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Ryan Hill (152 KP) rated Kong: Skull Island (2017) in Movies
Jun 26, 2019
"is that a monkey?"
There are very few things that I respect more than a movie that is unafraid to embrace its own stupidity. Kong: Skull Island has thinly written characters, extreme tonal dissonance, bad dialogue, and a complete and utter disregard for the talents of Oscar-winning actress Brie Larson, but it’s absolutely glorious in its brazen spectacle. Its thin characters and tonal dissonance don’t matter as much because it thoroughly commits to its premise, and it seems like the movie is one ridiculous–but hilarious–visual gag after another. The bad dialogue is all part of the fun. It’s not trying to be something it’s not, and that’s something I appreciate in any movie, especially a nostalgia-laced B-movie blockbuster about a giant ape.
Some might draw connections to the time era explored or the interplay between man and nature, but the movie succeeds at its main goal: entertain the hell out of the audience. Actors like Tom Hiddleston and Brie Larson are (pretty) pieces of cardboard in this, but seasoned vets like Samuel L. Jackson and John C. Reilly thoroughly understand what it is they’re being asked to do. They both ham it up big time, with Vogt-Roberts’s visual flourishes adding to their performances in beautiful ways throughout. They both give pitch perfect performances that are 100% appropriate for their roles, and Reilly in particular becomes the heart and soul of the story. As an actor, the best response to a movie like this is to embrace the ridiculous, and Jackson and Reilly certainly do.
However, the ridiculous can sometimes move aside to reveal a visually stunning movie with a large heart. The production design is gorgeous, and the classic shot–a character whose back is turned to us, staring up in awe and fear at Kong–is breathtaking. The movie itself has that type of reaction to its own character, to its own force of nature, looking up in wonder and childish glee as Kong destroys another piece of its surroundings. This is big, bold, and confident filmmaking, precisely because the movie understands what it’s not.
Some might draw connections to the time era explored or the interplay between man and nature, but the movie succeeds at its main goal: entertain the hell out of the audience. Actors like Tom Hiddleston and Brie Larson are (pretty) pieces of cardboard in this, but seasoned vets like Samuel L. Jackson and John C. Reilly thoroughly understand what it is they’re being asked to do. They both ham it up big time, with Vogt-Roberts’s visual flourishes adding to their performances in beautiful ways throughout. They both give pitch perfect performances that are 100% appropriate for their roles, and Reilly in particular becomes the heart and soul of the story. As an actor, the best response to a movie like this is to embrace the ridiculous, and Jackson and Reilly certainly do.
However, the ridiculous can sometimes move aside to reveal a visually stunning movie with a large heart. The production design is gorgeous, and the classic shot–a character whose back is turned to us, staring up in awe and fear at Kong–is breathtaking. The movie itself has that type of reaction to its own character, to its own force of nature, looking up in wonder and childish glee as Kong destroys another piece of its surroundings. This is big, bold, and confident filmmaking, precisely because the movie understands what it’s not.
Erika (17788 KP) rated Loki - Season 1 in TV
Jul 16, 2021 (Updated Jul 16, 2021)
I’ll stick with Loki’s original story-arc.
Contains spoilers, click to show
Loki, featuring the return of Tom Hiddleston to the MCU, has escaped with the tesseract, and is subsequently caught by the TVA. He agrees to help Owen Wilson’s Mobius track down a variant that is conveniently a version of himself. What ensues is a painful setup for Ironman with Magic… oh, sorry, Dr. Strange and the Multiverse of Madness.
On one hand, my ma always told me, if you don’t have anything nice to say, don’t say anything at all, but on the other hand, I haven’t been this pissed off at a major franchise since Star Wars: The Last Jedi. My visceral, negative reaction was caused by many things.
First, this series did not need to be made. Loki had a perfect ending to his overall arc, and it really didn’t need to be messed with. I am a huge Tom Hiddleston fan, I went to NYC to see him in a play, waited outside freezing my butt off to meet him, all of that. I was so glad when Loki was killed off, so he’d be free to do other things, and not just be known for Loki. Alas, that did not happen.
This series was made for two subsets of fans: the fans that can’t accept the death of their favorite character, and the fans that are absolutely, irrationally obsessed with having their favorite character paired up romantically. I fall into neither of these categories. ‘More Stories to Tell’ was the tagline… it should have been ‘More Money to be Made’.
After watching the same movie in a different flavor for over ten years, I realized that maybe the MCU wasn’t for me anymore. But, when Loki was announced, I was promised something new and weird! I thought, maybe this will be the show to get me back into the MCU. That was not the case. I cannot believe the rave reviews about this series; did we all watch the same thing?
The first warning sign for me was when it was announced that Michael Waldron, who was a writer for Rick & Morty was going to be helming this series. Rick & Morty is funny… if you’re a dude-bro, drunk, or high. When I read a few of his interviews prior to the release of Loki, another warning sign, this guy kind of sounded like a huge douchebag. I was then calmed and reassured that maybe it wouldn’t be a train-wreck because Hiddleston was heavily involved in the series.
As I’ve mentioned before, we were promised something new, different, and weird. Don’t make promises you can’t keep, creative team behind Loki.
Episode 1 was cheap; did I need to see clips from previous movies used in a very uncreative way? No, I did not. There was also something just off about the casting of Wilson. Now, this may be on me because my teen-years were spent quoting Owen Wilson films. There were a few things I liked about Episode 1, like the Blade Runner robot reference. There was a red flag in this episode though. Pro-tip: never, EVER have a character verbalize/confirm that they’re smart. Because it’s probably not the case.
Episode 2 was the bright spot, it was my favorite, by far. It was fast-paced, amusing, and the most interesting episode out of the whole series. The Mt Vesuvius/unleashing of the goats thing was the sort of thing I was looking for in this series. I actually chuckled a little, which rarely happens. It moved the story along, and we get the big reveal of the Loki variant that’s causing all the havoc.
Episode 3 was, for lack of a better word, boring. The pace slowed, and it was the infamous Disney+ show filler episode. We’re introduced to Mary Sue, sorry, I mean Lady Loki, but not really, Sylvie, the Enchantress, right? No, wait, she’s a completely different, new character. Probably shouldn’t have opted for the name Sylvie in that case. She’s a brand new, *strong* female, that shows her strength by punching people and has no personality (see: Carol Danvers - Captain Marvel, Hope van Dyne - Ant-Man). Y’all, you told me you were going to give me something different, new, weird. A Mary Sue isn’t new, different, or weird. This episode was a get-to-know-each-other, and build a pseudo-sibling relationship, right? Because anything else would be weird in a bad way, not an interesting way. There was a considerable shift in our TVA ‘Smart’ Loki character evolution, he opened-up, announced that he was a member of the LGBTQQIAAP nation, progress! First bi-sexual character in the MCU, way to go Disney, getting with the times! It was still a filler episode though, and while the stakes seemed high, you knew that there were three more episodes to go, of course they would live.
Again, I was reassured after this lackluster episode by Hiddleston, that 4 and 5 were his favorite. That fact is now disturbing.
