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Ordinary People (1980)
Ordinary People (1980)
1980 | Drama

"To Kill a Mockingbird is way up there, but that’s also like an On the Waterfront kind of classic movie, also with a personal journey set against a bigger social issue — racism — but I’m going to go instead with Ordinary People, directed by Robert Redford with Mary Tyler Moore, Timothy Hutton who won an Oscar — one of the youngest Oscar winners I think — Donald Sutherland, and Judd Hirsch playing the psychiatrist."

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Alex Wolff recommended Ordinary People (1980) in Movies (curated)

 
Ordinary People (1980)
Ordinary People (1980)
1980 | Drama

"Those performances. Timothy Hutton’s performance in that is probably the most directly inspiring to me, and that’s a young guy at the top of his game, emotionally raw, and brings everything that a young actor could want in a performance. I feel that that film is the most heart-wrenching and true portrait of a family maybe I’ve ever seen. To describe it well would reveal too much. That’s what’s brilliant about it. Everyone should watch it and watch Mary Tyler Moore with Timothy Hutton and Judd Hirsch. I can’t believe it. I just can’t believe that movie. It seems like such a simple concept, and yet Robert Redford kills it. The scene that always gets me, hits me so hard, is a small scene that not many people would say they love. Most say the big breakdown scene with Judd Hirsh. For me, it’s the scene where Timothy Hutton has been going to Judd Hirsch for a little bit, and he’s opening up. It’s such a journey of what it means to be vulnerable and the importance of vulnerability in your own family, especially after trauma. My character in The Cat and the Moon is very much inspired by Timothy Hutton’s character in Ordinary People. His journey of being so closed off and edgy to cracking open into this well of unmined emotion. Particularly the scene where he and Donald Sutherland, who’s amazing as well, are decorating the tree — ugh, the Christmas tree. It’s such a sweet scene. Mary Tyler Moore comes home, and she’s got this cold, dark look on her face. I’ll never get over her facial expressions in that movie. What she’s thinking versus what she’s putting on the surface is the most genius magic trick. It’s the most exhilarating thing ever. That movie is the best."

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