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Matthew Krueger (10051 KP) rated Patriots Day (2016) in Movies
Feb 8, 2021
Boston Strong
This one hits home for me. Im born and raised in Massachusetts. Lived in Massachusetts my whole life. The city of Boston means alot to me and when this happen it hurted me. So when i watched this movie, it hits me. Its a excellent movie.
The plot: Tragedy strikes on April 15, 2013, when two bombs explode during the Boston Marathon. In the aftermath of the attack, police Sgt. Tommy Saunders (Mark Wahlberg), FBI Special Agent Richard DesLauriers (Kevin Bacon) and Commissioner Ed Davis (John Goodman) join courageous survivors, first responders and other investigators in a race against the clock to hunt down the suspects and bring them to justice.
Boston Strong
The plot: Tragedy strikes on April 15, 2013, when two bombs explode during the Boston Marathon. In the aftermath of the attack, police Sgt. Tommy Saunders (Mark Wahlberg), FBI Special Agent Richard DesLauriers (Kevin Bacon) and Commissioner Ed Davis (John Goodman) join courageous survivors, first responders and other investigators in a race against the clock to hunt down the suspects and bring them to justice.
Boston Strong
Fred (860 KP) rated Rocketman (2019) in Movies
Aug 16, 2019
Burning out my fuse up here alone.
The comparisons to Bohemian Rhapsody are gonna happen. A bio-pic about a famous gay rock singer? Gotta happen. But these films are so different, there really is no comparison. Where B.R. tried to bring us a realistic (but filled with a lot of B.S.) film, Rocketman is more of a musical in every sense. Rami Malek lip-syncs the entire movie, where Taron Egerton actually sings everything. True, Egerton is nowhere near as good a singer as Elton John is (or myself for that matter.) but he does well enough.
The movie reminded me a lot of "Across the Universe", which used songs from The Beatles to tell a story. Although the story itself had nothing to do with the Beatles. This movie uses Elton's songs to tell the story of Elton John himself. Sure, some of the songs are played way before they actually existed, but this was done on purpose, rather than being an actual blooper, like when the same "mistake" was done in B.R. If you're not a fan of Elton John (they exist?), you may not have known how many hit songs he actually had. And if you are an Elton John fan, you'll realize that if they used all of his hits, the movie would be about 6 hours long.
So what is the movie like? Well, it's crazy. Picture Elton's crazy "Pinball Wizard" scene from the Who's "Tommy" film. It's pretty much like that, but even crazier. I found myself smiling & even laughing joyfully at a few scenes. While watching, my wife said that she liked it better than B.R. & I agree with her. In my review of B.R., I mention thatI would probably never watch it again. But I would definitely watch Rocketman again. Such a fun, entertaining film.
The movie reminded me a lot of "Across the Universe", which used songs from The Beatles to tell a story. Although the story itself had nothing to do with the Beatles. This movie uses Elton's songs to tell the story of Elton John himself. Sure, some of the songs are played way before they actually existed, but this was done on purpose, rather than being an actual blooper, like when the same "mistake" was done in B.R. If you're not a fan of Elton John (they exist?), you may not have known how many hit songs he actually had. And if you are an Elton John fan, you'll realize that if they used all of his hits, the movie would be about 6 hours long.
So what is the movie like? Well, it's crazy. Picture Elton's crazy "Pinball Wizard" scene from the Who's "Tommy" film. It's pretty much like that, but even crazier. I found myself smiling & even laughing joyfully at a few scenes. While watching, my wife said that she liked it better than B.R. & I agree with her. In my review of B.R., I mention thatI would probably never watch it again. But I would definitely watch Rocketman again. Such a fun, entertaining film.
Gareth von Kallenbach (980 KP) rated Be Cool (2005) in Movies
Aug 14, 2019
It has been ten years since audiences last saw Chili Palmer (John Travolta), a former criminal who uses his criminal experiences to become a successful film producer. The how and why Chili made this transition was documented in the 1995 film Get Shorty.
