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Entertainment Editor (1988 KP) created a video about Detectorists in TV
Oct 13, 2017
Fran Donohoe (853 KP) rated Atomic Blonde (2017) in Movies
Aug 11, 2017
Should be atomic bomb
What can I say ,this was suppose to set Charlie theron as a action hero but fell way off the mark, the story is confusing at best action sequences are over choreographed ,having said that it has a brilliant 80's soundtrack with lesser known songs from that time and a great support cast including James mcavoy,john goodman and toby Jones
BankofMarquis (1832 KP) rated Indiana jones and the dial of destiny (2023) in Movies
Jul 9, 2023
Needed A Spark
Have you ever gone to a live stage play/musical on a Friday or Saturday evening and you can just feel the crackle of excitement and energy in the air and the performers on stage seem to catch that surge of energy and their performances are turned up a notch because of it?
And then, you return to that same theater - for the same show - for a Wednesday matinee and things are just flat. Same show, same performers, same entertainment, but that “spark” just isn’t there?
Such is the case of INDIANA JONES AND THE DIAL OF DESTINY - the Wednesday Matinee performance of an Indiana Jones adventures.
This James Mangold (FORD v FERRARI) Directed Indiana Jones adventure hits all the right notes - chase scenes, fights on a moving train, treasure hunt/quest for an ancient artifact, Indy getting into (and out of) trouble, etc…but Dial of Destiny never quite elevated itself above the norm.
80 year old Harrison Ford (and some stunt doubles and a boatload of de-aging software) is back, of course, as Indiana Jones and it is like pulling on an old, tattered sweatshirt - very comfortable and comforting. He is aided (in a cameo) by John Rhys-Davies’ Sallah (good to see him in an Indy movie again) and by rock solid additions of Antonio Banderas (ZORRO) and good ol’ Toby Jones (INFAMOUS) as colleagues and fellow adventurers as well as an above-average turn by Phoebe Waller-Bridge (TV’s FLEABAG).
These folks fight Nazis (naturally) and a bad guy played by Mads Mikkelsen (ROGUE ONE: A STAR WARS STORY) in an adventure that was “just fine” but “nothing special”, all set to a score by 90 year old John Williams(!). Oh, and don’t forget the welcome appearance of Karen Allen as Marion Ravenswood in what was one of the highlight scenes of the film.
Unfortunately, Mangold never elevates these characters, the chases, the escapes, the call backs to earlier Indiana Jones films above a pleasant warmth of memory, recalling all the good times/grand adventures that Indy has taken the audience on throughout the years. This film needed someone/some THING to help elevate it above the norm.
It needed Steven Spielberg to Direct.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
And then, you return to that same theater - for the same show - for a Wednesday matinee and things are just flat. Same show, same performers, same entertainment, but that “spark” just isn’t there?
Such is the case of INDIANA JONES AND THE DIAL OF DESTINY - the Wednesday Matinee performance of an Indiana Jones adventures.
This James Mangold (FORD v FERRARI) Directed Indiana Jones adventure hits all the right notes - chase scenes, fights on a moving train, treasure hunt/quest for an ancient artifact, Indy getting into (and out of) trouble, etc…but Dial of Destiny never quite elevated itself above the norm.
80 year old Harrison Ford (and some stunt doubles and a boatload of de-aging software) is back, of course, as Indiana Jones and it is like pulling on an old, tattered sweatshirt - very comfortable and comforting. He is aided (in a cameo) by John Rhys-Davies’ Sallah (good to see him in an Indy movie again) and by rock solid additions of Antonio Banderas (ZORRO) and good ol’ Toby Jones (INFAMOUS) as colleagues and fellow adventurers as well as an above-average turn by Phoebe Waller-Bridge (TV’s FLEABAG).
These folks fight Nazis (naturally) and a bad guy played by Mads Mikkelsen (ROGUE ONE: A STAR WARS STORY) in an adventure that was “just fine” but “nothing special”, all set to a score by 90 year old John Williams(!). Oh, and don’t forget the welcome appearance of Karen Allen as Marion Ravenswood in what was one of the highlight scenes of the film.
Unfortunately, Mangold never elevates these characters, the chases, the escapes, the call backs to earlier Indiana Jones films above a pleasant warmth of memory, recalling all the good times/grand adventures that Indy has taken the audience on throughout the years. This film needed someone/some THING to help elevate it above the norm.
