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Alice's Universe: The Discovery of a New Cosmos - Twice
10.0
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Professor Alice Sutton, a self-taught physicist, grew up in the Appalachian foothills of southern...
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TacoDave (3601 KP) rated Happy Death Day 2U (2019) in Movies
Feb 20, 2019
Entertaining (2 more)
Funny
Likeable Cast
Not really a horror movie (1 more)
Not much of a whodunit
Here we go again...
I liked the first "Happy Death Day" movie quite a bit. I was the only person in the theater that night, so watching it was a fun experience. I liked the idea of mixing a slasher movie with a time-travel/Groundhog's Day motif.
And while I enjoyed the sequel quite a bit, it wasn't nearly as fresh or original as the first movie. Which makes sense. Because it is basically the same movie, except with the horror and whodunit aspects stripped out...
This time Tree (what a dumb name!) gets popped into a parallel universe where things are just slightly different from the first movie. She still repeats the same day over and over. She still dies every day. But this time some of the details of her life are jumbled up - with some characters back to life, and interpersonal relationships changed - so she feels off-balance.
I had hoped that this would lead to a "Scream"-style search for who the killer is, mixed with new relationships, but the whole killing aspect is really put on the back burner. When the reveal happens, it doesn't make sense and there's no build up for it. It just happens. Then the story moves on.
Instead, this movie is about trying to choose between two different types of loss and using a sci-fi deus ex machina to give Tree the power to make that choice.
Will she stay in the new universe? Will she go back "home?" Does anyone really care?
Still, the actors are decent and the movie moves along quickly enough that I wasn't bored. You should definitely see the first movie first, because many of the details in the sequel rely on that knowledge. In fact, I didn't remember it all, even though I have seen it, so it caused a bit of confusion.
But I still recommend this one if you are a fan of genre movies.
And while I enjoyed the sequel quite a bit, it wasn't nearly as fresh or original as the first movie. Which makes sense. Because it is basically the same movie, except with the horror and whodunit aspects stripped out...
This time Tree (what a dumb name!) gets popped into a parallel universe where things are just slightly different from the first movie. She still repeats the same day over and over. She still dies every day. But this time some of the details of her life are jumbled up - with some characters back to life, and interpersonal relationships changed - so she feels off-balance.
I had hoped that this would lead to a "Scream"-style search for who the killer is, mixed with new relationships, but the whole killing aspect is really put on the back burner. When the reveal happens, it doesn't make sense and there's no build up for it. It just happens. Then the story moves on.
Instead, this movie is about trying to choose between two different types of loss and using a sci-fi deus ex machina to give Tree the power to make that choice.
Will she stay in the new universe? Will she go back "home?" Does anyone really care?
Still, the actors are decent and the movie moves along quickly enough that I wasn't bored. You should definitely see the first movie first, because many of the details in the sequel rely on that knowledge. In fact, I didn't remember it all, even though I have seen it, so it caused a bit of confusion.
But I still recommend this one if you are a fan of genre movies.
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ClareR (5667 KP) rated The Intoxicating Mr Lavelle in Books
Apr 9, 2021
The Intoxicating Mr Lavelle rather intoxicated me, if I’m honest. It’s one of those witty yet heart-rending books that I didn’t want to stop listening to.
Ben Aldridge, the narrator, did his part so well. I believed that he was each of the separate characters - he made each of them sound so different, and he especially made Lavelle sound just how I would have imagined him to.
Two brothers, Benjamin and Edgar are on what is probably the most exciting and daunting trip of their young lives - a Grand Tour of Europe. It was what all the well-heeled young men and women would do at the time, in the hope that they’d make good business and, you never know, romantic connections. However, it quickly becomes apparent that the Bowen brothers are looked down on as being of the mercantile class. This horrified me as a modern day reader. Firstly, that two sheltered, innocent boys should be sent out to travel across Europe alone (must be the ‘Mother of Sons’ in me), secondly, that the upper classes were so bloody rude! They had the power to destroy someone with just a word. I could have scooped these boys up and taken them home, just to remove them from these horrendous people.
This is also the story of Benjamin’s self discovery. He meets and falls in love with Horace Lavelle at a time when men could be hanged as a ‘sodomite’. The author is upfront at the start that he had taken some liberties with this book. Homosexuality was illegal. No-one would take a chance of showing that they were gay. And there is that element of danger, of being found out, in this book despite those liberties.
But it’s such a lovely book - I wanted Benjamin to be happy, and I could see the potential for a train wreck ahead. And that’s all I’ll say! What I will say, is that this is a novel well worth your time!
Ben Aldridge, the narrator, did his part so well. I believed that he was each of the separate characters - he made each of them sound so different, and he especially made Lavelle sound just how I would have imagined him to.
