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Gareth von Kallenbach (980 KP) rated Men in Black III (2012) in Movies
Aug 7, 2019
Fifteen years after bursting onto the scene, award winning actors Will Smith and Tommy Lee Jones are back in black in Men In Black 3! Alien-busting agents J (Will Smith) and K (Tommy Lee Jones) are here once again to protect the galaxy, and the people of Earth, in this action-packed, hilarious and attention-grabbing adventure that is sure to redeem itself from its previous sequel flop.
Men In Black 3 features a time travel plot, with a comedic twist, that focuses on the relationship between Agent J, and surly old character, Agent K. Will Smith and Tommy Lee Jones have fantastic and seamless chemistry that makes it easy to dispel disbelief and emerse yourself into this secret world of aliens among us.
The film starts off with what seams like a casual conversation, between wise cracking charismatic Agent J and always grumpy Agent K, but soon leads to Agent K stonewalling J’s questions about K’s past by stating, “Don’t ask questions you don’t want to know the answers to.” As Will Smith’s character persists, our curiosity grows, and a conspiracy of a cover up and clues to Agent K’s dark past unfolds.
Meanwhile, one of the most feared criminals in the galaxy, Boris the Animal (Jemaine Clement), has just escaped from a maximum security prison that was built on the moon to detain him. Boris wants nothing more than to seek revenge on the person responsible for his 40 year incarceration and kill the man responsible for the loss of his arm, Agent K. Through a murderous rage Boris secures a time travel device and jumps back in time to 1969, where he rewrites history by killing K in hopes that his Boglodite alien kind will fulfill their mission to use and destroy present day Earth. The only person aware that time has been altered is, of course, Agent J who ends up traveling back in time to stop Boris the Animal. In doing so, Agent J unites with the younger Agent K (Josh Brolin) and has to work together to ultimately save mankind. Josh Brolin’s performance was spot on. He gave an uncanny impression of Jones, right down to the mannerisms and facial expressions. He was very entertaining to watch.
When I first heard about a third Men in Black movie, I didn’t expect much out of this 10 year dormant franchise. Mainly because the second movie left so little to be desired, due to its horrible storyline and less than stellar performances by the lead characters. I honestly cannot remember a single enjoyable moment from Men in Black 2, someone must have neuralized me!
Barry Sonnenfeld is back in the director’s seat, hoping to redeem himself from the disaster that was Men in Black 2. He attempts to return to the original formula that made the first Men in Black movie fun, original and entertaining. Proving to have succeeded in creating a more worthwhile storyline, there are however moments within the movie that seem a bit thrown together, times in the plot that could have been expanded upon but may have ended up on the editing room floor.
Kudos to the special effects and art direction team for once again creating amusingly and outlandish aliens that were the real stars of the show. The special effects, such as Boris’ dart spitting spider-like creature that lives inside his hand, were particularly gruesome.
Both Sonnenfeld and Smith, who serve as producers, were aiming at providing more substance to the third installment. They wanted to delve into the relationship between J and K and why K has such a bitter and distant persona, especially after having been partners for 15 years. The real reasons will shock you. I won’t spoil the surprising end, but it was a touching twist that I did not see coming. It made me appreciate both characters and had me walking out of the theater feeling pumped up from all of the action, giddy from all of the laughs and moved from the heartfelt ending. They pulled it off without being sappy, a well rounded action comedy, suitable for the whole family.
Men In Black 3 features a time travel plot, with a comedic twist, that focuses on the relationship between Agent J, and surly old character, Agent K. Will Smith and Tommy Lee Jones have fantastic and seamless chemistry that makes it easy to dispel disbelief and emerse yourself into this secret world of aliens among us.
The film starts off with what seams like a casual conversation, between wise cracking charismatic Agent J and always grumpy Agent K, but soon leads to Agent K stonewalling J’s questions about K’s past by stating, “Don’t ask questions you don’t want to know the answers to.” As Will Smith’s character persists, our curiosity grows, and a conspiracy of a cover up and clues to Agent K’s dark past unfolds.
