Search
Blazing Minds (92 KP) rated Knives Out (2019) in Movies
Nov 1, 2021 (Updated Nov 3, 2021)
I have to say that with its brilliant cast including Daniel Craig, Chris Evans, Jamie Lee Curtis, Michael Shannon, Don Johnson, Toni Collette, Ana de Armas and of course Christopher Plummer, Knives Out, for me is one of the best Whodunit movies that I have seen for a long time on the big screen, I’ve seen many theatre productions in this genre and the last movie that I saw like this that had me as excited as Knives Out was Clue with Tim Curry.
This is a movie that has everything you could want from the genre, the mystery, the shifty money-grabbing family, the backstabbing and of course the intrigue of who committed the crime in the first place, yes there are those moments when you do start putting one and one together yourself, but with the subtle twists and turns in Knives Out it still keeps you guessing.
This is a movie that has everything you could want from the genre, the mystery, the shifty money-grabbing family, the backstabbing and of course the intrigue of who committed the crime in the first place, yes there are those moments when you do start putting one and one together yourself, but with the subtle twists and turns in Knives Out it still keeps you guessing.
Awix (3310 KP) rated Hereditary (2018) in Movies
Jun 16, 2018 (Updated Jun 16, 2018)
Never-knowingly-underwrought horror movie (looks like one of those post-horror movies for a bit; but no, it's a horror movie after all). Screwed up but nicely affluent family contends with aftermath of bereavement; is the mother right in her belief that supernatural forces are at work around them, or just a bit nuts?
First half is a horribly intense and rather oppressive study of grief and emotional dysfunction; not actually what you'd call scary, though. Second half is a much more traditional horror movie with spooky seances, severed heads a go go, waking nightmares, embroidered doormats and many other clichés - but still not actually what you'd call scary in any but the most superficial way. Plot is all over the place; all the bits that will make you jump are in the trailer, pretty much. Very possibly worth watching for a brilliant performance by Toni Collette, but this is the equivalent of a really good stereo in a car with a cruddy engine. The movie is atmospheric and the director shows promise, but if this is what counts as a great horror movie nowadays the genre is in serious trouble.
First half is a horribly intense and rather oppressive study of grief and emotional dysfunction; not actually what you'd call scary, though. Second half is a much more traditional horror movie with spooky seances, severed heads a go go, waking nightmares, embroidered doormats and many other clichés - but still not actually what you'd call scary in any but the most superficial way. Plot is all over the place; all the bits that will make you jump are in the trailer, pretty much. Very possibly worth watching for a brilliant performance by Toni Collette, but this is the equivalent of a really good stereo in a car with a cruddy engine. The movie is atmospheric and the director shows promise, but if this is what counts as a great horror movie nowadays the genre is in serious trouble.
LeftSideCut (3778 KP) rated Knives Out (2019) in Movies
Sep 5, 2020
Rian Johnson is back with a bang with Knives Out, a classic Clue like murder mystery, packed with twists that will keep you on your toes, even when it seems that everything is figured out.
There's really nothing bad to say, Knives Out is a thoroughly entertaining movie. The cast for one is just stacked - Daniel Craig and Ana de Armas are the two leads here and are both great. The supporting cast features the likes of Chris Evans, Jamie Lee Curtis, Michael Shannon, Don Johnson, Christopher Plummer, Toni Collette, Lakeith Stanfield, Frank Oz - it's an ensemble cast oozing with quality.
The whole film is shot beautifully, and has a gorgeous setting. It's easy to look at for sure. The plot is masterfully written as well - as mentioned, providing plenty of twists, but presented in a clever way, from multiple perspectives, with different accounts of events being told as the truth slowly unravels. The screenplay is fantastic and often funny, helped immensely by all of the cast and the strong chemistry they share.
Knives Out is definitely not one to miss, easily Rian Johnson's finest film as far as I'm concerned.
There's really nothing bad to say, Knives Out is a thoroughly entertaining movie. The cast for one is just stacked - Daniel Craig and Ana de Armas are the two leads here and are both great. The supporting cast features the likes of Chris Evans, Jamie Lee Curtis, Michael Shannon, Don Johnson, Christopher Plummer, Toni Collette, Lakeith Stanfield, Frank Oz - it's an ensemble cast oozing with quality.