Episode 4 was the death knell. I think the response from the creative team afterwards was also incredibly tone-deaf, and, quite frankly, insulting. The 4th episode was so bad, I legitimately had to go cleanse my eyes and brain with a GBBO marathon. The fact that the creative team had no idea that the insta-love (see: Jane and Thor - Thor) between two characters that had seemingly formed a pseudo-sibling relationship wouldn’t come off a little incest-y is really strange to me. If a pseudo-sibling relationship was not the intention, then it was poor writing, directing and acting by all parties involved. Sometimes, when a Mary Sue punches our main character, he falls in love with her (see: Hope and Scott - Ant-Man). The whole narcissism thing was hilarious, I’m glad our TVA ‘Smart’ Loki was cured of that by Sylvie and another *strong* personality-lacking woman (see: Sif -Thor/Thor: the Dark World) kicking him between the legs was what he’d needed all along. If a small portion of this episode was actually utilizing the myth of Narcissus, then I’m glad they followed it through to the dying part. This is when everything clicked for me. Our TVA ‘Smart’ Loki’s character evolution made him a big ol’ bowl of mushy, overcooked oatmeal. HOW and WHY would you take one of the best anti-heroes in the MCU, or any superhero franchise, and make him so mushy? More importantly, I didn’t care about what happened to any of the characters, except B-15. Normally, that’s my cue to stop watching a show, but I wanted to see if they tried to convince audiences that this Oatmeal Loki was actually smart and logical.
Episode 5 was when things slightly improved. Again, I couldn’t forgive the events of Episode 4, and I totally fast-forwarded during whatever talk Loki and Mary Sue, sorry, Sylvie, had with a blankie around their shoulders. All of the other Lokis were better in their tiny amount of screen time than Oatmeal Loki and Mary Sue Loki. Alligator Loki had more personality than Sylvie. Richard Grant is the superior Loki in my opinion. This episode also reintroduced hand holding with CGI colors swirling around characters (see: Guardians of the Galaxy).
Episode 6 was our finale. Thank God. We’re introduced to the real head of the TVA, which was who everyone was expecting. This episode was a little slow-paced, with a lot of interesting chit-chat. Oatmeal Loki actually seemed like he had a brain cell or two for a few brief, fleeting moments. He even showed off some of his powers, which, by the way, we were told we’d see more of… but didn’t. Then, our Oatmeal Loki was distracted by his Mary Sue, went for a kiss, and plopped right on his ass, looking like a fool. I almost snorted my coffee as I watched. Then, they confirmed a Season 2.
Honestly, I was hoping Oatmeal Loki and Mary Sue Loki would get killed off. Sadly, it didn’t happen, and they’re getting another series, and an appearance in Ironman with Magic. I’m so glad this series was something new, different, and weird, not just the bog-standard, MCU drivel we normally get. Oh, wait… I probably don’t even need to state that this wasn’t my cup of tea, and, again, solidified the fact that I’m over the MCU. I also know that I should avoid anything Michael Waldron and Kate Herron touch. Eventually, I’ll stop feeling betrayed by Hiddleston, but it may take a while. Is that ridiculous? Probably.
On one hand, my ma always told me, if you don’t have anything nice to say, don’t say anything at all, but on the other hand, I haven’t been this pissed off at a major franchise since Star Wars: The Last Jedi. My visceral, negative reaction was caused by many things.
First, this series did not need to be made. Loki had a perfect ending to his overall arc, and it really didn’t need to be messed with. I am a huge Tom Hiddleston fan, I went to NYC to see him in a play, waited outside freezing my butt off to meet him, all of that. I was so glad when Loki was killed off, so he’d be free to do other things, and not just be known for Loki. Alas, that did not happen.
This series was made for two subsets of fans: the fans that can’t accept the death of their favorite character, and the fans that are absolutely, irrationally obsessed with having their favorite character paired up romantically. I fall into neither of these categories. ‘More Stories to Tell’ was the tagline… it should have been ‘More Money to be Made’.
After watching the same movie in a different flavor for over ten years, I realized that maybe the MCU wasn’t for me anymore. But, when Loki was announced, I was promised something new and weird! I thought, maybe this will be the show to get me back into the MCU. That was not the case. I cannot believe the rave reviews about this series; did we all watch the same thing?
The first warning sign for me was when it was announced that Michael Waldron, who was a writer for Rick & Morty was going to be helming this series. Rick & Morty is funny… if you’re a dude-bro, drunk, or high. When I read a few of his interviews prior to the release of Loki, another warning sign, this guy kind of sounded like a huge douchebag. I was then calmed and reassured that maybe it wouldn’t be a train-wreck because Hiddleston was heavily involved in the series.
As I’ve mentioned before, we were promised something new, different, and weird. Don’t make promises you can’t keep, creative team behind Loki.
Episode 1 was cheap; did I need to see clips from previous movies used in a very uncreative way? No, I did not. There was also something just off about the casting of Wilson. Now, this may be on me because my teen-years were spent quoting Owen Wilson films. There were a few things I liked about Episode 1, like the Blade Runner robot reference. There was a red flag in this episode though. Pro-tip: never, EVER have a character verbalize/confirm that they’re smart. Because it’s probably not the case.
Episode 2 was the bright spot, it was my favorite, by far. It was fast-paced, amusing, and the most interesting episode out of the whole series. The Mt Vesuvius/unleashing of the goats thing was the sort of thing I was looking for in this series. I actually chuckled a little, which rarely happens. It moved the story along, and we get the big reveal of the Loki variant that’s causing all the havoc.
Episode 3 was, for lack of a better word, boring. The pace slowed, and it was the infamous Disney+ show filler episode. We’re introduced to Mary Sue, sorry, I mean Lady Loki, but not really, Sylvie, the Enchantress, right? No, wait, she’s a completely different, new character. Probably shouldn’t have opted for the name Sylvie in that case. She’s a brand new, *strong* female, that shows her strength by punching people and has no personality (see: Carol Danvers - Captain Marvel, Hope van Dyne - Ant-Man). Y’all, you told me you were going to give me something different, new, weird. A Mary Sue isn’t new, different, or weird. This episode was a get-to-know-each-other, and build a pseudo-sibling relationship, right? Because anything else would be weird in a bad way, not an interesting way. There was a considerable shift in our TVA ‘Smart’ Loki character evolution, he opened-up, announced that he was a member of the LGBTQQIAAP nation, progress! First bi-sexual character in the MCU, way to go Disney, getting with the times! It was still a filler episode though, and while the stakes seemed high, you knew that there were three more episodes to go, of course they would live.
Again, I was reassured after this lackluster episode by Hiddleston, that 4 and 5 were his favorite. That fact is now disturbing.
Episode 4 was the death knell. I think the response from the creative team afterwards was also incredibly tone-deaf, and, quite frankly, insulting. The 4th episode was so bad, I legitimately had to go cleanse my eyes and brain with a GBBO marathon. The fact that the creative team had no idea that the insta-love (see: Jane and Thor - Thor) between two characters that had seemingly formed a pseudo-sibling relationship wouldn’t come off a little incest-y is really strange to me. If a pseudo-sibling relationship was not the intention, then it was poor writing, directing and acting by all parties involved. Sometimes, when a Mary Sue punches our main character, he falls in love with her (see: Hope and Scott - Ant-Man). The whole narcissism thing was hilarious, I’m glad our TVA ‘Smart’ Loki was cured of that by Sylvie and another *strong* personality-lacking woman (see: Sif -Thor/Thor: the Dark World) kicking him between the legs was what he’d needed all along. If a small portion of this episode was actually utilizing the myth of Narcissus, then I’m glad they followed it through to the dying part. This is when everything clicked for me. Our TVA ‘Smart’ Loki’s character evolution made him a big ol’ bowl of mushy, overcooked oatmeal. HOW and WHY would you take one of the best anti-heroes in the MCU, or any superhero franchise, and make him so mushy? More importantly, I didn’t care about what happened to any of the characters, except B-15. Normally, that’s my cue to stop watching a show, but I wanted to see if they tried to convince audiences that this Oatmeal Loki was actually smart and logical.