Meanwhile, one of the most feared criminals in the galaxy, Boris the Animal (Jemaine Clement), has just escaped from a maximum security prison that was built on the moon to detain him. Boris wants nothing more than to seek revenge on the person responsible for his 40 year incarceration and kill the man responsible for the loss of his arm, Agent K. Through a murderous rage Boris secures a time travel device and jumps back in time to 1969, where he rewrites history by killing K in hopes that his Boglodite alien kind will fulfill their mission to use and destroy present day Earth. The only person aware that time has been altered is, of course, Agent J who ends up traveling back in time to stop Boris the Animal. In doing so, Agent J unites with the younger Agent K (Josh Brolin) and has to work together to ultimately save mankind. Josh Brolin’s performance was spot on. He gave an uncanny impression of Jones, right down to the mannerisms and facial expressions. He was very entertaining to watch.
When I first heard about a third Men in Black movie, I didn’t expect much out of this 10 year dormant franchise. Mainly because the second movie left so little to be desired, due to its horrible storyline and less than stellar performances by the lead characters. I honestly cannot remember a single enjoyable moment from Men in Black 2, someone must have neuralized me!
Barry Sonnenfeld is back in the director’s seat, hoping to redeem himself from the disaster that was Men in Black 2. He attempts to return to the original formula that made the first Men in Black movie fun, original and entertaining. Proving to have succeeded in creating a more worthwhile storyline, there are however moments within the movie that seem a bit thrown together, times in the plot that could have been expanded upon but may have ended up on the editing room floor.
Kudos to the special effects and art direction team for once again creating amusingly and outlandish aliens that were the real stars of the show. The special effects, such as Boris’ dart spitting spider-like creature that lives inside his hand, were particularly gruesome.
Both Sonnenfeld and Smith, who serve as producers, were aiming at providing more substance to the third installment. They wanted to delve into the relationship between J and K and why K has such a bitter and distant persona, especially after having been partners for 15 years. The real reasons will shock you. I won’t spoil the surprising end, but it was a touching twist that I did not see coming. It made me appreciate both characters and had me walking out of the theater feeling pumped up from all of the action, giddy from all of the laughs and moved from the heartfelt ending. They pulled it off without being sappy, a well rounded action comedy, suitable for the whole family.
Khmer Video Dictionary - Translate, Learn and Speak with Video Phrasebook
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In Khmer speaking Cambodia, the title 'Lok' is used to address a man and 'Lok Srey' for a woman,...
RəX Regent (349 KP) rated The Butterfly Effect (2004) in Movies
Mar 7, 2019
Deeper than it first appears...
Contains spoilers, click to show
Having always being a fan of Time Travel and Science Fiction, I was always keen on seeing this film upon its initial release, seven years ago, now. But for one reason or another, this just didn't happen, leaving me to watch this on TV a couple of years later.
I was left disappointed. This was mainly because the film was very gritty, at times dower and not what I or many would have expected from a film in this genre. But with repeat viewings and finally watching this version, the Director's Cut, with a more downbeat and tragic conclusion, I realised that I was wrong.
Yes, this film does not tick the correct boxes for a film of this time, but that is because it is not playing it safe. It is doing what any great groundbreaking films should do and that is to find the truth of the story and tell it, show it and help the audience engage and feel it, in an uncompromising way.
*** SPOILERS *** The film deals with troubled childhoods of four kids, two of whom grow up to become Ashton Kutcher and Amy Smart. (Not literally, of course!) Kutcher's lead, has the ability to travel back to his own past for brief moments by reading his childhood journals or in some cases, watching home movies or looking at photos.
His intention upon discovering this gift, is to repair some of the damage that these events have cause to the group, who have sustained several traumas and left them in various states of dis-functionality as adults. But, as the metaphor relating to Chaos Theory states, "Does the flap of a butterfly's wings in Brazil set off a tornado in Texas?" Philip Merilees: We witness several distinct changes in then present as a result of his tampering and this often results in more pain, in one way or another.
This is a gripping film, with a true sense of itself, philosophy and needs of the narrative to justify its own dower conclusions, and ultimately, Kutcher's final decisions.
