Bhuletova, which sounds much funnier when pronounced by Atkinson. And a very good job she does too.
The Review
To emphasise the positive for a moment, the film is suitably glossy, which are table stakes for a spy caper like this or Austin Powers.
But the script by William Davies (who did the previous Johnny Englishes, but nothing much since “Reborn”) doesn’t deliver any real laugh-out-loud moments. My hopes were raised when the “pensioner interviews” happened and Charles Dance, Edward Fox and Michael Gambon turned up. Great, I thought… having the old timers play off Atkinson will be fun. But unfortunately they were nothing but cameos and (although one of the film’s comedy highlights) they came and went in the blink of an eye.
Elsewhere the film relied too much on a few running jokes: ostensibly the need for health and safety in MI7, where guns are rather frowned upon, given their potential to caused injury or worse. A ‘virtual reality’ training mission also delivers smiles but outstays its welcome.
The film is a first-time feature for TV-comedy director David Kerr.
Final thoughts
There are films which are wildly offensive. There are films that are just plain bad. This is neither: it is as Douglas Adams might have described it as “Mostly Harmless”. But to get any more than the rating I have given it, a comedy film has to make me laugh and this one failed miserably. It’s a watchable TV film for a rainy afternoon, but not worth heading out to the cinema to watch.
Bob Mann (459 KP) rated Respect (2021) in Movies
Oct 14, 2021
Re, re, re, re, ‘spect… Just a little bit.
What with holidays and Bond, it’s taken me a few weeks to get to see this Aretha Franklin biopic. But I finally caught it this week.
Plot Summary:
‘Re’ is a 10-year old growing up in relative middle-class affluence in Birmingham, Alabama with her high-profile preacher father C.L. Franklin (Forest Whitaker). She is blessed with a wonderful singing voice. We follow her career, as Aretha Franklin (Jennifer Hudson), through her struggles with controlling men and alcohol. This is against the backdrop of supporting the civil rights movement led by Martin Luther King (Gilbert Glenn Brown).
“Respect” Review: Positives:
Jennifer Hudson gives a tremendous performance as Franklin, delivering both the vocals and the acting admirably. (Apparently, the lady herself, before she died in August 2018, named Hudson as the best person to play her.)
Coming out of this movie, you have to admire Aretha Franklin’s legacy. Although there are moments when her ‘demons’ got the better of her (and the movie is unafraid to paint her in a negative light for these) she led a tumultuous life and yet was still a strong force for both feminism and equality. I think the movie highlights that admirably. “Have you lost your mind?” her father (Forest Whitaker) asks. “Maybe…. maybe I’ve found it.” she replies.
I loved the clip during the end titles (at a Carole King concert and in front of the Obamas) of Franklin well into her 70’s belting out “Natural Woman”. Classy stuff.
Negatives:
It’s long. Very long. Approaching Bond long.
There’s a curious ‘cookie-cutter-ness’ to these biopics of classic female singers (controlling and abusive men; alcohol/drug abuse; prejudice through sex/race; etc). (Would they even have emanated the same level of soul without all the grief? Perhaps not.) The similarities lead you to naturally compare this movie with “The US vs Billie Holiday“. The Billie Holiday story felt like it had a lot more grit and angst in it, making it, for me at least, more memorable. The script for “Respect” – although still rather episodic – flows better. Whilst still great, Hudson’s performance (an Oscar nomination perhaps?) doesn’t come close to the Oscar-nominated stellar job done by Andra Day.
I didn’t like how the script introduced us to its characters. For example, Ted White (Marlon Wayans) is introduced at a church barbeque. He’s painted as a disreputable character, but why? And you have no idea if he is supposed to be a famous singer, a songwriter, a promoter, or a producer (as in fact he is). As another example, Kelvin Hair plays Sam Cooke in the movie, but – unless I missed it – this doesn’t seem to be highlighted in the script.
Summary Thoughts on “Respect”
“Respect” is the feature debut for female director Liesl Tommy. And it’s certainly an ambitious target for a first-timer to shoot at, so ‘Respect’ for that! And it comes across as a solid and enjoyable biopic, not least to remind yourself of some of the classic tunes that Aretha Franklin belted out. At 145 minutes though, it takes its time telling its story, and I think a tighter, shorter film would have worked better.