The whole film is shot beautifully, and has a gorgeous setting. It's easy to look at for sure. The plot is masterfully written as well - as mentioned, providing plenty of twists, but presented in a clever way, from multiple perspectives, with different accounts of events being told as the truth slowly unravels. The screenplay is fantastic and often funny, helped immensely by all of the cast and the strong chemistry they share.
Knives Out is definitely not one to miss, easily Rian Johnson's finest film as far as I'm concerned.
Joe Julians (221 KP) rated Hereditary (2018) in Movies
Jun 18, 2018 (Updated Jun 20, 2018)
Superbly Tense
Full review here:
Just a quick one as I've already filmed a review for this that said all I needed to say, but this is, for the most part, a wonderful film. The way it's shot really works well, every shadow and corner of the screen demands your attention. It's so tense too. A lot of times it will build you up for a jump scare that never comes and as a result, I was left with baited breath for far longer than I have been in most movies. This is a horror that knows what it's doing and knows exactly how to make the most of every second of screen time. Toni Collette is incredible here too and it's one of the best performances I've seen in a while.
It's just a shame the ending is such a letdown. Narratively it works, it just shows too much and goes too far and the end result is a tad silly. I wouldn't write the whole film off as I loved what came before it, but it's a shame it drops the ball so much in its final few minutes. Until then, this had 10/10 written all over it for me.
Just a quick one as I've already filmed a review for this that said all I needed to say, but this is, for the most part, a wonderful film. The way it's shot really works well, every shadow and corner of the screen demands your attention. It's so tense too. A lot of times it will build you up for a jump scare that never comes and as a result, I was left with baited breath for far longer than I have been in most movies. This is a horror that knows what it's doing and knows exactly how to make the most of every second of screen time. Toni Collette is incredible here too and it's one of the best performances I've seen in a while.
It's just a shame the ending is such a letdown. Narratively it works, it just shows too much and goes too far and the end result is a tad silly. I wouldn't write the whole film off as I loved what came before it, but it's a shame it drops the ball so much in its final few minutes. Until then, this had 10/10 written all over it for me.
Stephen (210 KP) rated Muriel's Wedding (1995) in Movies
Mar 1, 2019 (Updated Mar 2, 2019)
Euphoria... To The Tune Of ABBA
Contains spoilers, click to show
I was shocked when I realised it’s been 25 years since I saw this at the cinema. Filled with nostalgia I just had to leave a review here for what is one of my all time favourite movies.
The film relies heavily on the music of ABBA (although many other artists feature, check out the soundtrack), and the life of ugly ducking Muriel Heslop (played by the always wonderful Toni Collette).
A truly modern fairytale, with a real heart and soul, this movie with have you laughing and crying, with outstanding performances from all the cast.
Highlights are the scene where Muriel and friend Rhonda perform ‘Waterloo’ at karaoke (timed PERFECTLY to blend in with the aftermath of Rhonda putting Muriel’s bitchy as hell, so called ‘friends’ in their place), and the scene when Muriel walks down the aisle to ‘I Do, I Do, I Do, I Do, I Do.’ I have to confess I cried tears of joy when that song started playing.
I don’t think I’ve ever seen a film that has left me feeling so euphoric after watching it, as rom coms go, this one sets the standard amazingly high. And the scene where Rhonda says: “Stick your drink up your arse, Tanya, I would rather swallow razor blades than drink with you” will make anyone who has ever been picked on cheer along.
The film relies heavily on the music of ABBA (although many other artists feature, check out the soundtrack), and the life of ugly ducking Muriel Heslop (played by the always wonderful Toni Collette).
A truly modern fairytale, with a real heart and soul, this movie with have you laughing and crying, with outstanding performances from all the cast.
Highlights are the scene where Muriel and friend Rhonda perform ‘Waterloo’ at karaoke (timed PERFECTLY to blend in with the aftermath of Rhonda putting Muriel’s bitchy as hell, so called ‘friends’ in their place), and the scene when Muriel walks down the aisle to ‘I Do, I Do, I Do, I Do, I Do.’ I have to confess I cried tears of joy when that song started playing.
I don’t think I’ve ever seen a film that has left me feeling so euphoric after watching it, as rom coms go, this one sets the standard amazingly high. And the scene where Rhonda says: “Stick your drink up your arse, Tanya, I would rather swallow razor blades than drink with you” will make anyone who has ever been picked on cheer along.
