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Summit Fever (2022)
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A young English mountaineer is lured to the Alps by his friend to help him conquer the `Big Three',...
Scared Off
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Barbara Ross returns to glorious Maine with a spooky but fun Julia Snowden mystery set during...
Saul (Rent-a-Daddy #1)
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It could be argued that Calvin Jennings had many problems. Topping the list this year is his...
Kristy H (1252 KP) rated After the Fall in Books
Dec 24, 2017
lovely (1 more)
poignant
There are all sorts of falls.
For Honor, it is an actual fall. An intelligent, proud woman, Honor raised her son, Stephen, alone. But Stephen married and then unexpectedly passed away, and Honor lives by herself. A fall down the stairs of her stately home lands her in the hospital with a broken hip and her pride deeply wounded. Suddenly, Honor is at the mercy of her former daughter-in-law, Jo, who was Stephen's wife, to help care for her.
For Jo, her fall may not be physical, but she feels as if she's always trying to catch up. Perpetually optimistic, Jo is constantly cheerful for those around her, but she cannot always hide her own doubts about where her life is headed, or if she's doing right by her three children. She's a busy mom to Lydia, Oscar, and Iris, and recently divorced from Oscar and Iris' father. She also fears she may be falling... for another man.
And for Lydia, she too has fallen in love. But she's also a teenager, who lost her father young, and she's dealing with the trials of school and exams. Lydia has a secret, as well: one that threatens her ability to blend in at school and home.
This book, oh this book. I adored this book so much. I fell for these characters (so sorry for that awful pun) hard. From the moment I started reading about feisty Honor, cheery Jo, and teenage Lydia, I loved them. I loved their problems, their sense of humor, and their family. This novel is beautifully written, achingly touching, and often laugh out loud funny.
It alternates between the points of view of our three main women: Honor, Jo, and Lydia. Honor and Jo have never been close, as Honor resented Jo marrying her son, and Jo felt intimidated by the intelligent and strong Honor. But after Honor's fall, she's forced to move in with Jo, her granddaughter Lydia, and Jo's young children with her second husband. The book slowly unfolds the details of how Stephen (Honor's son) passed away and the effect it had on all three women. The entire novel, really, is about little life details and how each they've impacted the three in various ways. In fact, you learn that while we are hearing these stories from three connected people, they really don't know each very well at all. Cohen captures so well how much they need each other, but can't admit it.
As such, there is a poignancy to the novel, as we watch the women navigate life and keep a variety of secrets and hidden sadness from each other. But unlike so many novels, where I want to just scream at the characters to communicate, or where it seems like the entire plot could have been avoided by someone simply talking to another character, this novel is real and true. For instance, Lydia's teen angst and the trials of her adolescence are also so beautifully (although heartbreakingly) portrayed.
It also captures the trials of having children so perfectly. There are some hilarious scenes as Jo navigates caring for her two younger children. Even better are the moments of prickly Honor interacting with young Iris and Oscar. You cannot help but laugh. There is a moment with Oscar and Honor that made me laugh and nearly cry; it was just so funny and touching. The novel is filled with many of these wonderful and witty moments.
I loved how these characters never failed to surprise me. Yes, there were some plot points you could see coming, but they didn't diminish my joy for the book or the depth of the characters. Nothing felt too cliche, and I remained captivated and intrigued. I felt a part of their story and lives. The novel really makes you think; its plot is not just "fluff."
By the end, I still loved all three so much, and my only disappointment was that the book ended.
For Honor, it is an actual fall. An intelligent, proud woman, Honor raised her son, Stephen, alone. But Stephen married and then unexpectedly passed away, and Honor lives by herself. A fall down the stairs of her stately home lands her in the hospital with a broken hip and her pride deeply wounded. Suddenly, Honor is at the mercy of her former daughter-in-law, Jo, who was Stephen's wife, to help care for her.
For Jo, her fall may not be physical, but she feels as if she's always trying to catch up. Perpetually optimistic, Jo is constantly cheerful for those around her, but she cannot always hide her own doubts about where her life is headed, or if she's doing right by her three children. She's a busy mom to Lydia, Oscar, and Iris, and recently divorced from Oscar and Iris' father. She also fears she may be falling... for another man.
And for Lydia, she too has fallen in love. But she's also a teenager, who lost her father young, and she's dealing with the trials of school and exams. Lydia has a secret, as well: one that threatens her ability to blend in at school and home.