Did I enjoy it though? Yes, I did. But it’s worth pointing out that the illustrious Mrs Movie Man – who normally begrudges every minute over 90 minutes in a movie – really loved this one.
Plot Summary:
‘Re’ is a 10-year old growing up in relative middle-class affluence in Birmingham, Alabama with her high-profile preacher father C.L. Franklin (Forest Whitaker). She is blessed with a wonderful singing voice. We follow her career, as Aretha Franklin (Jennifer Hudson), through her struggles with controlling men and alcohol. This is against the backdrop of supporting the civil rights movement led by Martin Luther King (Gilbert Glenn Brown).
“Respect” Review: Positives:
Jennifer Hudson gives a tremendous performance as Franklin, delivering both the vocals and the acting admirably. (Apparently, the lady herself, before she died in August 2018, named Hudson as the best person to play her.)
Coming out of this movie, you have to admire Aretha Franklin’s legacy. Although there are moments when her ‘demons’ got the better of her (and the movie is unafraid to paint her in a negative light for these) she led a tumultuous life and yet was still a strong force for both feminism and equality. I think the movie highlights that admirably. “Have you lost your mind?” her father (Forest Whitaker) asks. “Maybe…. maybe I’ve found it.” she replies.
I loved the clip during the end titles (at a Carole King concert and in front of the Obamas) of Franklin well into her 70’s belting out “Natural Woman”. Classy stuff.
Negatives:
It’s long. Very long. Approaching Bond long.
There’s a curious ‘cookie-cutter-ness’ to these biopics of classic female singers (controlling and abusive men; alcohol/drug abuse; prejudice through sex/race; etc). (Would they even have emanated the same level of soul without all the grief? Perhaps not.) The similarities lead you to naturally compare this movie with “The US vs Billie Holiday“. The Billie Holiday story felt like it had a lot more grit and angst in it, making it, for me at least, more memorable. The script for “Respect” – although still rather episodic – flows better. Whilst still great, Hudson’s performance (an Oscar nomination perhaps?) doesn’t come close to the Oscar-nominated stellar job done by Andra Day.
I didn’t like how the script introduced us to its characters. For example, Ted White (Marlon Wayans) is introduced at a church barbeque. He’s painted as a disreputable character, but why? And you have no idea if he is supposed to be a famous singer, a songwriter, a promoter, or a producer (as in fact he is). As another example, Kelvin Hair plays Sam Cooke in the movie, but – unless I missed it – this doesn’t seem to be highlighted in the script.
Summary Thoughts on “Respect”
“Respect” is the feature debut for female director Liesl Tommy. And it’s certainly an ambitious target for a first-timer to shoot at, so ‘Respect’ for that! And it comes across as a solid and enjoyable biopic, not least to remind yourself of some of the classic tunes that Aretha Franklin belted out. At 145 minutes though, it takes its time telling its story, and I think a tighter, shorter film would have worked better.
Did I enjoy it though? Yes, I did. But it’s worth pointing out that the illustrious Mrs Movie Man – who normally begrudges every minute over 90 minutes in a movie – really loved this one.
RavenclawPrincess913 (253 KP) rated Totally Psychic in Books
Oct 17, 2023
I loved Totally Psychic by Brigid Martin it was a lovely story.
In this story, the main character, Paloma Ferrer, is from a family of psychics. Her Abuela is famous for it. The story goes through how Paloma navigates through her new psychic abilities, which was very interesting. She ends up causing a lot of trouble throughout the story that she eventually learns from these mistakes.
There are five rules to follow that go along with her new abilities. Number one is that she must not force contact with any spirits because it can open up a portal to negative energy. Number two is that she must never talk to evil spirits because they can stick around and follow you everywhere. Number three, she must never ask how the specific spirit died. Number four, she must never repeat everything the spirit tells her. Some things are best left alone. She breaks this rule and learns the hard way her consequences for her actions. Number five, these readings are supposed to help heal the spirits and their realitive/friends. They aren't meant to damage them. Paloma learns the hard way when she breaks this one as well.