As the film opens, Chili is discussing his frustrations with the film industry with his associate Tommy (James Woods), at a sidewalk cafe. The conversation is interrupted by a barrage of bullets that leaves Tommy dead and Chili with more questions than answers. It seems that Tommy was taken down by a criminal organization and as such, his record company now finds itself in dire straits as his widow Edie (Uma Thurman), struggles to keep the company afloat.
Since Chili is friends with Edie and wants to move to the music business, he uses this opportunity to introduce a new prodigy named Linda Moon (Christina Milian) to her and prepares to record her.
Things become complicated when Chili discovers that Linda is under contract to some very shady characters, including Nick Carr (Harvey Keitel) who, like Chili, has a criminal past and is not above using thugs to eliminate or intimidate those into doing his bidding. His right hand man is the hood obsessed Raji (Vince Vaughn) and his massive yet closeted muscle Elliott (Dwayne “The Rock” Johnson).
If you are not confused yet, don’t worry as the plot will be come even more complex when record producer Sin LaSalle (Cedric the Entertainer), demands $300,000 in owed money from Tommy, due in under a week to keep his boys from taking out Chili and ruining Edie’s company.
The great thing about Be Cool is that no matter how many characters come and go from the every changing plot, it is always well paced and funny, and does not lose momentum.
The audience, like most of the characters, is forced to figure things out as they happen with the exception being Chili who seems to have things figured out even before he takes the necessary steps to resolve the situation.
The cast seems to be having a great time playing their parts and Travolta and Thurman seem to have a very easy going and natural chemistry, especially when they follow up their Pulp Fiction dance with a spirited number. The film also boasts many cameos and I will refrain from spoiling them here.
The highlight of the film would have to be The Rock as he daringly pokes fun at his tough guy persona and signature raised eyebrow by playing the identity confused Elliott who is more at ease belting out torch songs than he is at bashing heads.
The only real issue with the film was that Thurman’s character did not always have much to do aside from standing around looking pretty and being the supportive love interest in the film.
That being said, if you do not mind a twisting plot, over the top characters, and some goofiness, than Be Cool is just the film for you.
As the film opens, Chili is discussing his frustrations with the film industry with his associate Tommy (James Woods), at a sidewalk cafe. The conversation is interrupted by a barrage of bullets that leaves Tommy dead and Chili with more questions than answers. It seems that Tommy was taken down by a criminal organization and as such, his record company now finds itself in dire straits as his widow Edie (Uma Thurman), struggles to keep the company afloat.
Since Chili is friends with Edie and wants to move to the music business, he uses this opportunity to introduce a new prodigy named Linda Moon (Christina Milian) to her and prepares to record her.
Things become complicated when Chili discovers that Linda is under contract to some very shady characters, including Nick Carr (Harvey Keitel) who, like Chili, has a criminal past and is not above using thugs to eliminate or intimidate those into doing his bidding. His right hand man is the hood obsessed Raji (Vince Vaughn) and his massive yet closeted muscle Elliott (Dwayne “The Rock” Johnson).
If you are not confused yet, don’t worry as the plot will be come even more complex when record producer Sin LaSalle (Cedric the Entertainer), demands $300,000 in owed money from Tommy, due in under a week to keep his boys from taking out Chili and ruining Edie’s company.
The great thing about Be Cool is that no matter how many characters come and go from the every changing plot, it is always well paced and funny, and does not lose momentum.
The audience, like most of the characters, is forced to figure things out as they happen with the exception being Chili who seems to have things figured out even before he takes the necessary steps to resolve the situation.
The cast seems to be having a great time playing their parts and Travolta and Thurman seem to have a very easy going and natural chemistry, especially when they follow up their Pulp Fiction dance with a spirited number. The film also boasts many cameos and I will refrain from spoiling them here.