Steve Fearon (84 KP) rated Hereditary (2018) in Movies
Oct 10, 2018
Oscar worthy performances from the cast (2 more)
A genuinely complex approach to character based horror
Grounded horror, exploring reality and supernatural settings
It may be a little too slow for some (1 more)
This is not an easy viewing, and not a popcorn flick, you will need to pay full attention!
We Are family...
This movie is....intense.
It is painful.
It is uncomfortable.
It has moments of genuine scares too, but mostly it has slow dread.
The performance of this movie are outstanding and very much worthy of Oscar consideration, especially for Toni Collette who is just beyond amazing as a mother watching her family fall apart, but whose mental fragility is questioned over the course of the movie.
They keep the viewer guessing at all times as to whether the actions of this movie are due to insanity or something else, and honestly, either way, it is nightmarish.
The actions and conversations of the main characters all seem natural, or at least plausible, and this grounds the otherwise surreal situations in a way that is rare on movies of this type.
The sound design in this movie is fantastic, using really dynamic sound effects and periods of silence to create tension and keep the viewer focused, since there are very few musical cues on offer.
It is a classic, beautifully performed, lovingly crafted, and haunting in its brutality, realism and despair.
Watch it!
It is painful.
It is uncomfortable.
It has moments of genuine scares too, but mostly it has slow dread.
The performance of this movie are outstanding and very much worthy of Oscar consideration, especially for Toni Collette who is just beyond amazing as a mother watching her family fall apart, but whose mental fragility is questioned over the course of the movie.
They keep the viewer guessing at all times as to whether the actions of this movie are due to insanity or something else, and honestly, either way, it is nightmarish.
The actions and conversations of the main characters all seem natural, or at least plausible, and this grounds the otherwise surreal situations in a way that is rare on movies of this type.
The sound design in this movie is fantastic, using really dynamic sound effects and periods of silence to create tension and keep the viewer focused, since there are very few musical cues on offer.
It is a classic, beautifully performed, lovingly crafted, and haunting in its brutality, realism and despair.
Watch it!
Lee (2222 KP) rated Midsommar (2019) in Movies
Mar 19, 2020
I haven’t seen such complete and utter nonsense since Hereditary.
The bitter disappointment in Hereditary still lingers to this day. The build up, and all of the hype on film Twitter, got me so excited to see it. And then, I ended up in a cinema full of people, all laughing at the ridiculousness of it all and all coming out saying how truly bad it was.
So when Midsommar came along, and everyone online started reacting in exactly the same way as they did for Hereditary, I wasn’t having any of it. The trailer looked OK, but I didn’t want to waste my time being like the person in the story of the emperors new clothes who pipes up and says “hang on a minute, this is actually complete crap”. So I didn’t bother with it.
But now it’s on Amazon Prime, and cinemas are closed. It’s desperate times, so I gave it a try.
And for the first half, it was OK. But by the end of it, I was disappointed again and I really do feel that it actually does follow the same Hereditary formula, only delivered slightly better -
A first half which plays like a beautifully shot drama.
A gruesome shock during this first half.
A beautifully shot, but ultimately dull, second half which struggles to deliver on the initial setup, decides to descend into a ridiculous and laughable mess instead.
A standout performance (Toni Collette then, Florence Pugh now).
The bitter disappointment in Hereditary still lingers to this day. The build up, and all of the hype on film Twitter, got me so excited to see it. And then, I ended up in a cinema full of people, all laughing at the ridiculousness of it all and all coming out saying how truly bad it was.
So when Midsommar came along, and everyone online started reacting in exactly the same way as they did for Hereditary, I wasn’t having any of it. The trailer looked OK, but I didn’t want to waste my time being like the person in the story of the emperors new clothes who pipes up and says “hang on a minute, this is actually complete crap”. So I didn’t bother with it.
But now it’s on Amazon Prime, and cinemas are closed. It’s desperate times, so I gave it a try.
And for the first half, it was OK. But by the end of it, I was disappointed again and I really do feel that it actually does follow the same Hereditary formula, only delivered slightly better -
A first half which plays like a beautifully shot drama.
A gruesome shock during this first half.
A beautifully shot, but ultimately dull, second half which struggles to deliver on the initial setup, decides to descend into a ridiculous and laughable mess instead.
A standout performance (Toni Collette then, Florence Pugh now).
