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Nick Friesen (96 KP) rated Stranger Things - Season 1 in TV
Jul 12, 2017
David Harbour (4 more)
All of the kids
That theme music
The pitch-perfect retro atmosphere
Barb!
Nostalgia Perfected
Stranger Things is everything I wanted J.J. Abrams' Super 8 to be, and more. The atmosphere of the show is pitch-perfect and well established from the very first episode. The creeping tension builds until it touches the viewer's core and finally "resolves" in a full-on creature feature of a final episode. Like any good mystery/thriller TV show, it saves plenty of mysteries for future seasons. Here's to hoping the Duffer brothers don't bungle it up like Hemlock Grove after the interesting mysteries in its first season. Stranger Things is a much better show, however, and the Duffer brothers seem to have a much better idea of where this story is going. The child actors are all fantastic, and of the few notable adults/teens, David Harbour is my favorite. I cannot wait for season two in October (the kids have Ghostbusters Halloween costumes!).
Nick Friesen (96 KP) rated The Circle (2017) in Movies
Jul 12, 2017
Tom Hanks (2 more)
Bill Paxton
The core concept
Unrealized Potential
There's a part early on the circle where the main character, Mae, is interviewing for a job at the titular company. The interviewer asks her what her biggest fear is. "Unrealized potential," she responds. That's pretty much my review of the movie. There's so much that could have been done with the great core concept of the Circle, but the potential was lost in poor writing and direction. The movie doesn't take the concept of questioning the benefit of privacy or lack thereof anywhere significant, and lots of screen time is spent on side tangents that also go nowhere. The Circle is perhaps most exciting in the final scene, when Mae pulls back the curtain on the antagonists, but it all comes to a screeching halt with no resolution. Couple that with Emma Watson's worst performance to date (she CAN NOT muster an American accent to save her life), and the Circle becomes a forgettable and not-so-thrilling thriller that not even Tom Hanks can salvage.
Kieran Harvey (51 KP) rated Alien: Covenant (2017) in Movies
Jul 18, 2017
Great cast (6 more)
Michael Fassbender
Action
Genuinely scary in some parts
Visuals are amazing
Cinematography
Great twist
A solid Alien Sequel that's more Alien than Prometheus
I love the alien movies and I really liked Prometheus despite mixed reviews so it's fair to say I was excited for this movie, and rightly so. From the start this is clearly going to be a great horror/thriller and a true alien movie and it doesn't disappoint. Michael Fassbender in this movie is amazing as he plays android Walter and David from Prometheus. The action is outstanding and horrific despite not occurring frequently, and there are a couple of great twists in the story. The final twist completely shocked me and I loved it and couldn't stop thinking about it for a long time it's so genius but that's for you to find out and hopefully love as well. Some may have predicted it but I don't care because I try not to predict where a film will go, I just enjoy the ride and this ride is fantastic!
Whatchareadin (174 KP) rated The Hit (Will Robie #2) in Books
May 10, 2018
David Baldacci has done it again. Another heart pounding thriller with Will Robie.
Reading these books, always makes me wonder if there really are people defending our country like Will Robie. I read the book on America's best sniper, but he didn't do anything like this. Does art really imitate life?
In the installment of the Will Robie series, Robie is hired to take out someone he knows. But something doesn't seem right about this hit. Why didn't she follow out her mission as previously instructed? What would make her do something like that. Jessica Reel is as good if not better at this job than Will Robie. So something in his gut is telling him that the story he was given is not the whole truth. There has been a lot of that going on as of late.
So what happens if these two work together to get to the bottom of what is really going on? Will they be able to work together, or will one be out of the agency, the only way to go out?
Reading these books, always makes me wonder if there really are people defending our country like Will Robie. I read the book on America's best sniper, but he didn't do anything like this. Does art really imitate life?
In the installment of the Will Robie series, Robie is hired to take out someone he knows. But something doesn't seem right about this hit. Why didn't she follow out her mission as previously instructed? What would make her do something like that. Jessica Reel is as good if not better at this job than Will Robie. So something in his gut is telling him that the story he was given is not the whole truth. There has been a lot of that going on as of late.
