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Gareth von Kallenbach (980 KP) rated Honest Thief (2020) in Movies
Oct 13, 2020
Tom (Liam Neeson) is a long-time bank robber eager to put his past behind him in the new film “Honest Thief”. A circumstance forced Tom to decide to strike back at the establishment following a career in ordinance in the military and has found he has a real talent for blowing safes and making away with millions of dollars over several years.
The Feds have been unable to stop him and regularly field numerous calls from people claiming to be responsible in order to gain attention. So when Tom calls Agent Sam Baker (Robert Patrick) and his partner Agent Meyers (Jeffrey Donovan); his claims are met with skepticism.
Tom has fallen in love with an aspiring Psychologist he met while renting a storage facility and he is eager to start a new and honest life with Annie (Kate Walsh). Tom offers to return all nine million dollars that he has stolen in term for a light sentence at a minimum security locale near Boston so Annie can visit him frequently.
Unwilling to accept that Tom is who he says he is, the agents dispatch Agents Nivens (Jai Courtney) and Agent Hall (Anthony Ramos); to interview Tom and check out his story. Tom offers to tell them where the money is in order to prove his claims. When several boxes of cash are discovered in storage; Nivens decides to take the money and pressures Hall into going along with it despite his reservations.
Nivens them attempts to eliminate Tom but in doing so kills Agent Baker who has shown up unexpectedly. Tom is now framed for a murder he did not commit and forced to flee in order to try to clear his name and make good on his initial offer to turn himself in.
Nivens is not willing to stop there and escalates his level of corruption and danger including threats on Hall and his family to ensure his compliance and silence.
As anyone who has ever seen a Liam Neeson film in the last ten years or so can deduce his character is motivated by events that follows and with his expert knowledge of explosives looks to strike back at Nivens and ensure justice is served.
While the film may be a bit slower paced in some areas than fans of Neeson may expect; he turns in a satisfying performance as a sort of modern day Robin Hood.
Tom is a man who does not make excuses for his actions and is willing to pay the price for them but believes he was justified in what he did and the reasons behind them.
The supporting cast is solid and while the film does have some real gaps in logic which must be suspended to make the story work; it does entertain.
In the end “Honest Thief” provides enough enjoyment to make it worth your time and shows that Neeson still can deliver what fans have come to expect from him.
3.5 stars out of 5
The Feds have been unable to stop him and regularly field numerous calls from people claiming to be responsible in order to gain attention. So when Tom calls Agent Sam Baker (Robert Patrick) and his partner Agent Meyers (Jeffrey Donovan); his claims are met with skepticism.
Tom has fallen in love with an aspiring Psychologist he met while renting a storage facility and he is eager to start a new and honest life with Annie (Kate Walsh). Tom offers to return all nine million dollars that he has stolen in term for a light sentence at a minimum security locale near Boston so Annie can visit him frequently.
Unwilling to accept that Tom is who he says he is, the agents dispatch Agents Nivens (Jai Courtney) and Agent Hall (Anthony Ramos); to interview Tom and check out his story. Tom offers to tell them where the money is in order to prove his claims. When several boxes of cash are discovered in storage; Nivens decides to take the money and pressures Hall into going along with it despite his reservations.
Nivens them attempts to eliminate Tom but in doing so kills Agent Baker who has shown up unexpectedly. Tom is now framed for a murder he did not commit and forced to flee in order to try to clear his name and make good on his initial offer to turn himself in.
Nivens is not willing to stop there and escalates his level of corruption and danger including threats on Hall and his family to ensure his compliance and silence.
As anyone who has ever seen a Liam Neeson film in the last ten years or so can deduce his character is motivated by events that follows and with his expert knowledge of explosives looks to strike back at Nivens and ensure justice is served.
While the film may be a bit slower paced in some areas than fans of Neeson may expect; he turns in a satisfying performance as a sort of modern day Robin Hood.
Tom is a man who does not make excuses for his actions and is willing to pay the price for them but believes he was justified in what he did and the reasons behind them.
