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Inky Books (3 KP) rated The Queen of the Tearling in Books
Jun 21, 2018
Here’s the book I’ve been looking for! I’ve been waiting and searching and looking for a book that would hold my interest long enough to get through it. While I listened to the book instead of reading it because of the little time I have because of school and work (six classes plus 20 hours a week, why do I do this to myself?) plus trying to train my new puppy, I just haven’t had enough time to sleep, let alone read a book. So listening to books on my 1 hour + commute to and from school and work six days a week was the only option.
I’m so glad I found this book because I could borrow it right away from the library. I had seen it, decided a few times not to buy the book because of the books I still haven’t read, so I just jumped at the chance.
So, let us start at the beginning. It was slow to start. I wasn’t connected to any of the characters, I didn’t have much of an interest other than just entertainment. There were a lot of people introduced at once and I had a hard time keeping them straight at first. Over time the characters got sorted out and each had their own personality.
This book was told from a few different perspectives, but for the most part it added important details to the story. It was interesting to see the thoughts of some people other than Kelsea, and it rounded out the story better than if it would have been just her perspective.
However, with the change in perspectives I found that I had a few issues with one character in particular. Javel is a complicated character, and not in the way most people like. His inner monologue has him come off as a strong character, one that doesn’t take crap. His actions and words tell a completely different story. Javel is a weak man. I was very unimpressed with his character and his story until the very, very end. He only had that one redeeming quality, but it paled against everything else about him.
Kelsea is a character I can defiantly stand behind, though there are two things that irked me. This is more about the writing of the book than it is about Kelsea herself, but that fact that she’s plain, not beautiful, was mentioned so often that I got very annoyed. She’s not as beautiful as her mother was, so what? She looked plain standing next to this woman. Yeah, so what’s your point? I get that she is plain but it doesn’t need to be mentioned multiple times in the first chapter and at least once in all the other chapters. The second was that she sees beauty as vanity. Just because a women is beautiful doesn’t mean she’s automatically a rival or that she’s worthless. It annoyed me that every woman was more beautiful than Kelsea could have imagined. Yeah, well get used to it. You’re the queen now, you’re going to be surrounded by beautiful people.
The one other issue I had was with the timing of everything. I can’t get a sense of how long it was from the begging of the book to the end, and it jumps forward weeks ahead with little explanation.
Despite those problems that I have with the book I really enjoyed it. Very rarely do I get to read about queens taking their keep by storm and upturning everything in her wake. Usually Princesses or other random girls are the main character, and this made me happy. It gave me an insight to what her life was like as queen without boring me.
The plot twist was rather predictable, I had it figured out from halfway through the book, but the way it was handled in the end was interesting.
This author isn’t afraid of killing her characters or going into details most would just briefly skim over. It was refreshing. I can’t wait to listen to or read the next book to see what happens from here!
I’m so glad I found this book because I could borrow it right away from the library. I had seen it, decided a few times not to buy the book because of the books I still haven’t read, so I just jumped at the chance.
So, let us start at the beginning. It was slow to start. I wasn’t connected to any of the characters, I didn’t have much of an interest other than just entertainment. There were a lot of people introduced at once and I had a hard time keeping them straight at first. Over time the characters got sorted out and each had their own personality.
This book was told from a few different perspectives, but for the most part it added important details to the story. It was interesting to see the thoughts of some people other than Kelsea, and it rounded out the story better than if it would have been just her perspective.
However, with the change in perspectives I found that I had a few issues with one character in particular. Javel is a complicated character, and not in the way most people like. His inner monologue has him come off as a strong character, one that doesn’t take crap. His actions and words tell a completely different story. Javel is a weak man. I was very unimpressed with his character and his story until the very, very end. He only had that one redeeming quality, but it paled against everything else about him.
Kelsea is a character I can defiantly stand behind, though there are two things that irked me. This is more about the writing of the book than it is about Kelsea herself, but that fact that she’s plain, not beautiful, was mentioned so often that I got very annoyed. She’s not as beautiful as her mother was, so what? She looked plain standing next to this woman. Yeah, so what’s your point? I get that she is plain but it doesn’t need to be mentioned multiple times in the first chapter and at least once in all the other chapters. The second was that she sees beauty as vanity. Just because a women is beautiful doesn’t mean she’s automatically a rival or that she’s worthless. It annoyed me that every woman was more beautiful than Kelsea could have imagined. Yeah, well get used to it. You’re the queen now, you’re going to be surrounded by beautiful people.
The one other issue I had was with the timing of everything. I can’t get a sense of how long it was from the begging of the book to the end, and it jumps forward weeks ahead with little explanation.
Despite those problems that I have with the book I really enjoyed it. Very rarely do I get to read about queens taking their keep by storm and upturning everything in her wake. Usually Princesses or other random girls are the main character, and this made me happy. It gave me an insight to what her life was like as queen without boring me.
The plot twist was rather predictable, I had it figured out from halfway through the book, but the way it was handled in the end was interesting.
This author isn’t afraid of killing her characters or going into details most would just briefly skim over. It was refreshing. I can’t wait to listen to or read the next book to see what happens from here!
Hazel (1853 KP) rated A Notable Woman: The Romantic Journals of Jean Lucey Pratt in Books
Dec 7, 2018
<i>I received this book for free through Goodreads First Reads.</i>
Whilst researching a previous book, Simon Garfield came across the diaries of Jean Lucey Pratt amongst journals collected during the Second World War for Mass Observation. Intrigued by her observations and character, Garfield became determined to learn more about her. After eventually receiving permission from Jean’s niece, he was able to read all forty-five of her diaries, edit them, and produce this huge manuscript for publication: <i>A Notable Woman</i>.
Jean began writing her journals in the April of 1925 at the young age of fifteen. Although she did not write everyday, she continued putting down her thoughts and experiences up until her death in 1986. Jean Lucey Pratt was not a celebrity, although she did write an, unfortunately, unsuccessful book; nor did she achieve anything spectacular during her lifetime. What makes her diaries worth publishing is the fact that she was “ordinary,” a woman who wrote not to impress other people, but to honestly express her emotions and opinions.
For the majority of her life Jean lived on her own in Burnham Beeches, Buckinghamshire, where she yearned for a husband. Her dreams of finding the perfect man yet only attracting a handful of lovers is both amusing and saddening. The most interesting part of her written records, however, has got to be the experiences of war. Unlike other diarist such as Anne Frank, who feared for their lives, or those that experienced the fighting up front, Jean provides the perspective of the average British citizen. She comments on the rationing, the blackout curtains as well as the political propaganda, providing her own opinions, which often changed as the war progressed. Jean amuses the reader by revealing she often slept through an air raid, only waking up at the sound of the All Clear.
The war ends midway through the book, thus delivering accounts of the latter half of her life, from career to ill health, incorporating in family events and, of course, her enormous horde of cats. Although a rather introverted, lonely individual, Jean’s relationship and love for her brother is often heartwarming. Separated by oceans and only seeing him every so many years, it is clear that the siblings are strongly supportive of each other. Jean often refers to her brother as Pooh (as in <i>Winnie the Pooh</i>), to which he responds by calling her Piglet.
Initially Jean did not intend to let anyone read her diaries but later began to imagine how other people would react to what she had written. She toyed with the idea of posthumous publication, but presumed only family and friends would read them – how wrong she was! Regardless of whether her diaries were to be viewed by outsiders or not, Jean usually referred to people by their initials. Whether she did this for a particular reason or merely to save time when writing remains debatable, however it does cause a bit of confusion when reading. Helpfully the editor, Garfield, has provided a character list that can be referred back to as needed.
