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Merissa (12128 KP) rated Abroad in the Stars (Galaxia Pirates #1) in Books
Jan 18, 2018
Abroad in the Stars (Galaxia Pirates #1) by A.M. Halford
Abroad in the Stars is the first book in the Galaxia Pirates series, and we get a very thorough look at just what being a Galaxia pirate involves. Tony is their navigator, and has done a magnificent job of it so far, earning his place among the crew. Only a select few know of his 'real' identity of Antonio Santiago. Personally, I would say that Tony is more real than Antonio, but there you go. When the Captain's brother returns to the ship, sparks fly between him and Tony. Actually it was more than sparks that flew when they first met in a dark alley, but you'll read that bit for yourself. When Tony's parents decide they want him back, the crew of the Galaxia will do all they can to get their crewman back. And Craig will stop at nothing until he gets his lover back.
This is a brilliant story, HOWEVER if you are looking for rainbows and unicorns, then you're probably going to be disappointed! Personally, I loved the rough and tumble of it. Tony wanted exactly what Craig wanted to give. Both of them understood each other with no miscommunication. The steamy scenes are intense and brilliantly written. The world-building is mostly about the ship and Tony's family, but really, that is all you need for this story. You get an exceedingly good idea of the troubles the pirates face, and how much being a crew member means to them, and just what they will do if one of them is in danger.
Well written, with no editing or grammatical errors to disrupt my reading flow, this story grabbed me from the beginning. Fantastic start to the series, fantastic story, can't wait for more. Absolutely recommended by me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
This is a brilliant story, HOWEVER if you are looking for rainbows and unicorns, then you're probably going to be disappointed! Personally, I loved the rough and tumble of it. Tony wanted exactly what Craig wanted to give. Both of them understood each other with no miscommunication. The steamy scenes are intense and brilliantly written. The world-building is mostly about the ship and Tony's family, but really, that is all you need for this story. You get an exceedingly good idea of the troubles the pirates face, and how much being a crew member means to them, and just what they will do if one of them is in danger.
Well written, with no editing or grammatical errors to disrupt my reading flow, this story grabbed me from the beginning. Fantastic start to the series, fantastic story, can't wait for more. Absolutely recommended by me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Merissa (12128 KP) rated Escape to the Stars (Galaxia Pirates #2) in Books
Jan 25, 2018
Escape to the Stars (Galaxia Pirates #2) by A.M. Halford
Escape to the Stars is the second book in the Galaxia Pirates series. In this one, we find out more details about the stowaway, Sandy, who we met at the end of the first book. Brian is in charge of him, and once they find out he is branded with a slave mark, Brian knows that Sandy can't bunk in with the rest of the crew, so he has to share his room. The attraction Brian feels for Sandy is strong, but when he sees the fear in Sandy's eyes, he backs off. Sandy has been a sex slave, and programmed through hardship to react to any touch. Sandy decides that he will power through this and propositions Brian. Things seem to be working out for them, but then Sandy's owner, Sylvain, catches up with him.
This is an easy to read book, where you don't have lots of background information to bog you down. Some may find that annoying, but for me, this story was just perfect - it came at the right time and gave me what I needed from a book. What is there is well written, and features Tony and Craig from book one too. There were no editing or grammatical errors that disrupted my reading flow. This was a brilliant coffee break book, and definitely recommended by me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
This is an easy to read book, where you don't have lots of background information to bog you down. Some may find that annoying, but for me, this story was just perfect - it came at the right time and gave me what I needed from a book. What is there is well written, and features Tony and Craig from book one too. There were no editing or grammatical errors that disrupted my reading flow. This was a brilliant coffee break book, and definitely recommended by me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
JT (287 KP) rated The Fall Of The Essex Boys (2013) in Movies
Mar 23, 2020
Violent (1 more)
Acting is OK
British grit
Loosely based on a true story surrounding the brutal shooting of three infamous drug dealers from Essex in December 1995, it’s a surprise that this is the fourth film to tell the tale.
After films such as Essex Boys, Rise of the Footsoldier and most recently Bonded by Blood you’d wonder why director Paul Tanter chose to helm this version, had this not already been done? Then you sit down to watch it and you realise that it’s a film in its own right, with powerful performances from British actors that need to be seen and heard in their delivery.
If you don’t know the story by now, and it’s one of underworld folk law, it follows three of Essex’s toughest and hardest drug-dealing criminals, who came to a gruesome end when they wanted to go one step too far.
Pat Tate, Tony Tucker and Craig Rolfe want to corner the drug trafficking market, they’re in it for the long haul and to make serious cash. The trio is vicious to the point of no return and will stop at nothing to get what they want and no one will stand in their way.
The film is told by Darren Nicholls (Nick Nevern) who himself narrates for a portion of the film, giving us the story as it unfolds before us. He’s up to his neck in it, and he wants a way out, seemingly with nowhere to turn he has to go into the lion’s den while keeping himself close to a friend on the outside that is looking for a similar end game.
It’s violent but then you have to expect that, the acting is genuinely disturbing and Tanter’s sharp direction keeps the viewer on tenterhooks. It’s a film that is not going to be for everyone, but fans of the director as well as the genre will love it.