So what happens if these two work together to get to the bottom of what is really going on? Will they be able to work together, or will one be out of the agency, the only way to go out?
Awix (3310 KP) rated Cold Pursuit (2019) in Movies
Feb 28, 2019
Latest Hollywood remake of a film with the gall not to be in English (the horror!) is a better-not-call-it-black comedy thriller about a snowplough driver whose rampage of vengeance gets out of control. Liam Neeson drives a plough, murders a bunch of drug dealers, and doesn't think enough about what he says on the publicity tour; the quality of the film kind of vanishes into the backdrop as a result.
After a horribly choppy opening - is it a serious drama about grieving parents or another thickheaded Neeson revenge melodrama? - the film settles down to feel like a pastiche of the sort of thing the McDonagh brothers make, with genre elements drolly deconstructed with offbeat humour and a knowing provocativeness. It's just not quite quirky, funny, or intelligent enough; Neeson underplays it too much and film doesn't seem to have any real point to make. Some good jokes and it passes the time, but it would have slipped into obscurity fairly quickly if only Liam had kept his mouth shut on the junket.
After a horribly choppy opening - is it a serious drama about grieving parents or another thickheaded Neeson revenge melodrama? - the film settles down to feel like a pastiche of the sort of thing the McDonagh brothers make, with genre elements drolly deconstructed with offbeat humour and a knowing provocativeness. It's just not quite quirky, funny, or intelligent enough; Neeson underplays it too much and film doesn't seem to have any real point to make. Some good jokes and it passes the time, but it would have slipped into obscurity fairly quickly if only Liam had kept his mouth shut on the junket.
Sarah (7798 KP) rated Serenity (2019) in Movies
Mar 7, 2019 (Updated Mar 7, 2019)
Not what I expected
I really don’t see what they were trying to do with this film. From the trailer it looks like it should be a dark and gritty thriller with a fantastic cast, and it all honesty it probably should have stuck with that. Instead it has such a bizarre and unexpected twist that really throws off the balance of the entire film. It’s unpredictable (which is unusual for a twist), but it is just so odd and out of place that I spent the rest of the film trying to figure out whether I actually liked the twist or not. In the end, I decided I didn’t.
And as great as the cast are, some of the acting felt a little too over the top and some are a little underused (Djimon Hounsou and Diane Lane). There are also parts of this film where Matthew McConaughey is driving past corn fields in a pickup truck that made me feel like I was watching Interstellar. I really wish I had been watching that instead.
And as great as the cast are, some of the acting felt a little too over the top and some are a little underused (Djimon Hounsou and Diane Lane). There are also parts of this film where Matthew McConaughey is driving past corn fields in a pickup truck that made me feel like I was watching Interstellar. I really wish I had been watching that instead.
Awix (3310 KP) rated GoldenEye (1995) in Movies
Mar 16, 2019 (Updated Mar 16, 2019)
Probably the best action thriller named after a duck ever. There was a time when a long gap between Bond films was highly unusual, and the six year absence of the commander from the big screen led some to suggest that maybe the series had had its day. The main achievement of GoldenEye is to take all the classic elements of a Bond film, spruce them up a bit, and produce a film which is fresh and entertaining.
Everyone is clearly working very hard to make this film a success, particularly Pierce Brosnan (even if his hair isn't quite right yet). Makes the obligatory attempt at updating Bond for the 'modern world' but doesn't get dogmatic about it and mostly just worries about entertaining the audience, which is surely as it should be. The tank chase surely features on anyone's list of great Bond sequences; director Martin Campbell would go on to make the hard-edged Casino Royale, which is probably a better film, but this is much more fun.
Everyone is clearly working very hard to make this film a success, particularly Pierce Brosnan (even if his hair isn't quite right yet). Makes the obligatory attempt at updating Bond for the 'modern world' but doesn't get dogmatic about it and mostly just worries about entertaining the audience, which is surely as it should be. The tank chase surely features on anyone's list of great Bond sequences; director Martin Campbell would go on to make the hard-edged Casino Royale, which is probably a better film, but this is much more fun.