The supporting cast is solid and while the film does have some real gaps in logic which must be suspended to make the story work; it does entertain.
In the end “Honest Thief” provides enough enjoyment to make it worth your time and shows that Neeson still can deliver what fans have come to expect from him.
3.5 stars out of 5
Matthew Krueger (10051 KP) rated In Search of Darkness (2019) in Movies
Aug 19, 2020
The 80's Were The Best
In Search of Darkness- is a excellent horror documentary that goes through the 80's and takes about horror movies that were released each year and how their impacted today's horror. In this 4hr and 30min documentary it takes its time which each year and the movies that their talked about. I got to mention the interviews. Horror Icons like: Tom Atkins, John Carpenter, Doug Bradley, Jeffrey Combs, Joe Dante, Kane Hodder, Tom Holland, Heather Langenkamp, Don Mancini, Bill Moseley and more. I love the interviews and the movies that their talk about, their have the love for them, even though some were bad their still liked them. Thanks to these horror movies we have these modern horror movies. The 80's inspered these modern horror films. And you can tell by just watching a mordern horror film. The 80's were the best times for horror films. Their was so much that came out in 80's. I highly recordmend watching this documentary.
LeftSideCut (3778 KP) rated In Search of Darkness (2019) in Movies
Aug 12, 2020
In short, In Search of Darkness is a must watch for any horror fan.
It's 4+ hour runtime is a gushing love letter to 80s horror, covering the decade year by year, with interviews from an impressive cast of genre icons - John Carpenter, Larry Cohen, Joe Dante, Barbara Crampton, Doug Bradley, Tom Atkins, Lori Cardille, Nick Castle, Jeffrey Combs, Kane Hodder, Tom Holland, Heather Langenkamp, Don Mancini, Cassandra Peterson, Caroline Williams, Brian Yuzner, and many more!
The documentary doesn't break any new ground, truth be told, but it's hard to not to appreciate all of these films being covered in one place. The sheer amount of titles discussed is pretty vast.
It's put together nicely as well. Old grainy film trailers tend to set the tone of each entry, but all of the footage shown is crystal clear and HD. The graphics are eye catching, with classic one sheets on display throughout, and it's all set too a great synth soundtrack courtesy of Weary Pines.
Really worth checking out - I split my viewing over a few nights and was honestly gutted when I had none left to watch. Director David A. Weiner did a great job with this documentary, and has a second one coming next year entitled In Search of Tomorrow, focusing on the Sci-Fi films of the 80s, and I can't wait to see it!
It's 4+ hour runtime is a gushing love letter to 80s horror, covering the decade year by year, with interviews from an impressive cast of genre icons - John Carpenter, Larry Cohen, Joe Dante, Barbara Crampton, Doug Bradley, Tom Atkins, Lori Cardille, Nick Castle, Jeffrey Combs, Kane Hodder, Tom Holland, Heather Langenkamp, Don Mancini, Cassandra Peterson, Caroline Williams, Brian Yuzner, and many more!
The documentary doesn't break any new ground, truth be told, but it's hard to not to appreciate all of these films being covered in one place. The sheer amount of titles discussed is pretty vast.
It's put together nicely as well. Old grainy film trailers tend to set the tone of each entry, but all of the footage shown is crystal clear and HD. The graphics are eye catching, with classic one sheets on display throughout, and it's all set too a great synth soundtrack courtesy of Weary Pines.
Really worth checking out - I split my viewing over a few nights and was honestly gutted when I had none left to watch. Director David A. Weiner did a great job with this documentary, and has a second one coming next year entitled In Search of Tomorrow, focusing on the Sci-Fi films of the 80s, and I can't wait to see it!
