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Gareth von Kallenbach (980 KP) rated Argo (2012) in Movies
Aug 7, 2019
As a small child, I can remember the Iranian hostage crisis as it dominated the news media for over a year. While I did not understand the political atmosphere behind it, I did understand that a group of our embassy staff were being held prisoner in a foreign land for simply being in the wrong place at the wrong time.
Director and star Ben Affleck has brought a new side to the story to light in the form of his new film “Argo”, which is based upon true events which have recently become declassified. The story centers around six workers of the embassy in Tehran, who fled the chaos when a disgruntled mob stormed the embassy walls. At that time it was unheard of for an embassy to be occupied as they host country and internal security were thought to of been more than adequate protection.
However for a country in a state of revolution, much less one that was extremely upset with America’s refusal to return the deposed Shah to face trial, security from the local populace was not available when the unthinkable happened.
After being turned away by the British and New Zealand embassies, the six escapees find refuge in the residence of the Canadian ambassador Ken Taylor (Victor Garber), who refuses to turn them away despite the volatile political situation harboring them would create should they ever be discovered.
On the other side of the world, C.I.A. Director Jack O’Donnell (Bryan Cranston), and his staff are desperately looking for a way to retrieve not only the Americans held hostage but also the six individuals currently being sheltered by the Canadian ambassador.
With few viable options available, save for the longshot of trying to get the refugees to bike through 300 miles of winter and soldier laden roads to the Turkish border, Tony Mendez (Affleck), is brought in to find other options.
One evening, Tony gets the idea to go to Iran posing as a Canadian filmmaker on a location scouting trip for an upcoming film. His plan is to pass the refugees off as part of his crew thanks to newly issued passports from the Canadian government.
In order to add validity to his plan, Tony recruits award-winning makeup artist John Chambers (John Goodman), and producer Lester Siegel (Alan Arkin), to help establish the necessary cover for the operation.
Soon Tony, John, and Lester have obtained a script for science fiction film named “Argo”, and the use the Hollywood trades and publicity machine to establish their back story of their production company and film project.
With time running down, Tony must venture alone to Tehran to meet with and prepare the refugees for extraction as well as firming up their cover with the local Iranian authorities.
What follows is a tense political thriller that is extremely well performed and captivating throughout. What really impressed me about the film was that Affleck expertly paced it and refrain from using such overused stereotypes such as car chases, fight sequences, and love scenes to tell the story.
The cast is exceptionally good all around and the film does a good job capturing the look and the atmosphere of the situation without ever becoming preachy and taking extreme political stances. Instead the focus is on real people caught in an extraordinary situation from which they were unprepared, and the extraordinary measures taken by good people in the United States and Canada who stepped up and did the right thing regardless of the cost to them personally or politically.
“Argo”, was an extremely pleasant surprise in one of the most enjoyable films I have seen this year. While I understand it would not be for everyone, I would not be surprised to see the film get a few Oscar nods come awards season as they would be in my opinion well deserved.
Director and star Ben Affleck has brought a new side to the story to light in the form of his new film “Argo”, which is based upon true events which have recently become declassified. The story centers around six workers of the embassy in Tehran, who fled the chaos when a disgruntled mob stormed the embassy walls. At that time it was unheard of for an embassy to be occupied as they host country and internal security were thought to of been more than adequate protection.
However for a country in a state of revolution, much less one that was extremely upset with America’s refusal to return the deposed Shah to face trial, security from the local populace was not available when the unthinkable happened.
After being turned away by the British and New Zealand embassies, the six escapees find refuge in the residence of the Canadian ambassador Ken Taylor (Victor Garber), who refuses to turn them away despite the volatile political situation harboring them would create should they ever be discovered.
On the other side of the world, C.I.A. Director Jack O’Donnell (Bryan Cranston), and his staff are desperately looking for a way to retrieve not only the Americans held hostage but also the six individuals currently being sheltered by the Canadian ambassador.
