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The Jane Doe
Book
A memory wiped clean. A dark past. A faceless killer. They call her Jane. No one knows her real...
thriller suspense mystery bookbuzz
What Remains
Book
What Remains is a haunting dual-timeline mystery that bridges centuries-and secrets-between ancient...
Historical Fiction Dual Timeline Time Slip Fiction Historical Thriller Forensic Fiction Ancient Rome
Mark @ Carstairs Considers (2464 KP) rated Dance Hall of the Dead in Books
Jun 19, 2024
Murder Crosses Tribal Lines
It’s early December on the Navajo reservation. Lieutenant Joe Leaphorn, who works for the Navajo Tribal Police, has been called to work on a case involving two missing boys. There is a huge pool of blood at the last place they were scene. One of them, a Navajo, was seen the next morning and is wanted as a witness, although some suspect he might be the killer. The other is a Zuni youth, and that just complicates the case for Leaphorn since that tribe has their own police department. As Leaphorn investigates further, he finds many things that just don’t add up for him. Can he make sense of it, find the missing boys, and catch a killer before the killer strikes again?
Leaphorn is much more of the main character this time around, but we still haven’t met Chee. It’s interesting to see how this series evolves over time. The mystery is strong here, especially since there is a thriller element to it that kept me engrossed. I did feel the discussion of Navajo culture slowed things down at times; those passages can be a double-edged sword. Still, this is a book that fans old and new will find entertaining.
Leaphorn is much more of the main character this time around, but we still haven’t met Chee. It’s interesting to see how this series evolves over time. The mystery is strong here, especially since there is a thriller element to it that kept me engrossed. I did feel the discussion of Navajo culture slowed things down at times; those passages can be a double-edged sword. Still, this is a book that fans old and new will find entertaining.
Seeing Death (The Augur #1)
10.0
Rate It
Book
Some futures were never meant to be seen. At eighteen, Bryn Ashton is preparing for a new chapter...
Contemporary MM Romance Paranormal Urban Fantasy Mystery
Beyond the Darkness (Basic Instincts #3)
8.0
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A starring role in a new show could give Hudson the career boost he needs… if he lives that long. ...
Contemporary MM Crime Mystery Thriller Romance
BookishWoo (317 KP) rated Buried Secrets in Books
Jun 14, 2020
An atmospheric, emotional, Rollercoaster ride that has you hooked from the start
I’m extremely excited to share my review of Buried Secrets by Krissy Baccaro, courtesy of Love Books Group Tours
What an atmospheric, emotional, Rollercoaster ride this took me on! I’m going to have to bite my tongue, so I don’t include spoilers!
After her Grandfather “Poppy” passes on, our main protagonist Ella, sets out to unravel a family mystery, when she finds “the box” that he asks her to find as it was his dying wish.
It’s not often I find a book in this genre that touches me so deeply. This literally had my eyes welling right from the start. Buried Secrets is a page turner that takes a hold on you from the start and you won’t be able to put it down.
Krissy sets the scene beautifully and you can imagine yourself right alongside the cast of characters, taking in the sights, sounds and smells of Italy that she so wonderfully depicts. I even caught myself googling the places that were visited and now want to go myself to follow in Ella’s footsteps.
The characters are so well developed, multi faceted and believable! Characters you can imagine amongst your own family and circle of friends.
Moving on to the plot, where do I start? It was full of twists, turns and surprises! Just when you thought you had solved the mystery………. nope you’re wrong! Krissy goes and throws in another treat of a twist to throw you off guard.
This seriously isn’t a book to pass up and by the end, you will be left with so many unanswered questions that you’ll be pleased to hear that this is the 1st of a series and let me tell you, I for one can’t wait for the 2nd Ella Perri instalment. So all you mystery, crime and thriller fans, why are you still reading my ramblings? Go buy the book already, so I can talk about it with you.
Krissy……You nailed it!
What an atmospheric, emotional, Rollercoaster ride this took me on! I’m going to have to bite my tongue, so I don’t include spoilers!
After her Grandfather “Poppy” passes on, our main protagonist Ella, sets out to unravel a family mystery, when she finds “the box” that he asks her to find as it was his dying wish.
It’s not often I find a book in this genre that touches me so deeply. This literally had my eyes welling right from the start. Buried Secrets is a page turner that takes a hold on you from the start and you won’t be able to put it down.