Bob Mann (459 KP) rated Honest Thief (2020) in Movies
Dec 3, 2020
Chemistry between Neeson and Walsh (1 more)
Great cinematography around a scenic Boston
As discussed in my One Mann's Movies review of "Cold Pursuit", Liam Neeson has had a rather rocky PR road of late. But - unlike Kevin Spacey - he is clearly not being put on the naughty step by Hollywood, since he is filming/announced for five other features at the time of writing. His latest release - "Honest Thief" - has Mark Williams directing and co-writing (with Steve Allrich), and sees Neeson back on VERY familiar territory in an exciting and sometimes violent thriller.
The nice concept behind the story sees Tom (Liam Neeson) as a hugely successful bank robber meeting the love of his life in Annie (Kate Walsh) and committing to jack it all in for love. Furthermore, not wishing to have to live with the deception and guilt of his hidden life, he determines to hand himself over to the FBI, along with the $9 million stolen cash, in return for a lenient sentence.
There's a problem though: he's about the fifteenth person calling the FBI claiming to be the "In and Out burgler", so no-one wants to take him seriously. Boston area chief Sam Baker (Robert Patrick - the "Terminator" cop!) and his deputy Meyers (Jeffrey Donovan) casually put it on the "to-do" pile of agents Nivens (Jai Courtney) and Hall (Anthony Ramos).
The best laid plans run off the rails in a big way though when Nivens and Hall investigate and find that Tom is the real deal.
The concept here works nicely for a thriller, but the rest of the script is so formulaic that it's fairly and squarely a 'park your brain in the foyer' movie. For several of the actions and motives going on here, suspension of disbelief was required . Even given the limited competition in 2020, the script is in no way going to trouble the Academy.
All that being said, Mark Williams has put together a tight and well-executed movie, not outstaying its welcome at only 99 minutes long. Even with the 15 year age difference, Neeson and Walsh make a believable couple (given that Neeson looks pretty good for his 68 years) and the chemistry between them is great. And for a pretty 'small' movie, the supporting cast is pretty impressive.
Another standout for me was the cinematography by Shelly Johnson (whose had a busy year with the latest "Bill and Ted" and "Greyhound" under his belt). Boston - always a great movie location - looks spectacular, and the framing of the car chase action impressed me.
For me, there was only one really dodgy element of the movie: the special effects used in a house explosion/fire. The budget clearly didn't stretch to using practical effects! More work on Adobe "After Effects" (or similar) was required here!
Is Honest Thief worth seeing? - My expectations for this movie were pretty low. But I'm pleased to say that they were exceeded. Is it a masterpiece? No. Will I readily remember much about it in six month's time? No. But in rather a desert of new releases, this one was at least entertaining and I think it's worth the ticket price for a long overdue night out at the flicks. I'm willing to guess that my feelings were partially influenced by the sheer joy of being back in a cinema again... so I will temper my rating perhaps by a star here.
(For the full graphical review, please check out One Mann's Movies here - https://rb.gy/9kcnr5. Thanks.)
The nice concept behind the story sees Tom (Liam Neeson) as a hugely successful bank robber meeting the love of his life in Annie (Kate Walsh) and committing to jack it all in for love. Furthermore, not wishing to have to live with the deception and guilt of his hidden life, he determines to hand himself over to the FBI, along with the $9 million stolen cash, in return for a lenient sentence.
There's a problem though: he's about the fifteenth person calling the FBI claiming to be the "In and Out burgler", so no-one wants to take him seriously. Boston area chief Sam Baker (Robert Patrick - the "Terminator" cop!) and his deputy Meyers (Jeffrey Donovan) casually put it on the "to-do" pile of agents Nivens (Jai Courtney) and Hall (Anthony Ramos).
The best laid plans run off the rails in a big way though when Nivens and Hall investigate and find that Tom is the real deal.
The concept here works nicely for a thriller, but the rest of the script is so formulaic that it's fairly and squarely a 'park your brain in the foyer' movie. For several of the actions and motives going on here, suspension of disbelief was required . Even given the limited competition in 2020, the script is in no way going to trouble the Academy.