Andy K (10821 KP) rated Hereditary (2018) in Movies
Jul 19, 2019
I'm going to piss people off with this one! (Nothing personal)
I will agree with some who have said either this film is weird, not for everyone or horror is a tough genre to get correct. I felt kind of like I was watching Drag Me To Hell or even Suspiria toward the end of this creepy thriller/horror film, but I was along for the ride.
I will say now more than ever in the world of no opening credits anymore Marvel/Disney CGI Conjuring/Insidious universe modern horror movie crap, this film is a standout above most of those for sure. I am not sure why people can't let a story unfold and be in the mood for a gradual buildup of tension rather than stupid jump scare movies or some random computer-generated pukefest.
If you don't like slow build movies (which they don't make much anymore because of modern moviegoer attention spans) then make sure you don't watch Jaws, Close Encounters of the 3rd Kind, E.T. or even The Exorcist and Rosemary's Baby because you will be thoroughly bored.
I'm certainly not saying Hereditary is the best of its genre, but it is certainly unconventional and keeps you guessing as to what will happen next. Toni Collette is really good playing a nutty mother whose family is continually torn apart and I feel the screenplay has enough interesting elements to make this a thoroughly entertaining film.
So there! I still love you all. :)
I will say now more than ever in the world of no opening credits anymore Marvel/Disney CGI Conjuring/Insidious universe modern horror movie crap, this film is a standout above most of those for sure. I am not sure why people can't let a story unfold and be in the mood for a gradual buildup of tension rather than stupid jump scare movies or some random computer-generated pukefest.
If you don't like slow build movies (which they don't make much anymore because of modern moviegoer attention spans) then make sure you don't watch Jaws, Close Encounters of the 3rd Kind, E.T. or even The Exorcist and Rosemary's Baby because you will be thoroughly bored.
I'm certainly not saying Hereditary is the best of its genre, but it is certainly unconventional and keeps you guessing as to what will happen next. Toni Collette is really good playing a nutty mother whose family is continually torn apart and I feel the screenplay has enough interesting elements to make this a thoroughly entertaining film.
So there! I still love you all. :)
BankofMarquis (1832 KP) rated Hereditary (2018) in Movies
Jun 28, 2018
Laughable
For me, the hardest genre of film to get right is horror. In short order the filmmaker needs to set up the premise and "rules of engagement" of the world that is being presented and then execute incredulous situations and predicaments in such a way that are plausible and tense.
Only a small amount (let's say 10% to be generous) gets this balance right. 80% of the time, they fall short and either the film is boring or (more often) turns into a "gore-fest". And...in the bottom 10% are the films where they miss so spectacularly that you are entertained by how ridiculous and over-the-top things are.
Such is the case with Ari Aster's HEREDITARY, a film that was billed as a "tense, thriller with unthinkable family tragedy that veers into the realm of the Supernatural".
I would bill it as "stupid".
Starring the usually reliable Toni Collette as Annie, a miniature-model artist (people in these types of films usually have occupations that make no sense) who's relationship with her mother is strained - at best. She is married to Steve (Gabriel Byrne - far removed from his USUAL SUSPECTS days), and has 2 children, Peter (Alex Wolff) and Charlie (Milly Shapiro). They had another child who has passed away. When Annie's mother dies, Annie starts to discover disturbing secrets about her mother and her family's heritage.
I won't say more - for I would spoil things - but the film starts promisingly enough - and there's an unexpected, tragic death that I thought was handled interestingly enough and I had positive hopes for the rest of the film - but the scenarios and escalating events of this film build on each other from there, one more ridiculous than the other. I kept wanting to scream to the screen - "call the authorities", which would have ended things right there, but this being a film, no one ever does.
As I stated, Toni Collette is, usually, a sign of quality in a movie...but not here. She (and Byrne) are listed as Executive Producers of this film (which means, I think, they gave up parts of their salaries for % points in this film - good luck getting any money out of that). Her Annie is melodramatic and over-the-top - and CRAZY - almost from the start, so when she starts getting REALLY melodramatic and C-R-A-Z-Y, it is laughable. Gabriel Byrne walks through this film looking like he is wondering where the Craft Services truck is, giving a "minimalist" performance (read: he mailed it in). And the two kids are haunting...in their blankness and blandness.