The highlight of the film would have to be The Rock as he daringly pokes fun at his tough guy persona and signature raised eyebrow by playing the identity confused Elliott who is more at ease belting out torch songs than he is at bashing heads.
The only real issue with the film was that Thurman’s character did not always have much to do aside from standing around looking pretty and being the supportive love interest in the film.
That being said, if you do not mind a twisting plot, over the top characters, and some goofiness, than Be Cool is just the film for you.
Dutch (59 KP) rated The Burning Soul in Books
Feb 22, 2019
What's the worst thing you have ever done?
The worse thing Randall Haight has ever done was killing a 14-year-old girl when he was only a child himself. Now someone seems to have discovered his secret and is tormenting him anonymously, and, to further complicate things a 14-year-old girl has gone missing in the same town that Randall lives in.
Charlie Parker takes on the case against his better judgement as it brings back painful memories of the death of his own daughter and he also finds himself up against a mobster by the name of Tommy Morris, the FBI and a police chief who may have secrets of his own.
As a rule I generally navigate towards horror but in the Charlie Parker series John Connolly has crafted a multi-layered world that mixes in supernatural elements and a superb supporting cast (Louis, Angel, the Collector) as well as great writing, a flawed (but likeable) main character and most importantly stories that draw me in totally. In fact I would put John Connolly up there with Stephen King as one of my favourite authors and I absolutely cannot get enough of the Charlie Parker series. If you have a love for the crime or horror genres there is no excuse for not diving into this series.
The next book in the series is The Wrath of Angels and it marks the return of the Collecter and promises to bring back the more supernatural/horror elements of the series and that is certainly not a bad thing.
Charlie Parker takes on the case against his better judgement as it brings back painful memories of the death of his own daughter and he also finds himself up against a mobster by the name of Tommy Morris, the FBI and a police chief who may have secrets of his own.
As a rule I generally navigate towards horror but in the Charlie Parker series John Connolly has crafted a multi-layered world that mixes in supernatural elements and a superb supporting cast (Louis, Angel, the Collector) as well as great writing, a flawed (but likeable) main character and most importantly stories that draw me in totally. In fact I would put John Connolly up there with Stephen King as one of my favourite authors and I absolutely cannot get enough of the Charlie Parker series. If you have a love for the crime or horror genres there is no excuse for not diving into this series.
The next book in the series is The Wrath of Angels and it marks the return of the Collecter and promises to bring back the more supernatural/horror elements of the series and that is certainly not a bad thing.
KyleQ (267 KP) rated Halloween III: Season of the Witch (1982) in Movies
Jul 18, 2020
Please stop underrating this!
Tom Atkins stars as Daniel Challis, he's investigating a murder along with the victims' daughter, Ellie Grimbridge (Stacey Nelkin), their investigation leads them to Silver Shamrock, a Halloween goods manufactoring company with a dark secret.
I'm sure this was a strange movie to watch when it came out what with it being titled Halloween III, yet it had no connection to the first two. But nowadays, this should be considered a fun Halloween-time classic.
Director Tommy Lee Wallace learned from watching John Carpenter. In turn Halloween III benefits from a good score, if the main song isn't stuck in your head by the end, it'll be a miracle.
The tone is overall good, it is a bit cheesy but it maintains it, it comes across more as a fun B-movie.
Visually the film packs lots of Halloween-time images. It might not fit the franchise, but it nails the setting.
You definitely can't take it very seriously.
Halloween III: Season of the Witch is like going through a haunted funhouse. Expect genuine scares and you'll be sorely disappointed. Expect to just have fun, and you'll get plenty of it. I recommend it.
I'm sure this was a strange movie to watch when it came out what with it being titled Halloween III, yet it had no connection to the first two. But nowadays, this should be considered a fun Halloween-time classic.
Director Tommy Lee Wallace learned from watching John Carpenter. In turn Halloween III benefits from a good score, if the main song isn't stuck in your head by the end, it'll be a miracle.
The tone is overall good, it is a bit cheesy but it maintains it, it comes across more as a fun B-movie.
