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BookInspector (124 KP) rated Good Me, Bad Me in Books
Sep 24, 2020
The description above kind of explains what the books was about, but my description would be something as follows: After the incidents at home, when Milly’s mother got arrested, she lives with new foster family. New mom, dad and sister, but there is the problem there. Her new foster sister hates her and starts bullying her in every way possible. New foster parents have no idea about what is going on under their roof. How Milly is going to deal with all the things which are getting thrown at her? Let me start by saying that it is outstanding psychological thriller, where every chapter breathes of suspense and anticipation of what is going to happen next. I really enjoyed the way this book was written, like a letter to character’s evil mum. At the same time it was laying this story so beautifully, it was real pleasure for me to read it. The language used in the book is really understandable and easy to read, so you can put away the dictionary, will not need it here.
I found the characters very diverse and really disturbed in this publication. All of them had some sort of problem they were suffering from and that made them really interesting. I believe here is where author’s life experience came in. She worked with a lot of disturbed people, children and grownups, so that knowledge where greatly used in this novel. In my opinion, children where the strong characters in this book and not the grownups. Those revenge parts were like honey to sore throat, unexpected and so satisfying, after all the anger caused to me by bullying scenes. There was one thing that didn’t make me very happy, I needed more information about the murders. There were more murders, but only one discussed thoroughly. I am extremely curious how others died. Also I needed to know more about what mom used to do to Annie, I didn’t find given information sufficient. I think more information would’ve helped to understand the main character better. The ending of the book was like a crown on the queen’s head, applause for it! So to conclude, this is a gripping psychological thriller with a lot of twists and turns and I do strongly recommend it. Is there going to be a film? I would not be surprised if there would be.
I found the characters very diverse and really disturbed in this publication. All of them had some sort of problem they were suffering from and that made them really interesting. I believe here is where author’s life experience came in. She worked with a lot of disturbed people, children and grownups, so that knowledge where greatly used in this novel. In my opinion, children where the strong characters in this book and not the grownups. Those revenge parts were like honey to sore throat, unexpected and so satisfying, after all the anger caused to me by bullying scenes. There was one thing that didn’t make me very happy, I needed more information about the murders. There were more murders, but only one discussed thoroughly. I am extremely curious how others died. Also I needed to know more about what mom used to do to Annie, I didn’t find given information sufficient. I think more information would’ve helped to understand the main character better. The ending of the book was like a crown on the queen’s head, applause for it! So to conclude, this is a gripping psychological thriller with a lot of twists and turns and I do strongly recommend it. Is there going to be a film? I would not be surprised if there would be.
Suswatibasu (1701 KP) rated Split (2016) in Movies
Oct 19, 2017 (Updated Oct 19, 2017)
A little better from M Night Shyamalan, but still not spectacular
By far, James McAvoy steals the show in this psychological thriller, in which he plays 23 different personalities. Suffering from the condition Dissociative Identity Disorder, McAvoy reveals a dark side, where he kidnaps three girls and holds them hostage to his whims, while attempting to seek help from a psychiatrist. In between, we see one girl in particular engage with him, the trauma also bringing out her own demons. And of course a mandatory cameo from the director himself.
While the story has potential, and his acting is flawless - it lacks substance somewhat. Apart from his 'transformation', the film seems to have been created mainly on the premise that there will be a sequel, so you're left in limbo at the end with a small clue of what's next.
It's not particularly scary, so I wouldn't deem it a horror movie as such. The girls' kidnapping also seems slightly pointless, like tools in the movie so that they can showcase Kevin's (the main personality) different sides and what a 'monster' he is. Disappointing, but better than Shyamalan's recent terrible films.
While the story has potential, and his acting is flawless - it lacks substance somewhat. Apart from his 'transformation', the film seems to have been created mainly on the premise that there will be a sequel, so you're left in limbo at the end with a small clue of what's next.
It's not particularly scary, so I wouldn't deem it a horror movie as such. The girls' kidnapping also seems slightly pointless, like tools in the movie so that they can showcase Kevin's (the main personality) different sides and what a 'monster' he is. Disappointing, but better than Shyamalan's recent terrible films.
