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BookblogbyCari (345 KP) rated The Seven Deaths Of Evelyn Hardcastle in Books
Jul 31, 2018
This book is an all-singing, all-dancing time-travel-mystery-thriller - the plot is simultaneously absurd and delightful.
The action kicks off immediately when the Protagonist wakes up with no recollection of who he is, and witnesses a murder. But events take a stranger turn the following day when he wakes up as someone else, replaying the events of the previous day.
Effectively, the Protagonist takes the roles of several different versions of himself in randomly assigned host bodies, replaying the events of the same day over and over. His predicament is a form of rehabilitative imprisonment, and he soon learns he can only escape this predicament by solving the murder.
There are plots and sub plots galore, with juicy gossip at every turn, and I revelled in it! With so much going on, I had no pause to try and figure out who the murderer was. It became quite hard to keep up even before I had reached the halfway mark. As I went along the book, I found that the author was making reference to a lot of things that had slipped my mind.
The Protagonist struggles with ascertaining and maintaining his true identity and struggles to ascertain and assure himself of who’s a friend and who’s a foe. He tries to leave clues for himself and his helpers but his host bodies alternatively provide assistance and impediments.
The Protagonist solves the central murder with 20% of the book left to go - he's still on a mission to do the save the others in his situation. And with 10% of the book left he sets out to solve another murder on the same premises.
The author uses an old fashioned but bearable writing style. One thing I particularly enjoyed about the book was how the soul of the Protagonist reacts in the bodies of different hosts, all with different tendencies and propensities.
It is a pleasure to read, and I may have enjoyed it more had I been able to keep track of the minutiae.
You can check out more of my book reviews on Wordpress or Facebook:
https://bookblogbycari.wordpress.com/
https://www.facebook.com/bookblogbycari/
The action kicks off immediately when the Protagonist wakes up with no recollection of who he is, and witnesses a murder. But events take a stranger turn the following day when he wakes up as someone else, replaying the events of the previous day.
Effectively, the Protagonist takes the roles of several different versions of himself in randomly assigned host bodies, replaying the events of the same day over and over. His predicament is a form of rehabilitative imprisonment, and he soon learns he can only escape this predicament by solving the murder.
There are plots and sub plots galore, with juicy gossip at every turn, and I revelled in it! With so much going on, I had no pause to try and figure out who the murderer was. It became quite hard to keep up even before I had reached the halfway mark. As I went along the book, I found that the author was making reference to a lot of things that had slipped my mind.
The Protagonist struggles with ascertaining and maintaining his true identity and struggles to ascertain and assure himself of who’s a friend and who’s a foe. He tries to leave clues for himself and his helpers but his host bodies alternatively provide assistance and impediments.
The Protagonist solves the central murder with 20% of the book left to go - he's still on a mission to do the save the others in his situation. And with 10% of the book left he sets out to solve another murder on the same premises.
The author uses an old fashioned but bearable writing style. One thing I particularly enjoyed about the book was how the soul of the Protagonist reacts in the bodies of different hosts, all with different tendencies and propensities.
It is a pleasure to read, and I may have enjoyed it more had I been able to keep track of the minutiae.
You can check out more of my book reviews on Wordpress or Facebook:
https://bookblogbycari.wordpress.com/
https://www.facebook.com/bookblogbycari/
Gareth von Kallenbach (980 KP) rated The Raven (2012) in Movies
Aug 7, 2019
In this dark thriller, Edgar Allan Poe (John Cusack) is forced to assist a young detective to track down a mad serial killer when it becomes obvious that the inspiration for the murders are Poe’s own literary works.
This fictionalized account of the last days of Edgar Allan Poe’s life begins with the brutal murder of a mother and daughter. Inspector Emmett Fields (Luke Evans) finds something oddly familiar about the crime scene and his research leads him to a story written by Poe. A struggling writer on his way to becoming the local drunkard, Poe is brought in for questioning just as another murder is discovered, again one that mirrors one of the author’s grisly stories.
Because it’s his stories that the murderer’s recreating, Poe becomes Field’s reluctant assistant in hunting down the serial killer. But when it appears Poe’s fiancee (Alice Eve) may become the murderer’s next victim, the stakes become even greater, and now it’s the murderer who’s inspiring the writer and inventor of the detective story genre to do some of his best sleuthing work.