Visually the film packs lots of Halloween-time images. It might not fit the franchise, but it nails the setting.
You definitely can't take it very seriously.
Halloween III: Season of the Witch is like going through a haunted funhouse. Expect genuine scares and you'll be sorely disappointed. Expect to just have fun, and you'll get plenty of it. I recommend it.
BankofMarquis (1832 KP) rated Ad Astra (2019) in Movies
Sep 27, 2019
A missed opportunity
Like crossing the vast expanse of oceans in a sailing ship, rocketing across the vast expanse of our Galaxy would, naturally, lead one to self-contemplation. In the film AD ASTRA Brad Pitt spends a lot of time contemplating.
Unfortunately, that is pretty much all PItt - and this film - does.
AD ASTRA follows the adventure of Astronaut Roy McBride (Pitt) who's father Clifford McBride (Tommy Lee Jones) is a fabled Astronaut who disappeared while on a deep space mission to Neptune. When a Galaxy-wide energy pulse emanating from Neptune threatens life on Earth, suspicion is that Clifford is still alive in orbit around Neptune and the hope is that Roy can contact him and stop this life threatening force.
Sounds like an interesting premise, doesn't it? And it could have been. And the world that was built for this movie - a world set in the "near future", one where we did not stop going to the moon and space and there are now space stations - and colonies and pirates(!) - on the Moon and Mars, is an interesting concept and I really wanted to explore that world.
Unfortunately, Director and Writer James Gray (THE LOST CITY OF Z) was not interested in exploring this (so why build it?!?) - he was more interested in contemplating the meaning of life's purpose and fate and legacies and do the sins of the father really come back to seek payment by the son? And I do mean contemplate, for that is what Pitt's character does through most of this film - sit and think (which we hear through voice over), while contemplative music plays wistfully.
It's a good recipe to cure insomnia.
While Pitt does a nice enough job in the lead - an actor can only do so much with looking, thoughtfully, out the window. Ruth Negga and Donald Sutherland both try to inject some life in this film, but their parts are, in essence, extended cameos and the likes of "that guy" actors like Donnie Kashawarz, John Finn and John Ortiz pop up for a scene or two along the way as we travel across our Galaxy with Pitt but don't really register Only Tommy Lee Jones manages to liven things up...but his presence is too little too late.
Like a parent, I am not upset at this film, just disappointed at the choices that were made. I thought Pitt and Gray knew better.
Letter Grade: B- (it is well made and pretty to look at)
6 Stars (out of 10) and you can take that to the Bank(ofMarquis)
Unfortunately, that is pretty much all PItt - and this film - does.
AD ASTRA follows the adventure of Astronaut Roy McBride (Pitt) who's father Clifford McBride (Tommy Lee Jones) is a fabled Astronaut who disappeared while on a deep space mission to Neptune. When a Galaxy-wide energy pulse emanating from Neptune threatens life on Earth, suspicion is that Clifford is still alive in orbit around Neptune and the hope is that Roy can contact him and stop this life threatening force.
Sounds like an interesting premise, doesn't it? And it could have been. And the world that was built for this movie - a world set in the "near future", one where we did not stop going to the moon and space and there are now space stations - and colonies and pirates(!) - on the Moon and Mars, is an interesting concept and I really wanted to explore that world.
Unfortunately, Director and Writer James Gray (THE LOST CITY OF Z) was not interested in exploring this (so why build it?!?) - he was more interested in contemplating the meaning of life's purpose and fate and legacies and do the sins of the father really come back to seek payment by the son? And I do mean contemplate, for that is what Pitt's character does through most of this film - sit and think (which we hear through voice over), while contemplative music plays wistfully.
It's a good recipe to cure insomnia.