Simon Garfield has done a magnificent job of compiling the diary entries together to produce an interesting, moving and occasionally amusing story about life during the 1900s. He has painstakingly sorted through handwritten entries, deciding what bits to omit and conducting further research in order to explain in footnotes the sections or references that would not make sense if left alone. Garfield has made the majority of Jean’s journals flow like a novel, only becoming erratic towards the end of her life when she would only write once every few months.
<i>A Notable Woman</i> gives a fantastic insight into the lives of ordinary people during an era of hardship and change. Readers are more likely to read an accurate description of the war and subsequent years in this book than in any emotionally detached textbook or biased account. Without a doubt this book is worth a read, although do not expect to be able to rush through it as some may do with a work of fiction. Garfield if highly praised for his efforts, and one hopes that Jean would be proud to finally have a writing success.
Whilst researching a previous book, Simon Garfield came across the diaries of Jean Lucey Pratt amongst journals collected during the Second World War for Mass Observation. Intrigued by her observations and character, Garfield became determined to learn more about her. After eventually receiving permission from Jean’s niece, he was able to read all forty-five of her diaries, edit them, and produce this huge manuscript for publication: <i>A Notable Woman</i>.
Jean began writing her journals in the April of 1925 at the young age of fifteen. Although she did not write everyday, she continued putting down her thoughts and experiences up until her death in 1986. Jean Lucey Pratt was not a celebrity, although she did write an, unfortunately, unsuccessful book; nor did she achieve anything spectacular during her lifetime. What makes her diaries worth publishing is the fact that she was “ordinary,” a woman who wrote not to impress other people, but to honestly express her emotions and opinions.
For the majority of her life Jean lived on her own in Burnham Beeches, Buckinghamshire, where she yearned for a husband. Her dreams of finding the perfect man yet only attracting a handful of lovers is both amusing and saddening. The most interesting part of her written records, however, has got to be the experiences of war. Unlike other diarist such as Anne Frank, who feared for their lives, or those that experienced the fighting up front, Jean provides the perspective of the average British citizen. She comments on the rationing, the blackout curtains as well as the political propaganda, providing her own opinions, which often changed as the war progressed. Jean amuses the reader by revealing she often slept through an air raid, only waking up at the sound of the All Clear.
The war ends midway through the book, thus delivering accounts of the latter half of her life, from career to ill health, incorporating in family events and, of course, her enormous horde of cats. Although a rather introverted, lonely individual, Jean’s relationship and love for her brother is often heartwarming. Separated by oceans and only seeing him every so many years, it is clear that the siblings are strongly supportive of each other. Jean often refers to her brother as Pooh (as in <i>Winnie the Pooh</i>), to which he responds by calling her Piglet.
Initially Jean did not intend to let anyone read her diaries but later began to imagine how other people would react to what she had written. She toyed with the idea of posthumous publication, but presumed only family and friends would read them – how wrong she was! Regardless of whether her diaries were to be viewed by outsiders or not, Jean usually referred to people by their initials. Whether she did this for a particular reason or merely to save time when writing remains debatable, however it does cause a bit of confusion when reading. Helpfully the editor, Garfield, has provided a character list that can be referred back to as needed.
Simon Garfield has done a magnificent job of compiling the diary entries together to produce an interesting, moving and occasionally amusing story about life during the 1900s. He has painstakingly sorted through handwritten entries, deciding what bits to omit and conducting further research in order to explain in footnotes the sections or references that would not make sense if left alone. Garfield has made the majority of Jean’s journals flow like a novel, only becoming erratic towards the end of her life when she would only write once every few months.
<i>A Notable Woman</i> gives a fantastic insight into the lives of ordinary people during an era of hardship and change. Readers are more likely to read an accurate description of the war and subsequent years in this book than in any emotionally detached textbook or biased account. Without a doubt this book is worth a read, although do not expect to be able to rush through it as some may do with a work of fiction. Garfield if highly praised for his efforts, and one hopes that Jean would be proud to finally have a writing success.
Louise (64 KP) rated And I Darken (The Conqueror's Saga #1) in Books
Jul 2, 2018
First I would like to say a massive thank you to Goodreads as I won myself a copy on one of their giveaways( Aren’t they great!)
And I Darken is a new Historical fiction/Re-telling of Vlad the Impaler but gender swapped. Goodreads have it listed as being a fantasy, but there is no magic or any paranormal goings on whatsoever…glad we got that cleared up.
Our story follows Ladislav (Lada) and Radu Dragwyla the descendants of Vlad Dracul, Prince of Wallachia. Vlad is a vile human being and uses his own children for bargaining with the Ottoman Empire, there lives are at risk if he does not keep to the treaties terms. Living in the Ottoman Empire is risky for Lada and Radu, Lada could easily be married off to some suitor for allegiance or killed whichever is easier for the Sultan. Running the grounds they bump into a young boy the same age as them, only to find that he is the Sultan’s son Mehmed. Mehmed is a lonely boy with only his tutors for company so he befriends them both and shares all his education and time with them, which in turn takes them out of the spotlight.
Lada is a very strong character, she is a force to be reckoned with. She is brutal,fierce and just a total badass throughout the book. Being born a woman is one almighty struggle to be taken seriously in the 1400’s. She knows that she is the rightful heir of Wallachia at the young age of 11. She wants to impress her father with her fighting skills and there is a point when she thinks she has, but the only thoughts her father has is marrying her off to a suitor and being a dutiful wife. Lada is very family orientated and has a very unique relationship with her brother Radu but she will never show any emotion as this is a sign of weakness and she is perceived as a cold-hearted bitch.
Radu was always a disappointment to his father, weak,cowardly and clinging to his nursemaids side infuriated Vlad. Radu was the more emotional of siblings, even though he was not great at fighting he had a devious and cunning mind that made him equally as dangerous as Lada.
My feelings towards the characters changed a lot throughout the book at first I thought Lada was just a psychotic child but realised she is trying to prove herself as being fierce. Radu he was very sweet throughout the book and always wanted his sister to just open up and tell him she loved him and for him to tell her his secrets and feelings. The main point is that they are flawed and this is what makes characters great.
Mehmed just annoyed me and he got in the way of Lada’s plans.
The book does contain romance, a love triangle where no one expresses their love for anyone as they are too scared of the consequences or that it will stop them from their goals in life. So the romance is frustrating to say the least.
This book has a lot of political intrigue,so be prepared for wars,treaties,soldiers and their ranks. This is Historical fiction but as in the author’s notes at the end it is not accurate and a lot is made up. Religion is also touched upon, mostly Islam with Christianity but it’s not too in your face or info dumping. The book is nearly 500 pages long! I felt it could have been shorter. I enjoyed the relationship between Radu and Lada,it was a very different set-up from what we are used to. This did take me a little longer to read as in places it was very slow and I found myself getting bored.
This book covers themes such as sibling rivalry, relationships, families, romance, feminism, sexism and politics
<img src="https://images.gr-assets.com/books/1476160834l/22817331.jpg" width="120" height="180"/>
Now I Rise is the second installment of the And I Darken saga which is due to be released in June 2017 which I will be reading as I am interested in what is going to happen next with Lada.