Episode 5 was when things slightly improved. Again, I couldn’t forgive the events of Episode 4, and I totally fast-forwarded during whatever talk Loki and Mary Sue, sorry, Sylvie, had with a blankie around their shoulders. All of the other Lokis were better in their tiny amount of screen time than Oatmeal Loki and Mary Sue Loki. Alligator Loki had more personality than Sylvie. Richard Grant is the superior Loki in my opinion. This episode also reintroduced hand holding with CGI colors swirling around characters (see: Guardians of the Galaxy).
Episode 6 was our finale. Thank God. We’re introduced to the real head of the TVA, which was who everyone was expecting. This episode was a little slow-paced, with a lot of interesting chit-chat. Oatmeal Loki actually seemed like he had a brain cell or two for a few brief, fleeting moments. He even showed off some of his powers, which, by the way, we were told we’d see more of… but didn’t. Then, our Oatmeal Loki was distracted by his Mary Sue, went for a kiss, and plopped right on his ass, looking like a fool. I almost snorted my coffee as I watched. Then, they confirmed a Season 2.
Honestly, I was hoping Oatmeal Loki and Mary Sue Loki would get killed off. Sadly, it didn’t happen, and they’re getting another series, and an appearance in Ironman with Magic. I’m so glad this series was something new, different, and weird, not just the bog-standard, MCU drivel we normally get. Oh, wait… I probably don’t even need to state that this wasn’t my cup of tea, and, again, solidified the fact that I’m over the MCU. I also know that I should avoid anything Michael Waldron and Kate Herron touch. Eventually, I’ll stop feeling betrayed by Hiddleston, but it may take a while. Is that ridiculous? Probably.
Gareth von Kallenbach (965 KP) rated Thor: Ragnarok (2017) in Movies
Jun 19, 2019
One of the biggest challenges with an ongoing series is crafting a story that is on par or better than the prior offering and that the characters continue to grow so audiences do not get a rehash of what they have seen before.
With “Thor Ragnarok” Chris Hemsworth has returned for his third solo outing, and fifth outing overall as the heroic Asgardian warrior Thor.
This time out Thor is on his quest to track down the Infinity Stones and finds himself plagued by visions of Ragnarok: a legend detailing the fiery destruction of his home of Asgard.
With an action laden opening, Thor believes he has ended the threat and returns home to find his father Odin (Sir Anthony Hopkins), has been sent to Earth and his evil brother Loki (Tom Hiddleston) assuming his place.
Thor ventures to Earth with his brother which sets a series of events into motion, the result of which unleashes the long imprisoned Hela (Cate Blanchett), who plans the subjugation of Thor and Asgard. Naturally Thor is not going to put up with this, but finds himself mid battle knocked out of his transit home and on a remote world called Sakaar.
As if being stranded far from home is not enough of a challenge, Thor is forced to become a gladiator for the erratic Grandmaster (Jeff Goldblum), whom Loki has managed to charm and become a part of his inner circle.
As fate has it, Thor becomes matched with The Hulk (Mark Ruffalo), and must find a way to survive and make his way home before Hella can destroy all that he holds precious.
The film is the best of the Thor films and it is engaging from start to finish. There is a significant amount of humor in the film but it does not feel forced and is very appropriate to many of the scenes. The film also has plenty of action and the blend between comedy and action is deftly handed by Director TaiKa Waititi who never lets the film become a parody of itself nor take itself too seriously at times. He knows when there is a time to laugh and when there is a time to be deathly serious.
This allows for a deeper and more enjoyable and engaging Thor than has been previously seen. He is not as one-dimensional as he has been in the past as the strong, quick to anger muscle that I would love to see explored in further outings.
I had worried from the trailers that the movie might be more of a video game as it seemed heavily dependent on retro style CGI and camp humor which made it seem like something out of the 80s. While there are elements of that, the film mixes the old and new to create one of the most authentic and enjoyable comic adaptations seen to date. It continues the winning formula of Marvel Studios and of course, sets up the next outing for Thor in “Avengers: Infinity War” as well as the larger Marvel Universe as we a whole. The film also has some great cameos and I am curious to see how the addition of the newly introduced characters will be explored down the road. The return of Hiddleston was also a real treat as he is so good as the mercurial but always sly and dangerous Loki that he commands your complete attention every time he appears on screen.
Marvel has once again set very high standards for comic based movies and has again delivered another winner that you will not want to miss.
http://sknr.net/2017/11/01/thor-ragnarok-2/
With “Thor Ragnarok” Chris Hemsworth has returned for his third solo outing, and fifth outing overall as the heroic Asgardian warrior Thor.
This time out Thor is on his quest to track down the Infinity Stones and finds himself plagued by visions of Ragnarok: a legend detailing the fiery destruction of his home of Asgard.
With an action laden opening, Thor believes he has ended the threat and returns home to find his father Odin (Sir Anthony Hopkins), has been sent to Earth and his evil brother Loki (Tom Hiddleston) assuming his place.
Thor ventures to Earth with his brother which sets a series of events into motion, the result of which unleashes the long imprisoned Hela (Cate Blanchett), who plans the subjugation of Thor and Asgard. Naturally Thor is not going to put up with this, but finds himself mid battle knocked out of his transit home and on a remote world called Sakaar.
As if being stranded far from home is not enough of a challenge, Thor is forced to become a gladiator for the erratic Grandmaster (Jeff Goldblum), whom Loki has managed to charm and become a part of his inner circle.
As fate has it, Thor becomes matched with The Hulk (Mark Ruffalo), and must find a way to survive and make his way home before Hella can destroy all that he holds precious.
The film is the best of the Thor films and it is engaging from start to finish. There is a significant amount of humor in the film but it does not feel forced and is very appropriate to many of the scenes. The film also has plenty of action and the blend between comedy and action is deftly handed by Director TaiKa Waititi who never lets the film become a parody of itself nor take itself too seriously at times. He knows when there is a time to laugh and when there is a time to be deathly serious.
This allows for a deeper and more enjoyable and engaging Thor than has been previously seen. He is not as one-dimensional as he has been in the past as the strong, quick to anger muscle that I would love to see explored in further outings.
I had worried from the trailers that the movie might be more of a video game as it seemed heavily dependent on retro style CGI and camp humor which made it seem like something out of the 80s. While there are elements of that, the film mixes the old and new to create one of the most authentic and enjoyable comic adaptations seen to date. It continues the winning formula of Marvel Studios and of course, sets up the next outing for Thor in “Avengers: Infinity War” as well as the larger Marvel Universe as we a whole. The film also has some great cameos and I am curious to see how the addition of the newly introduced characters will be explored down the road. The return of Hiddleston was also a real treat as he is so good as the mercurial but always sly and dangerous Loki that he commands your complete attention every time he appears on screen.
