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Kristy H (1252 KP) rated The Last Thing I Told You in Books
Mar 10, 2019
Different but enjoyable thriller
Dr. Mark Fabian is dead--found murdered in his office. Left behind is his former patient, Nadine, who continues to talk to Dr. Fabian in her mind, telling him about her life in the many years since she saw the doctor. Back then, she was a troubled teen, ostracized for a gruesome act while in high school. Investigating Dr. Fabian's murder is Henry Peacher, a detective most known in town for stopping a deadly shooting at a posh retirement community before the death count went any higher. Before Dr. Fabian died, he pulled two files from his archives: those of Nadine's and Johnny Streeter, the man responsible for the killing at the retirement home. Henry is left to puzzle through what this all means--for instance, what did Nadine and Dr. Fabian discuss when she returned to town a mere two days before his death? Is there a connection between Nadine and Johnny? And what led to the brutal killing of this doctor?
Well, this was a different sort of psychological thriller. It wasn't quite what I was expecting, but one of my favorite things about it was that it was different, even if it favored the varying point-of-view aspect that is quite popular these days. The narration flips between Nadine and Henry, and because both are often telling stories that go back in time, it can vary in time periods as well. It takes a little getting used to, but it's also quite compelling. I read the book in a day while on vacation, finding it to be quite suspenseful and intriguing.
For me, the main draw to this one was the characters. Nadine is nuanced, complicated, and imperfect, but the real star was Henry. I enjoyed the book the most due to him. He's hard to describe, but he too is multi-faceted and flawed. He's a father to spirited twin girls (only a year older than mine), and I felt drawn to him immediately. Nadine and Henry are both different on the surface but each searching for things in a similar way--again, I was very impressed with their characterization. So much of the book takes place in and is shaped by the small town in which the characters live, and it's all quite well-done.
I don't want to go into much more to spoil the plot, as it does keep you guessing. A lot of what happened surprised me, which I always enjoy (doesn't often happen in a thriller). Overall, this one was different but enjoyable, buoyed by its strong characters and complex plot.
I received a copy of this novel from the publisher and Edelweiss/Librarything in return for an unbiased review (thank you!).
Well, this was a different sort of psychological thriller. It wasn't quite what I was expecting, but one of my favorite things about it was that it was different, even if it favored the varying point-of-view aspect that is quite popular these days. The narration flips between Nadine and Henry, and because both are often telling stories that go back in time, it can vary in time periods as well. It takes a little getting used to, but it's also quite compelling. I read the book in a day while on vacation, finding it to be quite suspenseful and intriguing.
For me, the main draw to this one was the characters. Nadine is nuanced, complicated, and imperfect, but the real star was Henry. I enjoyed the book the most due to him. He's hard to describe, but he too is multi-faceted and flawed. He's a father to spirited twin girls (only a year older than mine), and I felt drawn to him immediately. Nadine and Henry are both different on the surface but each searching for things in a similar way--again, I was very impressed with their characterization. So much of the book takes place in and is shaped by the small town in which the characters live, and it's all quite well-done.
I don't want to go into much more to spoil the plot, as it does keep you guessing. A lot of what happened surprised me, which I always enjoy (doesn't often happen in a thriller). Overall, this one was different but enjoyable, buoyed by its strong characters and complex plot.
I received a copy of this novel from the publisher and Edelweiss/Librarything in return for an unbiased review (thank you!).
Ivana A. | Diary of Difference (1171 KP) rated The Silent Patient in Books
Dec 7, 2018
Full review on my blog: www.diaryofdifference.com
A book that speaks about feelings, and lack of them. Love and emotions. Art and passion. Psychology and memories. And how our childhood might define who we will become.
I have never felt such urgency to read another chapter as I have felt it with The Silent Patient. Such impatience, such excitement. It’s a feeling I wish I can get with all the books in my life.
ALICIA
Alicia Berenson writes a diary as a release, an outlet – and to prove to her beloved husband that everything is fine. She can’t bear the thought of worrying Gabriel, or causing him pain.
Until, late one evening, Alicia shoots Gabriel five times and then never speaks another word.
