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The Psychopath Test
The Psychopath Test
Jon Ronson | 2012 | Health & Fitness
8
8.2 (11 Ratings)
Book Rating
This book is remarkably entertaining – I can see why it’s having such a long stint in the bookseller’s shelves! It’s most definitely written for the lay person, and that goes some way to explaining the book’s longevity.


It logs the course of events taken by Jon Ronson as he interviews some people who are deemed crazy, or psychopathic, and some people who diagnose psychological traits. The start of Ronson’s journey is intriguing - it begins when various academics, predominately neuroscientists, are sent mysterious and cryptic packages. They all rush onto online forums trying to figure out what it’s all about. Unfortunately, this section comes to an abrupt and disappointing conclusion (no spoilers).


This all changes in Chapter 2, however. Here, Ronson meets a man, Tony, who claims to have faked mental illness in order to get put into a psychiatric facility rather than a traditional prison. The Scientologists are on his side, and they send Ronson Broadmoor’s file on Tony, but with significant omissions, which shed a whole new light on why Tony should be incarcerated.


Chapter 3 describes how in the 1960’s psychiatrist Elliot Barker, held several nude LSD-induced psychotherapy sessions for psychopaths. In Chapter 4, Ronson goes on a conference to learn about Bob Hare’s psychopath checklist, and by Chapter 5, he’s using it in an interview with a leader of a death squad, Toto Constant. In Chapter 6, he uses it in an interview with Al Dunlan, who apparently enjoyed firing 6.000 people from their jobs.


Following a brief interlude to discuss the media, conspiracy theorists and the second coming, the theme of psychopathy is picked up again in Chapter 9 which looks at criminal profiling, and how it was once used to lure one particular suspect into an unwarranted arrest.


Ronson goes off on another tangent in Chapter 10, which discusses the (very real) problem of an apparent ballooning of mental illness diagnoses. Here he tells the tale of what happened when a 4-year-old girl was given 10 pills a day for “childhood bipolar” disorder.


In Ronson’s concluding chapter, he attends a tribunal for the Tony of Chapter 2, and Tony’s fate is decided (no spoilers). By this point, Tony’s charisma has got Ronson taken in, in spite of Tony showing several psychopathic traits.


My take away from the book is that people will have eccentricities, diagnosis or not, and the way to tell if someone is dangerous, is by their actions. Ronson himself has spotted psychopathic traits in himself, despite being overly anxious and not the slightest bit evil. The book sheds a lot of light, not only on the nature of obtaining a diagnosis, but also on its implications.


Whilst I do recommend the book, this book is most definitely not a thorough analysis of the mental health industry, nor the criminal profiling industry. But for entertainment purposes it gets top marks. If you are looking for a more authoritative book on the mental health industry and diagnosis, I recommend Saving Normal by Allen Frances.
  
Afrodisiac by Fela Ransome-Kuti & The Africa '70
Afrodisiac by Fela Ransome-Kuti & The Africa '70
(0 Ratings)
Album Favorite

"I found a very interesting thing out about Tony Allen. I was thinking, ""How did he get to that music?"" In my opinion, Afrobeat really grew out of his drumming more than anything else. I mean, Fela was of course totally important to it and realised what you could build around that, but I think there was nothing else you could find that sounds like Tony at that time. So I was asking a friend of mine about this, Joe Boyd, the record producer, and he said that the story with Tony was that he was the only subscriber to Downbeat magazine in West Africa when he was about 18 or 19. In one edition there was a supplement by Max Roach, the jazz drummer, about hi-hat technique and Tony got completely fascinated by this article about how you balance the hi-hat with the rest of the kit. So Tony came from the history of Nigerian drumming and then he saw this article by Max Roach and that was the sort of thing that galvanised him really. Afrodisiac has four songs and they're all absolutely brilliant. There's no disappointment on the album at all. On later records there's quite a lot of fat, the pieces go on and on and sometimes they're a bit aimless, but Afrodisiac I suppose was being made as an attempt to push Fela over here, so instead of a piece taking a whole side it takes only half a side. I used to go to this record shop just off Tottenham Court Road called Sterns and that was a place where you could buy records from other countries, so a lot of Africans went there because you could buy West African records there. I used to sniff around there as I was just fascinated by all the covers. All these people with amazing headdresses on and you think, ""Christ, I really want to hear that record, I wonder what that sounds like."" So I saw that cover and bought it entirely on that. I thought, that sounds good, it's got the cheesiest title you could have. I took it home and just thought, fuck, the vigour of it and the Nigerian strength [laughs], the rudeness of it. The horns, when I heard them, I had this picture of these huge trucks on the Trans-African Highway and they have these enormous compressed air horns and that is what the horns on the record sounded like to me. They were so un-glamourised. They didn't have that kind of 'jazzy' soft, smoochy sound, they were just ""fucking get out of my fucking way!"" When I first met Talking Heads, the first meeting I ever had with them, they had been playing in London and they came over to my flat to talk about me working on their next album. So I said, ""This is the future of music"", and I played them Afrodisiac, and to their credit they were incredibly impressed by it. If you listen to the third album we did together (Remain In Light) it's so influenced by that. It's sort of shameful in a way."