Two brothers, Benjamin and Edgar are on what is probably the most exciting and daunting trip of their young lives - a Grand Tour of Europe. It was what all the well-heeled young men and women would do at the time, in the hope that they’d make good business and, you never know, romantic connections. However, it quickly becomes apparent that the Bowen brothers are looked down on as being of the mercantile class. This horrified me as a modern day reader. Firstly, that two sheltered, innocent boys should be sent out to travel across Europe alone (must be the ‘Mother of Sons’ in me), secondly, that the upper classes were so bloody rude! They had the power to destroy someone with just a word. I could have scooped these boys up and taken them home, just to remove them from these horrendous people.
This is also the story of Benjamin’s self discovery. He meets and falls in love with Horace Lavelle at a time when men could be hanged as a ‘sodomite’. The author is upfront at the start that he had taken some liberties with this book. Homosexuality was illegal. No-one would take a chance of showing that they were gay. And there is that element of danger, of being found out, in this book despite those liberties.
But it’s such a lovely book - I wanted Benjamin to be happy, and I could see the potential for a train wreck ahead. And that’s all I’ll say! What I will say, is that this is a novel well worth your time!
Sarah (7798 KP) rated Ad Astra (2019) in Movies
Oct 9, 2019
An atmospheric slow-burner
I usually can't stand films that are slow burners as I just don't have the interest or the patience, but there's something about Ad Astra that really appealed to me.
For starters, it's one of the most realistic sci-fi films I've seen in a long time. It's a straight forward simple plot with no over elaborate schemes or plans, with a stark and immensely realistic view of what space travel would be like. No shiny spaceships or dodgy aliens to be seen. It's dark and gritty, and the ideas in here are so believable - right down to the commercialised Moon base. You spend the entire film expecting something to happen like it does in every other sci-fi, but it never does. Indeed there's a scene halfway through where the crew attend a ship broadcasting a distress call, and what happens is so unlike what you'd expect that it's both genius and downright hilarious. Whilst being a bit slow going in parts, this film doesn't waste any time with useless preamble - you're thrown into the main plot right from the opening scene and it gets straight down to business. It's just a shame that later on it gets a bit bogged down.
The cinematography is mostly fantastic. The music and effects are spot on, although I did think some of the way this was shot made it look a little dated and cheap, and there's rather too many close up shots of Brad Pitt's face. Pitt is very good in this, a step up from the very disappointing Once Upon a Time in Hollywood but I did find his voiceover cheesy and grating at times. Still despite it's negatives, this is a very atmospheric and often tense sci-fi, which is strange considering not very much happens. The ending is perhaps a letdown or anticlimax and if they had made this slightly less of a slow-burner, it would be a perfect example and how best to do a proper sci-fi.
For starters, it's one of the most realistic sci-fi films I've seen in a long time. It's a straight forward simple plot with no over elaborate schemes or plans, with a stark and immensely realistic view of what space travel would be like. No shiny spaceships or dodgy aliens to be seen. It's dark and gritty, and the ideas in here are so believable - right down to the commercialised Moon base. You spend the entire film expecting something to happen like it does in every other sci-fi, but it never does. Indeed there's a scene halfway through where the crew attend a ship broadcasting a distress call, and what happens is so unlike what you'd expect that it's both genius and downright hilarious. Whilst being a bit slow going in parts, this film doesn't waste any time with useless preamble - you're thrown into the main plot right from the opening scene and it gets straight down to business. It's just a shame that later on it gets a bit bogged down.
The cinematography is mostly fantastic. The music and effects are spot on, although I did think some of the way this was shot made it look a little dated and cheap, and there's rather too many close up shots of Brad Pitt's face. Pitt is very good in this, a step up from the very disappointing Once Upon a Time in Hollywood but I did find his voiceover cheesy and grating at times. Still despite it's negatives, this is a very atmospheric and often tense sci-fi, which is strange considering not very much happens. The ending is perhaps a letdown or anticlimax and if they had made this slightly less of a slow-burner, it would be a perfect example and how best to do a proper sci-fi.
I Am Providence
9.0
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An author's murder during an H. P. Lovecraft fan convention reveals dark secrets beneath the printed...
Horror crime
The Keeper of Portals
8.0
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‘All I have to do is think, walk through a door and I come out another. There is nowhere I cannot...
Merissa (11938 KP) rated Moon Justice (Aurelia Fridell #2) in Books
Apr 11, 2023
This story picks up where Fractured Moon finished. Ceithin and Aurelia travel to Alaska for some much-needed time alone, where Aurelia can spend time learning about her wolf. Things are never that easy though and their time in Alaska is interrupted in the form of a Kodiak shapeshifter. They are also pressed to return home where they find that things have changed in their absence, and not always for the better.