THEO
Forensic psychotherapist Theo Faber is convinced he can successfully treat Alicia, where all others have failed. Obsessed with investigating her crime, his discoveries suggest Alicia’s silence goes far deeper than he first thought.
And if she speaks, would he want to hear the truth?
I love these types of books. Besides the mystery and thriller, the psychological part was an incredibly well-put together piece of art.
The beginning of the story is nice and slow, but with a temptation in it, that makes you flip the pages so fast. A great world and character building, and great character hopping from Theo to Alicia, from chapter to chapter.
Even though we don’t get to have Alicia talking in the book, she says so much. All her movements, all her reactions, or lack of reaction is so well written. Her lack of speaking doesn’t stop her from moving the story forward, and being the main protagonist here.
On the other hand, we have Theo, who we see and get to know more and more with each chapter. A complicated character, with a cute oddness to himself, a characteristic I find with many psychotherapists. He is the person we see at the front of the screen, presenting himself in the spotlight, together with Alicia.
A well-written plot, with an amazing cliff-hanger and a wonderful plot-twist in the end. I didn’t expect it, and I am awfully satisfied of how the authors decides to conclude the book.
I enjoyed this book so much, and I recommend it to all the psychological thriller book readers here. Don’t miss this one, and get your copy today. It’s so worth it!
Thank you to NetGalley and Orion Publishing Group, for providing me with an e-copy, in exchange for an honest review. All opinions are my own and completely unbiased.
A book that speaks about feelings, and lack of them. Love and emotions. Art and passion. Psychology and memories. And how our childhood might define who we will become.
I have never felt such urgency to read another chapter as I have felt it with The Silent Patient. Such impatience, such excitement. It’s a feeling I wish I can get with all the books in my life.
ALICIA
Alicia Berenson writes a diary as a release, an outlet – and to prove to her beloved husband that everything is fine. She can’t bear the thought of worrying Gabriel, or causing him pain.
Until, late one evening, Alicia shoots Gabriel five times and then never speaks another word.
THEO
Forensic psychotherapist Theo Faber is convinced he can successfully treat Alicia, where all others have failed. Obsessed with investigating her crime, his discoveries suggest Alicia’s silence goes far deeper than he first thought.
And if she speaks, would he want to hear the truth?
I love these types of books. Besides the mystery and thriller, the psychological part was an incredibly well-put together piece of art.
The beginning of the story is nice and slow, but with a temptation in it, that makes you flip the pages so fast. A great world and character building, and great character hopping from Theo to Alicia, from chapter to chapter.
Even though we don’t get to have Alicia talking in the book, she says so much. All her movements, all her reactions, or lack of reaction is so well written. Her lack of speaking doesn’t stop her from moving the story forward, and being the main protagonist here.
On the other hand, we have Theo, who we see and get to know more and more with each chapter. A complicated character, with a cute oddness to himself, a characteristic I find with many psychotherapists. He is the person we see at the front of the screen, presenting himself in the spotlight, together with Alicia.
A well-written plot, with an amazing cliff-hanger and a wonderful plot-twist in the end. I didn’t expect it, and I am awfully satisfied of how the authors decides to conclude the book.
I enjoyed this book so much, and I recommend it to all the psychological thriller book readers here. Don’t miss this one, and get your copy today. It’s so worth it!
Thank you to NetGalley and Orion Publishing Group, for providing me with an e-copy, in exchange for an honest review. All opinions are my own and completely unbiased.
Kristy H (1252 KP) rated The Guilty One in Books
Feb 13, 2018
The advertising for this book states that a man is on a bridge, waiting to jump, if the woman on the other end gives him the go ahead. That woman is Maris, whose life fell apart when her daughter, Calla, was murdered. Allegedly, Calla was killed by her boyfriend, Karl. It is his father, Ron, who stands on the bridge, calling Maris.
However, said advertising for this novel is rather misleading. I don't think it gives much away to say that the bridge scene leads off and takes about 2 seconds of the novel. The rest of the book alternates between Ron's story and Maris'. It's interesting, seeing the story unfold from their perspectives, but lags a bit, and Ron's sections drag somewhat. There isn't much that pushes the plot forward -- while billed as a thriller, there doesn't seem to be much mystery here, just psychological issues. I enjoyed Maris' scenes, for the most part, and the people she met along her journey, but perhaps didn't grasp the entire point...