While the cat-and-mouse element of the movie kept me in suspense, the movie itself was void of the dark drama one would expect of a movie about Edgar Allen Poe, even a fictionalized account. Even with the detailed attention to the look of 19th century Baltimore, it wasn’t enough to help Cusack’s lightweight portrayal of Poe. Many times I wondered if Evans would have been better cast as the grim, moody writer.
What I actually appreciated most about the movie was the lyrical dialogue, the clever, poetic word usage of yesteryear. Although, there were some minor slips that made me wonder if the scriptwriter or actor forgot which century they were in. I did not have high expectations for this movie, so it truly did not disappoint. With a 111 minute runtime, “The Raven” has just enough mystery to keep one guessing, however it felt a bit rushed at the end. Up against more lively competition this weekend, this may be one to save for a DVD rental.
This fictionalized account of the last days of Edgar Allan Poe’s life begins with the brutal murder of a mother and daughter. Inspector Emmett Fields (Luke Evans) finds something oddly familiar about the crime scene and his research leads him to a story written by Poe. A struggling writer on his way to becoming the local drunkard, Poe is brought in for questioning just as another murder is discovered, again one that mirrors one of the author’s grisly stories.
Because it’s his stories that the murderer’s recreating, Poe becomes Field’s reluctant assistant in hunting down the serial killer. But when it appears Poe’s fiancee (Alice Eve) may become the murderer’s next victim, the stakes become even greater, and now it’s the murderer who’s inspiring the writer and inventor of the detective story genre to do some of his best sleuthing work.
While the cat-and-mouse element of the movie kept me in suspense, the movie itself was void of the dark drama one would expect of a movie about Edgar Allen Poe, even a fictionalized account. Even with the detailed attention to the look of 19th century Baltimore, it wasn’t enough to help Cusack’s lightweight portrayal of Poe. Many times I wondered if Evans would have been better cast as the grim, moody writer.
What I actually appreciated most about the movie was the lyrical dialogue, the clever, poetic word usage of yesteryear. Although, there were some minor slips that made me wonder if the scriptwriter or actor forgot which century they were in. I did not have high expectations for this movie, so it truly did not disappoint. With a 111 minute runtime, “The Raven” has just enough mystery to keep one guessing, however it felt a bit rushed at the end. Up against more lively competition this weekend, this may be one to save for a DVD rental.
Charlie Cobra Reviews (1840 KP) rated The Promised Neverland in TV
Jul 7, 2020
A Stand Out From This Spring Season Anime
The Promised Neverland is a 2019 dark fantasy/sci-fi/thriller anime directed by Mamoru Kanbe and written by Toshiya Ono, and music by Takahiro Obata. It was animated by CloverWorks Studio and originally aired in Japan from January to March. The series was streamed on Crunchyroll, Hulu, FunimationNow and Hidive by Animplex of America and aired on Toonami in April. A second season was announced and planned for 2020.
For Emma, an 11-year old orphan living in Grace Field House, life has never been better. Her and 37 other orphans enjoy gourmet food, plush beds, clean clothes, games, and the love of their "Mother", Isabella, the caretaker. The orphans are allowed complete freedom, except to venture beyond the grounds or the gate, which connects the house to the outside world. One night Emma and Norman (another orphan) find the dead body of an orphan who was sent away to be adopted at the gate. This is where they realize the truth of their existence in the orphanage and become determined to break out of Grace Field House and escape along with their other siblings.
This show was a welcomed change for me from the normal anime I watch and very different. I enjoy anime like this that make you think and have a bit of mystery to them. For those looking for something that doesn't involve fighting, powering up, blasts or transformations then this is something that you might want to check out. This anime intrigued me right away from the first episode by it's premise and what it alluded to. I really liked the characters and their personalities and they way they used their intelligence especially since they are all portrayed as children. I kept trying to figure out where the plot was going with it and happily surprised that I couldn't always guess where it was going. This is definitely one of the stand outs from the spring anime season. I give it a 8/10 and it gets my "Must See Seal Of Approval".
For Emma, an 11-year old orphan living in Grace Field House, life has never been better. Her and 37 other orphans enjoy gourmet food, plush beds, clean clothes, games, and the love of their "Mother", Isabella, the caretaker. The orphans are allowed complete freedom, except to venture beyond the grounds or the gate, which connects the house to the outside world. One night Emma and Norman (another orphan) find the dead body of an orphan who was sent away to be adopted at the gate. This is where they realize the truth of their existence in the orphanage and become determined to break out of Grace Field House and escape along with their other siblings.