Krissy sets the scene beautifully and you can imagine yourself right alongside the cast of characters, taking in the sights, sounds and smells of Italy that she so wonderfully depicts. I even caught myself googling the places that were visited and now want to go myself to follow in Ella’s footsteps.
The characters are so well developed, multi faceted and believable! Characters you can imagine amongst your own family and circle of friends.
Moving on to the plot, where do I start? It was full of twists, turns and surprises! Just when you thought you had solved the mystery………. nope you’re wrong! Krissy goes and throws in another treat of a twist to throw you off guard.
This seriously isn’t a book to pass up and by the end, you will be left with so many unanswered questions that you’ll be pleased to hear that this is the 1st of a series and let me tell you, I for one can’t wait for the 2nd Ella Perri instalment. So all you mystery, crime and thriller fans, why are you still reading my ramblings? Go buy the book already, so I can talk about it with you.
Krissy……You nailed it!
Billie Wichkan (118 KP) rated The Greenway (Mike Croft, #1) in Books
May 22, 2019
AUGUST 1975: Cassie Malthams life changes forever one scorching day. She and her twelve-year-old cousin Suzie take a shortcut through the Greenway, an ancient pathway steeped in Norfolk legend. Somewhere along this path Suzie simply vanishes . . .
TWENTY YEARS LATER: Cassie is still tormented by nightmares, parts of her memory completely erased. With her husband Fergus and friends Anna and Simon, she returns to Norfolk, determined to confront her fears and solve a mystery that wont let her rest.
Then another young girl goes missing at the entrance to the Greenway, and Cassie is pushed once more into the darkest recesses of her mind.
John Tynan, the retired detective whod been in charge of Suzies case, is still haunted by her disappearance. He offers his help to Detective Inspector Mike Croft who is leading the increasingly frantic search for the missing child. Has evil returned? And what really happened all those years ago and who can be believed?
First time for me reading this author and it wont be last. The Greenway is a kind of pathway that connects two large empty fields.
This is a gripping mystery story.
A genuinely scary, psychological thriller.
I enjoyed the twists and turns in the plot. I enjoyed the story and the building of the characters.
This book was published originally in 1995, and is now being repackaged and republished now.
Very enjoyable and I am pleased to see there are another three Mike Croft books already published.
Recommend reading!
I would like to thank NetGalley, Joffe Books and the author Jane Adams for my ARC in exchange for an honest review.
TWENTY YEARS LATER: Cassie is still tormented by nightmares, parts of her memory completely erased. With her husband Fergus and friends Anna and Simon, she returns to Norfolk, determined to confront her fears and solve a mystery that wont let her rest.
Then another young girl goes missing at the entrance to the Greenway, and Cassie is pushed once more into the darkest recesses of her mind.
John Tynan, the retired detective whod been in charge of Suzies case, is still haunted by her disappearance. He offers his help to Detective Inspector Mike Croft who is leading the increasingly frantic search for the missing child. Has evil returned? And what really happened all those years ago and who can be believed?
First time for me reading this author and it wont be last. The Greenway is a kind of pathway that connects two large empty fields.
This is a gripping mystery story.
A genuinely scary, psychological thriller.
I enjoyed the twists and turns in the plot. I enjoyed the story and the building of the characters.
This book was published originally in 1995, and is now being repackaged and republished now.
Very enjoyable and I am pleased to see there are another three Mike Croft books already published.
Recommend reading!
I would like to thank NetGalley, Joffe Books and the author Jane Adams for my ARC in exchange for an honest review.
Farm Frenzy 2 HD
Games and Entertainment
App
If you think life in the big city is crazy, wait until you get a load of the wild and wacky country...
Matthew Krueger (10051 KP) rated Targets (1968) in Movies
Jun 18, 2020
Targeting Frankenstein: A Horror Icon
Targets- is a very suspenseful film that stars a old boris Karloff. His performance in this film is different. Usually he is type-cast in a horror movie. Targets is not the cast, its a more serious role for Karloff and I liked it alot. He is dramatic in Targets. It was Karloff's last appearance in a marjor american film, before he passed away in 1968.