After films such as Essex Boys, Rise of the Footsoldier and most recently Bonded by Blood you’d wonder why director Paul Tanter chose to helm this version, had this not already been done? Then you sit down to watch it and you realise that it’s a film in its own right, with powerful performances from British actors that need to be seen and heard in their delivery.
If you don’t know the story by now, and it’s one of underworld folk law, it follows three of Essex’s toughest and hardest drug-dealing criminals, who came to a gruesome end when they wanted to go one step too far.
Pat Tate, Tony Tucker and Craig Rolfe want to corner the drug trafficking market, they’re in it for the long haul and to make serious cash. The trio is vicious to the point of no return and will stop at nothing to get what they want and no one will stand in their way.
The film is told by Darren Nicholls (Nick Nevern) who himself narrates for a portion of the film, giving us the story as it unfolds before us. He’s up to his neck in it, and he wants a way out, seemingly with nowhere to turn he has to go into the lion’s den while keeping himself close to a friend on the outside that is looking for a similar end game.
It’s violent but then you have to expect that, the acting is genuinely disturbing and Tanter’s sharp direction keeps the viewer on tenterhooks. It’s a film that is not going to be for everyone, but fans of the director as well as the genre will love it.
Bob Mann (459 KP) rated Table 19 (2017) in Movies
Sep 29, 2021
Mean spirited and atrocious.
I really hated this film. There. BOOM. Got it off my chest.
It all starts so promisingly, with a scene of Anna Kendrick (“The Accountant“, who can be a very good actress) rejecting a wedding invitation; then accepting it; then burning it; then blowing it out; then posting it. I laughed. This was a rarity. There are about five more smile-worthy moments in the movie, most of which are delivered by Stephen Merchant.
Anna plays Eloise who was SUPPOSED to be maid-of-honour at her best friend’s wedding, but then broke up – messily – with her brother (the best man). She stubbornly attends the wedding in a posh hotel and finds herself on “Table 19” – a socially unfavourable location, full of a bunch of misfits that everyone expected to say “no” but didn’t; a molly-coddled and awkward teen (Tony Revolori, “Spider-man: Homecoming“) with the single goal of getting laid; “The Kepps” – a bickering married couple (Lisa Kudrow (“The Girl on the Train“, “Friends”) and Craig Robinson (“Hot Tub Time Machine”)); a convicted fraudster serving his sentence in an open prison ( Stephen Merchant, “Logan“) and a druggie former nanny of the bride (June Squibb, “In and Out”).
The fundamental problem with the movie is that Jeffrey Blitz’s script (he also directs) is not only not very funny, but it is so fundamentally focused on the greedy and needy nature of the table’s American reprobates that at every turn it leaves a bad taste in the mouth. Their motives are all utterly selfish and there’s an “if we get away with it, then that’s fine” attitude that pervades the plot.
The nadir for me happens when – after trashing (albeit accidently) a key part of the wedding they are attending, they cover their selfish backsides by (deliberately) trashing the same key part of another wedding going on in the same hotel.
This is kind of positioned as a “revenge” sort of thing, but (in analysis) no wrong seems to have actually been done: its just another misunderstanding of the self-obsessed Eloise.
The Kepp’s story is also sad and selfish rather than comedic, and the resolution of this (and in fact all of the other sub-stories) for a nicely gift-wrapped ending is just saccharine and vomit-inducing.
This is a wedding present that should have come with a label in big red writing: “DO NOT OPEN“.
It all starts so promisingly, with a scene of Anna Kendrick (“The Accountant“, who can be a very good actress) rejecting a wedding invitation; then accepting it; then burning it; then blowing it out; then posting it. I laughed. This was a rarity. There are about five more smile-worthy moments in the movie, most of which are delivered by Stephen Merchant.
Anna plays Eloise who was SUPPOSED to be maid-of-honour at her best friend’s wedding, but then broke up – messily – with her brother (the best man). She stubbornly attends the wedding in a posh hotel and finds herself on “Table 19” – a socially unfavourable location, full of a bunch of misfits that everyone expected to say “no” but didn’t; a molly-coddled and awkward teen (Tony Revolori, “Spider-man: Homecoming“) with the single goal of getting laid; “The Kepps” – a bickering married couple (Lisa Kudrow (“The Girl on the Train“, “Friends”) and Craig Robinson (“Hot Tub Time Machine”)); a convicted fraudster serving his sentence in an open prison ( Stephen Merchant, “Logan“) and a druggie former nanny of the bride (June Squibb, “In and Out”).
The fundamental problem with the movie is that Jeffrey Blitz’s script (he also directs) is not only not very funny, but it is so fundamentally focused on the greedy and needy nature of the table’s American reprobates that at every turn it leaves a bad taste in the mouth. Their motives are all utterly selfish and there’s an “if we get away with it, then that’s fine” attitude that pervades the plot.
The nadir for me happens when – after trashing (albeit accidently) a key part of the wedding they are attending, they cover their selfish backsides by (deliberately) trashing the same key part of another wedding going on in the same hotel.
This is kind of positioned as a “revenge” sort of thing, but (in analysis) no wrong seems to have actually been done: its just another misunderstanding of the self-obsessed Eloise.
The Kepp’s story is also sad and selfish rather than comedic, and the resolution of this (and in fact all of the other sub-stories) for a nicely gift-wrapped ending is just saccharine and vomit-inducing.
This is a wedding present that should have come with a label in big red writing: “DO NOT OPEN“.