This show was a welcomed change for me from the normal anime I watch and very different. I enjoy anime like this that make you think and have a bit of mystery to them. For those looking for something that doesn't involve fighting, powering up, blasts or transformations then this is something that you might want to check out. This anime intrigued me right away from the first episode by it's premise and what it alluded to. I really liked the characters and their personalities and they way they used their intelligence especially since they are all portrayed as children. I kept trying to figure out where the plot was going with it and happily surprised that I couldn't always guess where it was going. This is definitely one of the stand outs from the spring anime season. I give it a 8/10 and it gets my "Must See Seal Of Approval".
Life Expectancy
9.0
Rate It
Book
In the dazzling new thriller from the master of dark suspense, the hand of fate reaches out to touch...
Story: 71 starts as we see Gary Hook (O’Connell) going through his training with his regiment before they get deployed to Belfast to deal with the riot situation. In Ireland the regiment receive their instructions and onto the Catholic side of the war. When the riots get out of hand Gary finds himself on the wrong side of the barrier alone and unarmed in the Irish territory.
With tensions rising Gary finds himself in the middle of the battle not knowing which side to trust as both side are preparing to attack each other as Gary learns the harsh reality of what these riots are causing.
71 puts us into the middle of the Irish riots showing just one soldier’s experience behind enemy lines, this works well. My issue with the story is unless you know the history which I only know the basics you are left kind of wondering why the riots are happening in the first place. Another problem I found was telling what was going on with the supporting characters like who was on whose side which I do understand adds to the mystery but in this situation we should be able to identify them easily. As a film about survival in an urban setting this is great though.
Actor Review
Jack O’Connell: Gary Hook is the young soldier who is on his first mission on the streets on Belfast during the riots of 71, trying to receive a lost weapon he gets separated by his unit and stranded alone behind enemy lines never sure who to trust. Jack is great in this leading role in what was an outstanding year for the young actor.gary
Sam Reid: Lt. Armitage is one of the men that wants to start searching for Gary but constantly gets put down Captain Browning. Sam is solid in this role but doesn’t get enough screen time.
Sean Harris: Captain Sandy Browning is the man running the situation he knows that Gary is alive but really is playing both sides of the battle. Sean is also solid but only in a supporting role.
Killian Scott: Quinn is one of the leaders out trying to kill Gary, he takes his men and boys out on the streets on the hunt for him and will hurt anyone who gets in his way. Killian is good in what seems like one of the primary villains.
Support Cast: 71 has a large supporting cast but working out which side they are on gets confusing at times.
Director Review: Yann Demange – Yann gives us wonderfully shot sequences throughout but not enough back story to the events on the film.
Action: 71 has intensely shot action sequences involved.
Thriller: 71 keeps us on edge as we watch Gary trying to survive the warzone.
War: 71 puts us into a warzone as we see Gary trying to avoid conflict seemingly around every single corner.
Settings: 71 puts us in the warzone of the Belfast streets which really works to pull us into the story.
Special Effects: 71 has great effects when needed without having to just go overboard with them.
Suggestion: 71 is one for fans of the genre but otherwise people might find it slightly hard to keep up with. (War Film Fans Watch)
Best Part: Bomb shock.
Worst Part: Not enough history of the events.
Believability: The riots were real but story is fictional.
Chances of Tears: No
Chances of Sequel: No
Post Credits Scene: No
Similar Too: Behind Enemy Lines
Awards: Nominated for One BAFTA.
Oscar Chances: No
Runtime: 1 Hour 39 Minutes
Trivia: Most scenes within the film were shot in Northern England, not in the film’s setting of Belfast.
Overall: Good history war thriller that is intense but never fully drags you into believing everything.
https://moviesreview101.com/2016/11/08/71-2014/
With tensions rising Gary finds himself in the middle of the battle not knowing which side to trust as both side are preparing to attack each other as Gary learns the harsh reality of what these riots are causing.
71 puts us into the middle of the Irish riots showing just one soldier’s experience behind enemy lines, this works well. My issue with the story is unless you know the history which I only know the basics you are left kind of wondering why the riots are happening in the first place. Another problem I found was telling what was going on with the supporting characters like who was on whose side which I do understand adds to the mystery but in this situation we should be able to identify them easily. As a film about survival in an urban setting this is great though.
Actor Review
Jack O’Connell: Gary Hook is the young soldier who is on his first mission on the streets on Belfast during the riots of 71, trying to receive a lost weapon he gets separated by his unit and stranded alone behind enemy lines never sure who to trust. Jack is great in this leading role in what was an outstanding year for the young actor.gary
Sam Reid: Lt. Armitage is one of the men that wants to start searching for Gary but constantly gets put down Captain Browning. Sam is solid in this role but doesn’t get enough screen time.