Marvel has once again set very high standards for comic based movies and has again delivered another winner that you will not want to miss.
http://sknr.net/2017/11/01/thor-ragnarok-2/
Darren (1599 KP) rated Thor: The Dark World (2013) in Movies
Jul 25, 2019
Story: Thor: The Dark World starts as Thor (Hemsworth) must restore the power in Asgard after Loki’s (Hiddleston) actions, this has made him in the position he should be, waiting to take over his father Odin’s (Hopkins) role. Meanwhile on Earth Jane (Portman) is trying to move with her life, but in London she discovers an unusual series of events which ends up taking her to Elf world.
When Jane becomes cursed, Thor takes her to Asgard to find a cure, which gives Malekith (Eccleston) a chance to lead his army back into combat so he can return the universe back to darkness. Thor must turn to Loki t help him defeat Malekith and save the universe.
Thoughts on Thor: The Dark World
Characters – Thor is once again preparing to take his throne in Asgard, he has restored faith in the nine realms, but he still misses Jane. When she becomes cursed, he returns to Earth to save her, which only brings back an ancient enemy to the Asgardians in the Dark Elves, he must disobey his father once again to end the threat and save the woman he loves. Jane is trying to get on with her life now, her research has taken her to London where she is trying to get over Thor, her investigation sees her cursed and taken to Asgard to learn about Thor’s home world. Loki is locked up for his actions, after his mother is murdered, Thor turns to him for help to get vengeance. Malekith is the leader of the Dark Elves, he has waited for his chance to bring the universe into darkness once again, killing Frigga the mother of Thor.
Performances – Chris Hemsworth continues to make Thor one of the most entertaining character in the universe. Natalie Portman was known to not be interested in being in the film, it does show in her performance which does disappoint. Tom Hiddleston brings another dimension to his character here which is only going to make him a more loved character. Christopher Eccleston does give us a basic villain, one that is only after power and is mostly under make up, making his performance harder to judge.
Story – The story here follows Thor on his latest adventure, one where he must face an ancient enemy who wants to put the universe into darkness, while finally returning to Jane who has become cursed by the Dark Elves magic. This is another sequel that does address the previous films in the franchise by showing the hints the Thor and Loki could still rebuild their bond even after what Loki has done, we address forbidden relationships between Thor and Jane, have a villain that is obsessed with power, though isn’t the most three-dimensional and see Thor needing to learn more about his responsibilities as a potential king. This is everything you would expect a sequel to be in this universe.
Action/Fantasy – The action involved in this film is mostly big CGI chases sequences between spacecrafts, we do get Thor doing the hammer routine which works well enough for the film. the fantasy side of the film continues to build on the idea that the worlds above have been fighting longer than people could imagine with fresh enemies waiting in the shadows.
Settings – The film uses Asgard, the home world of the Dark Elves and London as the main settings, each has its own action sequences which also shows what Thor is fighting for.
Special Effects – The effects are not as strong as previous films, but we do get some very impressive scenes none the less, the certain moments of weakness do hold the marks up though,
Scene of the Movie – London battle.
That Moment That Annoyed Me – The villain isn’t as interesting as previous ones.
Final Thoughts – This is still an entertaining sequel, it might not be as strong as some of the previous films, but it entertains throughout.
Overall: Fantasy Filled Sequel.
When Jane becomes cursed, Thor takes her to Asgard to find a cure, which gives Malekith (Eccleston) a chance to lead his army back into combat so he can return the universe back to darkness. Thor must turn to Loki t help him defeat Malekith and save the universe.
Thoughts on Thor: The Dark World
Characters – Thor is once again preparing to take his throne in Asgard, he has restored faith in the nine realms, but he still misses Jane. When she becomes cursed, he returns to Earth to save her, which only brings back an ancient enemy to the Asgardians in the Dark Elves, he must disobey his father once again to end the threat and save the woman he loves. Jane is trying to get on with her life now, her research has taken her to London where she is trying to get over Thor, her investigation sees her cursed and taken to Asgard to learn about Thor’s home world. Loki is locked up for his actions, after his mother is murdered, Thor turns to him for help to get vengeance. Malekith is the leader of the Dark Elves, he has waited for his chance to bring the universe into darkness once again, killing Frigga the mother of Thor.
Performances – Chris Hemsworth continues to make Thor one of the most entertaining character in the universe. Natalie Portman was known to not be interested in being in the film, it does show in her performance which does disappoint. Tom Hiddleston brings another dimension to his character here which is only going to make him a more loved character. Christopher Eccleston does give us a basic villain, one that is only after power and is mostly under make up, making his performance harder to judge.
Story – The story here follows Thor on his latest adventure, one where he must face an ancient enemy who wants to put the universe into darkness, while finally returning to Jane who has become cursed by the Dark Elves magic. This is another sequel that does address the previous films in the franchise by showing the hints the Thor and Loki could still rebuild their bond even after what Loki has done, we address forbidden relationships between Thor and Jane, have a villain that is obsessed with power, though isn’t the most three-dimensional and see Thor needing to learn more about his responsibilities as a potential king. This is everything you would expect a sequel to be in this universe.
Action/Fantasy – The action involved in this film is mostly big CGI chases sequences between spacecrafts, we do get Thor doing the hammer routine which works well enough for the film. the fantasy side of the film continues to build on the idea that the worlds above have been fighting longer than people could imagine with fresh enemies waiting in the shadows.
Settings – The film uses Asgard, the home world of the Dark Elves and London as the main settings, each has its own action sequences which also shows what Thor is fighting for.
Special Effects – The effects are not as strong as previous films, but we do get some very impressive scenes none the less, the certain moments of weakness do hold the marks up though,
Scene of the Movie – London battle.
That Moment That Annoyed Me – The villain isn’t as interesting as previous ones.
Final Thoughts – This is still an entertaining sequel, it might not be as strong as some of the previous films, but it entertains throughout.
Overall: Fantasy Filled Sequel.
LeftSideCut (3778 KP) rated Thor (2011) in Movies
Jul 21, 2020
The first Thor film gets a bad wrap, and I think it's due to a combination of people forgetting just how good it is, and it perhaps being tarnished by it's underwhelming sequel, when in reality, Thor marks Marvel Studios first steps into more cosmic territory, a realm that was once deemed a little too silly for the general public, and pulls it off in style.
Firstly, translating the many characters of the Thor comic series is no easy feat. They all talk in a Shakespearean dialect, and have ridiculous costumes. The script though is fantastic. The Asgardian characters are still very bombastic, but when mixed with humans from Earth, it's becomes naturally comical. It doesn't feel corny, and somehow, it works very well.
As for the costumes, everyone just looks badass truth be told so hats off to the costume department.
Chris Hemsworth is the embodiment of Thor, and it's truly difficult to see anyone else in the role. He's charming, funny, and has just the right amount of god-like angst, and it's easy to see why he's become a firm favourite as the MCU has continued to expand.
The same goes for Tom Hiddleston as Loki. His portrayal of the God of Mischief is equal parts sinister, slimy, and sympathetic. He's the villain that you can't help but love and it's a testament to his performance that Loki has remained a mainstay in the MCU, a franchise that is often guilty of the one-and-done method when it comes to villains.
The cast is rounded out by a stellar lineup, including Natalie Portman, Anthony Hopkins, Rene Russo, Jaime Alexander, Stellan Skaragård, Idris Elba and even includes a bigger role for the always excellent Clark Gregg. This film also serves as the introduction of Jeremy Renner as Hawkeye, another MCU staple. It's a strong cast list without a doubt.
The action set pieces are all pretty fun, and the effects still just about hold up. I'd argue that Thor looks better than the first two Iron Man films in that respect. Asgard looks great as well.