With few viable options available, save for the longshot of trying to get the refugees to bike through 300 miles of winter and soldier laden roads to the Turkish border, Tony Mendez (Affleck), is brought in to find other options.
One evening, Tony gets the idea to go to Iran posing as a Canadian filmmaker on a location scouting trip for an upcoming film. His plan is to pass the refugees off as part of his crew thanks to newly issued passports from the Canadian government.
In order to add validity to his plan, Tony recruits award-winning makeup artist John Chambers (John Goodman), and producer Lester Siegel (Alan Arkin), to help establish the necessary cover for the operation.
Soon Tony, John, and Lester have obtained a script for science fiction film named “Argo”, and the use the Hollywood trades and publicity machine to establish their back story of their production company and film project.
With time running down, Tony must venture alone to Tehran to meet with and prepare the refugees for extraction as well as firming up their cover with the local Iranian authorities.
What follows is a tense political thriller that is extremely well performed and captivating throughout. What really impressed me about the film was that Affleck expertly paced it and refrain from using such overused stereotypes such as car chases, fight sequences, and love scenes to tell the story.
The cast is exceptionally good all around and the film does a good job capturing the look and the atmosphere of the situation without ever becoming preachy and taking extreme political stances. Instead the focus is on real people caught in an extraordinary situation from which they were unprepared, and the extraordinary measures taken by good people in the United States and Canada who stepped up and did the right thing regardless of the cost to them personally or politically.
“Argo”, was an extremely pleasant surprise in one of the most enjoyable films I have seen this year. While I understand it would not be for everyone, I would not be surprised to see the film get a few Oscar nods come awards season as they would be in my opinion well deserved.
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Gareth von Kallenbach (980 KP) rated Venom (2018) in Movies
Jun 19, 2019
If you can manage to throw away what you know about the Marvel Comic book story of Venom, you’ll enjoy this movie immensely. After a successful re-launching of the Spiderman series, it’s no surprise Sony Pictures would capitalize and develop a Venom spin-off.
Venom follows investigative journalist Eddie Brock (Tom Hardy), who’s living life in San Francisco with his fiancé Annie (Michelle Williams) after being blacklisted by all media outlets in New York for his outlandish attempts at digging for the truth to his stories. Eddie, with his inability to follow protocol and keep boundaries, he steals confidential information from his fiancé’s computer, loses the only job willing to hire him, and tries to bring down the
powerful Carlton Drake (Riz Ahmed), famed bio-tech entrepreneur. Behind the façade of Drake’s disease curing company, Life Foundation, Drake’s major motive is to bond with alien creatures called symbiotes in hopes of recreating the human by providing them with the ability to survive in space. He managed to send a rocket into space and return 4 symbiotes which he tests on human’s killing 2 of the symbiotes and leaving one to escape and the last one to test on himself. Realizing the amount of power he gets from the merging of the two species, Drake decides he wants to head back into space and bring back more symbiotes
With nothing left to lose, Brock breaks into the Life Foundation and ends up becoming infected by one of the last 2 symbiotes which eventually introduces itself to Brock as Venom. With Venom inhabiting Eddie’s body, they become an unlikely human killing machine each trying to keep to their species capabilities. This unusual pairing consists of quick witted banter, with each trying to upstage the other.
As the two begin to spend some quality time “together,” they realize they aren’t much different. They figure out a way to co-exist all for the sake of saving the human race.
A fast-paced superhero movie that keeps you on the edge of your seat, laughing out loud, and completely entertained. The character development is a bit lacking, however the action sequences, and the comradery between our morphed superhero makes up for some of the holes in the story line.