Sean Harris: Captain Sandy Browning is the man running the situation he knows that Gary is alive but really is playing both sides of the battle. Sean is also solid but only in a supporting role.
Killian Scott: Quinn is one of the leaders out trying to kill Gary, he takes his men and boys out on the streets on the hunt for him and will hurt anyone who gets in his way. Killian is good in what seems like one of the primary villains.
Support Cast: 71 has a large supporting cast but working out which side they are on gets confusing at times.
Director Review: Yann Demange – Yann gives us wonderfully shot sequences throughout but not enough back story to the events on the film.
Action: 71 has intensely shot action sequences involved.
Thriller: 71 keeps us on edge as we watch Gary trying to survive the warzone.
War: 71 puts us into a warzone as we see Gary trying to avoid conflict seemingly around every single corner.
Settings: 71 puts us in the warzone of the Belfast streets which really works to pull us into the story.
Special Effects: 71 has great effects when needed without having to just go overboard with them.
Suggestion: 71 is one for fans of the genre but otherwise people might find it slightly hard to keep up with. (War Film Fans Watch)
Best Part: Bomb shock.
Worst Part: Not enough history of the events.
Believability: The riots were real but story is fictional.
Chances of Tears: No
Chances of Sequel: No
Post Credits Scene: No
Similar Too: Behind Enemy Lines
Awards: Nominated for One BAFTA.
Oscar Chances: No
Runtime: 1 Hour 39 Minutes
Trivia: Most scenes within the film were shot in Northern England, not in the film’s setting of Belfast.
Overall: Good history war thriller that is intense but never fully drags you into believing everything.
https://moviesreview101.com/2016/11/08/71-2014/
Emma @ The Movies (1786 KP) rated Escape Room (2019) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
TL;DR - I'm never doing an escape room ever again, and potentially never going anywhere that begins with a mysterious invitation.
The film opens, somewhat strangely, with some of the last scenes of the movie. I'm not sure whether this helped the film along or not. We already knew what to expect before going in so starting with the intrigue of the invitations probably would have worked just as well, it did at least ease you in to what you'd be getting from the rest of the film.
I was a little disappointed that we didn't get an intro to all of the characters. Admittedly six intro pieces would have made the beginning of the story drag but it felt a little odd to have the other three thrown in with no context. On the plus side you are able to infer some things about their back story as we go through the film, but I don't quite see the logic behind who they included and excluded.
Drama, mystery, sci-fi, thriller... that's how IMDb classified Escape Room, and this is why I don't know why we bother pigeon holing films. It's definitely a thriller and can loosely fit into the horror genre (I only say loosely because of it's lack of gore) but to claim any of the others is a stretch.
In what was probably a rather average film I was glad to see some pieces that impressed me. Amanda (Deborah Ann Woll) has a flashback during one of their escapes and the transition was seamless. Woll's performance overall was probably the best, she goes from vulnerable to woman of action and in each scene she creates something that I found incredibly believable.
Tyler Labine is one of my favourite "hidden" gems of the movie world so I was excited to see he was part of this. My excitement was short lived though as his character wasn't given much opportunity to shine as his story is largely overlooked until the very last minute.
One of the issues I have at the cinema is that I suffer from mild motion sickness, generally I'm okay but on occasion the weirdest things can set it off. This film gave me a near heart attack when it entered the pool room, you can see it during the trailer, the room is basically upside down but that combined with the camera shots meant I had to keep looking at my feet for fear of either passing out or throwing up on my fellow cinema goers.
The idea behind the film had a lot of potential and up to a certain point I was enjoying what was happening... but that ending. My brain suddenly stopped and went "huh, Belko Experiment." I'm not generally a watcher of horror type films but from the comments I've seen online Escape Room is similar to a lot of things already out there. What I know is that it's predictable. Probably more so because of the way the film starts, the premise of an escape room, and the trailer. It does have some things up its sleeve though.
For someone who is easily scared out of their skin I didn't have a problem watching this (apart from that pool room scene), a lot of the really jumpy bits I'd already seen before going into the film. Until the memory of this film is washed away by several dozen other films I will not be setting foot in an escape room, and they should probably look at suing the film for lose of revenue.
What you should do
It's an entertaining film and if thrillers/horrors are your sort of thing then you should give it a go.