Another thing I absolutely LOVE about Thor is the music score by Patrick Doyle. In terms of original orchestral music, it's probably by favourite within the MCU (possibly on par with Infinity War and Endgame) but it's fantastic, and gives me goosebumps every damn time I watch this movie
Thor is action packed, with a fantastic script and score, and a great cast with well fleshed out characters. Bringing Kenneth Branagh on board as director was a great choice, and overall, the film deserves way more love than it gets.
Ignoring the first Avengers movie, Thor is the crown jewel of phase one!
Firstly, translating the many characters of the Thor comic series is no easy feat. They all talk in a Shakespearean dialect, and have ridiculous costumes. The script though is fantastic. The Asgardian characters are still very bombastic, but when mixed with humans from Earth, it's becomes naturally comical. It doesn't feel corny, and somehow, it works very well.
As for the costumes, everyone just looks badass truth be told so hats off to the costume department.
Chris Hemsworth is the embodiment of Thor, and it's truly difficult to see anyone else in the role. He's charming, funny, and has just the right amount of god-like angst, and it's easy to see why he's become a firm favourite as the MCU has continued to expand.
The same goes for Tom Hiddleston as Loki. His portrayal of the God of Mischief is equal parts sinister, slimy, and sympathetic. He's the villain that you can't help but love and it's a testament to his performance that Loki has remained a mainstay in the MCU, a franchise that is often guilty of the one-and-done method when it comes to villains.
The cast is rounded out by a stellar lineup, including Natalie Portman, Anthony Hopkins, Rene Russo, Jaime Alexander, Stellan Skaragård, Idris Elba and even includes a bigger role for the always excellent Clark Gregg. This film also serves as the introduction of Jeremy Renner as Hawkeye, another MCU staple. It's a strong cast list without a doubt.
The action set pieces are all pretty fun, and the effects still just about hold up. I'd argue that Thor looks better than the first two Iron Man films in that respect. Asgard looks great as well.
Another thing I absolutely LOVE about Thor is the music score by Patrick Doyle. In terms of original orchestral music, it's probably by favourite within the MCU (possibly on par with Infinity War and Endgame) but it's fantastic, and gives me goosebumps every damn time I watch this movie
Thor is action packed, with a fantastic script and score, and a great cast with well fleshed out characters. Bringing Kenneth Branagh on board as director was a great choice, and overall, the film deserves way more love than it gets.
Ignoring the first Avengers movie, Thor is the crown jewel of phase one!
Gareth von Kallenbach (965 KP) rated Kong: Skull Island (2017) in Movies
Jun 19, 2019
The legendary King Kong returns in an all new adventure that gives the classic tale a much needed update and new setting. Unlike Perter Jackson’s retelling of the original Black and White film, “Kong: Skull Island” eschews the old for the new and in doing so breathes a much needed new life and vitality into the franchise.
The film is set in 1973 when William Randa (John Goodman), informs the government that they have detected a previously unknown island and need to investigate it before the Soviets learn of it and beat them to whatever the island my hold.
William recruits a team which includes a former British officer named James Conrad (Tom Hiddleston), and Photographer Mason Weaver (Brie Larson), to assist his team lead by Houston Brooks (Corey Hawkins), in mapping the island.
William also asks for a military escort and the government enlists Lt. Colonel Preston Packard (Samuel L. Jackson), and his team to accompany the mission. Packard is trying to find his place in the world as he and his helicopter combat team are dealing with the recent end of the Vietnam War. His men are looking forward to going home and resuming their lives, but a dour Packard jumps at the chance for another mission over the uncertainty of the future.
Upon arriving on the mysterious island and starting their survey mission by using seismic charges, the team attract the attention of Kong who is not at all pleased with the intrusion on his island. Kong makes short work of the copters and the team finds themselves scattered about the dangerous island. They soon learn that Kong is not the only danger on the island and must find a way to rejoin each other and make it to their extraction point alive.
Naturally some of the characters have a hidden agenda and there are dangerous and action around every corner. Further complicating matters is the appearance of Marlow (John C. Reilly), a downed WWII pilot who has been stranded on the island for 23 years and warns of dangers far greater than Kong that are ahead of the team.
The film combines a solid cast with state of the art special effects to take a new twist on the standard adventure fare. While many parts of the film remain silly Popcorn entertainment, the quality of the assembled cast allows the film to move beyond being just an assembly of potential victims for a menagerie of CGI creatures to dispatch.
While the story is more in lines with the linear and thin plots of adventure films of old, the sum of the parts does add up to an enjoyable film experience for those who like the giant creature films. You will want to make sure to stay after the credits as there is a very good scene that shows a setup for a future film that had those in attendance at our press screening cheering.
The film may be a bit intense for younger viewers but if you are looking for a touch of nostalgia and action, you may find the film just what you need.
http://sknr.net/2017/03/08/kong-skull-island/
The film is set in 1973 when William Randa (John Goodman), informs the government that they have detected a previously unknown island and need to investigate it before the Soviets learn of it and beat them to whatever the island my hold.
William recruits a team which includes a former British officer named James Conrad (Tom Hiddleston), and Photographer Mason Weaver (Brie Larson), to assist his team lead by Houston Brooks (Corey Hawkins), in mapping the island.
William also asks for a military escort and the government enlists Lt. Colonel Preston Packard (Samuel L. Jackson), and his team to accompany the mission. Packard is trying to find his place in the world as he and his helicopter combat team are dealing with the recent end of the Vietnam War. His men are looking forward to going home and resuming their lives, but a dour Packard jumps at the chance for another mission over the uncertainty of the future.
Upon arriving on the mysterious island and starting their survey mission by using seismic charges, the team attract the attention of Kong who is not at all pleased with the intrusion on his island. Kong makes short work of the copters and the team finds themselves scattered about the dangerous island. They soon learn that Kong is not the only danger on the island and must find a way to rejoin each other and make it to their extraction point alive.
Naturally some of the characters have a hidden agenda and there are dangerous and action around every corner. Further complicating matters is the appearance of Marlow (John C. Reilly), a downed WWII pilot who has been stranded on the island for 23 years and warns of dangers far greater than Kong that are ahead of the team.
The film combines a solid cast with state of the art special effects to take a new twist on the standard adventure fare. While many parts of the film remain silly Popcorn entertainment, the quality of the assembled cast allows the film to move beyond being just an assembly of potential victims for a menagerie of CGI creatures to dispatch.
While the story is more in lines with the linear and thin plots of adventure films of old, the sum of the parts does add up to an enjoyable film experience for those who like the giant creature films. You will want to make sure to stay after the credits as there is a very good scene that shows a setup for a future film that had those in attendance at our press screening cheering.
The film may be a bit intense for younger viewers but if you are looking for a touch of nostalgia and action, you may find the film just what you need.
http://sknr.net/2017/03/08/kong-skull-island/
Gareth von Kallenbach (965 KP) rated Thor (2011) in Movies
Aug 7, 2019
The latest Marvel comic based film has arrived and continues a trend of top-notch cinematic adaptations of Marvel characters. THOR stars Chris Hemsworth as the brash and bold Asgard warrior who is next in line for the kingdoms throne. His father Odin (Anthony Hopkins), has ruled the kingdom for many years and as such has been responsible for maintaining the peace for Asgard and all the other known realms. After being surprised by an incursion by an ancient enemy previously defeated by Odin, the God of Thunder leads a group of warriors on a mission of retribution against his father’s orders which soon has the Asgard people facing the spectre of war.
