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The Pillow Book (1996)
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As a young girl in Japan, Nagiko's father paints characters on her face, and her aunt reads to her...
Ewan McGregor The Pillow Book
David McK (3425 KP) rated Infernal Devices (Mortal Engines #3) in Books
Dec 12, 2021
Third entry in Philip Reeve 's Mortal Engines quartet, set 16 years after the end of Predator's Gold, and which largely shifts the focus away from Tom Natsworthy and Hester Shaw onto their daughter Wren, whilst also - at least in the first section - finishing off the story of Freya and Caul (the former Lost Boy).
As before, I found this to be uncertain of its own identity: the language and general style of the prose would lead you to believe it was written for children (or even the so-called tweenage audience), but then you get into the 'meat' of the story, with child slavery, death and mutilation all abounding!
Professor Pennyroyal also makes a return, with Hester Shaw herself coming across more - in this - as a complex anti-villain than she did in the previous entries, and with this also seeing the return of the Stalkers Shrike and Fang, both of whom largely drive the plot.
Worth a read, but maybe not the best 'jumping-on' point.
As before, I found this to be uncertain of its own identity: the language and general style of the prose would lead you to believe it was written for children (or even the so-called tweenage audience), but then you get into the 'meat' of the story, with child slavery, death and mutilation all abounding!
Professor Pennyroyal also makes a return, with Hester Shaw herself coming across more - in this - as a complex anti-villain than she did in the previous entries, and with this also seeing the return of the Stalkers Shrike and Fang, both of whom largely drive the plot.
Worth a read, but maybe not the best 'jumping-on' point.
Goddess in the Stacks (553 KP) rated Mortal Engines (The Hungry City Chronicles, #1) in Books
Dec 25, 2018
Through this entire book, I kept thinking "this feels like Valerian and the City of a Thousand Planets." It's a completely different setting, and a different plot, but it had the same atmosphere. Rollicking action, fantastical premise, crazy setting, huge machines with entire worlds within them. I loved Valerian - it may not have been a critically great movie, and I don't think the leads had much chemistry, but the movie was just FUN. And that's how Mortal Engines is, too.
It's a crazy world, where cities have become mobile - think Howl's Moving Castle - and they chase each other across a barren world, devouring each other for resources in a social order they call Municipal Darwinism. Some cities, like London, are huge, with six main levels, not really counting the Gut, or the center of the machinery. Other towns are small, one or two levels crawling along trying to avoid the notice of the larger, faster cities. The peoples of the Traction Cities think people who live in statics (stationary cities, or, horror of horrors, right on the ground!) or people who are part of the Anti-Traction League, are crazy barbarians. And then there are the airship captains and crews, based out of the one floating city.
It is a crazy steampunk world, and Tom Natsworthy stumbles into a conspiracy plot by being in the wrong place at the wrong time. But as he travels with Hester across the wasteland, trying to survive their pursuers and avert catastrophe, he learns more about her, and more about how the world actually works.
I absolutely adore the last two sentences of the book, and I'm going to post those here because they aren't terribly spoilery. And they're fantastic.
"You aren't a hero, and I'm not beautiful, and we probably won't live happily ever after," she said. "But we're alive, and together, and we're going to be all right."
This book is the first of a quartet, and Reeve also wrote a prequel trilogy, so there's actually three books before AND after this book. I'll probably check my library for them, because I REALLY enjoyed this book.
You can find all my reviews at http://goddessinthestacks.com
It's a crazy world, where cities have become mobile - think Howl's Moving Castle - and they chase each other across a barren world, devouring each other for resources in a social order they call Municipal Darwinism. Some cities, like London, are huge, with six main levels, not really counting the Gut, or the center of the machinery. Other towns are small, one or two levels crawling along trying to avoid the notice of the larger, faster cities. The peoples of the Traction Cities think people who live in statics (stationary cities, or, horror of horrors, right on the ground!) or people who are part of the Anti-Traction League, are crazy barbarians. And then there are the airship captains and crews, based out of the one floating city.
It is a crazy steampunk world, and Tom Natsworthy stumbles into a conspiracy plot by being in the wrong place at the wrong time. But as he travels with Hester across the wasteland, trying to survive their pursuers and avert catastrophe, he learns more about her, and more about how the world actually works.
I absolutely adore the last two sentences of the book, and I'm going to post those here because they aren't terribly spoilery. And they're fantastic.
"You aren't a hero, and I'm not beautiful, and we probably won't live happily ever after," she said. "But we're alive, and together, and we're going to be all right."
This book is the first of a quartet, and Reeve also wrote a prequel trilogy, so there's actually three books before AND after this book. I'll probably check my library for them, because I REALLY enjoyed this book.
You can find all my reviews at http://goddessinthestacks.com