Overall I rated this 3.5 out of 5 stars
And I Darken is a new Historical fiction/Re-telling of Vlad the Impaler but gender swapped. Goodreads have it listed as being a fantasy, but there is no magic or any paranormal goings on whatsoever…glad we got that cleared up.
Our story follows Ladislav (Lada) and Radu Dragwyla the descendants of Vlad Dracul, Prince of Wallachia. Vlad is a vile human being and uses his own children for bargaining with the Ottoman Empire, there lives are at risk if he does not keep to the treaties terms. Living in the Ottoman Empire is risky for Lada and Radu, Lada could easily be married off to some suitor for allegiance or killed whichever is easier for the Sultan. Running the grounds they bump into a young boy the same age as them, only to find that he is the Sultan’s son Mehmed. Mehmed is a lonely boy with only his tutors for company so he befriends them both and shares all his education and time with them, which in turn takes them out of the spotlight.
Lada is a very strong character, she is a force to be reckoned with. She is brutal,fierce and just a total badass throughout the book. Being born a woman is one almighty struggle to be taken seriously in the 1400’s. She knows that she is the rightful heir of Wallachia at the young age of 11. She wants to impress her father with her fighting skills and there is a point when she thinks she has, but the only thoughts her father has is marrying her off to a suitor and being a dutiful wife. Lada is very family orientated and has a very unique relationship with her brother Radu but she will never show any emotion as this is a sign of weakness and she is perceived as a cold-hearted bitch.
Radu was always a disappointment to his father, weak,cowardly and clinging to his nursemaids side infuriated Vlad. Radu was the more emotional of siblings, even though he was not great at fighting he had a devious and cunning mind that made him equally as dangerous as Lada.
My feelings towards the characters changed a lot throughout the book at first I thought Lada was just a psychotic child but realised she is trying to prove herself as being fierce. Radu he was very sweet throughout the book and always wanted his sister to just open up and tell him she loved him and for him to tell her his secrets and feelings. The main point is that they are flawed and this is what makes characters great.
Mehmed just annoyed me and he got in the way of Lada’s plans.
The book does contain romance, a love triangle where no one expresses their love for anyone as they are too scared of the consequences or that it will stop them from their goals in life. So the romance is frustrating to say the least.
This book has a lot of political intrigue,so be prepared for wars,treaties,soldiers and their ranks. This is Historical fiction but as in the author’s notes at the end it is not accurate and a lot is made up. Religion is also touched upon, mostly Islam with Christianity but it’s not too in your face or info dumping. The book is nearly 500 pages long! I felt it could have been shorter. I enjoyed the relationship between Radu and Lada,it was a very different set-up from what we are used to. This did take me a little longer to read as in places it was very slow and I found myself getting bored.
This book covers themes such as sibling rivalry, relationships, families, romance, feminism, sexism and politics
<img src="https://images.gr-assets.com/books/1476160834l/22817331.jpg" width="120" height="180"/>
Now I Rise is the second installment of the And I Darken saga which is due to be released in June 2017 which I will be reading as I am interested in what is going to happen next with Lada.
Overall I rated this 3.5 out of 5 stars
Ivana A. | Diary of Difference (1171 KP) rated Circe in Books
Jul 3, 2018
WHEN I WAS BORN, the name for what I was did not exist.
I was waiting for two whole months to get this book from the library. And I finally had a chance to read Circe from Madeline Miller. A book that everyone was talking about. The only thing you were gonna see on Instagram. Well, here I am – sitting with the cool kids now, I’ve read this book.
The reason I wanted to read this book wasn’t because I wanted to be part of the cool kids. Actually, it was because Greek Mythology has a special place in my heart. See, I was born in Macedonia, a country full of history, and so very close to Greece, where histories and cultures and traditions match and mix.
When I was in school, our teachers focused hard on history. Especially Roman and Greek Mythology. So yes, I grew up with Homer’s Iliad and Odyssey and yes, I know all the gods out there, what they do, who they married, who their children are.
I have read about Circe, but I have never given her any meaning, as she is not mentioned a lot in Homer’s works, as you might already know. And then suddenly, there is a book about her life. I had to read it!
AND I ABSOLUTELY LOVED IT! FROM THE BOTTOM OF MY HEART!
This might be my favorite book of 2018!
I enjoyed Madeline’s writing style. It was so explanatory and calm, and soothing, like swimming in nice calm waters. You would just gulp her words as you read, and before you know it, you have read 200 pages.
Circe, oh Circe! Her character was so well described – such a strong powerful woman. We start with her childhood, to her growing up, and we follow the process of how she learned things the hard way, how she is naive, and then suddenly isn’t, how she discovers the power she holds within, despite everyone else mocking her and saying otherwise. We see how she decides to say no, how she is not afraid to be a rebel, and how she suffers, and loves, and protects, and cares, and survives, and lives!
You will read a story about the love a mother has toward her child, the love a woman has toward her man, the love a son has towards her mother, the love for freedom, the love for glory…
If you love Greek Mythology, you will get the chance to say hi to some of your favourite gods, nymphs, titans, monsters – Zeus, Athena, Poseidon, Prometheus, Odysseus and many more which I will fail to reveal.
I hardly believe that this is a great book for introducing Greek Mythology to new young readers. I also hardly believe that this book will change the thoughts of many people, the way they see things, the way they live, the way they think.
It was one of my favorite things about him: how he always fought for his chance.
There are a lot of side characters that give their own meaning to the story as well, and there is also Odysseus, and at times it feels as this is his story, but in the end you realized that this story belongs to Circe only.
Do not listen to your enemy, Odysseus had once told me. Look at them. It will tell you everything.
I looked. Armed and armored, she was (Athena), from head to foot, helmet, spear, aegis, greaves. A terrifying vision: the goddess of war, ready for battle. But why had she assembled such a panoply against me, who knew nothing of combat? Unless there was something else she feared, something that made her feel somehow stripped and weak.
Instinct carried me forward, the thousand hours I had spent in my father’s halls, and with Odysseus polymetis, man of so many wiles.
To all of you out there – please take your time to read this book! It will leave you breathless, inspired, motivated and it will change your life forever. It changed my life – that’s for certain!
1 like
I was waiting for two whole months to get this book from the library. And I finally had a chance to read Circe from Madeline Miller. A book that everyone was talking about. The only thing you were gonna see on Instagram. Well, here I am – sitting with the cool kids now, I’ve read this book.
The reason I wanted to read this book wasn’t because I wanted to be part of the cool kids. Actually, it was because Greek Mythology has a special place in my heart. See, I was born in Macedonia, a country full of history, and so very close to Greece, where histories and cultures and traditions match and mix.
When I was in school, our teachers focused hard on history. Especially Roman and Greek Mythology. So yes, I grew up with Homer’s Iliad and Odyssey and yes, I know all the gods out there, what they do, who they married, who their children are.
I have read about Circe, but I have never given her any meaning, as she is not mentioned a lot in Homer’s works, as you might already know. And then suddenly, there is a book about her life. I had to read it!
AND I ABSOLUTELY LOVED IT! FROM THE BOTTOM OF MY HEART!
This might be my favorite book of 2018!
I enjoyed Madeline’s writing style. It was so explanatory and calm, and soothing, like swimming in nice calm waters. You would just gulp her words as you read, and before you know it, you have read 200 pages.