This book, oh this book. I adored this book so much. I fell for these characters (so sorry for that awful pun) hard. From the moment I started reading about feisty Honor, cheery Jo, and teenage Lydia, I loved them. I loved their problems, their sense of humor, and their family. This novel is beautifully written, achingly touching, and often laugh out loud funny.
It alternates between the points of view of our three main women: Honor, Jo, and Lydia. Honor and Jo have never been close, as Honor resented Jo marrying her son, and Jo felt intimidated by the intelligent and strong Honor. But after Honor's fall, she's forced to move in with Jo, her granddaughter Lydia, and Jo's young children with her second husband. The book slowly unfolds the details of how Stephen (Honor's son) passed away and the effect it had on all three women. The entire novel, really, is about little life details and how each they've impacted the three in various ways. In fact, you learn that while we are hearing these stories from three connected people, they really don't know each very well at all. Cohen captures so well how much they need each other, but can't admit it.
As such, there is a poignancy to the novel, as we watch the women navigate life and keep a variety of secrets and hidden sadness from each other. But unlike so many novels, where I want to just scream at the characters to communicate, or where it seems like the entire plot could have been avoided by someone simply talking to another character, this novel is real and true. For instance, Lydia's teen angst and the trials of her adolescence are also so beautifully (although heartbreakingly) portrayed.
It also captures the trials of having children so perfectly. There are some hilarious scenes as Jo navigates caring for her two younger children. Even better are the moments of prickly Honor interacting with young Iris and Oscar. You cannot help but laugh. There is a moment with Oscar and Honor that made me laugh and nearly cry; it was just so funny and touching. The novel is filled with many of these wonderful and witty moments.
I loved how these characters never failed to surprise me. Yes, there were some plot points you could see coming, but they didn't diminish my joy for the book or the depth of the characters. Nothing felt too cliche, and I remained captivated and intrigued. I felt a part of their story and lives. The novel really makes you think; its plot is not just "fluff."
By the end, I still loved all three so much, and my only disappointment was that the book ended.
Haley Mathiot (9 KP) rated Lips Touch: Three Times in Books
Apr 27, 2018
Lips Touch: Three Times by Laini Taylor
Genre: Young Adult, paranormal/fantasy, romance
ISBN: 9780545055857
Published: October 1st 2009 by Arthur A. Levine Books
Rating: 5
Three stories. Three kisses, all with horrible—or wonderful?—consequences. Goblins hunt girls who long for what they don't have. The most beautiful voice can't be heard, even by a lover, or all who hear it will die. A young girl has been thrown into something she never chose, for a reason she doesn't know, with memories that aren't her own. Welcome to paranormal love.
These stories were fantastic. There were three things that stuck out about them:
1. None of them had happyland syndrome (description of Happyland Syndrome here: http://haleymathiot.blogspot.com/2010/06/unique-phrases-call-for-definitions.html) endings where everything wraps up perfectly. In fact only one of them ends at the end of the story: the others solve the main conflict and wrap up nicely. Taylor didn't have to write all the way to the end because I knew what was going to happen and was satisfied exploring the rest in my mind.
2. They pulled me into the story with the first sentence. There was no "I'm going to give this a try and maybe it'll be worth reading." No, it was enchanting and enticing from the first word, and it was because of the creativity in the prose and the language.
3. Great writing. Beautiful intricate descriptions that stuck with me and gave me the feelings Taylor wanted me to have—whether they be enticing and sensual, or terrifying and upsetting.
Here are my thoughts on the individual short stories:
Goblin Fruit
Really?… Wow… why was that so good even though it had a horrible ending?… and was it really that horrible? Yes, it really was. I had to double check and make sure that it really was the end! I'd been wondering for a while 'can an author write a good book with a good ending that isn't happy?' answer, Yes. Laini Taylor can.
Spicy Little Curses Such As These
This story was horrid and sweet at the same time. I had a thought of how the story would end, but the ending turned out to be much different. It wasn't perfect, but it was perfect enough to leave me smiling and feeling satisfied for the characters.
The Hatchling
I could not visualize how this story would have a happy ending, and it certainly wasn't perfect—there is one character whom I still fear for her sanity. But I was so amazed an the unwinding of the mysteries and secrets of the plot and was more pleased than I thought I would be with the conclusion.
For wonderful writing, creativity, and fantastic characters, I give this one five stars and two thumbs up—get it, first chance you can.
Content/recommendation: Ages 15+ for some language, little sensuality. No explicit violence or language, no sex.