It needed Steven Spielberg to Direct.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
Sarah (7798 KP) rated Red Lights (2012) in Movies
Oct 26, 2019
Great twist
I watched this film around the time it first came out and in all honesty, I can barely remember anything about it. Which I’m surprised at, as watching it again today I’ve realised it’s got a rather good twist.
The plot itself is interesting and who doesn’t love a good debunking of the paranormal. It’s a slow film and could’ve done with a little more excitement but it’s got a great cast even though it would’ve been nice to see more of Toby Jones. The best bit about this film is by far the twist ending. I can usually guess a twist well before it happens, but for some reason I completely missed this one. Maybe I’m losing it, or maybe it’s just a really good twist. It may not be the best paced film but it’s definitely worth a watch.
The plot itself is interesting and who doesn’t love a good debunking of the paranormal. It’s a slow film and could’ve done with a little more excitement but it’s got a great cast even though it would’ve been nice to see more of Toby Jones. The best bit about this film is by far the twist ending. I can usually guess a twist well before it happens, but for some reason I completely missed this one. Maybe I’m losing it, or maybe it’s just a really good twist. It may not be the best paced film but it’s definitely worth a watch.
Erika (17788 KP) rated Witness for the Prosecution in TV
Jan 20, 2019 (Updated Jan 20, 2019)
Do not compare this to the original.
Watching the original Witness for the Prosecution (1957), I remember being genuinely shocked by that twist, because it came out of nowhere.This film just didn't build the story up to
This adaptation is alright, it's nothing to write home about. There were too many shots of Toby Jones walking through allies or in his dungeon-like office. I felt like this went on too long, and the added length didn't necessarily add anything to the story.
I feel like with a lot of these modern adaptations of Christie's novels, they're tending to insert sex scenes when they're genuinely aren't needed and just slow up the story. It actually makes it hard for me to suggest the new adaptations to my mother, who hates when Christie's work is altered in that particular way.
Skip this one, and watch the original film with Tyrone Powers and Marlene Dietrich.
This adaptation is alright, it's nothing to write home about. There were too many shots of Toby Jones walking through allies or in his dungeon-like office. I felt like this went on too long, and the added length didn't necessarily add anything to the story.
I feel like with a lot of these modern adaptations of Christie's novels, they're tending to insert sex scenes when they're genuinely aren't needed and just slow up the story. It actually makes it hard for me to suggest the new adaptations to my mother, who hates when Christie's work is altered in that particular way.
Skip this one, and watch the original film with Tyrone Powers and Marlene Dietrich.
Jim Jarmusch recommended Atomic Blonde (2017) in Movies (curated)
LeftSideCut (3778 KP) rated Captain America: The First Avenger (2011) in Movies
Apr 12, 2020
Our introduction to Captain America withing the MCU gets a bad wrap.
I see it labeled fairly regularly as weak entry into the ever expanding saga and I just don't think that's the case.
It's got a solid narrative for a start as we watch Steve Rogers go from frail Regular Joe to bonafide hero who truly believes in fighting for the good of humanity over the course of two hours.
The WWII setting provides a touch of historical reality, collided with the fantasy of the Tesseract, our first glimpse of the now infamous Infinity Stones, and in this narrative, providing Red Skull with cosmically charged weapons the gain the edge in the war with Allied Forces.
The First Avenger has a fantastic cast. Chris Evans is pretty much perfect in the titular role and has played the character solidly for the last 10 years.
Hugo Weaving as Red Skull is an undeniable highlight. He plays the villain with evil glee, and looks so comic book accurate that it hurts. It's a real shame that he has never returned to the role.
The supporting cast is strong as well. Hayley Atwell, Toby Jones, Tommy Lee Jones, Sebastian Stan, Dominic Cooper, and Stanley Tucci are all great, and relish in a tight screenplay.
I do think that the film feels over long at times, although the story being told is undeniably important in the run up to The Avengers.
The effects are mostly decent and still hold up, with an exception here and there, primarily before Steve Rogers goes all buff, but these are small gripes with an otherwise solid origin film.
I see it labeled fairly regularly as weak entry into the ever expanding saga and I just don't think that's the case.
It's got a solid narrative for a start as we watch Steve Rogers go from frail Regular Joe to bonafide hero who truly believes in fighting for the good of humanity over the course of two hours.
The WWII setting provides a touch of historical reality, collided with the fantasy of the Tesseract, our first glimpse of the now infamous Infinity Stones, and in this narrative, providing Red Skull with cosmically charged weapons the gain the edge in the war with Allied Forces.
