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Jenni Olson recommended Sweet Smell of Success (1957) in Movies (curated)
Awix (3310 KP) rated The Vikings (1958) in Movies
Apr 15, 2020
Slim-line Hollywood epic is strong on rousing action, less so on historical authenticity. Separated-long-before-birth siblings Kirk Douglas and Tony Curtis rip chunks out of each other while drinking, raiding, pillaging and taking an interest in Janet Leigh.
Basically the silliest sort of Hollywood camp, with dialogue like 'Love and hate are two horns on the same goat!', but the photography and score do occasionally combine to produce something rather stirring. It occasionally has a rather harder, darker edge than you'd expect (there's quite a lot of mutilation in the script), but not that much more than Ben Hur. The combined wattage of the various stars keeps it watchably entertaining.
Basically the silliest sort of Hollywood camp, with dialogue like 'Love and hate are two horns on the same goat!', but the photography and score do occasionally combine to produce something rather stirring. It occasionally has a rather harder, darker edge than you'd expect (there's quite a lot of mutilation in the script), but not that much more than Ben Hur. The combined wattage of the various stars keeps it watchably entertaining.
Sacha Gervasi recommended Sweet Smell of Success (1957) in Movies (curated)
Kirk Bage (1775 KP) rated The Vikings (1958) in Movies
Mar 3, 2020 (Updated Mar 5, 2020)
In a productive period seeing him make four or five films a year, Douglas returned to work for Richard Fleischer in his pursuit for the great epic that would finally win him the Oscar. The Vikings was a star-studded spectacle that despite some memorable scenes between himself and Tony Curtis, falls a little flat as a satisfying film in entirety. A box office hit, but a critical flop, it has to be counted as somewhat of a failure, except for the fact it is one of the better known moments in his career, thanks largely to the powerful visual of Douglas with a dead eye and scar; proving you merely point a camera at him and get magic. My favourite trivia around this film is that Douglas offered a prize for best beard on the first day of shooting, only to turn up himself entirely clean shaven.
Pat Healy recommended Sweet Smell of Success (1957) in Movies (curated)
Richard Hell recommended Sweet Smell of Success (1957) in Movies (curated)
BankofMarquis (1832 KP) rated The Great Race (1965) in Movies
Jul 6, 2018
A fun throwback to 1920's Silent Film Farces
In a tribute to films of a bygone era, Director Blake Edwards pays homage to silent film farces of the 1920's - even dedicating this film to "Mr. Laurel and Mr. Hardy" - with the slapstick comedy THE GREAT RACE - and succeeds, mostly.
Reteaming Tony Curtis (as the brave, virtuous and good "The Great Leslie") and Jack Lemmon (as the sinister, dastardly and evil "Professor Fate"), The Great Race is great fun watching these two cartoon characters spar and parry with each other throughout the course of this 2 hour and 40 minute farce.
Lemmon, in particular, relishes in dual roles as the menacing Fate, always dressed in black, twirling his mustache and coming up with scheme after scheme to derail Leslie (think the Coyote in the RoadRunner cartoons). His overacting and hammyness in the character is perfect for the tone that this film has set. And his maniacal laugh is one to remember - unless you are remembering the childlike guffaws of the other character Lemmon portrays, the doppelganger of Fate, Crown Prince Frederick. Both these characters are fun to watch and Fate, especially, plays well against his bumbling assistant and foil, "Max", played in utter buffoonishness by the great Peter Falk.
Joining Curtis for the "good guys" is Natalie Wood as Suffragette and Newspaper
Reporter Maggie DuBois (obviously tailored after real life Suffragette and Newspaper Reporter Nellie Bly). It is said that Curtis and Wood did not get along on set (they had worked together in 2 other films and grew to dislike each other), but their on-screen chemistry cannot be ignored and they are fun together. As is the great Keenan Wynn as Leslie's mechanic and friend Hezekiah Sturdy.
But it is not the characters that makes this film go it is the set pieces and frenetic pacing that Director Edwards put before us. From thrilling chase scenes to a Western barroom brawl, to a trip through a blizzard with a polar bear to the "largest pie fight ever put on screen", this film delivers the goods in a wholesome, 1960's way that makes me truly say...
"They don't make 'em like this anymore".
8 out 10 stars and you can take that to the Bank (ofMarquis)
Reteaming Tony Curtis (as the brave, virtuous and good "The Great Leslie") and Jack Lemmon (as the sinister, dastardly and evil "Professor Fate"), The Great Race is great fun watching these two cartoon characters spar and parry with each other throughout the course of this 2 hour and 40 minute farce.
Lemmon, in particular, relishes in dual roles as the menacing Fate, always dressed in black, twirling his mustache and coming up with scheme after scheme to derail Leslie (think the Coyote in the RoadRunner cartoons). His overacting and hammyness in the character is perfect for the tone that this film has set. And his maniacal laugh is one to remember - unless you are remembering the childlike guffaws of the other character Lemmon portrays, the doppelganger of Fate, Crown Prince Frederick. Both these characters are fun to watch and Fate, especially, plays well against his bumbling assistant and foil, "Max", played in utter buffoonishness by the great Peter Falk.
Joining Curtis for the "good guys" is Natalie Wood as Suffragette and Newspaper
Reporter Maggie DuBois (obviously tailored after real life Suffragette and Newspaper Reporter Nellie Bly). It is said that Curtis and Wood did not get along on set (they had worked together in 2 other films and grew to dislike each other), but their on-screen chemistry cannot be ignored and they are fun together. As is the great Keenan Wynn as Leslie's mechanic and friend Hezekiah Sturdy.
But it is not the characters that makes this film go it is the set pieces and frenetic pacing that Director Edwards put before us. From thrilling chase scenes to a Western barroom brawl, to a trip through a blizzard with a polar bear to the "largest pie fight ever put on screen", this film delivers the goods in a wholesome, 1960's way that makes me truly say...
"They don't make 'em like this anymore".
8 out 10 stars and you can take that to the Bank (ofMarquis)