Instead of his planned coronation, Thor finds himself cast out of Asgard and forced to live as a mortal on Earth. Truly a fish out of water, the brash and arrogant Thor is befriended by scientist Jane Watson (Natalie Portman), the first person Thor encounters upon his arrival. Unsure of his true identity, Jane and her colleagues are drawn to the mysterious stranger despite his tales which, to the humans, are the stuff of ancient Norse legends.
While initially dismissed as a drifter, Thor soon gains the respect of Jane and her colleagues when he stands up to a mysterious government organization that has seized her work. Thor soon finds himself battling enemies on multiple fronts on both his present and former home where he must battle to regain his lost honor and status and prove himself the rightful leader of his people. What follows is a highly entertaining mix of action, comedy, and a touch of romance that sets the film apart from many of its peers.
Director Kenneth Branagh fleshes out the characters from their two-dimensional origins and paces the film well never allowing the elaborate effects or action sequences of the film to overshadow the characters or the story. J. Michael Straczynski used many of the lessons he learned as the creator of the Babylon 5 and in his recent work with Marvel comics to provide a character-driven story that is true to the source material while providing interweaving storylines and ever-changing characters.
The supporting cast was strong, especially Tom Hiddleston as Thor’s younger sibling Loki. The visuals of the film match the action perfectly as Asgard and some of the other realms are truly breathtaking. The only issue I had with the film was that, sadly, Paramount felt the need to use a post filming 3-D conversion on the film which in my opinion offered very little to the finished product. Had the film been shot with 3-D cameras it truly would’ve taken it to the next level but as it was actually done, the 3D conversion offers little to the visual experience.
Hemsworth commands the screen in every scene in which he appears. He is a charismatic presence that deftly walks the line between brash warrior and leader seeking redemption, who never lets his performance become cartoony or forced. I absolutely loved every part the film from beginning to end and in my opinion Thor has set the bar very high for the next series of comic book themed movies to aspire to and is not to be missed.
Instead of his planned coronation, Thor finds himself cast out of Asgard and forced to live as a mortal on Earth. Truly a fish out of water, the brash and arrogant Thor is befriended by scientist Jane Watson (Natalie Portman), the first person Thor encounters upon his arrival. Unsure of his true identity, Jane and her colleagues are drawn to the mysterious stranger despite his tales which, to the humans, are the stuff of ancient Norse legends.
While initially dismissed as a drifter, Thor soon gains the respect of Jane and her colleagues when he stands up to a mysterious government organization that has seized her work. Thor soon finds himself battling enemies on multiple fronts on both his present and former home where he must battle to regain his lost honor and status and prove himself the rightful leader of his people. What follows is a highly entertaining mix of action, comedy, and a touch of romance that sets the film apart from many of its peers.
Director Kenneth Branagh fleshes out the characters from their two-dimensional origins and paces the film well never allowing the elaborate effects or action sequences of the film to overshadow the characters or the story. J. Michael Straczynski used many of the lessons he learned as the creator of the Babylon 5 and in his recent work with Marvel comics to provide a character-driven story that is true to the source material while providing interweaving storylines and ever-changing characters.
The supporting cast was strong, especially Tom Hiddleston as Thor’s younger sibling Loki. The visuals of the film match the action perfectly as Asgard and some of the other realms are truly breathtaking. The only issue I had with the film was that, sadly, Paramount felt the need to use a post filming 3-D conversion on the film which in my opinion offered very little to the finished product. Had the film been shot with 3-D cameras it truly would’ve taken it to the next level but as it was actually done, the 3D conversion offers little to the visual experience.
Hemsworth commands the screen in every scene in which he appears. He is a charismatic presence that deftly walks the line between brash warrior and leader seeking redemption, who never lets his performance become cartoony or forced. I absolutely loved every part the film from beginning to end and in my opinion Thor has set the bar very high for the next series of comic book themed movies to aspire to and is not to be missed.
Movie Metropolis (309 KP) rated Thor: Ragnarok (2017) in Movies
Jun 10, 2019 (Updated Jun 10, 2019)
Utterly preposterous
Thor is arguably one of Marvel’s strongest characters. Played by the superb Chris Hemsworth since 2011, the God of thunder is one of the MCUs most popular assets.
It’s unfortunate then that he’s been lambasted with the weakest solo films of the entire series, the son of Odin really has deserved much better.
Thor’s inception in the first of his three solo outings was a competent if unremarkable origins story and the less said about Thor: The Dark World, which remains the poorest film of the entire MCU, the better. Now, just in time for Infinity War,Thor: Ragnarok rolls into cinemas. But does it do its leading man justice?Imprisoned on the other side of the universe, the mighty Thor (Hemsworth) finds himself in a deadly gladiatorial contest that pits him against the Hulk (Bruce Banner), his former ally and fellow Avenger. Thor’s quest for survival leads him in a race against time to prevent the all-powerful goddess of death, Hela, (Cate Blanchett) from destroying his home world and the Asgardian civilisation.
This third film for our mighty Avenger is really something. A film more akin to Guardians of the Galaxy than its overly stuffy predecessors. Director Taika Waititi in his first big-budget feature has managed what many had thought was impossible, he’s given Thor a rather brilliant movie.
But how? Well, he’s realised what no-one else has. The premise surrounding our titular hero is utterly ridiculous. Rather than shy away from that and create something serious, he’s embraced it with humour, music and my goodness, a lot of colour.
If you thought Guardians of the Galaxy used every colour on the spectrum, you ain’t seen nothing yet. Thor: Ragnarok is quite something to watch. From the gold-tipped spears of Asgard that glisten like never before, to the trash-topped planet of Sakaar, everything is dripping in colour.
“Casting Goldblum in the role of an immortal game-player really is an inspired choice.”
Speaking of Sakaar, it contains one of the MCUs best new additions: Jeff Goldbum. Sorry, I mean the Grandmaster. Casting Goldblum in the role of an immortal game-player really is an inspired choice. The 65-year-old legend has made a career on playing himself and it works exceptionally well here. His improvisation is absolutely spot on.
Ragnarok throws up a few other surprises too. One being that Chris Hemsworth is absolutely hilarious. He and Tom Hiddleston bounce off each other incredibly well and we see real chemistry – the chemistry that should have been evident from the start. Cate Blanchett also turns the cheese up to 11 as the latest throwaway Marvel villain, Hela.
She fares better than the majority of Marvel villains and is certainly more interesting than Christopher Eccelston’s, Malekith, but they never quite make the impact that the scriptwriters were clearly looking for. Nevertheless, Blanchett is excellent.
Thankfully, Thor: Ragnarok doesn’t suffer from the absence of Natalie Portman’s dull Jane Foster, and though she is referenced early on, newcomer Tessa Thompson as Valkyrie provides a fitting replacement and possible future love-interest for our intrepid hero.
Unfortunately, it’s not all good news. Surprisingly the first 30 minutes feel incredibly rushed as numerous loose storylines are brought together and the improvised nature of the script lends itself to a little too much humour. Yes, we get it, Marvel films are funny, but this should not be at the expense of the more emotional sequences that the movie tries to put across.
Nevertheless, Thor: Ragnarok is a resounding success, created by a man who clearly has a passion for this corner of the MCU. He manages to make an absolutely preposterous film – and that’s exactly how Thor should be. Take a bow Mr. Waititi.