This review is copyright Haley Mathiot and Night Owl Reviews 2010. Original Review: http://haleymathiot.blogspot.com/2010/10/review-lips-touch-three-times.html
Genre: Young Adult, paranormal/fantasy, romance
ISBN: 9780545055857
Published: October 1st 2009 by Arthur A. Levine Books
Rating: 5
Three stories. Three kisses, all with horrible—or wonderful?—consequences. Goblins hunt girls who long for what they don't have. The most beautiful voice can't be heard, even by a lover, or all who hear it will die. A young girl has been thrown into something she never chose, for a reason she doesn't know, with memories that aren't her own. Welcome to paranormal love.
These stories were fantastic. There were three things that stuck out about them:
1. None of them had happyland syndrome (description of Happyland Syndrome here: http://haleymathiot.blogspot.com/2010/06/unique-phrases-call-for-definitions.html) endings where everything wraps up perfectly. In fact only one of them ends at the end of the story: the others solve the main conflict and wrap up nicely. Taylor didn't have to write all the way to the end because I knew what was going to happen and was satisfied exploring the rest in my mind.
2. They pulled me into the story with the first sentence. There was no "I'm going to give this a try and maybe it'll be worth reading." No, it was enchanting and enticing from the first word, and it was because of the creativity in the prose and the language.
3. Great writing. Beautiful intricate descriptions that stuck with me and gave me the feelings Taylor wanted me to have—whether they be enticing and sensual, or terrifying and upsetting.
Here are my thoughts on the individual short stories:
Goblin Fruit
Really?… Wow… why was that so good even though it had a horrible ending?… and was it really that horrible? Yes, it really was. I had to double check and make sure that it really was the end! I'd been wondering for a while 'can an author write a good book with a good ending that isn't happy?' answer, Yes. Laini Taylor can.
Spicy Little Curses Such As These
This story was horrid and sweet at the same time. I had a thought of how the story would end, but the ending turned out to be much different. It wasn't perfect, but it was perfect enough to leave me smiling and feeling satisfied for the characters.
The Hatchling
I could not visualize how this story would have a happy ending, and it certainly wasn't perfect—there is one character whom I still fear for her sanity. But I was so amazed an the unwinding of the mysteries and secrets of the plot and was more pleased than I thought I would be with the conclusion.
For wonderful writing, creativity, and fantastic characters, I give this one five stars and two thumbs up—get it, first chance you can.
Content/recommendation: Ages 15+ for some language, little sensuality. No explicit violence or language, no sex.
This review is copyright Haley Mathiot and Night Owl Reviews 2010. Original Review: http://haleymathiot.blogspot.com/2010/10/review-lips-touch-three-times.html
Debbiereadsbook (1197 KP) rated The Proposition (Nights Series #6) in Books
Aug 24, 2018
straight back up to 5 stars!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
We met Rhys and Wade in book 3, but I would say you don't need to read the other books before this one. You don't NEED to, but you'd get a better enjoyment of these if you did. And this is book 6, so get a-reading!
Wade and Rhys are partners in the firm that Gabe works for. They've know each other some 16 years. Rhys has lusted over and loved Wade for 12 of those years, and Wade has lusted over Rhys for just 12 months. 12 months ago, he caught Rhys pleasuring himself and calling out Wade's name when he did. So, 6 weeks. They have 6 weeks to get whatever *this* is, out their system. But will 6 weeks really be enough??
Did I mention that I made a new shelf for these books? No?? Oh, well I did, and I called it "fan yourself, it's a hot one!" Books one, two and three are sitting there, and now they are joined by book 6!
Because Rhys and Wade have blow your socks off chemistry! That much was obvious when we met them before but here? Once these guys admit they are doing this, this proposition, they are all in and I think they could probably give Cam and Gabe run for their money!
I loved that both men, separately of each other, came to the conclusion, very quickly, that 6 weeks would NEVER ever be enough. That it took a silly misunderstanding on Rhys' part for them to openly admit their feelings.
Loved that Gabe and Cam (books one and three) and Ethan and Joe (book two) take part here. Luke and Ash (books for and five) are mentioned, but don't appear.
These guys do say those three little words, but they also have another book planned, which is book 9, so I'd say they have their Happy For Now, rather than a Happy Ever After.
Who is book 7 and 8?? No idea, don't care, wanna read them regardless! A certain someone is a little hard done by here, and I'd love for him to have his own book.