Circe, oh Circe! Her character was so well described – such a strong powerful woman. We start with her childhood, to her growing up, and we follow the process of how she learned things the hard way, how she is naive, and then suddenly isn’t, how she discovers the power she holds within, despite everyone else mocking her and saying otherwise. We see how she decides to say no, how she is not afraid to be a rebel, and how she suffers, and loves, and protects, and cares, and survives, and lives!
You will read a story about the love a mother has toward her child, the love a woman has toward her man, the love a son has towards her mother, the love for freedom, the love for glory…
If you love Greek Mythology, you will get the chance to say hi to some of your favourite gods, nymphs, titans, monsters – Zeus, Athena, Poseidon, Prometheus, Odysseus and many more which I will fail to reveal.
I hardly believe that this is a great book for introducing Greek Mythology to new young readers. I also hardly believe that this book will change the thoughts of many people, the way they see things, the way they live, the way they think.
It was one of my favorite things about him: how he always fought for his chance.
There are a lot of side characters that give their own meaning to the story as well, and there is also Odysseus, and at times it feels as this is his story, but in the end you realized that this story belongs to Circe only.
Do not listen to your enemy, Odysseus had once told me. Look at them. It will tell you everything.
I looked. Armed and armored, she was (Athena), from head to foot, helmet, spear, aegis, greaves. A terrifying vision: the goddess of war, ready for battle. But why had she assembled such a panoply against me, who knew nothing of combat? Unless there was something else she feared, something that made her feel somehow stripped and weak.
Instinct carried me forward, the thousand hours I had spent in my father’s halls, and with Odysseus polymetis, man of so many wiles.
To all of you out there – please take your time to read this book! It will leave you breathless, inspired, motivated and it will change your life forever. It changed my life – that’s for certain!
1 like
LilyLovesIndie (123 KP) rated The Jacobites' Apprentice in Books
Nov 5, 2018
This book was first reviewed on Lily Loves Indie as part of a blog tour and was given as an ARC - http://lilylovesindie.co.uk/?p=312
There are several aspects I very much enjoy about David EbsworthÕs writing, however there is something I always wish was a little different Ð I wish his books were easier to get into from the start! #When youÕre hooked, youÕre hooked good and proper, but sometimes this just takes a little longer than some books and takes that little bit more perseverance. Well, thereÕs my niggle over with, and now IÕll tell you why I love this authorÕs work!
Firstly, for those who didnÕt know, history is a little bit of a passion of mine, and historical fiction, like this, is quite possibly my favourite genre. But why do you need to know this? Bear with me, IÕm getting there! With all that in mind, it really needs mentioning how accurate and detailed EbsworthÕs immersion into this historical period is. The research simply exudes from every page and it is very well written into the actual plot of the story. Ebsworth makes the plot tell the history, rather than the other way round and he does so magnificently.
In addition, and linked to my previous point, the language in this book is fantastic and completely in keeping with the time period. This, particularly in the dialogue, helps to really complete the experience of the reading, and it adds a whole new dimension. In fact, perhaps the thing that I like the most about this book is the very crucial fact that I learnt things whilst reading it. I have never read an author that imparts so much knowledge through a familiar medium of story telling, it really does show great skill and I doff my hat to Ebsworth.
Furthermore, something I really relished as I got further into the tale was how difficult this book was to put down. Considering the detailed start, where the story was laid out and we were introduced to the key players, this was a pleasant surprise and one I very much enjoyed. The plot twists and turns are great at keeping you on your toes and engaged in the tale, and the writing style is one that pulls you further into all of the characters lives, due to the way we see snippets into each of their thoughts. This is yet another great skill shown by Ebsworth as I know from experience how difficult it is to show their different viewpoints whilst not losing the thread of the story and also not losing the reader amongst all these characters, but Ebsworth does this with great skill and panache and it is truly a delight to read.
The final thing I want to mention is the characters, particularly Aran Owen and Striker, although the whole cast of assembled characters is truly varied and representative of the whole range of society. LetÕs start with Aran, a simple Welshman who got lucky, a talented painter and a key player in the struggle of the Jacobites. Now place him opposite Dudley Striker, an incredibly clever and calculating individual, but one who is also immensely cruel and has a very intense survival instinct. These two characters are the key players really, and they are fantastically well developed and a true delight to read. I honestly donÕt know how they work together, but they are just fantastic, especially when supported by the likes of Bradley, Titus and the sharp witted duo of Rosina and Mistress Cooper.
In conclusion, I have to doff my hat to Ebsworth. This is a fantastic story that weaves history, characters and a fantastic plot together to make a very enjoyable read. ItÕs the kind of book you have to think about as you read it, which suits me greatly, however it does make it somewhat difficult to dip into for a quick page or two at bedtime. That said, it is most definitely worth the effort as you are repaid hundred-fold with knowledge and a reading experience you wonÕt forget. For you history lovers, and those of you who enjoy a good book to really sink your teeth into, I cannot recommend this book highly enough.
There are several aspects I very much enjoy about David EbsworthÕs writing, however there is something I always wish was a little different Ð I wish his books were easier to get into from the start! #When youÕre hooked, youÕre hooked good and proper, but sometimes this just takes a little longer than some books and takes that little bit more perseverance. Well, thereÕs my niggle over with, and now IÕll tell you why I love this authorÕs work!
Firstly, for those who didnÕt know, history is a little bit of a passion of mine, and historical fiction, like this, is quite possibly my favourite genre. But why do you need to know this? Bear with me, IÕm getting there! With all that in mind, it really needs mentioning how accurate and detailed EbsworthÕs immersion into this historical period is. The research simply exudes from every page and it is very well written into the actual plot of the story. Ebsworth makes the plot tell the history, rather than the other way round and he does so magnificently.
In addition, and linked to my previous point, the language in this book is fantastic and completely in keeping with the time period. This, particularly in the dialogue, helps to really complete the experience of the reading, and it adds a whole new dimension. In fact, perhaps the thing that I like the most about this book is the very crucial fact that I learnt things whilst reading it. I have never read an author that imparts so much knowledge through a familiar medium of story telling, it really does show great skill and I doff my hat to Ebsworth.
Furthermore, something I really relished as I got further into the tale was how difficult this book was to put down. Considering the detailed start, where the story was laid out and we were introduced to the key players, this was a pleasant surprise and one I very much enjoyed. The plot twists and turns are great at keeping you on your toes and engaged in the tale, and the writing style is one that pulls you further into all of the characters lives, due to the way we see snippets into each of their thoughts. This is yet another great skill shown by Ebsworth as I know from experience how difficult it is to show their different viewpoints whilst not losing the thread of the story and also not losing the reader amongst all these characters, but Ebsworth does this with great skill and panache and it is truly a delight to read.
The final thing I want to mention is the characters, particularly Aran Owen and Striker, although the whole cast of assembled characters is truly varied and representative of the whole range of society. LetÕs start with Aran, a simple Welshman who got lucky, a talented painter and a key player in the struggle of the Jacobites. Now place him opposite Dudley Striker, an incredibly clever and calculating individual, but one who is also immensely cruel and has a very intense survival instinct. These two characters are the key players really, and they are fantastically well developed and a true delight to read. I honestly donÕt know how they work together, but they are just fantastic, especially when supported by the likes of Bradley, Titus and the sharp witted duo of Rosina and Mistress Cooper.