All that being said, Mark Williams has put together a tight and well-executed movie, not outstaying its welcome at only 99 minutes long. Even with the 15 year age difference, Neeson and Walsh make a believable couple (given that Neeson looks pretty good for his 68 years) and the chemistry between them is great. And for a pretty 'small' movie, the supporting cast is pretty impressive.
Another standout for me was the cinematography by Shelly Johnson (whose had a busy year with the latest "Bill and Ted" and "Greyhound" under his belt). Boston - always a great movie location - looks spectacular, and the framing of the car chase action impressed me.
For me, there was only one really dodgy element of the movie: the special effects used in a house explosion/fire. The budget clearly didn't stretch to using practical effects! More work on Adobe "After Effects" (or similar) was required here!
Is Honest Thief worth seeing? - My expectations for this movie were pretty low. But I'm pleased to say that they were exceeded. Is it a masterpiece? No. Will I readily remember much about it in six month's time? No. But in rather a desert of new releases, this one was at least entertaining and I think it's worth the ticket price for a long overdue night out at the flicks. I'm willing to guess that my feelings were partially influenced by the sheer joy of being back in a cinema again... so I will temper my rating perhaps by a star here.
(For the full graphical review, please check out One Mann's Movies here - https://rb.gy/9kcnr5. Thanks.)
BankofMarquis (1832 KP) rated Asteroid City (2023) in Movies
Jun 30, 2023
Too "Wes Anderson" For It's Own Good
If you watched the Oscar Nominated Wes Anderson film THE GRAND BUDAPEST HOTEL back in 2014 and thought to yourself - “I want more of this type of thing - only turned up to 11”, then does the BankofMarquis have a film for you.
ASTEROID CITY is the most Wes Anderson film that Wes Anderson has ever filmed.
It is up to you to decide whether that’s a good or bad thing.
A movie within a play within a narration (yes, it’s that “meta”), ASTEROID CITY tells the tale of a group of folks congregating in a timeframe that seems to scream “1950’s America” in a very small, isolated Southwestern American town that seems to scream “Los Alamos, New Mexico” and the life, loves, adventures - and wry comments of the events therein - that these folks encounter/endure all wrapped up in the pastel colored, dry-pan delivered style that has become the signature of a Wes Anderson film.
Populated - as is always the case these days with a Wes Anderson film - by a veritable who’s who of actors who seem to be in on the joke - or at least want to appear that they are part of the “cool kids club”. Names like Anderson regulars Jason Schwartzman, Liev Schrieber, Willem Dafoe and Ed Norton mix in with Anderson newcomers like Tom Hanks, Steve Carrell and Scarlett Johansson succeed more than they fail, but the film falls down from the heights of THE GRAND BUDAPEST HOTEL by becoming “too cute” for it’s own good.
Central to the story is the relationship between Schwartzman’s War Photographer and Johansson’s movie star but this relationship fails to draw the audience in because of the presentational, deadpan style of Anderson’s delivery of the material. Same goes for Hanks’ portrayal of Schwartzman’s father, Carrell’s portrayal of the Motel Manager and Schrieber’s portrayal of another parent at the hotel.
Jeffrey Wright and Tilda Swinton are the most successful of the players as their characters are aloof and mysterious - and the style that Anderson throws at this film leans towards these types of characters…but it leaves the audience at arms’ length.
Special notice should be made of Margot Robbie’s one scene as her character is spoken of, but not seen…until she is.. and her scene is the most interesting in the film.
And…the BankofMarquis hasn’t even mentioned Edward Norton’s playwright (who writes the play that this movie is based on) and Adrian Brody as the Director of the play. The are brought on screen from time to time to archly comment and/or explain the goings-on.
This being an Anderson film, the visuals are stunning and original (but, ironically, familiar to Wes Anderson regulars) and this is the main reason to see this film, it is visually rich and interesting…and different…of a film to look at.
But…Wes Anderson needed to lean away (not into) being…Wes Anderson.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
ASTEROID CITY is the most Wes Anderson film that Wes Anderson has ever filmed.
It is up to you to decide whether that’s a good or bad thing.