Gareth von Kallenbach (977 KP) rated Selfless (2015) in Movies
Jun 19, 2019
I’ll keep this short.
What if the extremely brilliant minds, could live another 50 years on this earth after their body is about to expire by transporting their mind into a new, younger body…could those minds continue to create amazing legacy? This is the premise for the film Self/less. Ben Kingsley plays Damian, a wealthy business tycoon type who is dying of cancer decides to “shed” his body for a younger healthy body. That body is played by Ryan Reynolds. But when things do not exactly turn out as they appear to be, Damian has a crisis of conscience and has to decide what is right.
That being said, somewhere in this film there is a good story…they just forgot to show us the right chapters. And thus a movie about identity, doesn’t know what it is. Instead of a great nuanced psychological thriller, we get a ho-hummed derivate small action film that is not something terrible to watch, but not something encouraging you to seek it out. In the end, this is really a redbox movie. And that’s a shame
http://sknr.net/2015/07/10/selfless/
What if the extremely brilliant minds, could live another 50 years on this earth after their body is about to expire by transporting their mind into a new, younger body…could those minds continue to create amazing legacy? This is the premise for the film Self/less. Ben Kingsley plays Damian, a wealthy business tycoon type who is dying of cancer decides to “shed” his body for a younger healthy body. That body is played by Ryan Reynolds. But when things do not exactly turn out as they appear to be, Damian has a crisis of conscience and has to decide what is right.
That being said, somewhere in this film there is a good story…they just forgot to show us the right chapters. And thus a movie about identity, doesn’t know what it is. Instead of a great nuanced psychological thriller, we get a ho-hummed derivate small action film that is not something terrible to watch, but not something encouraging you to seek it out. In the end, this is really a redbox movie. And that’s a shame
http://sknr.net/2015/07/10/selfless/
Kirk Bage (1775 KP) rated The Fury (1978) in Movies
Mar 3, 2020 (Updated Mar 5, 2020)
In the last of this list we skip forward 16 years and some 25 film credits. Not that there wasn’t any work of quality in that period, but because the edge that existed in the younger man had undoubtedly waned, with Douglas often miscast or out of his depth. Aged 62 he stumbles upon a role in a psychological horror movie that is quintessentially 70s. The reason I believe this is the last movie of real note he made is that it was a committed performance that returned him to the idea of being an angry underdog. Essentially a thriller, Douglas revels in the fear and anguish of a father pushed to the edge of his abilities to save his son. Even though he would go on to make many more films, you feel the last of his real fire was given to this role. It also proves to me that despite a lifetime of activity the real grist of his career lasted only 16 years: 1946 – 1962. The rest was a man who knew cinema better than anyone, but couldn’t always outrun his own type-casting.
Having read and enjoyed Lesley's previous two books, The Rumour and Who Did You Tell?, I jumped at the chance to read this, her latest outing and, once again, I wasn't disappointed.
The Dare is an enthralling read where you can literally feel the tension building as the story unfolds. I was absolutely immersed from start to finish in the story of Lizzie and her best friend, Alice from both the "then" and "now" perspectives - this may sound confusing but, believe me, it's not.
After the accident that killed her best friend 12 years ago, Lizzie is trying to rebuild her life; she is engaged to be married to a GP, her epilepsy is under control and she is thinking of going to university however, things start to happen that quickly threaten that happiness.
The Dare is a slow-burner, that builds in tension, intrigue and suspense. I found it riveting and hard to stop reading and I would certainly recommend to people who enjoy an excellent psychological thriller with an enthralling plot and great twists.
Thank you to Random House UK, Transworld Publishers and NetGalley for my advance copy in return for an honest, unbiased and unedited review.
The Dare is an enthralling read where you can literally feel the tension building as the story unfolds. I was absolutely immersed from start to finish in the story of Lizzie and her best friend, Alice from both the "then" and "now" perspectives - this may sound confusing but, believe me, it's not.
After the accident that killed her best friend 12 years ago, Lizzie is trying to rebuild her life; she is engaged to be married to a GP, her epilepsy is under control and she is thinking of going to university however, things start to happen that quickly threaten that happiness.