In conclusion, I have to doff my hat to Ebsworth. This is a fantastic story that weaves history, characters and a fantastic plot together to make a very enjoyable read. ItÕs the kind of book you have to think about as you read it, which suits me greatly, however it does make it somewhat difficult to dip into for a quick page or two at bedtime. That said, it is most definitely worth the effort as you are repaid hundred-fold with knowledge and a reading experience you wonÕt forget. For you history lovers, and those of you who enjoy a good book to really sink your teeth into, I cannot recommend this book highly enough.
LilyLovesIndie (123 KP) rated Songs from the Phenomenal Nothing in Books
Nov 5, 2018
IÕll be honest, I had never heard of this author or read the blurb when I signed up to this event, but I am so grateful that this particular opportunity came knocking on my door. I have thoroughly enjoyed reading this story and have to thank the author, Steven Luna, for the chance to read and review his amazing writing. I have so much good to say about this book that IÕll waste no time in getting started, and I hope I donÕt repeat myself too much.
The first thing I absolutely adored about this book is how incredibly engaging and well written the plot was. In all honesty, TylerÕs struggles with his motherÕs death could have very easily become cliche and tiresome very quickly, but not once when reading this book did I feel bored or like I wasnÕt fully engaged with Tyler and his dilemma. Luna really pulls you right into his story quickly, leaving no time to Ôum and aahÕ over things, you just jump straight in and keep on going on what is a roller coaster of superbly written twists and turns. IÕve not read many books with this kind of subject matter, but I feel like I want to read more, and almost felt a little bereft when I finished the book as I so wanted there to be more to it! That is, perhaps, the only negative I have Ð I was gutted to find that the book had finished! It was just that good I didnÕt want it to ever end!
This is, in part, to how wonderful the characters are. Tyler, as the lead, is incredibly easy to invest emotionally in. HeÕs believable, much like the entire plot, and his emotions are so easy to understand, even if they do break your heart as you watch him, essentially, turn his rage and grief on himself and Tom. Xan and Chelsea, although minor characters, also leave a lasting impression, much like Trevor and Tom. This is a testament to Steven LunaÕs way of writing as it is very rare a minor character grabs my attention and thoughts much when I put the book down, but IÕve found myself not only thinking about Tyler, but also Tom and Xan quite a lot too.
Something else that really needs a mention is how emotionally charged this book is, but in all the right ways. I guess IÕd better explain exactly what I mean here, because I mean to give the highest praise to Steven Luna on this note. I love a book that not only engages my brain as IÕm reading, but also engages my heart, and ÔSongsÕ does this so completely that at times I truly wished I could reach into the kindle and make everything all right again for Tyler. Having recently experienced my own loss to cancer, this book really did touch a delicate part of my heart but in the best possible way. Steven Luna writes with such sincerity and honesty in this tale that I truly believed every word, my heart aching and my eyes moistening as I lived through TylerÕs sadness. ItÕs very hard for an author to make me cry, but within the first few pages that is exactly what was happening, and I wish to offer the highest praise for the style with which Luna manages this.
And so, IÕm going to wrap this up, partly because the superlatives are running out, and partly because I am literally dying to get onto reading some of his other writing. This book is, like the title suggests, truly phenomenal. It was difficult to put down, gripping from the first chapter and above all, a very believable and easy book to read. I cannot recommend this twisting tale highly enough, and I wish to take this opportunity to thank Steven Luna for opening my heart to a new range of emotions.
ARC received in return for an honest review as part of a blog tour on Lily Loves Indie - http://lilylovesindie.co.uk/?p=250
The first thing I absolutely adored about this book is how incredibly engaging and well written the plot was. In all honesty, TylerÕs struggles with his motherÕs death could have very easily become cliche and tiresome very quickly, but not once when reading this book did I feel bored or like I wasnÕt fully engaged with Tyler and his dilemma. Luna really pulls you right into his story quickly, leaving no time to Ôum and aahÕ over things, you just jump straight in and keep on going on what is a roller coaster of superbly written twists and turns. IÕve not read many books with this kind of subject matter, but I feel like I want to read more, and almost felt a little bereft when I finished the book as I so wanted there to be more to it! That is, perhaps, the only negative I have Ð I was gutted to find that the book had finished! It was just that good I didnÕt want it to ever end!
This is, in part, to how wonderful the characters are. Tyler, as the lead, is incredibly easy to invest emotionally in. HeÕs believable, much like the entire plot, and his emotions are so easy to understand, even if they do break your heart as you watch him, essentially, turn his rage and grief on himself and Tom. Xan and Chelsea, although minor characters, also leave a lasting impression, much like Trevor and Tom. This is a testament to Steven LunaÕs way of writing as it is very rare a minor character grabs my attention and thoughts much when I put the book down, but IÕve found myself not only thinking about Tyler, but also Tom and Xan quite a lot too.
Something else that really needs a mention is how emotionally charged this book is, but in all the right ways. I guess IÕd better explain exactly what I mean here, because I mean to give the highest praise to Steven Luna on this note. I love a book that not only engages my brain as IÕm reading, but also engages my heart, and ÔSongsÕ does this so completely that at times I truly wished I could reach into the kindle and make everything all right again for Tyler. Having recently experienced my own loss to cancer, this book really did touch a delicate part of my heart but in the best possible way. Steven Luna writes with such sincerity and honesty in this tale that I truly believed every word, my heart aching and my eyes moistening as I lived through TylerÕs sadness. ItÕs very hard for an author to make me cry, but within the first few pages that is exactly what was happening, and I wish to offer the highest praise for the style with which Luna manages this.
And so, IÕm going to wrap this up, partly because the superlatives are running out, and partly because I am literally dying to get onto reading some of his other writing. This book is, like the title suggests, truly phenomenal. It was difficult to put down, gripping from the first chapter and above all, a very believable and easy book to read. I cannot recommend this twisting tale highly enough, and I wish to take this opportunity to thank Steven Luna for opening my heart to a new range of emotions.
ARC received in return for an honest review as part of a blog tour on Lily Loves Indie - http://lilylovesindie.co.uk/?p=250
Lucy Buglass (45 KP) rated The House That Jack Built (2018) in Movies
Jun 20, 2019
Danish director Lars Von Trier is no stranger to controversy. He has certainly divided film fans with some praising his work and some condemning it. The House That Jack Built is his most recent creation, causing audience members at Cannes to either walk out in disgust or stand up and applaud. This seriously mixed reception caught my interest and I wanted to find out what he’d done to generate such a response.
I’ve only seen two of his previous films; Antichrist and Melancholia, the former being a film that disturbed me so much I haven’t been able to watch it a second time. Its visceral, raw and harrowing portrayal of sex, violence, and self-mutilation is something that is a thoroughly uncomfortable and unpleasant watch. Because of Antichrist, I felt nervous yet strangely excited to see what The House That Jack Built had in store for me. I was surprised, however, to discover that it is arguably his tamest film to date, with a lot of the more graphic content happening off-screen. That doesn’t mean it doesn’t have its disturbing moments, but it was a lot less visceral than I was expecting based on its recent backlash.
The film is split into five chapters labelled ‘The Incidents’ and an epilogue, detailing some of the murders that Jack carried out over a 12-year span. Two of these incidents include child abuse and female mutilation, but is presented in a much more psychologically disturbing way rather than uncomfortable close-ups and drawn out scenes that you watch from behind your hands. The House That Jack Built spends more time tapping into Jack’s own psyche than it does the atrocities he commits, with Matt Dillon really stealing the show as the titular character.