After books one through three were five stars, we slipped a little with four and five, but whoosh! Just like that, we're back up to..
5 super sexy stars!!
**same worded review will appear elsewhere**
We met Rhys and Wade in book 3, but I would say you don't need to read the other books before this one. You don't NEED to, but you'd get a better enjoyment of these if you did. And this is book 6, so get a-reading!
Wade and Rhys are partners in the firm that Gabe works for. They've know each other some 16 years. Rhys has lusted over and loved Wade for 12 of those years, and Wade has lusted over Rhys for just 12 months. 12 months ago, he caught Rhys pleasuring himself and calling out Wade's name when he did. So, 6 weeks. They have 6 weeks to get whatever *this* is, out their system. But will 6 weeks really be enough??
Did I mention that I made a new shelf for these books? No?? Oh, well I did, and I called it "fan yourself, it's a hot one!" Books one, two and three are sitting there, and now they are joined by book 6!
Because Rhys and Wade have blow your socks off chemistry! That much was obvious when we met them before but here? Once these guys admit they are doing this, this proposition, they are all in and I think they could probably give Cam and Gabe run for their money!
I loved that both men, separately of each other, came to the conclusion, very quickly, that 6 weeks would NEVER ever be enough. That it took a silly misunderstanding on Rhys' part for them to openly admit their feelings.
Loved that Gabe and Cam (books one and three) and Ethan and Joe (book two) take part here. Luke and Ash (books for and five) are mentioned, but don't appear.
These guys do say those three little words, but they also have another book planned, which is book 9, so I'd say they have their Happy For Now, rather than a Happy Ever After.
Who is book 7 and 8?? No idea, don't care, wanna read them regardless! A certain someone is a little hard done by here, and I'd love for him to have his own book.
After books one through three were five stars, we slipped a little with four and five, but whoosh! Just like that, we're back up to..
5 super sexy stars!!
**same worded review will appear elsewhere**
Rhonda Koti (2 KP) rated Bitter Orange in Books
Dec 3, 2018
Bittersweet Bitter Orange
Bitter Orange has three main characters and the story is told from their narrative.
Francis Jellico who has never left home, much less her mother's side, until this year when her mother passed. Even after her mother's passing, Francis kept the death a secret for at least a month until the stench got too great.
Francis inherited her mother's eccentricities which included wearing her dead mother's undergarments even tho they did not fit and also a locker her mother wore that had a generic picture in it. Her mother had never put Francis' picture in.
Cara- young, sexy, assertive, self assured, talkative and friendly. Her glaring sin was she had problems with remembering which was truth and which were lies and keeping the truths and the lies straight so basically , she didn't make any sense most of the time.
Peter - older than Cara and very much in love with her but not liking her much on most days. He seemed genuinely caring but also as if he would like to break away from her. He also had a good idea for property value and costs of goods...especially antiques and knew what to sell to whom for what price point.
Basically, these three characters have been hired by an American investor to catalog the items in a mansion the investor had bought as well as to catalog the grounds and flower gardens. It is believed the investor plans to sell the property.
The mansion is large with many spacious rooms and bathrooms but only two of the bathrooms actually work. For some unknown reason ,Frances has been put in the maids quarters in the attic and the couple on the first floor with a mini suite at their disposal,.
As the three begin working together , each performing their job they soon begin hanging out together after hours, eating and smoking together.
This is where the story starts getting twisted. There seems to be a bit of jealousy between Cara and Peter over Francis. Cara gets jealous if Peter spends too much time with her, even if they are working and Francis misinterprets Peter's friendship.
All in all, this was a great read. It really kept me on the edge of my seat and the ending totally surprised me.
Bitter Orange: A bittersweet story set in 1969.
Francis Jellico who has never left home, much less her mother's side, until this year when her mother passed. Even after her mother's passing, Francis kept the death a secret for at least a month until the stench got too great.
Francis inherited her mother's eccentricities which included wearing her dead mother's undergarments even tho they did not fit and also a locker her mother wore that had a generic picture in it. Her mother had never put Francis' picture in.
Cara- young, sexy, assertive, self assured, talkative and friendly. Her glaring sin was she had problems with remembering which was truth and which were lies and keeping the truths and the lies straight so basically , she didn't make any sense most of the time.
Peter - older than Cara and very much in love with her but not liking her much on most days. He seemed genuinely caring but also as if he would like to break away from her. He also had a good idea for property value and costs of goods...especially antiques and knew what to sell to whom for what price point.