Movie thing you wish you could take home
Needless to say there is basically nothing I want from this movie apart from the little piece of sanity and rational thinking it stole from me.
The film opens, somewhat strangely, with some of the last scenes of the movie. I'm not sure whether this helped the film along or not. We already knew what to expect before going in so starting with the intrigue of the invitations probably would have worked just as well, it did at least ease you in to what you'd be getting from the rest of the film.
I was a little disappointed that we didn't get an intro to all of the characters. Admittedly six intro pieces would have made the beginning of the story drag but it felt a little odd to have the other three thrown in with no context. On the plus side you are able to infer some things about their back story as we go through the film, but I don't quite see the logic behind who they included and excluded.
Drama, mystery, sci-fi, thriller... that's how IMDb classified Escape Room, and this is why I don't know why we bother pigeon holing films. It's definitely a thriller and can loosely fit into the horror genre (I only say loosely because of it's lack of gore) but to claim any of the others is a stretch.
In what was probably a rather average film I was glad to see some pieces that impressed me. Amanda (Deborah Ann Woll) has a flashback during one of their escapes and the transition was seamless. Woll's performance overall was probably the best, she goes from vulnerable to woman of action and in each scene she creates something that I found incredibly believable.
Tyler Labine is one of my favourite "hidden" gems of the movie world so I was excited to see he was part of this. My excitement was short lived though as his character wasn't given much opportunity to shine as his story is largely overlooked until the very last minute.
One of the issues I have at the cinema is that I suffer from mild motion sickness, generally I'm okay but on occasion the weirdest things can set it off. This film gave me a near heart attack when it entered the pool room, you can see it during the trailer, the room is basically upside down but that combined with the camera shots meant I had to keep looking at my feet for fear of either passing out or throwing up on my fellow cinema goers.
The idea behind the film had a lot of potential and up to a certain point I was enjoying what was happening... but that ending. My brain suddenly stopped and went "huh, Belko Experiment." I'm not generally a watcher of horror type films but from the comments I've seen online Escape Room is similar to a lot of things already out there. What I know is that it's predictable. Probably more so because of the way the film starts, the premise of an escape room, and the trailer. It does have some things up its sleeve though.
For someone who is easily scared out of their skin I didn't have a problem watching this (apart from that pool room scene), a lot of the really jumpy bits I'd already seen before going into the film. Until the memory of this film is washed away by several dozen other films I will not be setting foot in an escape room, and they should probably look at suing the film for lose of revenue.
What you should do
It's an entertaining film and if thrillers/horrors are your sort of thing then you should give it a go.
Movie thing you wish you could take home
Needless to say there is basically nothing I want from this movie apart from the little piece of sanity and rational thinking it stole from me.
Kristy H (1252 KP) rated Never Look Back in Books
Sep 2, 2019
For Quentin Garrison, his podcast, entitled Closure, is truly about just that--closure. It centers on a series of murders in the 1970s committed by teens Gabriel LeRoy and April Cooper. The victims included Quentin's mother's little sister and his grandmother. As a result, Quentin has spent most of his life raised by a neglectful, drug addict mom. For Robin Diamond, a columnist, the podcast causes only confusion. When Quentin contacts her about it, asking specifically about April Cooper and tying her to Robin's own mother, Robin is bewildered. But the more she delves into the murders, the more she starts to wonder. Then there's a terrible home invasion at her parent's house, killing her father and leaving her mom unconscious. What exactly happened back in the '70s--and, now, in the home invasion?
This was an excellent thriller that had me hooked from the first page. It's dark, gritty, and utterly mesmerizing. When I started it, I was thinking to myself, not another podcast mystery, but little did I know... this book is totally addictive and brings in the podcast element in a seamless, fresh way.
It's told from the perspective of several of our main characters--particularly Robin and Quentin. We also get excerpts from a school assignment of April's when she was fifteen: letters to her future child. These slowly reveal what happened during the killings, and they are told in a spot-on voice of a fifteen-year-old girl. The way everything is woven together is perfect: I found myself completely captivated and read basically the last half of the book in one breathless setting, staying up past my bedtime to finish it.
We learn that both Gabriel and April died in a fire at the site of their last attempted murder. So when Quentin receives a tip claiming that April Cooper is still alive, it changes everything, including the focus of his podcast. When he starts to believe that Robin's mother is April, things get even more interesting. I loved the suspense--constantly wondering if April was alive and if she was, who she could be. And then, there's the aspect of was April "good" or "bad" during the killings. So many people blamed her for the deaths of their loved ones, and nothing is black or white in this book.