It’s also darkly funny in places, which I certainly wasn’t expecting. Dillon’s portrayal of a psychotic killer with OCD is both terrifying and amusing. He is simultaneously charming and unhinged, which is a difficult thing to pull off. He was by far my favourite thing about the film, reminiscent of so many iconic serial killers that have fascinated the general public. The film relied heavily on Jack’s character and inner thoughts so it was great to see Dillon pull it off so brilliantly.
Much like Von Trier’s previous work, The House That Jack Built features lots of symbolism throughout the narrative. In this case, it focuses heavily on religion, art and family, with Jack being challenged on all of these as he recounts the incidents. The voice challenging him is a mystery to us until the third act, where Bruno Ganz’s character is finally revealed to us. I found this reveal to be a little jarring and strange, but not unexpected from one of his films. For me, the third act is where it started to go downhill and I lost interest, which is a real shame after the strength of the first two. Despite seeing some really great analyses online, it wasn’t enough to change my own views on the way it ended. It just seemed a little too out of place for my liking.
The visual style is interesting and combines live action with animation and still images. This feels very random but in the context of this particular film, it actually works in its favour. Both Dillon and Ganz narrate over the animation and still images, giving us monologues that act as food for thought and raise questions about morality, life, death and so on. It’s an intense film in that regard and one that you have to really concentrate on in order to enjoy properly.
The House That Jack Built is a depressing, harrowing and strange film. Its blend of sadistic violence and humour makes it a truly unique horror film that seems to appeal to a very specific audience. It’s not for the faint of heart, and Jack’s misogynistic killing sprees teamed with his nihilistic outlook on life is bound to be uncomfortable for many to witness. As a case study on a serial killer it’s a fascinating watch, but out of the three films I’ve seen, this one is unfortunately the weakest in my eyes.
https://jumpcutonline.co.uk/review-the-house-that-jack-built-2018/
I’ve only seen two of his previous films; Antichrist and Melancholia, the former being a film that disturbed me so much I haven’t been able to watch it a second time. Its visceral, raw and harrowing portrayal of sex, violence, and self-mutilation is something that is a thoroughly uncomfortable and unpleasant watch. Because of Antichrist, I felt nervous yet strangely excited to see what The House That Jack Built had in store for me. I was surprised, however, to discover that it is arguably his tamest film to date, with a lot of the more graphic content happening off-screen. That doesn’t mean it doesn’t have its disturbing moments, but it was a lot less visceral than I was expecting based on its recent backlash.
The film is split into five chapters labelled ‘The Incidents’ and an epilogue, detailing some of the murders that Jack carried out over a 12-year span. Two of these incidents include child abuse and female mutilation, but is presented in a much more psychologically disturbing way rather than uncomfortable close-ups and drawn out scenes that you watch from behind your hands. The House That Jack Built spends more time tapping into Jack’s own psyche than it does the atrocities he commits, with Matt Dillon really stealing the show as the titular character.
It’s also darkly funny in places, which I certainly wasn’t expecting. Dillon’s portrayal of a psychotic killer with OCD is both terrifying and amusing. He is simultaneously charming and unhinged, which is a difficult thing to pull off. He was by far my favourite thing about the film, reminiscent of so many iconic serial killers that have fascinated the general public. The film relied heavily on Jack’s character and inner thoughts so it was great to see Dillon pull it off so brilliantly.
Much like Von Trier’s previous work, The House That Jack Built features lots of symbolism throughout the narrative. In this case, it focuses heavily on religion, art and family, with Jack being challenged on all of these as he recounts the incidents. The voice challenging him is a mystery to us until the third act, where Bruno Ganz’s character is finally revealed to us. I found this reveal to be a little jarring and strange, but not unexpected from one of his films. For me, the third act is where it started to go downhill and I lost interest, which is a real shame after the strength of the first two. Despite seeing some really great analyses online, it wasn’t enough to change my own views on the way it ended. It just seemed a little too out of place for my liking.
The visual style is interesting and combines live action with animation and still images. This feels very random but in the context of this particular film, it actually works in its favour. Both Dillon and Ganz narrate over the animation and still images, giving us monologues that act as food for thought and raise questions about morality, life, death and so on. It’s an intense film in that regard and one that you have to really concentrate on in order to enjoy properly.
The House That Jack Built is a depressing, harrowing and strange film. Its blend of sadistic violence and humour makes it a truly unique horror film that seems to appeal to a very specific audience. It’s not for the faint of heart, and Jack’s misogynistic killing sprees teamed with his nihilistic outlook on life is bound to be uncomfortable for many to witness. As a case study on a serial killer it’s a fascinating watch, but out of the three films I’ve seen, this one is unfortunately the weakest in my eyes.
https://jumpcutonline.co.uk/review-the-house-that-jack-built-2018/
Lucy Buglass (45 KP) rated A Star Is Born (2018) in Movies
Jun 20, 2019
A haunting look at fame, love and addiction
As a fan of both Lady Gaga and Bradley Cooper, I was intrigued when a new remake of A Star Is Born was announced. Despite not having seen either of its predecessors, I vaguely knew what the story was about and was interested by the chosen pairing, especially since this is Cooper’s directorial debut. I went into this film with an open heart and mind.
Whilst I rate both of their performances highly, it was Gaga who really stood out to me. Despite the fact she’s a very famous, very well-respected artist in real life, when I watched the film, I saw her character, Ally, and not Lady Gaga. She truly brought Ally to life on-screen, showing us the highs and lows of a former ‘average girl’ turned superstar. She was absolutely fantastic. I could really feel everything Ally was feeling, from elation to pain. I adored her performance and it kept me hooked throughout. Unsurprisingly, her vocals were stunning too, and listening to her performances on the big screen was a real treat. She is so utterly talented and has proven she can go far beyond her singing career, and into new territories.
A Star Is Born features some great cameos too; mainly RuPaul’s Drag Race stars Willam Belli and Shangela. It was really cool to see them in a feature film, and I loved what they brought to the story. Their relationship with Ally, especially, was really lovely and highlights the inclusivity most of us strive to achieve in modern society. Their characters meant a lot to me.
In terms of Cooper’s portrayal of Jackson, he was also very convincing as an aging star battling addiction. What I loved most about his character was the sheer complexity of it, and how you didn’t know whether to feel sorry for him or berate him. The opinion of Jackson is left entirely up to the viewer, and I really respected that about the film. It has opened a lot of debates about his character’s behaviour, and it’s wonderful when a film causes audiences to do that. He is clearly very troubled but that doesn’t always excuse some of his appalling behaviour, which is presented to us in a very raw and honest way. Because of this, the film is not an easy watch, but I believe it’s an important one all the same. It was also wonderful to hear him sing, as he has a stunning voice that complements Gaga’s throughout. Together, they’ve really made something special. I’ve been listening to the soundtrack a lot since seeing the film.