Basically, these three characters have been hired by an American investor to catalog the items in a mansion the investor had bought as well as to catalog the grounds and flower gardens. It is believed the investor plans to sell the property.
The mansion is large with many spacious rooms and bathrooms but only two of the bathrooms actually work. For some unknown reason ,Frances has been put in the maids quarters in the attic and the couple on the first floor with a mini suite at their disposal,.
As the three begin working together , each performing their job they soon begin hanging out together after hours, eating and smoking together.
This is where the story starts getting twisted. There seems to be a bit of jealousy between Cara and Peter over Francis. Cara gets jealous if Peter spends too much time with her, even if they are working and Francis misinterprets Peter's friendship.
All in all, this was a great read. It really kept me on the edge of my seat and the ending totally surprised me.
Bitter Orange: A bittersweet story set in 1969.
Hazel (1853 KP) rated Hostage Three in Books
Dec 17, 2018
<i>I received this book for free through Goodreads First Reads.</i>
<i>Hostage Three</i> is the second literary thriller by Carnegie Shortlisted Nick Lake. I must admit that I was a little apprehensive about reading this book after having read Lake’s first literary thriller, <i>In Darkness</i>, which, although well written, was rather hard going and, at times, boring. However I really enjoyed <i>Hostage Three</i>. Maybe it helped having a narrator I could relate to more, or maybe it was because the narrative was not shared between two major different time periods as <i>In Darkness</i> was. Whatever the reason, it was good.
The narrative jumps straight in to something happening in 2008 on the coast of Eyl, Puntland, Somalia. Seventeen-year-old Amy Fields is on a yacht, there are pirates; it appears someone is about to be killed. End of part one. What has happened? What is going to happen? Begin part two, three and a half months earlier. From this moment on Amy narrates what has happened in the lead up to the initial insight given and what happened afterwards. The reader learns more about Amy, her father and his wife, Sarah, who Amy constantly refers to as ‘the stepmother’, which gives an indication of their tense relationship. Throughout the book there are also flashbacks to what happened to Amy’s real mother, a sufferer of severe OCD, and the events that caused Amy to become the rebellious teenager she is portrayed as at the beginning of the novel.
Amy and her family end up travelling the world on a private yacht only to get taken hostage by pirates in the Indian Ocean. To begin with it is clear that the Fields family and yacht crew are the goodies and the pirates the baddies, however Amy begins to develop a complicated, secret relationship with one of the pirates, Farouz. The reader discovers the pirates’ motives, well at least Farouz’s motives, behind the hostage situation. Things begin to look less black and white, less good versus bad. And everything, of course, becomes more complex once romance is thrown into the mix.
<i>Hostage Three</i> is well worth a read. Lake writes really well and keeps the reader engaged. It is as if Amy is talking to the reader the entire time. Once you get used to the unconventional use of punctuation (no speech marks) it will become fast paced and you will be torn between wanting to read it all in one go and wanting to slow down to prevent it from ending too soon!
<i>Hostage Three</i> is the second literary thriller by Carnegie Shortlisted Nick Lake. I must admit that I was a little apprehensive about reading this book after having read Lake’s first literary thriller, <i>In Darkness</i>, which, although well written, was rather hard going and, at times, boring. However I really enjoyed <i>Hostage Three</i>. Maybe it helped having a narrator I could relate to more, or maybe it was because the narrative was not shared between two major different time periods as <i>In Darkness</i> was. Whatever the reason, it was good.
The narrative jumps straight in to something happening in 2008 on the coast of Eyl, Puntland, Somalia. Seventeen-year-old Amy Fields is on a yacht, there are pirates; it appears someone is about to be killed. End of part one. What has happened? What is going to happen? Begin part two, three and a half months earlier. From this moment on Amy narrates what has happened in the lead up to the initial insight given and what happened afterwards. The reader learns more about Amy, her father and his wife, Sarah, who Amy constantly refers to as ‘the stepmother’, which gives an indication of their tense relationship. Throughout the book there are also flashbacks to what happened to Amy’s real mother, a sufferer of severe OCD, and the events that caused Amy to become the rebellious teenager she is portrayed as at the beginning of the novel.