Anyway, this one didn't really do it for me. It had its good moments, but overall wasn't my favorite.
(I received a copy of this book via Netgalley in return for an unbiased review.)
However, said advertising for this novel is rather misleading. I don't think it gives much away to say that the bridge scene leads off and takes about 2 seconds of the novel. The rest of the book alternates between Ron's story and Maris'. It's interesting, seeing the story unfold from their perspectives, but lags a bit, and Ron's sections drag somewhat. There isn't much that pushes the plot forward -- while billed as a thriller, there doesn't seem to be much mystery here, just psychological issues. I enjoyed Maris' scenes, for the most part, and the people she met along her journey, but perhaps didn't grasp the entire point...
Anyway, this one didn't really do it for me. It had its good moments, but overall wasn't my favorite.
(I received a copy of this book via Netgalley in return for an unbiased review.)
Kristy H (1252 KP) rated The Wolf Wants In in Books
Oct 31, 2019
Sometimes I foolishly put off reading a book because I think it sounds “too smart” or something for me. I made that mistake with The Wolf Wants In, and I was such an idiot! This was such a wonderful, well-written psychological thriller. I don’t know what I was thinking!
Wolf is told from the perspectives of Sadie and Henley, who both live in the same small Kansas town. Sadie has recently lost her brother, Shane, and she’s looking for answers about how he died—even if no one else seems too concerned. Meanwhile eighteen-year-old Henley comes from a long line of known troublemakers: many of whom are drug dealers and users. She’s determined to leave town and her family behind. But events transpire that make that harder than she envisioned. Overshadowing everything is the town’s opioid crisis and the discovery of a child’s skull in the woods.
The characters in Wolf are vivid and nuanced. They have such depth and feeling. McHugh captures small town life so well—as well as how easily addiction can ravage families. What I loved was how she layered a mystery against all of this: the result was a completely compelling read. I was totally captivated by this one: definitely recommend! 4+ stars.
Wolf is told from the perspectives of Sadie and Henley, who both live in the same small Kansas town. Sadie has recently lost her brother, Shane, and she’s looking for answers about how he died—even if no one else seems too concerned. Meanwhile eighteen-year-old Henley comes from a long line of known troublemakers: many of whom are drug dealers and users. She’s determined to leave town and her family behind. But events transpire that make that harder than she envisioned. Overshadowing everything is the town’s opioid crisis and the discovery of a child’s skull in the woods.
The characters in Wolf are vivid and nuanced. They have such depth and feeling. McHugh captures small town life so well—as well as how easily addiction can ravage families. What I loved was how she layered a mystery against all of this: the result was a completely compelling read. I was totally captivated by this one: definitely recommend! 4+ stars.
Hazel (2934 KP) rated The Resident in Books
Jun 28, 2020
This is the first David Jackson book I have read and it certainly won't be the last ... The Resident is a deliciously eerie and unnerving read which I thoroughly enjoyed however I did have to send my husband up to the attic to make sure there were no gaps between us and the next door neighbours as I live in a terrace!!!
This is a totally engrossing psychological thriller told from the perspective of the main protagonist Brogan and what an excellent character he is ... a perfect bad guy but with a vulnerable side to him that almost makes you feel sorry for him ... I say almost because he is one sick and deranged individual who enjoys playing with his victims before inflicting pain and suffering.
There is plenty of dark humour to lighten this dark book and with a simple and straight forward plot written at a good pace, this is a great read that I have no hesitation to recommend to readers out there who enjoy a book that takes the mundane of daily life and turns it into something sinister.
Thank you Serpents Tail / Profile Books / Viper Books via NetGalley for my advance copy in return for an unbiased and unedited review.
This is a totally engrossing psychological thriller told from the perspective of the main protagonist Brogan and what an excellent character he is ... a perfect bad guy but with a vulnerable side to him that almost makes you feel sorry for him ... I say almost because he is one sick and deranged individual who enjoys playing with his victims before inflicting pain and suffering.