http://sknr.net/2018/10/05/venom/
Venom follows investigative journalist Eddie Brock (Tom Hardy), who’s living life in San Francisco with his fiancé Annie (Michelle Williams) after being blacklisted by all media outlets in New York for his outlandish attempts at digging for the truth to his stories. Eddie, with his inability to follow protocol and keep boundaries, he steals confidential information from his fiancé’s computer, loses the only job willing to hire him, and tries to bring down the
powerful Carlton Drake (Riz Ahmed), famed bio-tech entrepreneur. Behind the façade of Drake’s disease curing company, Life Foundation, Drake’s major motive is to bond with alien creatures called symbiotes in hopes of recreating the human by providing them with the ability to survive in space. He managed to send a rocket into space and return 4 symbiotes which he tests on human’s killing 2 of the symbiotes and leaving one to escape and the last one to test on himself. Realizing the amount of power he gets from the merging of the two species, Drake decides he wants to head back into space and bring back more symbiotes
With nothing left to lose, Brock breaks into the Life Foundation and ends up becoming infected by one of the last 2 symbiotes which eventually introduces itself to Brock as Venom. With Venom inhabiting Eddie’s body, they become an unlikely human killing machine each trying to keep to their species capabilities. This unusual pairing consists of quick witted banter, with each trying to upstage the other.
As the two begin to spend some quality time “together,” they realize they aren’t much different. They figure out a way to co-exist all for the sake of saving the human race.
A fast-paced superhero movie that keeps you on the edge of your seat, laughing out loud, and completely entertained. The character development is a bit lacking, however the action sequences, and the comradery between our morphed superhero makes up for some of the holes in the story line.
http://sknr.net/2018/10/05/venom/
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~~~ WARNING: DO NOT TRY THIS AT (GENIUS) SCHOOL! ~~~ ~~> Cheating Tom’s back and he’s bolder...
Daniel Boyd (1066 KP) rated Nobody (2021) in Movies
May 5, 2021
Choreography (1 more)
Bob Odenkirk
Nobody knows what it's like...
If you’ve seen the trailers for Nobody, then you already know exactly the type of movie that you are in for. That is not a slight against the movie, it is just to say that there are no great twists here or subversion of audience expectations. The question in looking at Nobody for review is; does it fulfil its purpose and deliver on that intention? Thankfully, the answer is hell yes, it does!
If like me you are a Better Call Saul fan, then you will have a pre-conceived notion of who Bob Odenkirk is as an actor at this stage in his career. That was my one main concern going into this film; can Odenkirk pull off being a believable badass at this stage in his life? Again, the answer is hell yes, he can!
Odenkirk is phenomenal as Hutch Mansell in this movie, he delivers in both the role of a washed up nobody leading an unfulfilled life and as an unrelenting killing machine. He really looks the part after the two years he spent training for this role and although a stuntman was used in a few brief instances, Odenkirk does nearly all of his own stunt work in the film. After seeing some of the stunts performed in the movie, this fact is extremely impressive for a guy pushing 60.
Derek Kolstad’s writing in Nobody is also huge factor in what makes this film great. Kolstad also wrote the John Wick movies, so we already know that the guy knows how to write action. What I really appreciated though was the pacing of the action and the pacing of the movie overall. There is enough set-up to the character of Hutch that we are invested in him by the time that the first punch is thrown. I also enjoyed the tongue-in-cheek nature present in a lot of the film’s scenes.
The action choreography is as intense and exhilarating throughout the movie as you would expect. Something that I did really like though was how brutal and gritty the fight sequences were. In the John Wick movies, although the action is exciting to watch, it sometimes feels a bit too clean and smooth, whereas here it is a lot rougher and more visceral.
Check out the rest of my review here - https://www.bigglasgowcomicpage.com/review-nobody/
If like me you are a Better Call Saul fan, then you will have a pre-conceived notion of who Bob Odenkirk is as an actor at this stage in his career. That was my one main concern going into this film; can Odenkirk pull off being a believable badass at this stage in his life? Again, the answer is hell yes, he can!
Odenkirk is phenomenal as Hutch Mansell in this movie, he delivers in both the role of a washed up nobody leading an unfulfilled life and as an unrelenting killing machine. He really looks the part after the two years he spent training for this role and although a stuntman was used in a few brief instances, Odenkirk does nearly all of his own stunt work in the film. After seeing some of the stunts performed in the movie, this fact is extremely impressive for a guy pushing 60.