While Pitt does a nice enough job in the lead - an actor can only do so much with looking, thoughtfully, out the window. Ruth Negga and Donald Sutherland both try to inject some life in this film, but their parts are, in essence, extended cameos and the likes of "that guy" actors like Donnie Kashawarz, John Finn and John Ortiz pop up for a scene or two along the way as we travel across our Galaxy with Pitt but don't really register Only Tommy Lee Jones manages to liven things up...but his presence is too little too late.
Like a parent, I am not upset at this film, just disappointed at the choices that were made. I thought Pitt and Gray knew better.
Letter Grade: B- (it is well made and pretty to look at)
6 Stars (out of 10) and you can take that to the Bank(ofMarquis)
KyleQ (267 KP) rated Halloween: The Curse of Michael Myers (1995) in Movies
Jul 19, 2020
Better then #5, but still flawed.
In a weird turn for the franchise, a cult has forced Michael Myers to impregnate Jamie Lloyd, in an attempt to end his bloodline he kills Jamie, but she hid the baby from him, the infant is found by Tommy Doyle (Paul Rudd in his introductory role), Doyle lives across the street from the former Myers house, now housing a new family of Strode's. Michael returns to Haddonfield, and death follows.
It's apparent that director Joe Chappelle is trying to harken back to John Carpenter's style of film-making. Focusing more on trying to create tension then fill the film with death scenes. Michael actually doesn't have as much screen time here. We return to him sneaking around in the shadows.
Mostly H6's weakness is in it's acting, they just fail to feel believable, thus ruining what suspense Chappelle created, then there's the weird plotline which will turn away some viewers.
This one also marks Donald Pleasence's last time as Loomis, it's sad but he's also a bit unnecessary at this point.
I enjoyed Halloween: The Curse of Michael Myers for what it was, I think if you're open to the strange plot you will too.
It's apparent that director Joe Chappelle is trying to harken back to John Carpenter's style of film-making. Focusing more on trying to create tension then fill the film with death scenes. Michael actually doesn't have as much screen time here. We return to him sneaking around in the shadows.
Mostly H6's weakness is in it's acting, they just fail to feel believable, thus ruining what suspense Chappelle created, then there's the weird plotline which will turn away some viewers.
This one also marks Donald Pleasence's last time as Loomis, it's sad but he's also a bit unnecessary at this point.
I enjoyed Halloween: The Curse of Michael Myers for what it was, I think if you're open to the strange plot you will too.
Emma @ The Movies (1786 KP) rated Breakthrough (2019) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
The fact that this film is based on a true story is incredible to think about. I haven't read the book that was written by the boy's mother or read about the actual incident and events online, I'm not sure I want to. I usually like finding out the differences to the actual stories but I wonder if in this instance it might make me change the way I feel about the film.
John is off with his friends having fun, and what's more fun than playing out on a frozen lake? By the time they hear the crack it's too late, the three boys go under. With the emergency services on their way it's a countdown to rescuing them. Two of them have their head above water, but John, knocked unconscious while trying to help his friend out of the water, is sinking. When water rescue appears it may already be too late. They take the search slowly, but John could be anywhere, it's almost certainly too late. Tommy is about to call an end to the search when he hears someone telling him to go back, and there he is.
Rushed to the hospital, the doctors and staff work on trying to bring him back, but as the time elapses there is nothing to do but continue until his family arrive. Joyce, his mother, is devastated and not willing to accept that it's the end... and she prays, asking god to save her son... the monitor beeps to life.
Everywhere I see descriptions of this it says "christian drama". I honestly don't see that the word "christian" needs to be in there. Sure, Joyce prays a fair bit, and their pastor is in it a lot too, but it's still just a drama about something miraculous happening.
By far the best performance for me was Chrissy Metz. Joyce comes across as a very determined woman in everything that she does, and Metz really makes that stand out. From the happiness to the heartbreak, it's all believeable, which sometimes doesn't happen with films that are based on true stories.
I enjoyed Mike Colter as Tommy too. As a non-religious man trying to deal with what happened to him, and what he sees happening to John, the thought process was clear on his face and I liked how he visually interacted with those around him in those moments.