There is plenty of dark humour to lighten this dark book and with a simple and straight forward plot written at a good pace, this is a great read that I have no hesitation to recommend to readers out there who enjoy a book that takes the mundane of daily life and turns it into something sinister.
Thank you Serpents Tail / Profile Books / Viper Books via NetGalley for my advance copy in return for an unbiased and unedited review.
Matthew Krueger (10051 KP) rated P2 (2007) in Movies
Dec 30, 2020
Escape From The Garage
P2- is a really good movie. I liked the suspense, thrills, its psychological espect, the horror and the mystery.
The plot: Angela (Rachel Nichols) is working late on Christmas Eve. When she finally decides to leave, she goes down to the parking garage to get her car, but it won't start. Thomas (Wes Bentley), the garage's security guard, offers to help. He also invites Angela to dinner, but she refuses. Thomas, crazed, knocks her out. She wakes up in Thomas' office, chained to a chair and in different clothes. Now Angela must fight for her life in order the escape from the garage.
The film re-unites Alexandre Aja, Grégory Levasseur, and Franck Khalfoun, who had previously worked together as director, writer and actor, respectively, on the 2003 horror film High Tension. According to Aja, when asked about the comparisons with Tension, he said: "With a strong plot in the vein of High Tension, P2 gives us a chance to further explore the survival aspect of the terror movie."
P2 was featured in an ad campaign on the social networking website Myspace, where a trailer for the film could also be streamed.
Its a really good horror thriller.
The plot: Angela (Rachel Nichols) is working late on Christmas Eve. When she finally decides to leave, she goes down to the parking garage to get her car, but it won't start. Thomas (Wes Bentley), the garage's security guard, offers to help. He also invites Angela to dinner, but she refuses. Thomas, crazed, knocks her out. She wakes up in Thomas' office, chained to a chair and in different clothes. Now Angela must fight for her life in order the escape from the garage.
The film re-unites Alexandre Aja, Grégory Levasseur, and Franck Khalfoun, who had previously worked together as director, writer and actor, respectively, on the 2003 horror film High Tension. According to Aja, when asked about the comparisons with Tension, he said: "With a strong plot in the vein of High Tension, P2 gives us a chance to further explore the survival aspect of the terror movie."
P2 was featured in an ad campaign on the social networking website Myspace, where a trailer for the film could also be streamed.
Its a really good horror thriller.
Merissa (11950 KP) rated He Sees You When You're Sleeping in Books
Dec 10, 2020 (Updated Aug 8, 2023)
HE SEES YOU WHEN YOU'RE SLEEPING is a short, standalone, seasonal novel that is DARK! Kris is not all jolly and ho, ho, ho, but more menacing and deadly. He helps Jack as a child and sees him as time moves on. Jack grows up and still tries to do the right thing, although for him, life is also dangerous. Kris 'tries' to do the right thing, but will he learn his lesson in time?
What a brilliant short-story! I loved the lights and the Ghost of Christmas Future. Although short, this is powerful and reflects upon how life can be if circumstances are against you. It has the feel of a psychological thriller to it, and there are plenty of twists and turns to keep your attention.
This was a fantastic seasonal read, so different from the warm and fuzzy stories you normally get. I thought the ending was unexpected and perfect, and so I have absolutely no hesitation in recommending this amazing story.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Dec 10, 2020
What a brilliant short-story! I loved the lights and the Ghost of Christmas Future. Although short, this is powerful and reflects upon how life can be if circumstances are against you. It has the feel of a psychological thriller to it, and there are plenty of twists and turns to keep your attention.
This was a fantastic seasonal read, so different from the warm and fuzzy stories you normally get. I thought the ending was unexpected and perfect, and so I have absolutely no hesitation in recommending this amazing story.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Dec 10, 2020
FilmIntuition (33 KP) rated Leave No Trace in Books
Oct 24, 2018
Defying all odds, ten years after a father and son wandered into the hundreds of miles of woods and water, comprise northern Minnesota's aptly named Boundary Waters, the son emerges from the wild not only alive but changed, violent, and withdrawn.