A little tip – there are two end credit sequences waiting for you. You’re welcome.
https://moviemetropolis.net/2017/10/26/thor-ragnarok-review/
It’s unfortunate then that he’s been lambasted with the weakest solo films of the entire series, the son of Odin really has deserved much better.
Thor’s inception in the first of his three solo outings was a competent if unremarkable origins story and the less said about Thor: The Dark World, which remains the poorest film of the entire MCU, the better. Now, just in time for Infinity War,Thor: Ragnarok rolls into cinemas. But does it do its leading man justice?Imprisoned on the other side of the universe, the mighty Thor (Hemsworth) finds himself in a deadly gladiatorial contest that pits him against the Hulk (Bruce Banner), his former ally and fellow Avenger. Thor’s quest for survival leads him in a race against time to prevent the all-powerful goddess of death, Hela, (Cate Blanchett) from destroying his home world and the Asgardian civilisation.
This third film for our mighty Avenger is really something. A film more akin to Guardians of the Galaxy than its overly stuffy predecessors. Director Taika Waititi in his first big-budget feature has managed what many had thought was impossible, he’s given Thor a rather brilliant movie.
But how? Well, he’s realised what no-one else has. The premise surrounding our titular hero is utterly ridiculous. Rather than shy away from that and create something serious, he’s embraced it with humour, music and my goodness, a lot of colour.
If you thought Guardians of the Galaxy used every colour on the spectrum, you ain’t seen nothing yet. Thor: Ragnarok is quite something to watch. From the gold-tipped spears of Asgard that glisten like never before, to the trash-topped planet of Sakaar, everything is dripping in colour.
“Casting Goldblum in the role of an immortal game-player really is an inspired choice.”
Speaking of Sakaar, it contains one of the MCUs best new additions: Jeff Goldbum. Sorry, I mean the Grandmaster. Casting Goldblum in the role of an immortal game-player really is an inspired choice. The 65-year-old legend has made a career on playing himself and it works exceptionally well here. His improvisation is absolutely spot on.
Ragnarok throws up a few other surprises too. One being that Chris Hemsworth is absolutely hilarious. He and Tom Hiddleston bounce off each other incredibly well and we see real chemistry – the chemistry that should have been evident from the start. Cate Blanchett also turns the cheese up to 11 as the latest throwaway Marvel villain, Hela.
She fares better than the majority of Marvel villains and is certainly more interesting than Christopher Eccelston’s, Malekith, but they never quite make the impact that the scriptwriters were clearly looking for. Nevertheless, Blanchett is excellent.
Thankfully, Thor: Ragnarok doesn’t suffer from the absence of Natalie Portman’s dull Jane Foster, and though she is referenced early on, newcomer Tessa Thompson as Valkyrie provides a fitting replacement and possible future love-interest for our intrepid hero.
Unfortunately, it’s not all good news. Surprisingly the first 30 minutes feel incredibly rushed as numerous loose storylines are brought together and the improvised nature of the script lends itself to a little too much humour. Yes, we get it, Marvel films are funny, but this should not be at the expense of the more emotional sequences that the movie tries to put across.
Nevertheless, Thor: Ragnarok is a resounding success, created by a man who clearly has a passion for this corner of the MCU. He manages to make an absolutely preposterous film – and that’s exactly how Thor should be. Take a bow Mr. Waititi.
A little tip – there are two end credit sequences waiting for you. You’re welcome.
https://moviemetropolis.net/2017/10/26/thor-ragnarok-review/
MichaelS (0 KP) rated Thor: Ragnarok (2017) in Movies
Feb 20, 2018
Thor has always been the red headed stepchild of the Marvel Cinematic Universe. He's there, but nobody really seems to care all that much. His presence in the Avengers films is always more in the background, and his solo movies have been mediocre at best. Nothing that warrants more than one viewing. Now, with a healthy dose of Flash Gordon flair, Thor finally gets a movie that elevates this particular branch of the MCU to good, popcorn fun.
Visually, the movie is splendid. Bright colors and sweeping visuals create great backgrounds and settings. The hand to hand fights are impactful, and a aerial chase scene is exciting, and well shot. The music smacks of 70's science fiction, and 80's action movies, giving it a very retro feel. And the director is obviously a big fan of Led Zeppelin's "Immigrant Song". It's used in 2 fight scenes, which seems redundant, as Kiss' "God Of Thunder", or AC/DC's "Thunderstruck" would've been welcome additions.
But the film suffers from the same shortcomings as most other Marvel movies. First, the over reliance on humor continues to be crutch for the entire MCU. Way too often, the plot stops dead in it's track to tell a joke, and humor is injected into serious situations, completely erasing any feeling of something actually being at stake. After all, if the characters are cracking jokes, what they're fighting for must not be that important.
Once again, Marvel shits the bed when it comes to having a threatening villain. As Hela, Cate Blanchett is a step up from the useless villains Marvel usually produces, but even so, we're never really sure what exactly she's after. And when Thor devises a plan to stop her, it seemed to me that plan was simply doing Hela was out to accomplish in the first place. Other than that, she talks slow, walks, slow, and flicks her wrists a lot for various reasons.
The biggest problem with this movie is indicative of the entire MCU at this point. These movies simply can not stand on their own. They're so dependent on the viewer having seen all the other Marvel movies, that you'll be lost on many plot points if you go into this movie cold. Cameos by characters from other Marvel movies serve no point, other than to remind you that this movie is a part of a "cinematic universe"...two words, and a concept, I'd be glad to never deal with again.
Chris Hemsworth is solid as Thor, but he's always been rather unremarkable in the role. He does have a good chemistry with Mark Ruffalo's Bruce Banner/Hulk, but it's never really explained how Hulk was suddenly able to be such a chatterbox. Tessa Thompson is a welcome addition as Valkyrie. She has more layers to her character than any other in the movie, and looks great in tight leather. Tom Hiddleston is back...again...as Loki. It's never a good thing when the villain of your movie is more popular than the hero, and this movie completes Loki's transformation into full blown good guy. So, there's that.
All that being said, the movie is undeniable fun. It's has a very retro, Flash Gordon feel to it. Right down to a synthesized musical score that is a mixture of 70's science fiction, and 80's action movies. The action consists mostly of hand to hand fights, and for the most part, they're done very well. The final "three fights at once" scenario is reminiscent of movies like Return Of The Jedi, where the effects of all separate fights merge into one.
It's a fun, popcorn movie, and a major step up from the first two Thor movies. It's nothing great, or even memorable. But there's enough here to warrant additional viewings, and that's a first for this branch of the Marvel franchise.
Visually, the movie is splendid. Bright colors and sweeping visuals create great backgrounds and settings. The hand to hand fights are impactful, and a aerial chase scene is exciting, and well shot. The music smacks of 70's science fiction, and 80's action movies, giving it a very retro feel. And the director is obviously a big fan of Led Zeppelin's "Immigrant Song". It's used in 2 fight scenes, which seems redundant, as Kiss' "God Of Thunder", or AC/DC's "Thunderstruck" would've been welcome additions.
But the film suffers from the same shortcomings as most other Marvel movies. First, the over reliance on humor continues to be crutch for the entire MCU. Way too often, the plot stops dead in it's track to tell a joke, and humor is injected into serious situations, completely erasing any feeling of something actually being at stake. After all, if the characters are cracking jokes, what they're fighting for must not be that important.