Derek Kolstad’s writing in Nobody is also huge factor in what makes this film great. Kolstad also wrote the John Wick movies, so we already know that the guy knows how to write action. What I really appreciated though was the pacing of the action and the pacing of the movie overall. There is enough set-up to the character of Hutch that we are invested in him by the time that the first punch is thrown. I also enjoyed the tongue-in-cheek nature present in a lot of the film’s scenes.
The action choreography is as intense and exhilarating throughout the movie as you would expect. Something that I did really like though was how brutal and gritty the fight sequences were. In the John Wick movies, although the action is exciting to watch, it sometimes feels a bit too clean and smooth, whereas here it is a lot rougher and more visceral.
Check out the rest of my review here - https://www.bigglasgowcomicpage.com/review-nobody/
Jesters_folly (230 KP) rated Bloodshot (2020) in Movies
Jan 9, 2021
Contains spoilers, click to show
Ok, I'll start by saying that this is one of those films that needs two viewings, not that the second viewing adds anything to it but you do get to appreciate what the film is trying to do. Let me explain.
First off Bloodshot is action/comic book movie of two half's. In the first half we half (well maybe first third) we have Ray Garrison (Vin Diesel) completing his mission, celebrating, getting captured and loosing his wife before being resurrected as Bloodshot and going out on a mission of revenge. All of this has an increasingly comic book feel to it, and so it should, the film is based on one after all. However some scenes feel too comic and the "villain", Martin Axe, feels too over the top, especially when he seems to have had a personality swap the next time we see him. There is a reason for of this reviled by the films mid way plot twist but, on the first watch through the "Psycho Killer" scene distracted me from some of the film. Then we get a plot twist that studio Trigger* would be proud of. I'm sure anyone who has read the original source material knew what was going to happen, but that has always been one of the problems, keeping the mystery for new fans but giving the comic book fans what they want.
As we get to the second half of the film it losses some of t e over the top-ness, or at least substitutes it for a different kind of over the top and does bring you back into the plot of 'Augmented man fights other augmented men' which does give us a good over the top action film.
If you do give Bloodshot a second watch then you do notice some clever little bits, like the entire plot being told to us near the beginning of the film. Although I'm still not sure why the London police car has a machine gun in the back of it.
Over all Bloodshot is a o.k. - Good action film but for no brained augmented human action films I think ' Hobbs and Shaw' did it better, Bloodshot even shares Eiza Gonzales with them.
*Responsible for the anime's Kill la Kill and Gurren Lagann both of which have mid season twists that send the series in different directions.
First off Bloodshot is action/comic book movie of two half's. In the first half we half (well maybe first third) we have Ray Garrison (Vin Diesel) completing his mission, celebrating, getting captured and loosing his wife before being resurrected as Bloodshot and going out on a mission of revenge. All of this has an increasingly comic book feel to it, and so it should, the film is based on one after all. However some scenes feel too comic and the "villain", Martin Axe, feels too over the top, especially when he seems to have had a personality swap the next time we see him. There is a reason for of this reviled by the films mid way plot twist but, on the first watch through the "Psycho Killer" scene distracted me from some of the film. Then we get a plot twist that studio Trigger* would be proud of. I'm sure anyone who has read the original source material knew what was going to happen, but that has always been one of the problems, keeping the mystery for new fans but giving the comic book fans what they want.
As we get to the second half of the film it losses some of t e over the top-ness, or at least substitutes it for a different kind of over the top and does bring you back into the plot of 'Augmented man fights other augmented men' which does give us a good over the top action film.
If you do give Bloodshot a second watch then you do notice some clever little bits, like the entire plot being told to us near the beginning of the film. Although I'm still not sure why the London police car has a machine gun in the back of it.
Over all Bloodshot is a o.k. - Good action film but for no brained augmented human action films I think ' Hobbs and Shaw' did it better, Bloodshot even shares Eiza Gonzales with them.
*Responsible for the anime's Kill la Kill and Gurren Lagann both of which have mid season twists that send the series in different directions.
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