Winding up in the mental hospital where former patient turned assistant language therapist Maya Stark works, when Maya first meets nineteen-year-old Lucas Blackthorn, he lashes out, nearly choking Maya to death in a horrific assault.
The only person with whom he's shared any meaningful interaction (good or bad), the unflappable Maya is sent to speak with Lucas again, only for the two to build a strong connection as Mindy Mejia's book continues and we realize that both are harboring some serious secrets.
The definition of a page-turner from the start, while initially Leave No Trace's intensely vivid sentences fly right by, as the book moves from thriller to psychological mystery, it loses a good deal of suspense.
Slowing things down in the middle of the work which could've used some tightening up, while it's fairly easy to see how the two characters are connected on the surface, as Maya risks everything to help Lucas and learn more, Mejia's book picks right back up, leading to an if not altogether surprising than at least satisfying conclusion.
A terrific character-driven storyteller, while Mejia takes awhile to return to the pace of Trace's opening chapters, readers looking for mysterious psychological tale set against the atmospheric (and metaphorical) backdrop of such a beautiful but dangerous stretch of land and sea should pick this one up.
Note: I received an ARC of the title through Bookish First in exchange for an honest review.
Winding up in the mental hospital where former patient turned assistant language therapist Maya Stark works, when Maya first meets nineteen-year-old Lucas Blackthorn, he lashes out, nearly choking Maya to death in a horrific assault.
The only person with whom he's shared any meaningful interaction (good or bad), the unflappable Maya is sent to speak with Lucas again, only for the two to build a strong connection as Mindy Mejia's book continues and we realize that both are harboring some serious secrets.
The definition of a page-turner from the start, while initially Leave No Trace's intensely vivid sentences fly right by, as the book moves from thriller to psychological mystery, it loses a good deal of suspense.
Slowing things down in the middle of the work which could've used some tightening up, while it's fairly easy to see how the two characters are connected on the surface, as Maya risks everything to help Lucas and learn more, Mejia's book picks right back up, leading to an if not altogether surprising than at least satisfying conclusion.
A terrific character-driven storyteller, while Mejia takes awhile to return to the pace of Trace's opening chapters, readers looking for mysterious psychological tale set against the atmospheric (and metaphorical) backdrop of such a beautiful but dangerous stretch of land and sea should pick this one up.
Note: I received an ARC of the title through Bookish First in exchange for an honest review.
Jesters_folly (230 KP) rated Midsommar (2019) in Movies
Jul 5, 2019
Contains spoilers, click to show
This will contain spoilers
A group of friend's travel to a remote Swedish village to study their ancient midsummer festival and, let's be honest, if you've seen more than a few horror moves you know it's not going to go smoothly.
Midsommer is a film by the same people who made Hereditary and, almost from the start you can see the similarly in tone, theme, music and cinematography. Midsommar shares some of the same themes as its predecessor, touching on mental illness and ramping up the drug use but it's main focus is on family, customs and tradition.
Midsommar is different film to Hereditary being more of a thriller in the style of 'the Wicker Man' than an out and out horror, relying more on a growing tension than on any outright supernatural threat. People die but, with only one exception you never see them killed and, in most cases the deaths are not treated with much importance (except where there is specific plot relevance).
As I said, Midsommar is similar to 'The Wicker Man' but only in the same way the film 'Battle Royal' is based on 'Lord of the Flies', the film has taken some of the basic ideas and updated them leaving us with an atmospheric thriller with traces of slasher (with no slasher) and psychological movies which works to create a beautiful, disturbing movie which takes you on journey of friendship, love and family.
There are moments in the film which point to the strangeness to come but, unlike Hereditary there are some moments where the tension lets up (If only for a few minutes) most of which are provided by the character Mark who i found seemed to be slightly out of place. He didn't seem gel with the other characters well and, I felt he would have been more at home in a traditional slasher.
I found that there was a familiarity to Midsommar, influenced as it is by 'The Wicker Man' but, with a run time of almost 2 and half hours there is plenty of time events to play out how they do.
A group of friend's travel to a remote Swedish village to study their ancient midsummer festival and, let's be honest, if you've seen more than a few horror moves you know it's not going to go smoothly.