Before she moves her, Abuela gives her a gift to help with her psychic abilities. This gift includes: a mirror, blessed candles, a Book of Flowers, and a notebook. The notebook is meant for writing down any thoughts and visions Paloma has that is related to her abilities. The book of Flowers is information passed down from the ancestors before her about her specific ability. The candles are meant for protection and to close the portals. The special mirror is for her to help communicate with spirits and her family. All these objects play an important role in the story.
All of Paloma's family have special psychic abilities. Paloma is a flower medium, and her younger sister is able to record ghosts on videos through her phone. Their Abuela is a famous psychic while their Abuelito is a chef. Their Father is a chef and mother a florist. Their mom runs a shop out of her van. Their uncle Esteban is a numerologist, aunt Rose, an Astrologist, cousin Geraldo, an object reader, and cousin Dania, a culinary Clairvoyant. Their Aunt Maria is a dream analyst, and Uncle Julian and Uncle Raul are empaths and animal Psychics. All of their abilities play a part in the story and are quite interesting. My favorite would probably be Aunt Rosa's ability of being an Astrologist.
The plot and character development of this book is very well written. My favorite of the spirits has got to be Dustin and Oreo that scene of when he met Oreo was so cute. One character I disliked was Willows grandpa it was not ok/right for him to be so pushy towards Paloma sharing the family secret. Also, in some parts Paloma was in the right while others her mom was. In my opinion Paloma should have listened to her gut and never used the ouija board that led to so much trouble.
I really love the cover of the book it fits the story perfectly. If you love books that contain magic, definitely give this book a try.
In this story, the main character, Paloma Ferrer, is from a family of psychics. Her Abuela is famous for it. The story goes through how Paloma navigates through her new psychic abilities, which was very interesting. She ends up causing a lot of trouble throughout the story that she eventually learns from these mistakes.
There are five rules to follow that go along with her new abilities. Number one is that she must not force contact with any spirits because it can open up a portal to negative energy. Number two is that she must never talk to evil spirits because they can stick around and follow you everywhere. Number three, she must never ask how the specific spirit died. Number four, she must never repeat everything the spirit tells her. Some things are best left alone. She breaks this rule and learns the hard way her consequences for her actions. Number five, these readings are supposed to help heal the spirits and their realitive/friends. They aren't meant to damage them. Paloma learns the hard way when she breaks this one as well.
Before she moves her, Abuela gives her a gift to help with her psychic abilities. This gift includes: a mirror, blessed candles, a Book of Flowers, and a notebook. The notebook is meant for writing down any thoughts and visions Paloma has that is related to her abilities. The book of Flowers is information passed down from the ancestors before her about her specific ability. The candles are meant for protection and to close the portals. The special mirror is for her to help communicate with spirits and her family. All these objects play an important role in the story.
All of Paloma's family have special psychic abilities. Paloma is a flower medium, and her younger sister is able to record ghosts on videos through her phone. Their Abuela is a famous psychic while their Abuelito is a chef. Their Father is a chef and mother a florist. Their mom runs a shop out of her van. Their uncle Esteban is a numerologist, aunt Rose, an Astrologist, cousin Geraldo, an object reader, and cousin Dania, a culinary Clairvoyant. Their Aunt Maria is a dream analyst, and Uncle Julian and Uncle Raul are empaths and animal Psychics. All of their abilities play a part in the story and are quite interesting. My favorite would probably be Aunt Rosa's ability of being an Astrologist.
The plot and character development of this book is very well written. My favorite of the spirits has got to be Dustin and Oreo that scene of when he met Oreo was so cute. One character I disliked was Willows grandpa it was not ok/right for him to be so pushy towards Paloma sharing the family secret. Also, in some parts Paloma was in the right while others her mom was. In my opinion Paloma should have listened to her gut and never used the ouija board that led to so much trouble.
I really love the cover of the book it fits the story perfectly. If you love books that contain magic, definitely give this book a try.