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Barundar (12 KP) rated Avengers: Endgame (2019) in Movies
Apr 27, 2019
Story (2 more)
Ending
Effects
Endgame No Spoiler Review!
The Epic ending to last year's Infinity War was all you could hope it to be. Not only did this film have to wrap up the devastating cliffhanger we were left hanging on after the 'snap', it also had to tie up all the character arcs the MCU has built so far for the original Avengers. Somehow this film delivers it all!
The three hour run time may seem daunting to some, but to those who have invested in the last 21 films it's just right. Each character has their moments and the film is filled with the usual MCU humor and action.
The first two hours move at a steady pace, fleshing out the characters and story while building up to the third hour and final act. The ending, as expected, was beyond epic and highly satisfying in every way. The story doesn't drag during the three hours, nor is it straight action. In between we get plenty of 'fan moments' that are just perfect and well earned after all these films.
There is a lot to take in with three hours of story. You may need to see it again as you are sure to be blown away by something you may miss something else. Some moments need to be seen again and at some point you may need a critical bathroom break too.
The film does not have any after credit scenes only a 'sound' at the very end. It's enjoyable for the casual MCU fan to the die-hard fan, having seen Infinity War being a prerequisite in my opinion.
Avengers: Endgame is PG-13, so as far as little ones seeing it, if they could handle Infinity War they can handle this.
This is a must see for any MCU fan and an A+ from me.
The three hour run time may seem daunting to some, but to those who have invested in the last 21 films it's just right. Each character has their moments and the film is filled with the usual MCU humor and action.
The first two hours move at a steady pace, fleshing out the characters and story while building up to the third hour and final act. The ending, as expected, was beyond epic and highly satisfying in every way. The story doesn't drag during the three hours, nor is it straight action. In between we get plenty of 'fan moments' that are just perfect and well earned after all these films.
There is a lot to take in with three hours of story. You may need to see it again as you are sure to be blown away by something you may miss something else. Some moments need to be seen again and at some point you may need a critical bathroom break too.
The film does not have any after credit scenes only a 'sound' at the very end. It's enjoyable for the casual MCU fan to the die-hard fan, having seen Infinity War being a prerequisite in my opinion.
Avengers: Endgame is PG-13, so as far as little ones seeing it, if they could handle Infinity War they can handle this.
This is a must see for any MCU fan and an A+ from me.
David McK (3695 KP) rated Staked (The Iron Druid Chronicles, #8) in Books
Jan 30, 2019
8th - yes, 8th! - entry in [autho: Kevin Hearne]'s 'Iron Druid' series, this actually picks up a short while after the novella 'A Prelude to War' (in the compilation [b: Three Slices|28506035|Swallow (Three Slices)|Chuck Wendig|https://s.gr-assets.com/assets/nophoto/book/50x75-a91bf249278a81aabab721ef782c4a74.png|48659925], rather than straight after [b: Shattered|32438|Shattered|K.R. Dwyer|https://d.gr-assets.com/books/1412818666s/32438.jpg|3047286].
And yes, I didn't know that until I read the prelude/authors note, which resulted in me putting this one on hold until I read that particular entry.
When the series started, Atticus was on his own, hiding out in Arizona, until he makes the fateful decision to stand up to rather than run from the Celtic God who believes that Atticus has stolen a magical sword from him.
Since then, events have snowballed out of control, with Atticus now joined by his apprentice Granuaille as well as his own Arch-Druid, who was frozen on a time-island for millenia. This, of necessity, means that the story is no longer told from one point of view: rather, we now have three seperate plot threads (usually told chapter about) that combine into one at the very end of this, when Atticus and co. finally coming face-to-fang with the vampire Theophilus, who was responsible for inciting the Romans to virtually wipe out the Druids in the first place, and who now wants to finish the job.
As always, comiv relief is provided in the form of Atticus faithful hound Oberon, with Granuaille's wolf-hound Orlaith providing the same in her sections of the story while Owen struggles to get to grips with modern living in his.
And yes, I didn't know that until I read the prelude/authors note, which resulted in me putting this one on hold until I read that particular entry.
When the series started, Atticus was on his own, hiding out in Arizona, until he makes the fateful decision to stand up to rather than run from the Celtic God who believes that Atticus has stolen a magical sword from him.
Since then, events have snowballed out of control, with Atticus now joined by his apprentice Granuaille as well as his own Arch-Druid, who was frozen on a time-island for millenia. This, of necessity, means that the story is no longer told from one point of view: rather, we now have three seperate plot threads (usually told chapter about) that combine into one at the very end of this, when Atticus and co. finally coming face-to-fang with the vampire Theophilus, who was responsible for inciting the Romans to virtually wipe out the Druids in the first place, and who now wants to finish the job.
As always, comiv relief is provided in the form of Atticus faithful hound Oberon, with Granuaille's wolf-hound Orlaith providing the same in her sections of the story while Owen struggles to get to grips with modern living in his.