The Dare is a slow-burner, that builds in tension, intrigue and suspense. I found it riveting and hard to stop reading and I would certainly recommend to people who enjoy an excellent psychological thriller with an enthralling plot and great twists.
Thank you to Random House UK, Transworld Publishers and NetGalley for my advance copy in return for an honest, unbiased and unedited review.
Hazel (2934 KP) rated The Twenty (Major Crimes, Book 2) in Books
May 7, 2023
A definite 5 star read for me and one of my books of 2023 so far ... an absolute cracker!!
I read a lot of crime and psychological thrillers and the odd horror book and it takes a lot to get me going but Sam Holland most definitely got me going with The Twenty. Oh my word!! Why? I hear you ask.
Excellent and interesting characters ... check.
Excellent serial killer ... check.
Gripping story line ... check.
Fast pace ... check.
Twists and turns ... check.
Gruesome scenes that give you the chills ... check.
Tension and suspense in spades ... check.
What more is there to be said? Oh yes, this might be book 2 but don't let that put you off, it can easily be read as a standalone but I would strongly suggest you read book 1, The Echo Man, it's also a cracker!!
Highly recommended to those of you who enjoy a dark, gritty and grisly crime thriller ... you won't go far wrong with Sam Holland and I must thank HarperCollins UK, HarperFiction and NetGalley for enabling me to read and share my thoughts of the brilliant The Twenty.
I can't wait to see what comes next.
I read a lot of crime and psychological thrillers and the odd horror book and it takes a lot to get me going but Sam Holland most definitely got me going with The Twenty. Oh my word!! Why? I hear you ask.
Excellent and interesting characters ... check.
Excellent serial killer ... check.
Gripping story line ... check.
Fast pace ... check.
Twists and turns ... check.
Gruesome scenes that give you the chills ... check.
Tension and suspense in spades ... check.
What more is there to be said? Oh yes, this might be book 2 but don't let that put you off, it can easily be read as a standalone but I would strongly suggest you read book 1, The Echo Man, it's also a cracker!!
Highly recommended to those of you who enjoy a dark, gritty and grisly crime thriller ... you won't go far wrong with Sam Holland and I must thank HarperCollins UK, HarperFiction and NetGalley for enabling me to read and share my thoughts of the brilliant The Twenty.
I can't wait to see what comes next.
Kristy H (1252 KP) rated Give Me Your Hand in Books
Mar 10, 2019
Dark, intense, and compelling psychological thriller
Kit Owens is surviving high school but not living up to her true potential when Diane Fleming arrives at her school. Diane awakens a fire in Kit and the two form an unlikely friendship that propels Kit to academic success in her senior year. She and Diane study together and push each other to reach to be the best. Kit can't help but feel bad for her friend, who lives with her grandfather after the death of her dad. But all that changes when Diane shares an explosive secret with Kit, one that changes the way she views Diane and basically ends their friendship. Ten years later, Kit has tried to put Diane (and her secret) behind her. She's working in the lab of a female scientist, Dr. Severin, whom she's idolized for years--a woman Diane first helped introduce her to. But when Dr. Severin earns a prestigious grant and Kit learns that Diane is suddenly in the running for one of the coveted spots to work with the Doctor on the research, the past comes rushing back. Soon Diane and Kit find themselves over their head, with secrets and horror lurking around every corner.
So, I wasn't sure I was going to enjoy this one as I started it, but it grew on me. It's not really a pleasant read, at all, and none of the characters are ones you'll really love, but it's very compelling and there's a slow, foreboding creepiness that keeps you reading. I read this one quickly, as it's dark, twisty, and intense and very easy-to-read (as in, a page-turner, not the subject matter).
"My mom always say, you don't have a self until you have a secret." ~Diane
The novel flips between the "then" and "now" format, with Kit narrating to us. It's a female-centered book, and it easily depicts women's uphill battle in the workplace. It also shows the complicated feelings of our female characters: Kit has a lot of thoughts. Her struggle from a poor high school student to doctor is a fascinating one, even if I found her hard to empathize with. You won't necessarily agree with a lot of these characters' (sometimes outlandish) choices, but you'll find them oddly fascinating. I enjoyed how the novel delved into the darkness of friendship--and some of the competition that can come with it. Diane and Kit's relationship is dark and intense, as is the entire novel, really. The secrets that layer this book unravel slowly and eerily, and it really does keep you reading.