By far the strongest scene for me was the one I mentioned above in the hospital. I think it's always quite challenging to create something that has an impact on the viewer when they already know what the outcome is going to be. In this instance we already know that John doesn't die, we just don't know how the situation is remedied. The hospital staff have left the room and Joyce is with her son, she doesn't want to accept what's before her eyes. We cut between her and the staff outside in the hall in what builds up to an incredible moment. The staff reacting to Joyce as she wails in pain is something that was just stuck in my chest, I could really feel it.
While some are saying that Breakthrough is a christian film, but personally it feels more like a film about community. It's about family, about friends, about everyone around us. It also captures some of the things you have to deal with in these situations. Although fleeting at the end of the film, we see John coming to terms with the fact he survived, his miracle is hard to take for other people and they feel like they need answers, but from where? Him?
Everything about the film felt thoughtful and real, even though some bits felt a little cramped at times. By that I mean they clearly wanted to show the "negativity" and realistic thinking of those around John, he didn't have good odds and everyone would be talking about that. But getting that in felt a little cluttered with everything else going on.
I enjoyed this "christian" film, or as I like to call it "film". I spent a significant amount of time with my sleeves pressed up under my eyes, and when the doctors on screen were telling people to breathe I was doing it to recover. It's not a pushy film, I didn't feel the urge to go and join a congregation after watching it, it's just a wonderful reminder that miracles can happen, and while you wait for them there will be people all around you for support even when you don't expect it.
What you should do
It may not be a film to watch for some, I imagine the content may bring back memories that are difficult, but if you're up to it then it's well worth a watch.
Movie thing you wish you could take home
Just a smidge of Joyce's determination would be good.
John is off with his friends having fun, and what's more fun than playing out on a frozen lake? By the time they hear the crack it's too late, the three boys go under. With the emergency services on their way it's a countdown to rescuing them. Two of them have their head above water, but John, knocked unconscious while trying to help his friend out of the water, is sinking. When water rescue appears it may already be too late. They take the search slowly, but John could be anywhere, it's almost certainly too late. Tommy is about to call an end to the search when he hears someone telling him to go back, and there he is.
Rushed to the hospital, the doctors and staff work on trying to bring him back, but as the time elapses there is nothing to do but continue until his family arrive. Joyce, his mother, is devastated and not willing to accept that it's the end... and she prays, asking god to save her son... the monitor beeps to life.
Everywhere I see descriptions of this it says "christian drama". I honestly don't see that the word "christian" needs to be in there. Sure, Joyce prays a fair bit, and their pastor is in it a lot too, but it's still just a drama about something miraculous happening.
By far the best performance for me was Chrissy Metz. Joyce comes across as a very determined woman in everything that she does, and Metz really makes that stand out. From the happiness to the heartbreak, it's all believeable, which sometimes doesn't happen with films that are based on true stories.
I enjoyed Mike Colter as Tommy too. As a non-religious man trying to deal with what happened to him, and what he sees happening to John, the thought process was clear on his face and I liked how he visually interacted with those around him in those moments.
By far the strongest scene for me was the one I mentioned above in the hospital. I think it's always quite challenging to create something that has an impact on the viewer when they already know what the outcome is going to be. In this instance we already know that John doesn't die, we just don't know how the situation is remedied. The hospital staff have left the room and Joyce is with her son, she doesn't want to accept what's before her eyes. We cut between her and the staff outside in the hall in what builds up to an incredible moment. The staff reacting to Joyce as she wails in pain is something that was just stuck in my chest, I could really feel it.
While some are saying that Breakthrough is a christian film, but personally it feels more like a film about community. It's about family, about friends, about everyone around us. It also captures some of the things you have to deal with in these situations. Although fleeting at the end of the film, we see John coming to terms with the fact he survived, his miracle is hard to take for other people and they feel like they need answers, but from where? Him?