But...it is the ever increasing bizarre events that had me howling with laughter in my seat (as opposed to squirming in terror). I would spoil things if I mentioned them, but I didn't buy any of it. Writer/Director Aster just kept throwing one event even more "weird" and bizarre than preceding one. I actually said to my buddy sitting next to me at one point, "who is that old, fat, naked guy, and where did he come from"?
I think that says it all.
I'm sure there was probably a good movie in here someplace, this wasn't it.
Letter Grade: C (for the opening 1/2 hour or so and the "unexpected death" that was executed well).
4 stars (out of 10) and you can take it - or leave it - to the Bank(ofMarquis)
Only a small amount (let's say 10% to be generous) gets this balance right. 80% of the time, they fall short and either the film is boring or (more often) turns into a "gore-fest". And...in the bottom 10% are the films where they miss so spectacularly that you are entertained by how ridiculous and over-the-top things are.
Such is the case with Ari Aster's HEREDITARY, a film that was billed as a "tense, thriller with unthinkable family tragedy that veers into the realm of the Supernatural".
I would bill it as "stupid".
Starring the usually reliable Toni Collette as Annie, a miniature-model artist (people in these types of films usually have occupations that make no sense) who's relationship with her mother is strained - at best. She is married to Steve (Gabriel Byrne - far removed from his USUAL SUSPECTS days), and has 2 children, Peter (Alex Wolff) and Charlie (Milly Shapiro). They had another child who has passed away. When Annie's mother dies, Annie starts to discover disturbing secrets about her mother and her family's heritage.
I won't say more - for I would spoil things - but the film starts promisingly enough - and there's an unexpected, tragic death that I thought was handled interestingly enough and I had positive hopes for the rest of the film - but the scenarios and escalating events of this film build on each other from there, one more ridiculous than the other. I kept wanting to scream to the screen - "call the authorities", which would have ended things right there, but this being a film, no one ever does.
As I stated, Toni Collette is, usually, a sign of quality in a movie...but not here. She (and Byrne) are listed as Executive Producers of this film (which means, I think, they gave up parts of their salaries for % points in this film - good luck getting any money out of that). Her Annie is melodramatic and over-the-top - and CRAZY - almost from the start, so when she starts getting REALLY melodramatic and C-R-A-Z-Y, it is laughable. Gabriel Byrne walks through this film looking like he is wondering where the Craft Services truck is, giving a "minimalist" performance (read: he mailed it in). And the two kids are haunting...in their blankness and blandness.
But...it is the ever increasing bizarre events that had me howling with laughter in my seat (as opposed to squirming in terror). I would spoil things if I mentioned them, but I didn't buy any of it. Writer/Director Aster just kept throwing one event even more "weird" and bizarre than preceding one. I actually said to my buddy sitting next to me at one point, "who is that old, fat, naked guy, and where did he come from"?
I think that says it all.
I'm sure there was probably a good movie in here someplace, this wasn't it.
Letter Grade: C (for the opening 1/2 hour or so and the "unexpected death" that was executed well).
4 stars (out of 10) and you can take it - or leave it - to the Bank(ofMarquis)
Sarah (7798 KP) rated Little Miss Sunshine (2006) in Movies
Mar 24, 2021
Adorably heartwarming
Film #17 on the 100 Movies Bucket List: Little Miss Sunshine
Little Miss Sunshine is a quirky gem of an indie film from 2006 that whilst a favourite of mine and Oscar nominated, has likely flown below the radar for many mainstream viewers. Which is a huge shame as this is such a fun, heartwarming and enjoyable film
Directed by husband and wife team Jonathan Dayton and Valerie Faris, Little Miss Sunshine follows the life of the dysfunctional Hoover family from New Mexico. The Hoovers are a family of unfortunates, misfits and losers, and probably one of the most realistic family depictions you’ll ever seen on screen outside of reality TV. There’s Sheryl (Toni Collette), the harassed mum who keeps her family fed on fast food. Dad Richard (Greg Kinnear) who’s trying to peddle a failing business that focuses on teaching others the secrets to success. Grandpa Edwin (Alan Arkin), an ageing hippie with a drug habit that has been kicked out of his retirement home. Sheryl’s brother Frank (Steve Carell), a gay man currently recovering from a suicide attempt after his partner left him. Son Duane (Paul Dano) who’s goal to get into flight school has led him to take a vow of silence. And finally there’s young daughter Olive (Abigail Breslin), who’s obsession with beauty pageants leads the family to take a cross country trip in an ageing VW van to help her compete in the Little Miss Sunshine pageant. Along the way, the family encounter a variety of mishaps and events that can potentially change their lives.