Once again, Marvel shits the bed when it comes to having a threatening villain. As Hela, Cate Blanchett is a step up from the useless villains Marvel usually produces, but even so, we're never really sure what exactly she's after. And when Thor devises a plan to stop her, it seemed to me that plan was simply doing Hela was out to accomplish in the first place. Other than that, she talks slow, walks, slow, and flicks her wrists a lot for various reasons.
The biggest problem with this movie is indicative of the entire MCU at this point. These movies simply can not stand on their own. They're so dependent on the viewer having seen all the other Marvel movies, that you'll be lost on many plot points if you go into this movie cold. Cameos by characters from other Marvel movies serve no point, other than to remind you that this movie is a part of a "cinematic universe"...two words, and a concept, I'd be glad to never deal with again.
Chris Hemsworth is solid as Thor, but he's always been rather unremarkable in the role. He does have a good chemistry with Mark Ruffalo's Bruce Banner/Hulk, but it's never really explained how Hulk was suddenly able to be such a chatterbox. Tessa Thompson is a welcome addition as Valkyrie. She has more layers to her character than any other in the movie, and looks great in tight leather. Tom Hiddleston is back...again...as Loki. It's never a good thing when the villain of your movie is more popular than the hero, and this movie completes Loki's transformation into full blown good guy. So, there's that.
All that being said, the movie is undeniable fun. It's has a very retro, Flash Gordon feel to it. Right down to a synthesized musical score that is a mixture of 70's science fiction, and 80's action movies. The action consists mostly of hand to hand fights, and for the most part, they're done very well. The final "three fights at once" scenario is reminiscent of movies like Return Of The Jedi, where the effects of all separate fights merge into one.
It's a fun, popcorn movie, and a major step up from the first two Thor movies. It's nothing great, or even memorable. But there's enough here to warrant additional viewings, and that's a first for this branch of the Marvel franchise.
Gareth von Kallenbach (965 KP) rated Thor: The Dark World (2013) in Movies
Jun 19, 2019
Marvel Studios has certainly been on a roll in recent years with a string of successful film adaptations of their popular comic book series. The recent overwhelming worldwide successes for “The Avengers”, and “Iron Man 3”, which topped $1 billion each globally has certainly raised the bar for their next cinematic offerings.
“Thor: The Dark World”, is poised to carry on the success of the Marvel film franchise as it successfully mixes action and character form the rare sequel that is better than the film that spawned it.
Chris Hemsworth once again stars as the title character who has been spending his time clearing up discord on the planets of the Nine Realms following his outing with The Avengers.
With peace at hand, his father Odin, (Sir Anthony Hopkins), believes the time is right for Thor to prepare for his reign as king of Asgard and protector of the realms.
Thor is not ready to embrace his destiny as his mind and heart are focused on Jane Foster (Natalie Portman), we has not seen since the events of the first film. His father warns him that a mortal is not suited to be his future queen and suggest that his fellow warrior Sif (Jaimie Alexander), would be far more suitable.
To further complicate matters Thor’s treacherous brother Loki (Tom Hiddleston), is seething at the prospect of spending eternity in captivity for his past crimes which only furthers his desire for power and revenge.
While all of this would be enough to keep Thor very busy, a new threat has arisen from the past that threatens to destroy the known universe. A powerful force known as the Aether which had been hidden by Thor’s grandfather has emerged and is drawn the attention of a Dark Elf named Malekith (Christopher Eccleston), who has been hiding away for centuries from those who believed him to be dead.
Malekith wants to take advantage of a pending convergence of the realms to use the supernatural power for his own purposes and in doing so destroy and subjugate all those who are before him. Fate intervenes and brings Jane and Thor together again just as the enemy forces arrived to ransack Asgard.
Faced with a battle against time not only to protect his beloved homeland but to save the known universe, Thor must work with his treacherous brother Loki in a race against time to save the day.
There are plenty of action sequences that follow and the visual effects are quite good even though the film is presented in converted 3-D after being shot in a standard format. The leads are fantastic and truly seem to have a grasp of their characters and the supporting work especially that of Kat Dennings much-needed comic relief is a very nice mix.
The only issue I had with the film other than the converted 3-D, was that the enemy while menacing did not seem to be one of the larger-than-life enemies that one has come to expect from a Marvel film. While certainly dangerous and menacing, there almost seemed to be an air of and confidence about the character as it was clear that he was simply biting off more than he could handle with the forces that were available to him.
That being said the film was extremely enjoyable as were the two bonus scenes that play during the middle of and the end of the credits.
While it may not went over box offices to the level of the two previous Marvel outings, Director Alan Taylor keeps things moving at a steady clip and the film nor the characters do not overstay their welcome.
With another Avengers movie on the horizon and a promise that Thor will return, fans can definitely enjoy this latest offering and look forward to the future for this promising series.
http://sknr.net/2013/11/08/thor-the-dark-world/
“Thor: The Dark World”, is poised to carry on the success of the Marvel film franchise as it successfully mixes action and character form the rare sequel that is better than the film that spawned it.
Chris Hemsworth once again stars as the title character who has been spending his time clearing up discord on the planets of the Nine Realms following his outing with The Avengers.
With peace at hand, his father Odin, (Sir Anthony Hopkins), believes the time is right for Thor to prepare for his reign as king of Asgard and protector of the realms.
Thor is not ready to embrace his destiny as his mind and heart are focused on Jane Foster (Natalie Portman), we has not seen since the events of the first film. His father warns him that a mortal is not suited to be his future queen and suggest that his fellow warrior Sif (Jaimie Alexander), would be far more suitable.
To further complicate matters Thor’s treacherous brother Loki (Tom Hiddleston), is seething at the prospect of spending eternity in captivity for his past crimes which only furthers his desire for power and revenge.
While all of this would be enough to keep Thor very busy, a new threat has arisen from the past that threatens to destroy the known universe. A powerful force known as the Aether which had been hidden by Thor’s grandfather has emerged and is drawn the attention of a Dark Elf named Malekith (Christopher Eccleston), who has been hiding away for centuries from those who believed him to be dead.
Malekith wants to take advantage of a pending convergence of the realms to use the supernatural power for his own purposes and in doing so destroy and subjugate all those who are before him. Fate intervenes and brings Jane and Thor together again just as the enemy forces arrived to ransack Asgard.
Faced with a battle against time not only to protect his beloved homeland but to save the known universe, Thor must work with his treacherous brother Loki in a race against time to save the day.
There are plenty of action sequences that follow and the visual effects are quite good even though the film is presented in converted 3-D after being shot in a standard format. The leads are fantastic and truly seem to have a grasp of their characters and the supporting work especially that of Kat Dennings much-needed comic relief is a very nice mix.
The only issue I had with the film other than the converted 3-D, was that the enemy while menacing did not seem to be one of the larger-than-life enemies that one has come to expect from a Marvel film. While certainly dangerous and menacing, there almost seemed to be an air of and confidence about the character as it was clear that he was simply biting off more than he could handle with the forces that were available to him.
That being said the film was extremely enjoyable as were the two bonus scenes that play during the middle of and the end of the credits.
While it may not went over box offices to the level of the two previous Marvel outings, Director Alan Taylor keeps things moving at a steady clip and the film nor the characters do not overstay their welcome.
With another Avengers movie on the horizon and a promise that Thor will return, fans can definitely enjoy this latest offering and look forward to the future for this promising series.
http://sknr.net/2013/11/08/thor-the-dark-world/