Everything about the film felt thoughtful and real, even though some bits felt a little cramped at times. By that I mean they clearly wanted to show the "negativity" and realistic thinking of those around John, he didn't have good odds and everyone would be talking about that. But getting that in felt a little cluttered with everything else going on.
I enjoyed this "christian" film, or as I like to call it "film". I spent a significant amount of time with my sleeves pressed up under my eyes, and when the doctors on screen were telling people to breathe I was doing it to recover. It's not a pushy film, I didn't feel the urge to go and join a congregation after watching it, it's just a wonderful reminder that miracles can happen, and while you wait for them there will be people all around you for support even when you don't expect it.
What you should do
It may not be a film to watch for some, I imagine the content may bring back memories that are difficult, but if you're up to it then it's well worth a watch.
Movie thing you wish you could take home
Just a smidge of Joyce's determination would be good.
Scott Tostik (389 KP) rated Halloween (2018) in Movies
Nov 2, 2018
.....Fuckin comedians
Michael Myers is back.... And this is supposed to be what actually happened... 40 years later???
I'm sorry if any of you disagree with me... But this movie blew....
Don't get le wrong. I love the fact that Jamie Lee is back and more of a badass than i wpuld have ever expected.
But come on...
Denying the fact that almost 40 years worth of mythology happened... Thats a hard sell. Let's do some math as well.
You expect me to believe that Michael is wandering around at 61 years old, after being locked up for 40 years... And he's picking up 200 pound men one handed and crushing their windpipes???
I love the Halloween series of films. Even the Rov Zombie offerings... I love the fact that Rob gave us a back story. You found out why Michael was the way he was...
But this??? This was nothing more than two morons... And yes, I think Danny McBride is an idiot. And he should stick to Vice Principals and Eastbound and Down. And stay the fuck away from horror films.
He should've taken a hint from his lackluster and shitty preformance in Alien Covenant... And leave horror to the pros.
I'm sorry but the only person who should've carried on this franchise was John Carpenter himself... But even he knows that you shouldn't dip your pen in the company ink too many times.
Ignoring the mythology of the films and expecting die hard fans to believe that characters like Jamie Lloyd and Tommy Doyle didn't exist in the history is ludicrous.
Some people enjoyed the sequels and some people didnt. But expecting us to forget forty years of horror history???
Not on your life, comedian.
I'm sorry if any of you disagree with me... But this movie blew....
Don't get le wrong. I love the fact that Jamie Lee is back and more of a badass than i wpuld have ever expected.
But come on...
Denying the fact that almost 40 years worth of mythology happened... Thats a hard sell. Let's do some math as well.
You expect me to believe that Michael is wandering around at 61 years old, after being locked up for 40 years... And he's picking up 200 pound men one handed and crushing their windpipes???
I love the Halloween series of films. Even the Rov Zombie offerings... I love the fact that Rob gave us a back story. You found out why Michael was the way he was...
But this??? This was nothing more than two morons... And yes, I think Danny McBride is an idiot. And he should stick to Vice Principals and Eastbound and Down. And stay the fuck away from horror films.
He should've taken a hint from his lackluster and shitty preformance in Alien Covenant... And leave horror to the pros.
I'm sorry but the only person who should've carried on this franchise was John Carpenter himself... But even he knows that you shouldn't dip your pen in the company ink too many times.
Ignoring the mythology of the films and expecting die hard fans to believe that characters like Jamie Lloyd and Tommy Doyle didn't exist in the history is ludicrous.
Some people enjoyed the sequels and some people didnt. But expecting us to forget forty years of horror history???
Not on your life, comedian.
Rat (1 KP) rated Peaky Blinders - Season 1 in TV
Mar 28, 2018
Forget everything you think you know about period drama
It would be easy to dismiss Peaky Blinders as just a British drama. It would be easy to dismiss it as just a period piece. It would be easy to claim that it was just a British Boardwalk Empire. You'd be so wrong to do so.