I especially thought this one was redeemed or bolstered by its ending; often a thriller is so good and then deflates at the end, but I actually thought this one got a little better at the end. The ending is really well-done, and I didn't feel let down whatsoever.
Overall, this is a dark, intense, and compelling psychological thriller. It's not exactly packed with loveable characters, but they are flawed, interesting, and--at times--quite creepy. You'll be drawn in by its twisty plot and complicated portrayal of friendship and secrets.
So, I wasn't sure I was going to enjoy this one as I started it, but it grew on me. It's not really a pleasant read, at all, and none of the characters are ones you'll really love, but it's very compelling and there's a slow, foreboding creepiness that keeps you reading. I read this one quickly, as it's dark, twisty, and intense and very easy-to-read (as in, a page-turner, not the subject matter).
"My mom always say, you don't have a self until you have a secret." ~Diane
The novel flips between the "then" and "now" format, with Kit narrating to us. It's a female-centered book, and it easily depicts women's uphill battle in the workplace. It also shows the complicated feelings of our female characters: Kit has a lot of thoughts. Her struggle from a poor high school student to doctor is a fascinating one, even if I found her hard to empathize with. You won't necessarily agree with a lot of these characters' (sometimes outlandish) choices, but you'll find them oddly fascinating. I enjoyed how the novel delved into the darkness of friendship--and some of the competition that can come with it. Diane and Kit's relationship is dark and intense, as is the entire novel, really. The secrets that layer this book unravel slowly and eerily, and it really does keep you reading.
I especially thought this one was redeemed or bolstered by its ending; often a thriller is so good and then deflates at the end, but I actually thought this one got a little better at the end. The ending is really well-done, and I didn't feel let down whatsoever.
Overall, this is a dark, intense, and compelling psychological thriller. It's not exactly packed with loveable characters, but they are flawed, interesting, and--at times--quite creepy. You'll be drawn in by its twisty plot and complicated portrayal of friendship and secrets.
Sarah (7798 KP) rated Gatecrash (2021) in Movies
Feb 19, 2021
Enjoyably strange
Gatecrash is a 2021 psychological thriller from Lawrence Gough, based on a play by Terry Hughes. It opens with a rather beautiful and picturesque shot of the English countryside at dusk, when a speeding car disturbs the peace and alongside a prominent score, promises us a rather tense and thrilling start to the film.
And in this aspect it doesn’t disappoint. Gatecrash disposes with any preamble and pitches us straight into the action. A couple return to a rather maze-like and futuristically styled home in the middle of an argument, but what at first seems like a domestic argument is in fact much more serious: the husband, Steve (Ben Cura), has just committed a hit and run. He’s drunk, abusive and wants his wife, Nicole (Olivia Bonamy), to take the blame. And it wasn’t just an innocent accident as Steve not only knocked someone over, he drove over them again in his rush to flee.
The first 15 minutes follows this argument and then as it ends as Nicole and Steve separate inside the house; him to clean up any evidence from the accident and her to discretely take a pregnancy test. This soon begins to drag, and fortunately we’re saved by a sinister phone call from the landline, that appears to be coming from Steve’s mobile, that he hasn’t seen since the hit and run. This soon escalates into something verging on horror territory as we follow Nicole around their now claustrophobic house.
It’s this middle act that I enjoyed the most as Gatecrash turns into a tense and almost terrifying thriller, as Nicole and Steve have to face off against a mysterious and menacing police officer (Samuel West) who arrives on their doorstep. West is possibly my favourite part of this film, his character is completely over the top and ridiculous yet still portrays this strange, ominous air. It’s strange to find a character who is immensely fun to watch yet still manages to terrify you. He’s further helped by his character’s unexplained and questionable motives that give this thriller an intriguing air of mystery.