I also loved the contrast in visual style throughout A Star Is Born. The choice of set design, lighting and colours perfectly reflect what the characters are feeling in that moment in time. We go from glamorous performances on stage, to grittier, intense territories. I was certainly impressed by Cooper’s first film and look forward to seeing where his journey towards directing will take him next. He’s put so much work into this and it really has paid off, giving us an emotional, heartfelt and honest story. If you’re wondering if I cried at any point, the answer is yes. That final song though…
A Star Is Born gives us an honest look into the darker side of fame, the highs and lows, what goes on behind the scenes, all of it. Whilst most of us aren’t ignorant about the fact these issues go on, this film really presents them to us in a brilliant way. The songs themselves are a huge part of this, telling their own stories and adding to the characters’ mindset. The lyrics are fantastic, and bring so much to the film. Listen closely and it’ll be easy to see why. I would definitely recommend it even if you’re not usually a lover of musical film, based on the story alone. It’s a rollercoaster of emotions from start to finish.
https://lucygoestohollywood.com/2018/10/14/a-haunting-look-at-fame-love-and-addiction-my-thoughts-on-a-star-is-born/
Whilst I rate both of their performances highly, it was Gaga who really stood out to me. Despite the fact she’s a very famous, very well-respected artist in real life, when I watched the film, I saw her character, Ally, and not Lady Gaga. She truly brought Ally to life on-screen, showing us the highs and lows of a former ‘average girl’ turned superstar. She was absolutely fantastic. I could really feel everything Ally was feeling, from elation to pain. I adored her performance and it kept me hooked throughout. Unsurprisingly, her vocals were stunning too, and listening to her performances on the big screen was a real treat. She is so utterly talented and has proven she can go far beyond her singing career, and into new territories.
A Star Is Born features some great cameos too; mainly RuPaul’s Drag Race stars Willam Belli and Shangela. It was really cool to see them in a feature film, and I loved what they brought to the story. Their relationship with Ally, especially, was really lovely and highlights the inclusivity most of us strive to achieve in modern society. Their characters meant a lot to me.
In terms of Cooper’s portrayal of Jackson, he was also very convincing as an aging star battling addiction. What I loved most about his character was the sheer complexity of it, and how you didn’t know whether to feel sorry for him or berate him. The opinion of Jackson is left entirely up to the viewer, and I really respected that about the film. It has opened a lot of debates about his character’s behaviour, and it’s wonderful when a film causes audiences to do that. He is clearly very troubled but that doesn’t always excuse some of his appalling behaviour, which is presented to us in a very raw and honest way. Because of this, the film is not an easy watch, but I believe it’s an important one all the same. It was also wonderful to hear him sing, as he has a stunning voice that complements Gaga’s throughout. Together, they’ve really made something special. I’ve been listening to the soundtrack a lot since seeing the film.
I also loved the contrast in visual style throughout A Star Is Born. The choice of set design, lighting and colours perfectly reflect what the characters are feeling in that moment in time. We go from glamorous performances on stage, to grittier, intense territories. I was certainly impressed by Cooper’s first film and look forward to seeing where his journey towards directing will take him next. He’s put so much work into this and it really has paid off, giving us an emotional, heartfelt and honest story. If you’re wondering if I cried at any point, the answer is yes. That final song though…
A Star Is Born gives us an honest look into the darker side of fame, the highs and lows, what goes on behind the scenes, all of it. Whilst most of us aren’t ignorant about the fact these issues go on, this film really presents them to us in a brilliant way. The songs themselves are a huge part of this, telling their own stories and adding to the characters’ mindset. The lyrics are fantastic, and bring so much to the film. Listen closely and it’ll be easy to see why. I would definitely recommend it even if you’re not usually a lover of musical film, based on the story alone. It’s a rollercoaster of emotions from start to finish.
https://lucygoestohollywood.com/2018/10/14/a-haunting-look-at-fame-love-and-addiction-my-thoughts-on-a-star-is-born/
Lucy Buglass (45 KP) rated Bohemian Rhapsody (2018) in Movies
Jun 20, 2019
An honest, captivating and respectful biopic
Biopics are not easy to perfect and when you’re dealing with an iconic figure such as Freddie Mercury, it becomes even harder. When this film was announced it seemed natural to feel a little bit of apprehension, because could anyone really portray Freddie? Who could bring him to life on screen before thousands of fans? Thankfully, for me at least, my worries were soon quenched as soon as I began to watch it. I thought was a stunning film and I have no problem admitting that brought tears to my eyes on several occasions.
Rami Malek was an excellent choice to portray Freddie, to the point where I found myself believing I was watching the man himself. His stage presence especially was spot on and the live performances were simply stunning to watch, especially with surround sound. I felt transported, part of the crowd, and it was such a special moment to share with the rest of the cinema. We become part of different times and places in a matter of minutes, giving you an idea of just how globally successful and adored Queen were. Despite the film’s main focus being Freddie, the supporting roles of the rest of the band were fantastic too, and I have so much praise for Gwilym Lee, Ben Hardy and Joseph Mazzello for their performances.
Freddie dealt with a lot of discrimination during his career, particularly due to his race, sexuality and flamboyant personality. The film chose to portray these issues honestly, because pretending they didn’t exist would be an insult. When Freddie first starts performing with the rest of Queen, he’s greeted with questions such as “Who’s the P***?”, which for a modern audience is a terrible racial slur that I don’t even feel comfortable writing here. But for a Indian-British Parsi musician performing to a largely white audience in the ’70s, this word would have been used a lot. I feel it was important for the filmmakers to shed light on this as it provides context into Freddie’s upbringing and life that some may not have known about, including his real name: Farrokh Bulsara.
In terms of his sexuality, the film uses the role of the press to exploit and make a big deal about his personal relationships. The press conference scene was particularly uncomfortable as he’s bombarded with inappropriate questions instead of focusing on Queen and their music. He was constantly criticised in papers and magazines for simply being himself, and that’s a heartbreaking truth that Bohemian Rhapsody really hammers home. His long-term relationship with Mary Austin is also focused on throughout, and how that broke down but they still remained in touch. It’s a complex part of his life that the film does well to explore in just over 2 hours.
It’s not all bleak, and although these dark truths are explored, the film is fundamentally a celebration of Freddie’s life and extraordinary talent. Several Queen songs are present throughout the film and we even see the writing process behind some of them, my favourite being the creation of We Will Rock You in which they wanted the audience to play along with them through stomps and claps. The birth of Bohemian Rhapsody is comical in nature and received a lot of backlash at the time, but as we know, has since gone on to become an iconic song we all know the lyrics to.
Even in Freddie’s final days, after he was diagnosed with AIDS, the film encourages us to celebrate their music and make the most of the time Freddie has left, which is exactly what he himself wanted to do. I can’t think of a more respectful and considerate way to show it than that.
I could probably write an entire essay about just how much I thought Bohemian Rhapsody got right, but hopefully I’ve managed to condense my thoughts somewhat. This is a film you simply must experience for yourself, at least once.
https://lucygoestohollywood.com/2018/11/14/bohemian-rhapsody-an-honest-captivating-and-respectful-biopic/
Rami Malek was an excellent choice to portray Freddie, to the point where I found myself believing I was watching the man himself. His stage presence especially was spot on and the live performances were simply stunning to watch, especially with surround sound. I felt transported, part of the crowd, and it was such a special moment to share with the rest of the cinema. We become part of different times and places in a matter of minutes, giving you an idea of just how globally successful and adored Queen were. Despite the film’s main focus being Freddie, the supporting roles of the rest of the band were fantastic too, and I have so much praise for Gwilym Lee, Ben Hardy and Joseph Mazzello for their performances.
Freddie dealt with a lot of discrimination during his career, particularly due to his race, sexuality and flamboyant personality. The film chose to portray these issues honestly, because pretending they didn’t exist would be an insult. When Freddie first starts performing with the rest of Queen, he’s greeted with questions such as “Who’s the P***?”, which for a modern audience is a terrible racial slur that I don’t even feel comfortable writing here. But for a Indian-British Parsi musician performing to a largely white audience in the ’70s, this word would have been used a lot. I feel it was important for the filmmakers to shed light on this as it provides context into Freddie’s upbringing and life that some may not have known about, including his real name: Farrokh Bulsara.