Source
  
Iron Man 3 (2013)
Iron Man 3 (2013)
2013 | Action, Sci-Fi
RDJ, visuals, Don Cheadle, (0 more)
The Mandarin reveal (0 more)
Downey JR....is....Iron Man!
Contains spoilers, click to show
Continuing my post 'Endgame' stroll down the MCU's memory lane I turned to the third solo outing for Iron Man.

Whilst having good memories of this instalment it was better than I recalled. Picking up after the events of 'Avengers Assemble ' we see Tony Stark dealing with PTSD, suffering anxiety and panic attacks. It's interesting to see now - after Endgame, the change in direction for Stark. Here is a man who knows - who has seen, there's greater threats out there. It's the start of what 'Avengers: Age of Ultron' progresses 4 MCU movies later.

The story is straight forward enough. Initially we are led to believe that the villain of the piece is The Mandarin, played by Ben Kingsley (or so we presume), the terrorist threat with whom Iron Man goes up against. Half way through we are thrown a twist with the reveal that Kingsley is actually Tony Slattery, an actor in the employ of the real puppet master - Aldrich Lillian (As played by Guy Pearce) who is using the terrorist threat to cover his real agenda....Extremis.

Great action, Acting, Don Cheadle, Gwyneth Paltrow, Iron Man 3 is the best of the trilogy helping to solidify RDJ's status as founding player of this cinematic universe.
  
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Dean (6925 KP) rated Thir13en Ghosts (2001) in Movies

Jun 18, 2018 (Updated Jun 30, 2021)  
Thir13en Ghosts (2001)
Thir13en Ghosts (2001)
2001 | Horror
Another cool Dark Castle entertainment horror re-make. Didn't know of the original until I saw some reviews mention it. This reminded me a lot of the House on Haunted Hill remake made 2 years earlier. It's fun, not too serious, has a good mix of humour and gore/kills. The cast is ok and well known with Shannon Elizabeth and Matthew Lillard, but it was a nice surprise to see Tony Shalhoub (Monk) appear in this. What really makes this film enjoyable in my opinion, along with House on Haunted Hill, is the set design, make up and ghoulish characters created. Both films have a great wacky house setting, good SFX and the ghosts in this look awesome. A great way to enjoy 90mins. So if you liked House on Haunted Hill you will like this just as much.
  
Show all 3 comments.
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Dean (6925 KP) Jun 19, 2018

Yes I think the original was in the 60's or 70's.

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Chrissie-ann (78 KP) Jun 19, 2018

I also didn't know this was a remake!

Dial M for Murder (1954)
Dial M for Murder (1954)
1954 | Crime, Mystery
one of the better ones.
Contains spoilers, click to show
I think this film might be one of the only Hitchcock films I liked - and that list is VERY short. I liked the mystery and the way you kind of end up rooting for Tony, but you're still satisfied and happy when he gets caught. I think Halliday was a great move and I loved that he and the inspector were the ones to unravel his plot. I loved the detail that was put into this film and the fact that it was only shot at one location - a rarity for Hitchcock.

This is easily one of the most solid Hitchcock films and probably one of the only ones I'd recommend. Watch at your own discretion because I've come to notice that Hitchcock is either-or. You either love him or you hate.