Following on from the aftermath of the hit and run, the film jumps to a later time after Nicole has had her baby and again the couple are visited by another mysterious stranger, this one called Sid (Anton Lesser). At first Sid seems like a kind, lovely old man but his unusual air and conversation soon unveil yet more hidden and sinister motives that culminate in a tense finale.
It’s this final act that I was least keen on. At first the dialogue between Sid, Nicole and Steve is gripping but it seems to drag on and keep going round in circles before it finally gets to some dramatic piece of action. This dragging dialogue is definitely Gatecrash’s biggest flaw, and this is in no doubt down to it’s theatre origins. On the stage I can see dialogue like this working well, but as a film it needs a lot more oomph to keep our attention. The cast do well to keep us entertained though, Olivia Bonamy puts in a very understated performance as Nicole and Ben Cura was delightful to watch as Steve purely because the character is a rather despicable excuse for a man. And fortunately Gough’s cinematography works well with the few action scenes to try and make up for the slumps in the dialogue heavy earlier scenes.
Overall Gatecrash is a fairly enjoyable thriller and is worth watching purely for its general air of mystery and the tense and exciting second act.
And in this aspect it doesn’t disappoint. Gatecrash disposes with any preamble and pitches us straight into the action. A couple return to a rather maze-like and futuristically styled home in the middle of an argument, but what at first seems like a domestic argument is in fact much more serious: the husband, Steve (Ben Cura), has just committed a hit and run. He’s drunk, abusive and wants his wife, Nicole (Olivia Bonamy), to take the blame. And it wasn’t just an innocent accident as Steve not only knocked someone over, he drove over them again in his rush to flee.
The first 15 minutes follows this argument and then as it ends as Nicole and Steve separate inside the house; him to clean up any evidence from the accident and her to discretely take a pregnancy test. This soon begins to drag, and fortunately we’re saved by a sinister phone call from the landline, that appears to be coming from Steve’s mobile, that he hasn’t seen since the hit and run. This soon escalates into something verging on horror territory as we follow Nicole around their now claustrophobic house.
It’s this middle act that I enjoyed the most as Gatecrash turns into a tense and almost terrifying thriller, as Nicole and Steve have to face off against a mysterious and menacing police officer (Samuel West) who arrives on their doorstep. West is possibly my favourite part of this film, his character is completely over the top and ridiculous yet still portrays this strange, ominous air. It’s strange to find a character who is immensely fun to watch yet still manages to terrify you. He’s further helped by his character’s unexplained and questionable motives that give this thriller an intriguing air of mystery.
Following on from the aftermath of the hit and run, the film jumps to a later time after Nicole has had her baby and again the couple are visited by another mysterious stranger, this one called Sid (Anton Lesser). At first Sid seems like a kind, lovely old man but his unusual air and conversation soon unveil yet more hidden and sinister motives that culminate in a tense finale.
It’s this final act that I was least keen on. At first the dialogue between Sid, Nicole and Steve is gripping but it seems to drag on and keep going round in circles before it finally gets to some dramatic piece of action. This dragging dialogue is definitely Gatecrash’s biggest flaw, and this is in no doubt down to it’s theatre origins. On the stage I can see dialogue like this working well, but as a film it needs a lot more oomph to keep our attention. The cast do well to keep us entertained though, Olivia Bonamy puts in a very understated performance as Nicole and Ben Cura was delightful to watch as Steve purely because the character is a rather despicable excuse for a man. And fortunately Gough’s cinematography works well with the few action scenes to try and make up for the slumps in the dialogue heavy earlier scenes.
Overall Gatecrash is a fairly enjoyable thriller and is worth watching purely for its general air of mystery and the tense and exciting second act.
Gareth von Kallenbach (977 KP) rated Straw Dogs (2011) in Movies
Aug 7, 2019
Successful actress Amy Sumner (Kate Bosworth) is returning from her big city life to her southern hometown of Blackwater. Along with Amy is her well-educated and wealthy husband, David Sumner (James Marsdon). David quickly finds this vacation is filled with tension, particularly when it comes to Amy’s ex-boyfriend, Charlie (Alexander Skarsgård), who is not ready to be out of her life. So it is up to the weakling Harvard hero to protect his relationship, home, and way of life in a town he doesn’t quite understand.