Awix (3310 KP) rated Entry Island in Books
Mar 27, 2019
Not my usual sort of thing, but recommended to (more like thrust upon) me by someone whose taste in books is usually interesting. Not necessarily in this case, though: a competent mash-up of a contemporary police procedural thriller with a windblown historical romance set during the Highland clearances (younger readers, ask your dad): a Canadian cop starts having flashbacks (kind of) to his ancestor's life while investigating a murder on a remote island; he feels certain he knows the prime suspect, although she and he have never met before...
The structure of the book certainly works in its favour: whenever you get bored of the whodunnit, the switch to goings-on in the 19th century Hebrides is welcome, and vice versa. And, fair's fair, the story does pick up pace and interest in the final third after a slightly stodgy opening. However, neither the plotting nor the writing are what I'd call inspired; workmanlike is the word that springs to mind. Passes the time inoffensively but unlikely to linger in the memory.
The structure of the book certainly works in its favour: whenever you get bored of the whodunnit, the switch to goings-on in the 19th century Hebrides is welcome, and vice versa. And, fair's fair, the story does pick up pace and interest in the final third after a slightly stodgy opening. However, neither the plotting nor the writing are what I'd call inspired; workmanlike is the word that springs to mind. Passes the time inoffensively but unlikely to linger in the memory.
Awix (3310 KP) rated Fathom (1967) in Movies
Apr 13, 2019 (Updated Apr 13, 2019)
Light-as-a-soufflé-but-not-as-nourishing swinging 60s spy thriller. Big-haired competitive sky-diver Raquel Welch gets recruited to help recover a priceless Chinese treasure while visiting Spain. Naturally, this involves her wearing a lot of short skirts and bikinis. It soon turns out nearly everyone she meets is lying to her, so who can she trust? (The hunky guy with his name above hers on the poster might be a safe bet.)
Riffs somewhat on the style of Charade, but without the charm or acting ability of the stars in that film. Mostly feels a bit exhausting by modern standards: there's no denying Raquel Welch was a very beautiful woman, but did she really inspire such extremes of instant condescending lechery in every man she ever met? Even Richard Briers can barely keep his tongue in his mouth. Thorough-going chauvinism extends behind the camera, too, as noted - despite being in every scene, and playing the lead role, Welch doesn't even warrant top billing. It kind of passes the time in a very superficial way but it's extremely dated.
Riffs somewhat on the style of Charade, but without the charm or acting ability of the stars in that film. Mostly feels a bit exhausting by modern standards: there's no denying Raquel Welch was a very beautiful woman, but did she really inspire such extremes of instant condescending lechery in every man she ever met? Even Richard Briers can barely keep his tongue in his mouth. Thorough-going chauvinism extends behind the camera, too, as noted - despite being in every scene, and playing the lead role, Welch doesn't even warrant top billing. It kind of passes the time in a very superficial way but it's extremely dated.
Awix (3310 KP) rated The Resident (2012) in Movies
Apr 26, 2019
Icky, undistinguished psycho-thriller finds Hammer in House of Mystery and Suspense mode. Except there's not much of either, given that no-one ever moves into a lovely new apartment and finds it's just as good as it seemed on the viewing. The usual fem jeop ensues as Hilary Swank's doctor has to fend off not just her landlord (Jeffrey Dean Morgan) but his elderly dad (his eminence Christopher Lee, in a regrettably small part).
Really has very little to differentiate or commend it beyond Lee's creepy cameo and some fun and games with the chronology at one point; you find yourself wondering just why you're watching a film with such an unpleasant vibe to it - it's kind of playing the game where it seems to be perfectly okay to dwell at great length on the most repellent behaviour, as long as there's a bit of carthartic vengeance in the end. I am seldom convinced by this, especially not when the rest of the film put together in such an average manner.
Really has very little to differentiate or commend it beyond Lee's creepy cameo and some fun and games with the chronology at one point; you find yourself wondering just why you're watching a film with such an unpleasant vibe to it - it's kind of playing the game where it seems to be perfectly okay to dwell at great length on the most repellent behaviour, as long as there's a bit of carthartic vengeance in the end. I am seldom convinced by this, especially not when the rest of the film put together in such an average manner.