Even Quentin. Since his past is strongly affected by the murders, we find ourselves wondering if we can trust him, too. Quentin's grandfather basically gave up raising his daughter, Kate--Quentin's mother--after the death of his wife and young daughter. As such, Quentin's own mother wasn't much of a parent to him. Quentin's own bitterness and anger shines through--a strong theme in the book. Can we rely on someone so angry, we wonder? I felt for him, and his devoted husband and loving best friend and podcast partner. So many of the characters are intense, and each is so well-crafted and unique. Each flew off the page.
This is often a dark book, and there are many scenes of violence. But, for me, it was the emotional scenes that were the toughest to read. There are many touching moments, too, and I found myself attached to several of the characters. Reading young April's letters was quite a feat. Gaylin is such an excellent writer, and she just pulls you into the story so effortlessly--you feel as if you are there with her characters. Throw in some great twists and turns and this is an excellent and suspenseful novel.
The ending was a tough one, but I get it. Overall, I really enjoyed this dark psychological thriller. I am just loving Gaylin's recent books and need to go back and read some of her previous works (there's a little Brenna Spector shoutout in this one for those of you who are fans). Definitely recommend! 4.5 stars.
This was an excellent thriller that had me hooked from the first page. It's dark, gritty, and utterly mesmerizing. When I started it, I was thinking to myself, not another podcast mystery, but little did I know... this book is totally addictive and brings in the podcast element in a seamless, fresh way.
It's told from the perspective of several of our main characters--particularly Robin and Quentin. We also get excerpts from a school assignment of April's when she was fifteen: letters to her future child. These slowly reveal what happened during the killings, and they are told in a spot-on voice of a fifteen-year-old girl. The way everything is woven together is perfect: I found myself completely captivated and read basically the last half of the book in one breathless setting, staying up past my bedtime to finish it.
We learn that both Gabriel and April died in a fire at the site of their last attempted murder. So when Quentin receives a tip claiming that April Cooper is still alive, it changes everything, including the focus of his podcast. When he starts to believe that Robin's mother is April, things get even more interesting. I loved the suspense--constantly wondering if April was alive and if she was, who she could be. And then, there's the aspect of was April "good" or "bad" during the killings. So many people blamed her for the deaths of their loved ones, and nothing is black or white in this book.
Even Quentin. Since his past is strongly affected by the murders, we find ourselves wondering if we can trust him, too. Quentin's grandfather basically gave up raising his daughter, Kate--Quentin's mother--after the death of his wife and young daughter. As such, Quentin's own mother wasn't much of a parent to him. Quentin's own bitterness and anger shines through--a strong theme in the book. Can we rely on someone so angry, we wonder? I felt for him, and his devoted husband and loving best friend and podcast partner. So many of the characters are intense, and each is so well-crafted and unique. Each flew off the page.
This is often a dark book, and there are many scenes of violence. But, for me, it was the emotional scenes that were the toughest to read. There are many touching moments, too, and I found myself attached to several of the characters. Reading young April's letters was quite a feat. Gaylin is such an excellent writer, and she just pulls you into the story so effortlessly--you feel as if you are there with her characters. Throw in some great twists and turns and this is an excellent and suspenseful novel.
The ending was a tough one, but I get it. Overall, I really enjoyed this dark psychological thriller. I am just loving Gaylin's recent books and need to go back and read some of her previous works (there's a little Brenna Spector shoutout in this one for those of you who are fans). Definitely recommend! 4.5 stars.
Ivana A. | Diary of Difference (1171 KP) rated The Guilty Party in Books
Feb 3, 2020
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<b><i>A mystery that left me curious until the very end. A psychological paradise of a thriller that captures people at their very worst, right when they realise their lives are at stake. These people did nothing. But that doesn’t mean they’re innocent…</i></b>
Four friends are returning from a festival, and they see a woman being raped in the forest. They all decide to do nothing about it. A few days later, her body is found in the river. Are they guilty for not doing anything? If it was you, what would you have done?
The story begins with the event mentioned above. The plot opens straight ahead, and I loved that fact. We witness the story through the eyes of all these four friends. They have always been together and stood for one another, but after so many years, their friendship has turned into a group of frenemies, a group of proving to each other, lying all the time and negative emotions.
Because nothing is straightforward, least of all the human heart. At some point or other, we all become mysteries to ourselves.