There is a lot that goes on in this book and it will keep your interest as you turn the pages. However, I will say that there were a couple of things that 'niggled' at me once I had finished it. Firstly, the whole 'thing' in Alaska - I'm really hoping that it will lead to a more developed story with Garrett and Mars as I felt that it ended rather abruptly and without actually going anywhere. Then there was the whole 'madman raising an army' situation. It seemed like a lot of hot air about nothing. Now, don't get me wrong. The storyline itself was fast-paced and well-written. It's just that I felt parts of it could have been 'more', bigger somehow. It felt like a big build-up, with a good action scene before and then... poof, it was all over.
Don't get me wrong though, this story isn't rushed and does come to a satisfactory close. On the whole, I thoroughly enjoyed it which is why it gets four stars. I felt the story ended nicely for Ceithin and Aurelia and would love to know more about this family and their friends, hopefully starting with Garrett and Mars as they go to Alaska.
Recommended for fans of the paranormal and shapeshifters.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
August 5, 2016
There is a lot that goes on in this book and it will keep your interest as you turn the pages. However, I will say that there were a couple of things that 'niggled' at me once I had finished it. Firstly, the whole 'thing' in Alaska - I'm really hoping that it will lead to a more developed story with Garrett and Mars as I felt that it ended rather abruptly and without actually going anywhere. Then there was the whole 'madman raising an army' situation. It seemed like a lot of hot air about nothing. Now, don't get me wrong. The storyline itself was fast-paced and well-written. It's just that I felt parts of it could have been 'more', bigger somehow. It felt like a big build-up, with a good action scene before and then... poof, it was all over.
Don't get me wrong though, this story isn't rushed and does come to a satisfactory close. On the whole, I thoroughly enjoyed it which is why it gets four stars. I felt the story ended nicely for Ceithin and Aurelia and would love to know more about this family and their friends, hopefully starting with Garrett and Mars as they go to Alaska.
Recommended for fans of the paranormal and shapeshifters.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
August 5, 2016
David McK (3369 KP) rated Quantum Leap: Too Close for Comfort in Books
Sep 22, 2024 (Updated Sep 22, 2024)
"Theorising that one could time travel within his own lifetime, Doctor Sam Beckett stepped into the Quantum Leap accelerator and vanished... He woke to find himself trapped in the past, facing mirror images that were not his own, and driven by an unknown force to change history for the better. His only guide on this journey is Al, an observer from his own time, who appears in the form of a hologram that only Sam can see and hear. And so Doctor Beckett finds himself leaping from life to life, striving to put right what once went wrong, and hoping each time that his next leap will be the leap home…”
That's the intro from the original, 1990s, show (as opposed to the more modern 2020 reincarnation).
Why am I posting the above?
Because this novel itself is from the 90s, long before Dr Raymond Song or any of the newer bunch, and so focuses on the original Leaper Sam, and his hologrammatic observer Al.
It was also obviously written whilst the show was still on air (or, at the very least, not long after it ended), and very much could have been a episode of that original show, which was far more episodic in nature than the newer version.
Here, Sam finds himself in the body of a college graduate in what-I-believe-to-be the early 1990s, leasing a room from a college professor who is very much into the whole Men movement of the era, so much so that said professor does not even realize when his family life is falling down around him.
Being the early 1990s, this is far too close to the timeline from which Sam leaps (1999), with Al Calvacci also involved here both as Sam's hologram, and as an actual person who Sam encounters as a member of Dr Wales encounter group. Hence the title 'Too Close for Comfort', which can be construed in multiple different ways!
That's the intro from the original, 1990s, show (as opposed to the more modern 2020 reincarnation).
Why am I posting the above?
Because this novel itself is from the 90s, long before Dr Raymond Song or any of the newer bunch, and so focuses on the original Leaper Sam, and his hologrammatic observer Al.
It was also obviously written whilst the show was still on air (or, at the very least, not long after it ended), and very much could have been a episode of that original show, which was far more episodic in nature than the newer version.
Here, Sam finds himself in the body of a college graduate in what-I-believe-to-be the early 1990s, leasing a room from a college professor who is very much into the whole Men movement of the era, so much so that said professor does not even realize when his family life is falling down around him.
Being the early 1990s, this is far too close to the timeline from which Sam leaps (1999), with Al Calvacci also involved here both as Sam's hologram, and as an actual person who Sam encounters as a member of Dr Wales encounter group. Hence the title 'Too Close for Comfort', which can be construed in multiple different ways!
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