The plot: After unhinged Vietnam vet Bobby Thompson (Tim O'Kelly) kills his wife and mother, he goes on a brutal shooting spree. Starting at an oil refinery, he evades the police and continues his murderous outing at a drive-in movie theater, where Byron Orlock (Boris Karloff), a retiring horror film icon, is making a promotional appearance. Before long, Orlock, a symbol of fantastical old-fashioned scares, faces off against Thompson, a remorseless psychopath rooted in a harsh modern reality.
Even Karloff's charcter is a retired horror film actor, so he can never get away from the horror genre/type-casting.
In the film's finale at a drive-in theater, Orlok – the old-fashioned, traditional screen monster who always obeyed the rules – confronts the new, realistic, nihilistic late-1960s "monster" in the shape of a clean-cut, unassuming multiple murderer.
Bogdanovich got the chance to make Targets because Boris Karloff owed studio head Roger Corman two days' work. Corman told Bogdanovich he could make any film he liked provided he used Karloff and stayed under budget. In addition, Bogdanovich had to use clips from Corman's Napoleonic-era thriller The Terror in the movie. The clips from The Terror feature Jack Nicholson and Boris Karloff. A brief clip of Howard Hawks' 1931 film The Criminal Code featuring Karloff was also used.
American International Pictures offered to release, but Bogdanovich wanted to try to see if the film could get a deal with a major studio. It was seen by Robert Evans of Paramount who bought it for $150,000, giving Corman an instant profit on the movie before it was even released.
Although the film was written and production photography completed in late 1967, it was released after the assassinations of Martin Luther King and Robert F. Kennedy in early 1968 and thus had some topical relevance to then-current events. Nevertheless, it was not very successful at the box office.
Quentin Tarantino later called it "the most political movie Corman ever made since The Intruder. And forty years later it’s still one of the strongest cries for gun control in American cinema. The film isn’t a thriller with a social commentary buried inside of it (the normal Corman model), it’s a social commentary with a thriller buried inside of it... It was one of the most powerful films of 1968 and one of the greatest directorial debuts of all time. And I believe the best film ever produced by Roger Corman.
Its a excellent mystery suspenseful thrilling starring Boris Karloff, last appearance in a marjor american film, before he passed away in 1968. A great film to end your career on.
The plot: After unhinged Vietnam vet Bobby Thompson (Tim O'Kelly) kills his wife and mother, he goes on a brutal shooting spree. Starting at an oil refinery, he evades the police and continues his murderous outing at a drive-in movie theater, where Byron Orlock (Boris Karloff), a retiring horror film icon, is making a promotional appearance. Before long, Orlock, a symbol of fantastical old-fashioned scares, faces off against Thompson, a remorseless psychopath rooted in a harsh modern reality.
Even Karloff's charcter is a retired horror film actor, so he can never get away from the horror genre/type-casting.
In the film's finale at a drive-in theater, Orlok – the old-fashioned, traditional screen monster who always obeyed the rules – confronts the new, realistic, nihilistic late-1960s "monster" in the shape of a clean-cut, unassuming multiple murderer.
Bogdanovich got the chance to make Targets because Boris Karloff owed studio head Roger Corman two days' work. Corman told Bogdanovich he could make any film he liked provided he used Karloff and stayed under budget. In addition, Bogdanovich had to use clips from Corman's Napoleonic-era thriller The Terror in the movie. The clips from The Terror feature Jack Nicholson and Boris Karloff. A brief clip of Howard Hawks' 1931 film The Criminal Code featuring Karloff was also used.
American International Pictures offered to release, but Bogdanovich wanted to try to see if the film could get a deal with a major studio. It was seen by Robert Evans of Paramount who bought it for $150,000, giving Corman an instant profit on the movie before it was even released.
Although the film was written and production photography completed in late 1967, it was released after the assassinations of Martin Luther King and Robert F. Kennedy in early 1968 and thus had some topical relevance to then-current events. Nevertheless, it was not very successful at the box office.
Quentin Tarantino later called it "the most political movie Corman ever made since The Intruder. And forty years later it’s still one of the strongest cries for gun control in American cinema. The film isn’t a thriller with a social commentary buried inside of it (the normal Corman model), it’s a social commentary with a thriller buried inside of it... It was one of the most powerful films of 1968 and one of the greatest directorial debuts of all time. And I believe the best film ever produced by Roger Corman.
Its a excellent mystery suspenseful thrilling starring Boris Karloff, last appearance in a marjor american film, before he passed away in 1968. A great film to end your career on.