The Hoover family for the most part are ridiculously lovable and this is entirely down to their flaws that they are so likeable. Aside from Dad Richard who has a number of questionable ethics and morals that demean others, the family and their unique quirky personalities are the main reason why this film is so enjoyable. And the fact that the entire family are all brought together by young Olive across the span of the film makes this incredibly heartwarming. Olive is an underdog and being realistic, not the type of girl who you’d see in your typical American beauty pageant, but you still find yourself rooting for her all the same.
The cast are fantastic and while you can always rely on Toni Collette, Alan Arkin and Greg Kinnear, it’s Steve Carell and Abigail Breslin that shine brightest. Until this, I didn’t think Steve Carell could do serious and especially not a role that like. But he excels, bringing a sad, intelligent air to Frank and personally I think this is his best role to date. And then there’s Abigail Breslin, a 9 year old who steals the show and pulls the entire cast and film together. Together with a clever, well written script, the cast pull together a heartwarming and surprisingly funny film where emotions and family are key to an eventful road trip.
What I enjoyed the most about Little Miss Sunshine is that while the journey the family take is obviously most important, we do at least get the joy of seeing Olive enter the beauty pageant and this is such a fitting end to the story. There may be some slightly unbelievable or predictable events that occur across the journey (the police traffic stop being one), but ultimately you come out of this feeling incredibly satisfied and rather warm and fuzzy inside. One of the most enjoyable family road trip movies I’ve ever seen.
Little Miss Sunshine is a quirky gem of an indie film from 2006 that whilst a favourite of mine and Oscar nominated, has likely flown below the radar for many mainstream viewers. Which is a huge shame as this is such a fun, heartwarming and enjoyable film
Directed by husband and wife team Jonathan Dayton and Valerie Faris, Little Miss Sunshine follows the life of the dysfunctional Hoover family from New Mexico. The Hoovers are a family of unfortunates, misfits and losers, and probably one of the most realistic family depictions you’ll ever seen on screen outside of reality TV. There’s Sheryl (Toni Collette), the harassed mum who keeps her family fed on fast food. Dad Richard (Greg Kinnear) who’s trying to peddle a failing business that focuses on teaching others the secrets to success. Grandpa Edwin (Alan Arkin), an ageing hippie with a drug habit that has been kicked out of his retirement home. Sheryl’s brother Frank (Steve Carell), a gay man currently recovering from a suicide attempt after his partner left him. Son Duane (Paul Dano) who’s goal to get into flight school has led him to take a vow of silence. And finally there’s young daughter Olive (Abigail Breslin), who’s obsession with beauty pageants leads the family to take a cross country trip in an ageing VW van to help her compete in the Little Miss Sunshine pageant. Along the way, the family encounter a variety of mishaps and events that can potentially change their lives.
The Hoover family for the most part are ridiculously lovable and this is entirely down to their flaws that they are so likeable. Aside from Dad Richard who has a number of questionable ethics and morals that demean others, the family and their unique quirky personalities are the main reason why this film is so enjoyable. And the fact that the entire family are all brought together by young Olive across the span of the film makes this incredibly heartwarming. Olive is an underdog and being realistic, not the type of girl who you’d see in your typical American beauty pageant, but you still find yourself rooting for her all the same.
The cast are fantastic and while you can always rely on Toni Collette, Alan Arkin and Greg Kinnear, it’s Steve Carell and Abigail Breslin that shine brightest. Until this, I didn’t think Steve Carell could do serious and especially not a role that like. But he excels, bringing a sad, intelligent air to Frank and personally I think this is his best role to date. And then there’s Abigail Breslin, a 9 year old who steals the show and pulls the entire cast and film together. Together with a clever, well written script, the cast pull together a heartwarming and surprisingly funny film where emotions and family are key to an eventful road trip.
What I enjoyed the most about Little Miss Sunshine is that while the journey the family take is obviously most important, we do at least get the joy of seeing Olive enter the beauty pageant and this is such a fitting end to the story. There may be some slightly unbelievable or predictable events that occur across the journey (the police traffic stop being one), but ultimately you come out of this feeling incredibly satisfied and rather warm and fuzzy inside. One of the most enjoyable family road trip movies I’ve ever seen.