A remake of the 1971 thriller classic of the same name, “Straw Dogs” has lost a lot of its appeal and logic with time. It still has gory moments and the plot is very similar to the original but many of the base thrills have been lost in the move to a present day setting.
This film asks the viewers to suspend disbelief, ignore a number of unfinished back-stories, and stand behind characters who are not engaging or believable. Details, both big and small miss the mark. James Marsdon is incorrectly suited as the shy bumbling academic. The house is a seeming fortress for no apparent reason. The side stories, interesting detractions from the overly built tension between the two leading males, are left unresolved.
Additionally, the themes are awkward and incomplete. There are literary throwbacks and some blatant social commentary but all of the film’s depth is lost on an audience who has no reason to care. Viewers will be preoccupied wondering what the point of the film is.
Sure, the story is engrossing and it does force self-analysis, but the modern adaptation would have benefitted from serious editorial cuts. Had the film been completed in a quarter of the time it might have actually managed to be thrilling!
Unbalanced, vapid, and pointless as a thriller “Straw Dogs” falls prey to the unnecessary remake trap. For a real psychological thrill it would be better to opt for the original.
A remake of the 1971 thriller classic of the same name, “Straw Dogs” has lost a lot of its appeal and logic with time. It still has gory moments and the plot is very similar to the original but many of the base thrills have been lost in the move to a present day setting.
This film asks the viewers to suspend disbelief, ignore a number of unfinished back-stories, and stand behind characters who are not engaging or believable. Details, both big and small miss the mark. James Marsdon is incorrectly suited as the shy bumbling academic. The house is a seeming fortress for no apparent reason. The side stories, interesting detractions from the overly built tension between the two leading males, are left unresolved.
Additionally, the themes are awkward and incomplete. There are literary throwbacks and some blatant social commentary but all of the film’s depth is lost on an audience who has no reason to care. Viewers will be preoccupied wondering what the point of the film is.
Sure, the story is engrossing and it does force self-analysis, but the modern adaptation would have benefitted from serious editorial cuts. Had the film been completed in a quarter of the time it might have actually managed to be thrilling!
Unbalanced, vapid, and pointless as a thriller “Straw Dogs” falls prey to the unnecessary remake trap. For a real psychological thrill it would be better to opt for the original.
Haley Mathiot (9 KP) rated Primary Victim in Books
Apr 27, 2018
Primary Victim by Christopher Cihlar
Genre: Crime Fiction, Crime thriller
Rating: 4.5/5
Summary (from back of book): A serial killer whose victims don’t die. An innocent man who believes he is guilty. A police officer who may solve the crime but in doing so gives the killer exactly what he wants. A legal defense that challenges the very core ideals of justice.
Primary Victim is a thriller that tests both the psychological breaking point of an individual and the strength of the legal system governing society.
Review:
I’ll admit up front that I have a weakness for crime fiction—but this book was amazing. Words escape my mind as I try to explain how blown away I am by this book. I gasped and grinned and nearly cried and laughed at the surprises thrown at me through this stunning debut novel.
The psychological aspect of PRIMARY VICTIM was mainly found in the “Victim,” Brice. I won’t say what happens to him, but it amazed me as his mind began to twist and change through the course of the story.
The plot: PRIMARY VICTIM was full of twists and turns that I never expected, and it had me sitting on the edge of my seat the entire time. I couldn’t put it down! The viewpoint alternates between the criminal, the police officer, and the (living) victim, and switches back and forth at the most inconvenient places, forcing you to read on.
Characters: All the characters in PRIMARY VICTIM were strongly developed with real personalities. I hate books where people are just to perfect to be real (what I call “happyland syndrome”)—this book had the good guys and the bad guys, the the ones you hoped it all worked out for them, and the ones that you wished would be the next to die because they were such jerks (cough Nick cough).
By the end of the book I wasn’t sure what Michael (the criminal) was going to pull out of his hat, and was, from the very first page to the very last, impressed with Michael’s genius and creativity. At times I actually found myself almost cheering for him, but had to remind myself that he was the bad guy. It was almost hard to see him as the bad guy at times, because of his “work—” Michael considered himself a God in a world that needed one and didn’t have one, victimizing the people that he thought needed to be victimized.