The First Avenger has a fantastic cast. Chris Evans is pretty much perfect in the titular role and has played the character solidly for the last 10 years.
Hugo Weaving as Red Skull is an undeniable highlight. He plays the villain with evil glee, and looks so comic book accurate that it hurts. It's a real shame that he has never returned to the role.
The supporting cast is strong as well. Hayley Atwell, Toby Jones, Tommy Lee Jones, Sebastian Stan, Dominic Cooper, and Stanley Tucci are all great, and relish in a tight screenplay.
I do think that the film feels over long at times, although the story being told is undeniably important in the run up to The Avengers.
The effects are mostly decent and still hold up, with an exception here and there, primarily before Steve Rogers goes all buff, but these are small gripes with an otherwise solid origin film.
Veronica Pena (690 KP) rated Spider-Man: Into the Spider-Verse (2018) in Movies
Apr 30, 2020
I honestly think this is one of the best films ever made. Not only is the animation super cool but the story, the characters, the actors in the film, all of it. Magnificent. My favorite thing about this film is the clashing of the worlds, you could say. What I love so much about Marvel is not only the movies but the shows too. Agents of S.H.I.E.L.D, Daredevil, Jessica Jones, Luke Cage, Iron Fist, Agent Carter, they're all great - but in reality, they live in their own bubbles. Obviously the Netflix shows interact, and S.H.I.E.L.D is somewhat important when talking about the MCU. Into the Spider-Verse merges bits that you see in the comic books, not only in the animation but the characters. We have seen Green Goblin over and over again in the live-action films - both Toby McGuire's and Andrew Garfield's. But we don't see Kingpin. Plus, if you've watched Daredevil, you get a good idea of who Kingpin is and what his backstory is so you know why he's doing what he does in Into the Spider-Verse.
There are just layers to this film that are missing from some of the other films that have been done. The only ones to compare it to are those in the MCU, but even still, those are planned and minute if you don't pay attention. I just really love this film and I'm super pumped for the second one.
There are just layers to this film that are missing from some of the other films that have been done. The only ones to compare it to are those in the MCU, but even still, those are planned and minute if you don't pay attention. I just really love this film and I'm super pumped for the second one.
Ross (3282 KP) rated Christopher Robin (2018) in Movies
Aug 27, 2018
Great coming-of-age story of leaving behind childish things (a la Toy Story 3), weighed up with the perils of growing up (responsibilities and prioritising work over family). Christopher Robin leaves the Hundred Acre Wood to grow up and somehow loses his way as the stresses of adult life take hold.
I really hated the trailer for this film, thinking it looked like they'd taken the plot of The Smurfs or Paddington and just swapped in the different characters. It really didn't do it justice as this is not your average CGI creatures madcap adventures in the real world film. There are real poignant moments in the Hundred Acre Wood before any of the toys have really made it to the real world. Also I did not like the look of Pooh, he seemed just wrong on so many levels. But as with any 2D character, nothing 3D will quite look right and you soon become to like him and appreciate his facial expressions.
Ewan McGregor is OK as Christopher Robin (though interesting that he somehow lost his North English accent as he grew up), though is somehow neither truly believable as the curmudgeon nor as the eventual (spoiler alert) happy, funloving Dad.
The cast of the Hundred Acre wood seem quite familiar to me, as Jim Cummings continues his reign as Pooh and Tigger, but we (briefly) have Peter Capaldi (doing an impression of Gary Oldman) as Rabbit and Toby Jones as Owl.
Enjoyable cameo appearances from Mackenzie Crook and Matt Berry in one scene.
Some real poignant moments at the start of the film, but this wasn't reflected in the finale as that was not as emotive as it could have been.
Not really a film for under-10s, more for the older children, who ironically may think it is more babyish than it really is (my eldest is 10 and was refusing to go and see it but I think she enjoyed it more than her younger siblings).
I really hated the trailer for this film, thinking it looked like they'd taken the plot of The Smurfs or Paddington and just swapped in the different characters. It really didn't do it justice as this is not your average CGI creatures madcap adventures in the real world film. There are real poignant moments in the Hundred Acre Wood before any of the toys have really made it to the real world. Also I did not like the look of Pooh, he seemed just wrong on so many levels. But as with any 2D character, nothing 3D will quite look right and you soon become to like him and appreciate his facial expressions.