Gareth von Kallenbach (980 KP) rated Brooklyn's Finest (2010) in Movies
Aug 8, 2019
The story of three cops Sal, Tango, and Eddie, “Brooklyn’s Finest” depicts a graphic understanding of the challenges faced by hardened policemen. Eddie (Richard Gere) is disgruntled and seven days away from retirement from the police force. Tango (Don Cheadle) is stuck undercover while his real life is breaking apart. Sal (Ethan Hawke) can’t afford to support his growing family. All three of them are about to have a week that will test who they are as cops in the not so clear-cut morals of the Brooklyn police force.
A hard-hitting and graphic film, “Brooklyn’s Finest” shows the complicated life of cops struggling to balance morals and justice. Audiences will find it strongly languaged, visually appalling, and emotionally striking. These cops are not the clean-cut ideals that serve and protect, but rather people who have intensified problems on the mean streets of Brooklyn.
For the three lead actors these roles offer significant stretch, particularly in the case of Gere, who displays a physical and emotional depth in the film that is engrossing. Another worthy performance is that of Wesley Snipes as Caz, a gang leader who has recently returned from prison and is now seeking a path to new better life. With complicated characters like these, the film takes a hold of viewers by examining right and wrong in the world of both cops and criminals.
In short, “Brooklyn’s Finest” is a well-paced gripping story played by strong actors. However, audiences should be warned that the tough subject matter and hardened characters make it a far cry from traditional police dramas. This is a film that is likely to offend those who have strong ties to the ideals of police life or a distinct dislike for violence. For the rest of the movie-going public, “Brooklyn’s Finest” is a well-scripted film that is hard to ignore.
A hard-hitting and graphic film, “Brooklyn’s Finest” shows the complicated life of cops struggling to balance morals and justice. Audiences will find it strongly languaged, visually appalling, and emotionally striking. These cops are not the clean-cut ideals that serve and protect, but rather people who have intensified problems on the mean streets of Brooklyn.
For the three lead actors these roles offer significant stretch, particularly in the case of Gere, who displays a physical and emotional depth in the film that is engrossing. Another worthy performance is that of Wesley Snipes as Caz, a gang leader who has recently returned from prison and is now seeking a path to new better life. With complicated characters like these, the film takes a hold of viewers by examining right and wrong in the world of both cops and criminals.
In short, “Brooklyn’s Finest” is a well-paced gripping story played by strong actors. However, audiences should be warned that the tough subject matter and hardened characters make it a far cry from traditional police dramas. This is a film that is likely to offend those who have strong ties to the ideals of police life or a distinct dislike for violence. For the rest of the movie-going public, “Brooklyn’s Finest” is a well-scripted film that is hard to ignore.
Kelly (279 KP) rated Ghost Stories (2018) in Movies
Jan 15, 2019
This would not be out of place in the Twilight Zone
In a time where the audience has become accustomed to jumpy Hollywood horrors, it’s hard to create a horror that provokes the viewer. Ghost stories does this well.
The film itself follows paranormal sceptic, professor Phillip Goodman, as he tries to unpick and denounce three separate cases. The bulk of the film centres around these three cases, all three cases play on the audiences inner fears of the unknown - I’m sure we have all scared ourselves at some point by objects that look differently to what they are in the shadows of the night! To me, the second case, Simon’s story, was the most disturbing simply for how jumpy and scared the character Simon clearly was with the situation. I was a little confused by the ending to Mike’s story, although I understand that it was necessary to move the story to the next stage, I did feel that more explanation was needed.
The format of this film played out like an episode of the Twilight Zone, including the unexpected twist in the end. This too me was what made the film more compelling. Following the big reveal, I spent a little time revisiting each of the cases, and some of the unusual behaviours of the characters and apparitions made more sense.
The acting within the film was good and believable- I am a fan of Martin Freeman, which did draw me to the movie, and although some of the script was a little bizarre, he did act well.
In conclusion, the film was not scary enough to lose sleep over, however it is disturbing enough to make me think and consider my own views on the paranormal.
The film itself follows paranormal sceptic, professor Phillip Goodman, as he tries to unpick and denounce three separate cases. The bulk of the film centres around these three cases, all three cases play on the audiences inner fears of the unknown - I’m sure we have all scared ourselves at some point by objects that look differently to what they are in the shadows of the night! To me, the second case, Simon’s story, was the most disturbing simply for how jumpy and scared the character Simon clearly was with the situation. I was a little confused by the ending to Mike’s story, although I understand that it was necessary to move the story to the next stage, I did feel that more explanation was needed.
The format of this film played out like an episode of the Twilight Zone, including the unexpected twist in the end. This too me was what made the film more compelling. Following the big reveal, I spent a little time revisiting each of the cases, and some of the unusual behaviours of the characters and apparitions made more sense.
The acting within the film was good and believable- I am a fan of Martin Freeman, which did draw me to the movie, and although some of the script was a little bizarre, he did act well.
In conclusion, the film was not scary enough to lose sleep over, however it is disturbing enough to make me think and consider my own views on the paranormal.
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