A movie within a play within a narration (yes, it’s that “meta”), ASTEROID CITY tells the tale of a group of folks congregating in a timeframe that seems to scream “1950’s America” in a very small, isolated Southwestern American town that seems to scream “Los Alamos, New Mexico” and the life, loves, adventures - and wry comments of the events therein - that these folks encounter/endure all wrapped up in the pastel colored, dry-pan delivered style that has become the signature of a Wes Anderson film.
Populated - as is always the case these days with a Wes Anderson film - by a veritable who’s who of actors who seem to be in on the joke - or at least want to appear that they are part of the “cool kids club”. Names like Anderson regulars Jason Schwartzman, Liev Schrieber, Willem Dafoe and Ed Norton mix in with Anderson newcomers like Tom Hanks, Steve Carrell and Scarlett Johansson succeed more than they fail, but the film falls down from the heights of THE GRAND BUDAPEST HOTEL by becoming “too cute” for it’s own good.
Central to the story is the relationship between Schwartzman’s War Photographer and Johansson’s movie star but this relationship fails to draw the audience in because of the presentational, deadpan style of Anderson’s delivery of the material. Same goes for Hanks’ portrayal of Schwartzman’s father, Carrell’s portrayal of the Motel Manager and Schrieber’s portrayal of another parent at the hotel.
Jeffrey Wright and Tilda Swinton are the most successful of the players as their characters are aloof and mysterious - and the style that Anderson throws at this film leans towards these types of characters…but it leaves the audience at arms’ length.
Special notice should be made of Margot Robbie’s one scene as her character is spoken of, but not seen…until she is.. and her scene is the most interesting in the film.
And…the BankofMarquis hasn’t even mentioned Edward Norton’s playwright (who writes the play that this movie is based on) and Adrian Brody as the Director of the play. The are brought on screen from time to time to archly comment and/or explain the goings-on.
This being an Anderson film, the visuals are stunning and original (but, ironically, familiar to Wes Anderson regulars) and this is the main reason to see this film, it is visually rich and interesting…and different…of a film to look at.
But…Wes Anderson needed to lean away (not into) being…Wes Anderson.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
Gareth von Kallenbach (980 KP) rated Hellboy II: The Golden Army (Hellboy 2) (2008) in Movies
Aug 14, 2019
Hollywood is often littered with decisions that in hindsight seem to be utterly insane. For all of the big budgeted films that go on to do huge business, there are films such as “Waterworld”, “Howard The Duck”, “Hudson Hawk”, and countless others that make you scratch your head and wonder who thought they were worth the investment of millions of dollars that were needed to bring them to the big screen.
One such decision that will undoubtedly look bad with the passage of time, was the decision for Columbia not to continue the “Hellboy” film series and allow it to walk away to find a home elsewhere.
Thankfully due to the strength of “Pan’s Labyrinth”, creator Guillmo del Toro who is riding a wave of critical success, “Hellboy II: The Golden Army”, is a step up from the previous film and sets the stage for a potential series of sequels for Universal.
The film once again stars Ron Perlman as the title character, a demon of supernatural origin who was raised by humans and leads a team of gifted individuals in the ultra-secret Bureau for Paranormal Research and Defense (BPRD).
The story begins shortly after the events of the last film, and finds BPRD Director Tom Manning (Jeffrey Tambor), frustrated with Hellboy’s continued flaunting of the rules by posing for pictures and autographs while on missions, despite being sworn to keep himself and the agency a closely guarded secret.
As if this was not enough trouble, Hellboy is having issues with the love of his life Liz (Selma Blair), who is starting to have issues with his gruff mannerisms and slovenly ways.
Unknown to the BRPD a new threat is brewing in the form of Prince Nauada (Luke Goss), who plans to retrieve three pieces of a golden crown so that he may control a fabled army of golden soldiers, and wage war on humanity.
Nauada is part of the mythical world of beings that long ago formed a truce with humanity and have lived in peace. Nauada, who has lived under the rule of his father for centuries, strikes out and sets events into motion which require the BPRD to respond to a threat greater than any they have previously faced,.