Brice and Sarah were such a perfect yet sad couple, and for the sake of keeping the review spoiler-free, I won’t say anything… but I thought I was going to cry at one point.
Writing: The writing was the weakest point of this book. The prose itself seemed written in an unfamiliar style, minimizing comas in the sentences, and it made for a harder read. I caught myself occasionally re-reading sentences and paragraphs to understand what had happened. Aside from the prose, the vocabulary was broad enough and the pacing was good.
As of now, PRIMARY VICTIM is unedited, but there is only an occasional grammatical error, formatting error, or typo scattered through the book. However, all in all, it didn’t take away from the story.
Content: There was brief mention of sex between husband and wife (example: “they made love,” no other details, and the fact that they’re married made it that much better), and an occasional foul word from an angry officer, but other than that this book was refreshingly clean. I applaud Christopher for writing a crime thriller with low content—especially compared to some of the other crime thrillers out there. Maybe he can start a revolution. It’s true, people—you can have a good book without excessive sex and language!
Recommendation: Ages 14+ to lovers of Crime fiction, thrillers, and psychological thrillers.
Genre: Crime Fiction, Crime thriller
Rating: 4.5/5
Summary (from back of book): A serial killer whose victims don’t die. An innocent man who believes he is guilty. A police officer who may solve the crime but in doing so gives the killer exactly what he wants. A legal defense that challenges the very core ideals of justice.
Primary Victim is a thriller that tests both the psychological breaking point of an individual and the strength of the legal system governing society.
Review:
I’ll admit up front that I have a weakness for crime fiction—but this book was amazing. Words escape my mind as I try to explain how blown away I am by this book. I gasped and grinned and nearly cried and laughed at the surprises thrown at me through this stunning debut novel.
The psychological aspect of PRIMARY VICTIM was mainly found in the “Victim,” Brice. I won’t say what happens to him, but it amazed me as his mind began to twist and change through the course of the story.
The plot: PRIMARY VICTIM was full of twists and turns that I never expected, and it had me sitting on the edge of my seat the entire time. I couldn’t put it down! The viewpoint alternates between the criminal, the police officer, and the (living) victim, and switches back and forth at the most inconvenient places, forcing you to read on.
Characters: All the characters in PRIMARY VICTIM were strongly developed with real personalities. I hate books where people are just to perfect to be real (what I call “happyland syndrome”)—this book had the good guys and the bad guys, the the ones you hoped it all worked out for them, and the ones that you wished would be the next to die because they were such jerks (cough Nick cough).
By the end of the book I wasn’t sure what Michael (the criminal) was going to pull out of his hat, and was, from the very first page to the very last, impressed with Michael’s genius and creativity. At times I actually found myself almost cheering for him, but had to remind myself that he was the bad guy. It was almost hard to see him as the bad guy at times, because of his “work—” Michael considered himself a God in a world that needed one and didn’t have one, victimizing the people that he thought needed to be victimized.
Brice and Sarah were such a perfect yet sad couple, and for the sake of keeping the review spoiler-free, I won’t say anything… but I thought I was going to cry at one point.
Writing: The writing was the weakest point of this book. The prose itself seemed written in an unfamiliar style, minimizing comas in the sentences, and it made for a harder read. I caught myself occasionally re-reading sentences and paragraphs to understand what had happened. Aside from the prose, the vocabulary was broad enough and the pacing was good.
As of now, PRIMARY VICTIM is unedited, but there is only an occasional grammatical error, formatting error, or typo scattered through the book. However, all in all, it didn’t take away from the story.
Content: There was brief mention of sex between husband and wife (example: “they made love,” no other details, and the fact that they’re married made it that much better), and an occasional foul word from an angry officer, but other than that this book was refreshingly clean. I applaud Christopher for writing a crime thriller with low content—especially compared to some of the other crime thrillers out there. Maybe he can start a revolution. It’s true, people—you can have a good book without excessive sex and language!
Recommendation: Ages 14+ to lovers of Crime fiction, thrillers, and psychological thrillers.