Midsommer is a film by the same people who made Hereditary and, almost from the start you can see the similarly in tone, theme, music and cinematography. Midsommar shares some of the same themes as its predecessor, touching on mental illness and ramping up the drug use but it's main focus is on family, customs and tradition.
Midsommar is different film to Hereditary being more of a thriller in the style of 'the Wicker Man' than an out and out horror, relying more on a growing tension than on any outright supernatural threat. People die but, with only one exception you never see them killed and, in most cases the deaths are not treated with much importance (except where there is specific plot relevance).
As I said, Midsommar is similar to 'The Wicker Man' but only in the same way the film 'Battle Royal' is based on 'Lord of the Flies', the film has taken some of the basic ideas and updated them leaving us with an atmospheric thriller with traces of slasher (with no slasher) and psychological movies which works to create a beautiful, disturbing movie which takes you on journey of friendship, love and family.
There are moments in the film which point to the strangeness to come but, unlike Hereditary there are some moments where the tension lets up (If only for a few minutes) most of which are provided by the character Mark who i found seemed to be slightly out of place. He didn't seem gel with the other characters well and, I felt he would have been more at home in a traditional slasher.
I found that there was a familiarity to Midsommar, influenced as it is by 'The Wicker Man' but, with a run time of almost 2 and half hours there is plenty of time events to play out how they do.
Hazel (2934 KP) rated The Cellar in Books
Nov 20, 2022
This is a dark, disturbing and violent psychological thriller that pulls no punches and is highly descriptive which may be a bit much for some; I admit that I winced and drew breath a few times but kept going as I was gripped and already highly invested in the story.
The characters are excellent and feel real. Marcus Gove is a despicable person; I can't even bring myself to call him a human being he is that bad, he is a sad, twisted and demented individual who has absolutely no moral compass or redeeming qualities whatsoever - an absolutely brilliant character and one you love to hate.
Lucy is a young woman who is generally content apart from being in an unfulfilling relationship and her mum being diagnosed with cancer but things get a whole lot worse when she comes into the crosshairs of Marcus Gove and her world turns into the most horrendous nightmare.
Ray Lewis is the detective tasked with finding Lucy; not so easy when there are few clues and even less evidence and whilst he may be unfit, unhealthy and thought of as a dinosaur, he goes about his business in a methodical way with some much-needed humour.
Told from the points of view of each of the main characters and at a really good pace, this is a book that has you wanting to put down at times due to the graphic nature of what is being written and not put it down due to the gripping nature of the story ... not put it down won out with me.
This is the first book by John Nicholl I have read before and it certainly won't be the last especially if they are as addictive and compelling as this has been and I therefore have no hesitation in recommending it to others who love a gritty and dark thriller who don't mind graphic and disturbing details that have you wincing as you read.
Many thanks to Boldwood Books and NetGalley for enabling me to read and share my thoughts of The Cellar.
The characters are excellent and feel real. Marcus Gove is a despicable person; I can't even bring myself to call him a human being he is that bad, he is a sad, twisted and demented individual who has absolutely no moral compass or redeeming qualities whatsoever - an absolutely brilliant character and one you love to hate.
Lucy is a young woman who is generally content apart from being in an unfulfilling relationship and her mum being diagnosed with cancer but things get a whole lot worse when she comes into the crosshairs of Marcus Gove and her world turns into the most horrendous nightmare.
Ray Lewis is the detective tasked with finding Lucy; not so easy when there are few clues and even less evidence and whilst he may be unfit, unhealthy and thought of as a dinosaur, he goes about his business in a methodical way with some much-needed humour.
Told from the points of view of each of the main characters and at a really good pace, this is a book that has you wanting to put down at times due to the graphic nature of what is being written and not put it down due to the gripping nature of the story ... not put it down won out with me.
This is the first book by John Nicholl I have read before and it certainly won't be the last especially if they are as addictive and compelling as this has been and I therefore have no hesitation in recommending it to others who love a gritty and dark thriller who don't mind graphic and disturbing details that have you wincing as you read.
Many thanks to Boldwood Books and NetGalley for enabling me to read and share my thoughts of The Cellar.