Even though we get to see through the lives of Anna, Bo and Dex, Cassie is the one member of this group that gets the most exposure in this book. She is the one that seems to feel the most guilty about not doing anything to intervene that night, and she is the one that keeps bringing this subject to her friends, even though they refuse to listen. Cassie is the most reasonable one, but this seems to bring her into more trouble. The more she pushes the group, the more she realises how capable they are of stopping her from sharing their secret
Anna is the person that leads the group. She seems to control everyone and everything, and they all seem to obey her and be fine with this. She comes out as this controlling and annoying person, the one hard to ignore or say no to. But when she feels threatened and scared, she is prepared to do anything.
Bo and Dex, for me, didn’t have much direct impact to the story, except one of them right at the very end. They seem to have snuck out throughout the book quietly, without any direct noice, but leaving a mess behind them.
We have four characters, all different and unique, all really complicated, with their own thoughts and lives. And we have one evening, and all their actions indirectly result in this girl’s death. None of them killed her, but all of them are guilty. They all have their own secrets, that they don’t tell to anyone, and they all are ready to go until the very end, keeping their secrets safe.
I loved how the plot and what actually happened on the nights slowly reveals itself, where we have two parallels happening – one from the night of the incident, and from everyone’s perspective, and one from around a month later, when they gather around together for a weekend. The chapters were so well made that made you keep going, and right when you think you know something, you get another point of view with a bit more information and another plot twist. Very smart and enjoyable to read.
And even though a mystery, and a thriller, this book was also hilarious and made me laugh out loud at times. Needless to say anything, I will let you read the quote below and judge for yourselves. This quote was so unexpected and I think it highlighted my year so far… Amazing!
Ink Man’s real name is Jake but for the purposes of sex he likes to be called Gandalf. Really. Being Gandalf is what turns him on. That and the ink of Middle Earth on his back.
I really enjoyed this book, and I am looking forward to reading more books from Mel McGrath. A huge thank you to HQ Publishers, and Joe Thomas for sending me a hardback copy of this book in exchange for an honest review
<b>Follew the #AreYouGuilty Blog Tour</b>
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<b><i>A mystery that left me curious until the very end. A psychological paradise of a thriller that captures people at their very worst, right when they realise their lives are at stake. These people did nothing. But that doesn’t mean they’re innocent…</i></b>
Four friends are returning from a festival, and they see a woman being raped in the forest. They all decide to do nothing about it. A few days later, her body is found in the river. Are they guilty for not doing anything? If it was you, what would you have done?
The story begins with the event mentioned above. The plot opens straight ahead, and I loved that fact. We witness the story through the eyes of all these four friends. They have always been together and stood for one another, but after so many years, their friendship has turned into a group of frenemies, a group of proving to each other, lying all the time and negative emotions.
Because nothing is straightforward, least of all the human heart. At some point or other, we all become mysteries to ourselves.
Even though we get to see through the lives of Anna, Bo and Dex, Cassie is the one member of this group that gets the most exposure in this book. She is the one that seems to feel the most guilty about not doing anything to intervene that night, and she is the one that keeps bringing this subject to her friends, even though they refuse to listen. Cassie is the most reasonable one, but this seems to bring her into more trouble. The more she pushes the group, the more she realises how capable they are of stopping her from sharing their secret
Anna is the person that leads the group. She seems to control everyone and everything, and they all seem to obey her and be fine with this. She comes out as this controlling and annoying person, the one hard to ignore or say no to. But when she feels threatened and scared, she is prepared to do anything.
Bo and Dex, for me, didn’t have much direct impact to the story, except one of them right at the very end. They seem to have snuck out throughout the book quietly, without any direct noice, but leaving a mess behind them.
We have four characters, all different and unique, all really complicated, with their own thoughts and lives. And we have one evening, and all their actions indirectly result in this girl’s death. None of them killed her, but all of them are guilty. They all have their own secrets, that they don’t tell to anyone, and they all are ready to go until the very end, keeping their secrets safe.
I loved how the plot and what actually happened on the nights slowly reveals itself, where we have two parallels happening – one from the night of the incident, and from everyone’s perspective, and one from around a month later, when they gather around together for a weekend. The chapters were so well made that made you keep going, and right when you think you know something, you get another point of view with a bit more information and another plot twist. Very smart and enjoyable to read.
And even though a mystery, and a thriller, this book was also hilarious and made me laugh out loud at times. Needless to say anything, I will let you read the quote below and judge for yourselves. This quote was so unexpected and I think it highlighted my year so far… Amazing!