With the able help of Abe Sapien (Doug Jones), and new member Johann Krauss (Seth MacFarlane), the BPRD clash with themselves and the forces of Nauada with the fate of the world in the balance.
The new film is significantly better than the previous one, and del Toro has masterfully blended the characters and many interesting sub-stories with solid action, FX, and surprising humor. There is a scene in the film where Hellboy and Abe bond over music and beer to discuss women that is truly classic as is the confrontation between Hellboy and Krauss over leadership.
del Toro is a master at creating world of fantasy and splendor and when he allows the film to venture into this area, the film truly shines. It is during the transition between fantasy and alleged reality where the film has a few rough edges. While it was great to see the characters have a more defined relationship and interaction with one another, it seemed at times that areas for potential gold were glossed over or rushed to get back to the action and FX. There are some great storylines about Hellboy’s relationship with humanity, Liz being caught between two worlds, and many more that I hope get developed more in any future films.
There were times in the film where the nearly two hour run time seemed excessive and dragged, especially leading up to a finale, that did not deliver as big an impact as the setup had hinted at.
That being said, thanks to great characters and visuals “Hellboy II: The Golden Army”, is the rare sequel that is better than the original.
One such decision that will undoubtedly look bad with the passage of time, was the decision for Columbia not to continue the “Hellboy” film series and allow it to walk away to find a home elsewhere.
Thankfully due to the strength of “Pan’s Labyrinth”, creator Guillmo del Toro who is riding a wave of critical success, “Hellboy II: The Golden Army”, is a step up from the previous film and sets the stage for a potential series of sequels for Universal.
The film once again stars Ron Perlman as the title character, a demon of supernatural origin who was raised by humans and leads a team of gifted individuals in the ultra-secret Bureau for Paranormal Research and Defense (BPRD).
The story begins shortly after the events of the last film, and finds BPRD Director Tom Manning (Jeffrey Tambor), frustrated with Hellboy’s continued flaunting of the rules by posing for pictures and autographs while on missions, despite being sworn to keep himself and the agency a closely guarded secret.
As if this was not enough trouble, Hellboy is having issues with the love of his life Liz (Selma Blair), who is starting to have issues with his gruff mannerisms and slovenly ways.
Unknown to the BRPD a new threat is brewing in the form of Prince Nauada (Luke Goss), who plans to retrieve three pieces of a golden crown so that he may control a fabled army of golden soldiers, and wage war on humanity.
Nauada is part of the mythical world of beings that long ago formed a truce with humanity and have lived in peace. Nauada, who has lived under the rule of his father for centuries, strikes out and sets events into motion which require the BPRD to respond to a threat greater than any they have previously faced,.
With the able help of Abe Sapien (Doug Jones), and new member Johann Krauss (Seth MacFarlane), the BPRD clash with themselves and the forces of Nauada with the fate of the world in the balance.
The new film is significantly better than the previous one, and del Toro has masterfully blended the characters and many interesting sub-stories with solid action, FX, and surprising humor. There is a scene in the film where Hellboy and Abe bond over music and beer to discuss women that is truly classic as is the confrontation between Hellboy and Krauss over leadership.
del Toro is a master at creating world of fantasy and splendor and when he allows the film to venture into this area, the film truly shines. It is during the transition between fantasy and alleged reality where the film has a few rough edges. While it was great to see the characters have a more defined relationship and interaction with one another, it seemed at times that areas for potential gold were glossed over or rushed to get back to the action and FX. There are some great storylines about Hellboy’s relationship with humanity, Liz being caught between two worlds, and many more that I hope get developed more in any future films.
There were times in the film where the nearly two hour run time seemed excessive and dragged, especially leading up to a finale, that did not deliver as big an impact as the setup had hinted at.
That being said, thanks to great characters and visuals “Hellboy II: The Golden Army”, is the rare sequel that is better than the original.