Every part of Peaky Blinders is perfection. From the superb acting of its regular cast (Cillian Murphy on a tv show? Sign me up!) to a roster of featured guests (Sam Neill? Tom Hardy? Adrien Brody? Who did the casting director sell their soul to, anyway?) to the use of colour and an outlaw music soundtrack that shouldn't work, but does (Nick Cave? PJ Harvey? Tom Waits? David Bowie? On a period drama? What is this? Freaking genius, that's what.)
Shortly after the end of the first World War, a family of Irish gypsy (their word, not mine) - blooded Birmingham bookmakers tries to recover from the horrors of that war and build up their business. Second oldest, Tommy Shelby (played expertly by Cillian Murphy who manages to play a gangster who is both ruthless and fragile with the ability to break your heart with a single look), came back from the war broken by his experiences, but determined to rise far beyond the limitations of his Small Heath upbringing. Not only does he have the expected clashes with those who want to keep him from growing his business (both criminal rivals and the police) but he has a family to run (with all the interpersonal conflicts that entails). All of this is set against a backdrop of political turmoil from the IRA and the rise of communist sympathy in the UK.
You shouldn't like Tommy Shelby, but he is written and acted so well that you won't be able to not like him. The same can be said for older brother, Arthur, younger siblings John, Ada, and Finn. If you don't love Aunt Polly, then you must have a problem with strong female characters.
Steven Knight has taken a world told to him through family legend and turned it into a world that you will be eager to inhabit an hour (or, if you're like everyone I know, a season) at a time. He writes a period drama that doesn't feel dated. The characters and their struggles are as relevant today as they were nearly a hundred years ago.
Take a chance on the show with the weird name and discover why there are very few casual Peaky Blinders fans. There's a reason why the late, great David Bowie was a huge fan and made sure that they would have a song from his last album before he died. There's a reason the show's dated fashion and hairstyles are making a comeback, why Peaky Blinders pubs and pub nights are popping up all over. It's that good. Check it out for yourself.
Every part of Peaky Blinders is perfection. From the superb acting of its regular cast (Cillian Murphy on a tv show? Sign me up!) to a roster of featured guests (Sam Neill? Tom Hardy? Adrien Brody? Who did the casting director sell their soul to, anyway?) to the use of colour and an outlaw music soundtrack that shouldn't work, but does (Nick Cave? PJ Harvey? Tom Waits? David Bowie? On a period drama? What is this? Freaking genius, that's what.)
Shortly after the end of the first World War, a family of Irish gypsy (their word, not mine) - blooded Birmingham bookmakers tries to recover from the horrors of that war and build up their business. Second oldest, Tommy Shelby (played expertly by Cillian Murphy who manages to play a gangster who is both ruthless and fragile with the ability to break your heart with a single look), came back from the war broken by his experiences, but determined to rise far beyond the limitations of his Small Heath upbringing. Not only does he have the expected clashes with those who want to keep him from growing his business (both criminal rivals and the police) but he has a family to run (with all the interpersonal conflicts that entails). All of this is set against a backdrop of political turmoil from the IRA and the rise of communist sympathy in the UK.
You shouldn't like Tommy Shelby, but he is written and acted so well that you won't be able to not like him. The same can be said for older brother, Arthur, younger siblings John, Ada, and Finn. If you don't love Aunt Polly, then you must have a problem with strong female characters.
Steven Knight has taken a world told to him through family legend and turned it into a world that you will be eager to inhabit an hour (or, if you're like everyone I know, a season) at a time. He writes a period drama that doesn't feel dated. The characters and their struggles are as relevant today as they were nearly a hundred years ago.
Take a chance on the show with the weird name and discover why there are very few casual Peaky Blinders fans. There's a reason why the late, great David Bowie was a huge fan and made sure that they would have a song from his last album before he died. There's a reason the show's dated fashion and hairstyles are making a comeback, why Peaky Blinders pubs and pub nights are popping up all over. It's that good. Check it out for yourself.