Ink Man’s real name is Jake but for the purposes of sex he likes to be called Gandalf. Really. Being Gandalf is what turns him on. That and the ink of Middle Earth on his back.
I really enjoyed this book, and I am looking forward to reading more books from Mel McGrath. A huge thank you to HQ Publishers, and Joe Thomas for sending me a hardback copy of this book in exchange for an honest review
<b>Follew the #AreYouGuilty Blog Tour</b>
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Weak characters (1 more)
Mediocre ending
A haunted house thriller that could've been more
At Spring House, it’s not just a lone ghost that haunts the property—something has awoken. Almost as if the house were alive. That’s the impression I got going into The Vines, and I thought it was a unique twist to the classic haunted house story.
The book has several narrators starting with Caitlin, an heiress whom everyone loves to hate and who is taken advantage of and cheated on by her husband. Second is Nova, an educated young black woman employed at Spring that has a real chip on her shoulder. Lastly there is Blake, a homosexual male nurse that suffers from depression after witnessing the death of his lover. All of these character’s stories come together to form the mystery around Spring House.
I had a hard time really deciding how I wanted to rate this book overall. At certain points it was thrilling, I wanted to know more about the mystery surrounding Spring House and the action scenes are written in wonderful detail. On the other hand I also found myself pretty disappointed with how one dimensional many of the characters were, particularly Caitlin and Nova. I just couldn’t find myself caring much about either one of them, which made it a little bit hard to remain interested in their respective roles in the plot.
With Caitlin she didn’t seem to be such a bad person, but the hatred and scorn from the people around her have reduced her to being a shadow of a person, not much ever comes from her character. The development of her character is seemingly dropped, she’s just there, all blind anger and rage and while it’s understandable, she has little impact on, well, anything. Which was unexpected considering the book’s synopsis was about her. What is worse is that Nova isn’t too far off from Caitlin. While there is a part of me that likes how strong willed Nova is, it is kind of annoying how she is just as blinded by her own rage and prejudice. Even she is barely relevant to the plot, if I’m to be perfectly frank. It becomes obvious that the real story is about Blake and how he faces up to the past that has been haunting him for years. This is well and good and I enjoyed his story, but then all of the other characters just become filler and this was kind of a downer.
The book just took way too long to get to that point. The focus keeps shifting before the story really starts to pick up speed and it feels like it drags a bit. I also found the ending to be a little bit cheesy, it just didn’t do it for me. Overall the book was decent, Rice has a gift for description and it was entertaining for a while. I just didn’t find this one to be particularly memorable.
The book has several narrators starting with Caitlin, an heiress whom everyone loves to hate and who is taken advantage of and cheated on by her husband. Second is Nova, an educated young black woman employed at Spring that has a real chip on her shoulder. Lastly there is Blake, a homosexual male nurse that suffers from depression after witnessing the death of his lover. All of these character’s stories come together to form the mystery around Spring House.
I had a hard time really deciding how I wanted to rate this book overall. At certain points it was thrilling, I wanted to know more about the mystery surrounding Spring House and the action scenes are written in wonderful detail. On the other hand I also found myself pretty disappointed with how one dimensional many of the characters were, particularly Caitlin and Nova. I just couldn’t find myself caring much about either one of them, which made it a little bit hard to remain interested in their respective roles in the plot.
With Caitlin she didn’t seem to be such a bad person, but the hatred and scorn from the people around her have reduced her to being a shadow of a person, not much ever comes from her character. The development of her character is seemingly dropped, she’s just there, all blind anger and rage and while it’s understandable, she has little impact on, well, anything. Which was unexpected considering the book’s synopsis was about her. What is worse is that Nova isn’t too far off from Caitlin. While there is a part of me that likes how strong willed Nova is, it is kind of annoying how she is just as blinded by her own rage and prejudice. Even she is barely relevant to the plot, if I’m to be perfectly frank. It becomes obvious that the real story is about Blake and how he faces up to the past that has been haunting him for years. This is well and good and I enjoyed his story, but then all of the other characters just become filler and this was kind of a downer.
The book just took way too long to get to that point. The focus keeps shifting before the story really starts to pick up speed and it feels like it drags a bit. I also found the ending to be a little bit cheesy, it just didn’t do it for me. Overall the book was decent, Rice has a gift for description and it was entertaining for a while. I just didn’t find this one to be particularly memorable.