Ewan McGregor is OK as Christopher Robin (though interesting that he somehow lost his North English accent as he grew up), though is somehow neither truly believable as the curmudgeon nor as the eventual (spoiler alert) happy, funloving Dad.
The cast of the Hundred Acre wood seem quite familiar to me, as Jim Cummings continues his reign as Pooh and Tigger, but we (briefly) have Peter Capaldi (doing an impression of Gary Oldman) as Rabbit and Toby Jones as Owl.
Enjoyable cameo appearances from Mackenzie Crook and Matt Berry in one scene.
Some real poignant moments at the start of the film, but this wasn't reflected in the finale as that was not as emotive as it could have been.
Not really a film for under-10s, more for the older children, who ironically may think it is more babyish than it really is (my eldest is 10 and was refusing to go and see it but I think she enjoyed it more than her younger siblings).
BankofMarquis (1832 KP) rated The Electrical Life of Louis Wain (2021) in Movies
Jan 17, 2022
1/2 of a GREAT Movie
It is a fun surprise to be perusing all the streaming services available and tripping across a very entertaining film that, heretofore, was unknown.
Such was the case with THE ELECTRICAL LIFE OF LOUIS WAIN - a biography (of sorts) of the eponymous English painter, known for his fanciful portraits of cats.
Starring Benedict Cumberbatch (in the title role) and Written and Directed by Will Sharpe (BLACK POND) based on a story by Simon Stephenson (who also co-wrote the screenplay with Sharpe), THE ELECTICAL LIFE OF LOUIS WAIN is 1/2 of a very good (maybe even GREAT) film that falls apart in the 2nd half.
The first half of this film finds the eccentric Wain finding love and discovering his artistic talent. It is this 1/2 of the film that draws you in - and must have been what drew the talents of Sharpe, Claire Foy (Queen Elizabeth in the first few seasons of THE CROWN) and Cumberbatch to this film. Cumberbatch, of course, is superb as Wain (especially in this first half) and his chemistry with Foy (who plays his love interest/wife) is tremendous and IS the reason to see this film.
However, the film shifts focus, by necessity, in the 2nd half to the rising stardom of Wain and his descent into madness. Toby Jones (as his benefactor) and the always under-rated Andrea Riseborough (OBLIVION) take center stage with Cumberbatch in this part of the film and the love, fun, whimsey and depth of the first 1/2 of the film disappears. Riseborough, particularly, suffers from a poorly written role where her character - Wain’s disapproving sister - is (in essence) the “bad guy”, so Sharpe and Stephenson replace love, warmth and support with disapproval, anger and madness. While this is true to the life that Wain lived, it didn’t make for a particularly interesting 2nd half of a film.
Come for Benedict’s and Foy’s chemistry and performances, stay for the rest because…well…it’s still pretty good.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank (ofMarquis)
Such was the case with THE ELECTRICAL LIFE OF LOUIS WAIN - a biography (of sorts) of the eponymous English painter, known for his fanciful portraits of cats.
Starring Benedict Cumberbatch (in the title role) and Written and Directed by Will Sharpe (BLACK POND) based on a story by Simon Stephenson (who also co-wrote the screenplay with Sharpe), THE ELECTICAL LIFE OF LOUIS WAIN is 1/2 of a very good (maybe even GREAT) film that falls apart in the 2nd half.
The first half of this film finds the eccentric Wain finding love and discovering his artistic talent. It is this 1/2 of the film that draws you in - and must have been what drew the talents of Sharpe, Claire Foy (Queen Elizabeth in the first few seasons of THE CROWN) and Cumberbatch to this film. Cumberbatch, of course, is superb as Wain (especially in this first half) and his chemistry with Foy (who plays his love interest/wife) is tremendous and IS the reason to see this film.
However, the film shifts focus, by necessity, in the 2nd half to the rising stardom of Wain and his descent into madness. Toby Jones (as his benefactor) and the always under-rated Andrea Riseborough (OBLIVION) take center stage with Cumberbatch in this part of the film and the love, fun, whimsey and depth of the first 1/2 of the film disappears. Riseborough, particularly, suffers from a poorly written role where her character - Wain’s disapproving sister - is (in essence) the “bad guy”, so Sharpe and Stephenson replace love, warmth and support with disapproval, anger and madness. While this is true to the life that Wain lived, it didn’t make for a particularly interesting 2nd half of a film.
Come for Benedict’s and Foy’s chemistry and performances, stay for the rest because…well…it’s still pretty good.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank (ofMarquis)