Amy and her family end up travelling the world on a private yacht only to get taken hostage by pirates in the Indian Ocean. To begin with it is clear that the Fields family and yacht crew are the goodies and the pirates the baddies, however Amy begins to develop a complicated, secret relationship with one of the pirates, Farouz. The reader discovers the pirates’ motives, well at least Farouz’s motives, behind the hostage situation. Things begin to look less black and white, less good versus bad. And everything, of course, becomes more complex once romance is thrown into the mix.
<i>Hostage Three</i> is well worth a read. Lake writes really well and keeps the reader engaged. It is as if Amy is talking to the reader the entire time. Once you get used to the unconventional use of punctuation (no speech marks) it will become fast paced and you will be torn between wanting to read it all in one go and wanting to slow down to prevent it from ending too soon!
My Lai: Vietnam, 1968, and the Descent Into Darkness
Book
On the early morning of March 16, 1968, American soldiers from three platoons of Charlie Company...
history
Phillip McSween (751 KP) rated A Star Is Born (1954) in Movies
Jun 29, 2020
A Long Winding Road In Need of a Detour
An aspiring actress gets a her big break when discovered by an alcoholic film star.
Acting: 10
Apparently her first film since four years prior, Judy Garland makes the stage sizzle playing the main role of Vicki Lester. I loved her passion and charisma and the way she delivers her lines with a charm that just lights up the screen. There are a number of other shining roles as well, including a fun performance from James Brown playing the role of Glenn Wiliams.
Beginning: 3
Characters: 10
Although you don’t really get to fully see her development until two thirds of the way into the movie, Vicki Lester is definitely a character an audience can get behind. I rooted for her success in hopes that she would steer clear of the trap the movie was clearly setting for her. That’s the thing about movies, sometimes the audience can see from a mile away something it takes ages for the characters themselves to see. The movie would have been unbearable without solid characters to carry it through.
Cinematography/Visuals: 8
Conflict: 8
There were a lot of pitfalls Vicki had to deal with along the way, namely her alcoholic husband who continues to bring her down. Had they delved into her backstory a lot quicker, I would’ve given this category a perfect score as her upbringing provided another potential pitfall for her future. Overall, with everything going on in the film, it’s clear the winding road is only leading to one place.
Entertainment Value: 8
Memorability: 7
Pace: 4
This version is the longest of the four coming in at almost three hours. Seeing how the other three were able to tell the same story with considerably less time, there is no reason for this version to be so long. It gets boring in a few spots and had me longing for the conclusion. While there are a number of shining moments, a slow pace kept this to a one-watch movie for me.
Plot: 10
Resolution: 10
Overall: 78
A Star is Born is just unnecessarily long. I was expecting a legit reason for the length but, after watching the other three movies, I was at a loss. To hold an audience’s attention for almost three hours means you need plenty of meat for your story. The movie is good, but merely one-watch good. Unfortunately that’s not quite good enough.
Acting: 10
Apparently her first film since four years prior, Judy Garland makes the stage sizzle playing the main role of Vicki Lester. I loved her passion and charisma and the way she delivers her lines with a charm that just lights up the screen. There are a number of other shining roles as well, including a fun performance from James Brown playing the role of Glenn Wiliams.
Beginning: 3
Characters: 10
Although you don’t really get to fully see her development until two thirds of the way into the movie, Vicki Lester is definitely a character an audience can get behind. I rooted for her success in hopes that she would steer clear of the trap the movie was clearly setting for her. That’s the thing about movies, sometimes the audience can see from a mile away something it takes ages for the characters themselves to see. The movie would have been unbearable without solid characters to carry it through.
Cinematography/Visuals: 8
Conflict: 8
There were a lot of pitfalls Vicki had to deal with along the way, namely her alcoholic husband who continues to bring her down. Had they delved into her backstory a lot quicker, I would’ve given this category a perfect score as her upbringing provided another potential pitfall for her future. Overall, with everything going on in the film, it’s clear the winding road is only leading to one place.
Entertainment Value: 8
Memorability: 7
Pace: 4
This version is the longest of the four coming in at almost three hours. Seeing how the other three were able to tell the same story with considerably less time, there is no reason for this version to be so long. It gets boring in a few spots and had me longing for the conclusion. While there are a number of shining moments, a slow pace kept this to a one-watch movie for me.
Plot: 10
Resolution: 10
Overall: 78
A Star is Born is just unnecessarily long. I was expecting a legit reason for the length but, after watching the other three movies, I was at a loss. To hold an audience’s attention for almost three hours means you need plenty of meat for your story. The movie is good, but merely one-watch good. Unfortunately that’s not quite good enough.