"No matter how much my vibe changes I think this one probably stays on [the list] consistently and that’s Midnight Express. That one is always in my top five. I think it goes through all the emotions. It puts you on the edge of your seat, it breaks your heart, it scares the crap out of you. I even laugh a little when they do that yoga scene. That’s the one thing I’ve never really understood. Do you remember that part? When they do naked yoga together? I understand what they’re conveying, that these two people find companionship and peace inside of all the insanity going on around them. The blond guy and your main character, Billy, have this, like… it’s not romantic, but it’s very… it is sensual in a way, this yoga scene, together, and the way they shot it with the light coming through the window. It always makes me chuckle. But yeah, Midnight Express, man, it’s always on the top five."

"That’s another perfect movie in my opinion. It’s like all those dudes in there — the height of their abilities. I wish I could name six because I would put Training Day up there. That’s Denzel at his most, most confident. It’s an awesome movie to watch. But, Casino is just classic like, Goodfellas, and then Raging Bull and all of those things coming are like little seeds, and the flower that sprouts was Casino. Scorsese and all those dudes really knowing each other for years. Putting together an awesome story about the beginning of Las Vegas or the last time the mob controlled Las Vegas — was just a great story and then to execute it for two and a half hours like that from top to bottom. It’s like some of Joe Pesci‘s finest work ever — Goodfellas is, like, his greatest film. Both of those dudes — De Niro‘s got so many great ones. [But] for those dudes together, I think Casino‘s my favorite."

"I feel like talking about Mary Poppins all day. Okay. Andrei Rublev, spelled ‘Rublev’ but pronounced ‘Rublov’. It’s because we don’t use the Cyrillic alphabet. I really do love Tarkovsky’s Mirror as well. But the last act, or the last movement of Andrei Rublev is probably just the best thing in cinema history. That bell casting sequence is just so powerful. In some ways, it’s kind of the same thing that Fanny and Alexander does where you’re not even sure who Andrei Rublev is for quite a while the first time you watch the movie, and this is the episode that makes sense together and works together [in a film that doesn’t have] this super linear, aggressive plot. And then the last movement is very linear, that is incredibly cathartic once you’ve been marinated in this world. It really knocks you out. But in general, the movie is so well-staged and beautiful and stunning and inspiring. It’s completely mind-blowing."