The sound design, cinematography general direction are outstanding here, with power use of all the key elements to give us a naturalistic feel, not dis-similar from something that Steven Spielberg might produce.
The Theatrical Cut was good, but this version is superior, with a new and more appropriate ending more in keeping the with the general tone of the film, this should be a true Sci-Fi classic, in the same league as the likes of "Planet Of The Apes", "The Day The Earth Caught Fire" and in to a lesser extent, this being a more widely accepted addition, "Donnie Darko".
Highly recommended.
I was left disappointed. This was mainly because the film was very gritty, at times dower and not what I or many would have expected from a film in this genre. But with repeat viewings and finally watching this version, the Director's Cut, with a more downbeat and tragic conclusion, I realised that I was wrong.
Yes, this film does not tick the correct boxes for a film of this time, but that is because it is not playing it safe. It is doing what any great groundbreaking films should do and that is to find the truth of the story and tell it, show it and help the audience engage and feel it, in an uncompromising way.
*** SPOILERS *** The film deals with troubled childhoods of four kids, two of whom grow up to become Ashton Kutcher and Amy Smart. (Not literally, of course!) Kutcher's lead, has the ability to travel back to his own past for brief moments by reading his childhood journals or in some cases, watching home movies or looking at photos.
His intention upon discovering this gift, is to repair some of the damage that these events have cause to the group, who have sustained several traumas and left them in various states of dis-functionality as adults. But, as the metaphor relating to Chaos Theory states, "Does the flap of a butterfly's wings in Brazil set off a tornado in Texas?" Philip Merilees: We witness several distinct changes in then present as a result of his tampering and this often results in more pain, in one way or another.
This is a gripping film, with a true sense of itself, philosophy and needs of the narrative to justify its own dower conclusions, and ultimately, Kutcher's final decisions.
The sound design, cinematography general direction are outstanding here, with power use of all the key elements to give us a naturalistic feel, not dis-similar from something that Steven Spielberg might produce.
The Theatrical Cut was good, but this version is superior, with a new and more appropriate ending more in keeping the with the general tone of the film, this should be a true Sci-Fi classic, in the same league as the likes of "Planet Of The Apes", "The Day The Earth Caught Fire" and in to a lesser extent, this being a more widely accepted addition, "Donnie Darko".
Highly recommended.
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Jenny Houle (24 KP) rated The Library Of Fates in Books
Jan 13, 2018
I received an ARC of this book from FirstToRead.com for an unbiased opinion.
I read the author's note at the beginning of the book, and admittedly put the book down for a few days...I was afraid it would alter my ability to enjoy the book.
When I picked it up five days later, though, and went on from there, the note cleared from my mind, I found I couldn't stop reading until the book was completely finished. I read the author's note a second time, afterward, and found that it was fitting.
Khorana creates a vivid image of each character, as well as each location, to the point that a reader can smell the mangrove trees when Amarita walks among them, can feel her pain as she watches those she loves under attack, and can feel her fear as she flees to save herself. When her and Thala travel, you see all the beauty they encounter along the way.
This is not the story of a princess, though, who returns home to her throne after fighting a battle to save her kingdom. Khorana set out to create a story of mortal and immortal love, and what one sacrifices to save humanity over their own personal happiness, and this book embodies that. (This is why, after the fact, I had more appreciation for the author's note.)
I read the author's note at the beginning of the book, and admittedly put the book down for a few days...I was afraid it would alter my ability to enjoy the book.
When I picked it up five days later, though, and went on from there, the note cleared from my mind, I found I couldn't stop reading until the book was completely finished. I read the author's note a second time, afterward, and found that it was fitting.
Khorana creates a vivid image of each character, as well as each location, to the point that a reader can smell the mangrove trees when Amarita walks among them, can feel her pain as she watches those she loves under attack, and can feel her fear as she flees to save herself. When her and Thala travel, you see all the beauty they encounter along the way.
This is not the story of a princess, though, who returns home to her throne after fighting a battle to save her kingdom. Khorana set out to create a story of mortal and immortal love, and what one sacrifices to save humanity over their own personal happiness, and this book embodies that. (This is why, after the fact, I had more appreciation for the author's note.)