In terms of his sexuality, the film uses the role of the press to exploit and make a big deal about his personal relationships. The press conference scene was particularly uncomfortable as he’s bombarded with inappropriate questions instead of focusing on Queen and their music. He was constantly criticised in papers and magazines for simply being himself, and that’s a heartbreaking truth that Bohemian Rhapsody really hammers home. His long-term relationship with Mary Austin is also focused on throughout, and how that broke down but they still remained in touch. It’s a complex part of his life that the film does well to explore in just over 2 hours.
It’s not all bleak, and although these dark truths are explored, the film is fundamentally a celebration of Freddie’s life and extraordinary talent. Several Queen songs are present throughout the film and we even see the writing process behind some of them, my favourite being the creation of We Will Rock You in which they wanted the audience to play along with them through stomps and claps. The birth of Bohemian Rhapsody is comical in nature and received a lot of backlash at the time, but as we know, has since gone on to become an iconic song we all know the lyrics to.
Even in Freddie’s final days, after he was diagnosed with AIDS, the film encourages us to celebrate their music and make the most of the time Freddie has left, which is exactly what he himself wanted to do. I can’t think of a more respectful and considerate way to show it than that.
I could probably write an entire essay about just how much I thought Bohemian Rhapsody got right, but hopefully I’ve managed to condense my thoughts somewhat. This is a film you simply must experience for yourself, at least once.
https://lucygoestohollywood.com/2018/11/14/bohemian-rhapsody-an-honest-captivating-and-respectful-biopic/
Lucy Buglass (45 KP) rated Shoplifters (Manbiki Kazuko) (2018) in Movies
Jun 20, 2019
Last month I had the opportunity to attend a screening of Shoplifters, following its huge success at this year’s Cannes Film Festival. The film was written and directed by Hirokazu Kore-eda, and follows a large, multi-generational family who are living on the brink of poverty. They live in a cramped, very basic apartment in the heart of Tokyo, where those able to work all band together in a desperate attempt to keep the family sheltered and fed.
As the title suggests, some members are petty criminals and frequently shoplift from local supermarkets and convienience stores in order to survive. It’s become a talent in the family, passed down from father to son and almost feels like a bonding exercise when you witness the way they work together. The family leads a simple life, justifying their actions by telling themselves if the theft doesn’t bankrupt the store owner, then they can survive without the items they took. It’s a way of clearing their conscience and seems to work very well. Osamu and and his son, Shota are the major players in the art of shoplifting, and are literally partners in crime.
Their lives change when they encounter Yuri, a young child who is outside in the freezing cold and looks malnourished. Despite the fact they already have too many mouths to feed, Osamu makes the decision to take her home and give her food and shelter. It soon becomes clear that Yuri has suffered abuse, based on the marks on her arm and her very quiet and timid behaviour. They decide to keep her as part of the family, fearing for her wellbeing.
This decision makes life even harder for the family as they have to evade the police both when shoplifting, and when going out in public with Yuri, as she soon becomes a missing person. This selfless act forms the rest of the film, resulting in a gorgeous 2 hours of cinema.
I was completely blown away by Shoplifters and its intimate portrayal of family life. As the film progressed, I found myself bonding with the characters as an audience member. I enjoyed seeing them on screen and going with them as they went about their daily lives. Each character has so much depth, their own wants and desires and their own secrets, to the point where they feel real. It could have easily been a documentary based on how close we are to the subjects, and how much we learn from them. Their character development is just stunning, and events in the third act left me in a stunned silence as we discover some harsh truths about the family.
The visual style varies from scene to scene, switching from clean and clinical streets to the cramped, messy apartment and back again. We are given a well-rounded and contrasting look at Japan’s capital and the people that live in it. The family have next to nothing but their bond is strong, doing everything they can to keep each other happy and healthy. We see them enjoying a day at the beach and watching the fireworks, activities that are both free and a lot of fun. The film certainly places a strong focus on life’s simple pleasures, and gives you a sense of gratitude throughout. Though harrowing in places, the happier moments radiate from the screen and leave you smiling to yourself because of how beautiful and convincing they are. It’s truly an emotional rollercoaster.
I have never seen a film quite like Shoplifters and though its pacing is slow, the bonds between characters and the deep exploration of their lives is enough to keep you glued to the screen throughout. It is certainly deserving of its Cannes win, because of its deep, thorough and complex exploration of family life. It will warm your heart and break it soon after, leaving you wanting to stay in their lives by the time the credits roll. This is a must-see.
https://lucygoestohollywood.com/2018/11/25/my-thoughts-on-the-2018-palme-dor-winning-film-shoplifters/
As the title suggests, some members are petty criminals and frequently shoplift from local supermarkets and convienience stores in order to survive. It’s become a talent in the family, passed down from father to son and almost feels like a bonding exercise when you witness the way they work together. The family leads a simple life, justifying their actions by telling themselves if the theft doesn’t bankrupt the store owner, then they can survive without the items they took. It’s a way of clearing their conscience and seems to work very well. Osamu and and his son, Shota are the major players in the art of shoplifting, and are literally partners in crime.
Their lives change when they encounter Yuri, a young child who is outside in the freezing cold and looks malnourished. Despite the fact they already have too many mouths to feed, Osamu makes the decision to take her home and give her food and shelter. It soon becomes clear that Yuri has suffered abuse, based on the marks on her arm and her very quiet and timid behaviour. They decide to keep her as part of the family, fearing for her wellbeing.
This decision makes life even harder for the family as they have to evade the police both when shoplifting, and when going out in public with Yuri, as she soon becomes a missing person. This selfless act forms the rest of the film, resulting in a gorgeous 2 hours of cinema.
I was completely blown away by Shoplifters and its intimate portrayal of family life. As the film progressed, I found myself bonding with the characters as an audience member. I enjoyed seeing them on screen and going with them as they went about their daily lives. Each character has so much depth, their own wants and desires and their own secrets, to the point where they feel real. It could have easily been a documentary based on how close we are to the subjects, and how much we learn from them. Their character development is just stunning, and events in the third act left me in a stunned silence as we discover some harsh truths about the family.
The visual style varies from scene to scene, switching from clean and clinical streets to the cramped, messy apartment and back again. We are given a well-rounded and contrasting look at Japan’s capital and the people that live in it. The family have next to nothing but their bond is strong, doing everything they can to keep each other happy and healthy. We see them enjoying a day at the beach and watching the fireworks, activities that are both free and a lot of fun. The film certainly places a strong focus on life’s simple pleasures, and gives you a sense of gratitude throughout. Though harrowing in places, the happier moments radiate from the screen and leave you smiling to yourself because of how beautiful and convincing they are. It’s truly an emotional rollercoaster.
I have never seen a film quite like Shoplifters and though its pacing is slow, the bonds between characters and the deep exploration of their lives is enough to keep you glued to the screen throughout. It is certainly deserving of its Cannes win, because of its deep, thorough and complex exploration of family life. It will warm your heart and break it soon after, leaving you wanting to stay in their lives by the time the credits roll. This is a must-see.
https://lucygoestohollywood.com/2018/11/25/my-thoughts-on-the-2018-palme-dor-winning-film-shoplifters/