Search
Search results
Kristy H (1252 KP) rated All the Crooked Saints in Books
Jan 10, 2018 (Updated Jan 10, 2018)
Story of love, loss, and sadness that everyone can appreciate
Maggie Stiefvater's latest--a stand-alone novel--tells the tale of the Soria family, who live in Bicho Raro, Colorado in the 1960s. On the family compound, you'll find the extended Soria family, including the three cousins: Beatriz, Daniel, and Joaquin. Beatriz is scientific-minded; so much, in fact, that she believes she has no feelings. Daniel is the Saint of Bicho Raro, and performs miracles for the Pilgrims who come in droves for the magic the Sorias can offer. Joaquin loves music and performs as Diablo Diablo on an illegal radio station he operates. The Sorias live apart from the Pilgrims they serve, believing helping and interfering with them after performing the first miracle will only bring on darkness. After all, it happened with Daniel's late parents. But when Daniel becomes involved with a Pilgrim named Marisita and a young man named Pete arrives at Bicho Raro looking for work, the Sorias are forced to confront many of their long-held beliefs.
I won't lie: it's a little hard to review this book, beyond saying that it's very much a Maggie Stiefvater novel. If you haven't read one of Stiefvater's novels before, I'm not sure I'd start with this one, even if it is one of her few stand-alone books. Her novels are typically full of all things fancy and fantastical, forcing the reader to suspend reality and be prepared to come along fully for the ride. If you can't do that, or don't enjoy such books, this isn't for you. Even I, who am familiar with her style, had a little trouble with this one at points.
Stiefvater has a way with language; she loves words and weaving a spell with them, and her novels are dense with beauty and picturesque scenes. She uses a repetitious style here in many of her sentences and the overall structure: again, something you might have to get used to.
Still, this book is bizarre but compelling. I put it aside the first night I started it and wasn't sure I'd enjoy it, but when I picked it up again, I was sucked into the Soria's story. The cousins are all rather enthralling characters, and you truly become a part of their journey. Sure, the miracle idea seems a little crazy, but it really just is part of the book, along with the owls, a giant, the moving earth, etc. It's really lovely at times, and I enjoyed the comparisons between miracles and radio waves.
As mentioned, Daniel, Beatriz, and Joaquin are all fascinating characters, and I also really grew to care for Pete, as well, along with another character named Tony. Even Marisita grew on me. There's a bit of suspense and tension to the novel, and you'll find yourself intrigued to see how things turn out. The themes of humanity, darkness, and family are well-done overall.
This probably isn't my favorite of Stiefvater's books; I love the Shiver series and The Raven Boys series, much like this novel, is even more mystical, but features the same sort of compelling characters as here. However, the story and characters grew on me, and I don't regret reading it. It's enjoyable, albeit somewhat odd at times. The story of love, loss, and sadness at its core is one everyone can appreciate.
I won't lie: it's a little hard to review this book, beyond saying that it's very much a Maggie Stiefvater novel. If you haven't read one of Stiefvater's novels before, I'm not sure I'd start with this one, even if it is one of her few stand-alone books. Her novels are typically full of all things fancy and fantastical, forcing the reader to suspend reality and be prepared to come along fully for the ride. If you can't do that, or don't enjoy such books, this isn't for you. Even I, who am familiar with her style, had a little trouble with this one at points.
Stiefvater has a way with language; she loves words and weaving a spell with them, and her novels are dense with beauty and picturesque scenes. She uses a repetitious style here in many of her sentences and the overall structure: again, something you might have to get used to.
Still, this book is bizarre but compelling. I put it aside the first night I started it and wasn't sure I'd enjoy it, but when I picked it up again, I was sucked into the Soria's story. The cousins are all rather enthralling characters, and you truly become a part of their journey. Sure, the miracle idea seems a little crazy, but it really just is part of the book, along with the owls, a giant, the moving earth, etc. It's really lovely at times, and I enjoyed the comparisons between miracles and radio waves.
As mentioned, Daniel, Beatriz, and Joaquin are all fascinating characters, and I also really grew to care for Pete, as well, along with another character named Tony. Even Marisita grew on me. There's a bit of suspense and tension to the novel, and you'll find yourself intrigued to see how things turn out. The themes of humanity, darkness, and family are well-done overall.
This probably isn't my favorite of Stiefvater's books; I love the Shiver series and The Raven Boys series, much like this novel, is even more mystical, but features the same sort of compelling characters as here. However, the story and characters grew on me, and I don't regret reading it. It's enjoyable, albeit somewhat odd at times. The story of love, loss, and sadness at its core is one everyone can appreciate.
Eilidh G Clark (177 KP) rated Tony Hogan Bought Me an Ice Cream Float Before He Stole My Ma in Books
May 14, 2017
This is not only a well-written novel but also a powerful commentary on life within the poverty trap.
‘Graffiti and scorch marks, echoes of small fires, decorated doorsteps. Golden Special Brew cans and crushed vodka bottles, bright as diamonds, collected in gutters. Front gardens were filled with mouldy paddling pools and, occasionally, a rust burnished shell of a car. I had never seen anything so beautiful, so many colours, before in grey Aberdeen.’
This is a novel with nothing held back. While the title is light hearted and the cover art bright and cheerful, both are deceiving. The cover shows a silhouette of a young girl holding a giant red balloon against the backdrop of a Scottish suburban town. It is important to address the significance of this image. Readers may recall a similar painting by Banksy, named Girl With Balloon which was originally painted on a wall in London. Beside the painting was engraved “There Is Always Hope”. While Banksy’s painting shows the girl releasing the balloon, possibly representing lost hope or lost innocence, Hudson’s cover shows the girl being lifted by the balloon. Considering this when addressing the text, it is clear that Hudson wished to demonstrate that one can only hold on to hope by not letting go. Critics have described this book as containing bittersweet humour and Hudson cleverly intrudes in the second chapter by saying that this is in fact a ‘humorous cautionary tale’. As soon as you begin reading, expect to get dirt under your nails. The author launches right into the location of the novel using regional Scottish dialect and local Aberdonian vernacular. The story begins with the birth of out protagonist, Janie Ryan. Born to Iris (formally Irene), a single, homeless mother who comes from a line of women described as ‘fishwives to the marrow’, Iris has recently returned from London after trying to change her destiny (not wanting to become her mother). After falling pregnant to a rich and married American man, the relationship breaks down. Iris is forced to return to poverty in the back streets of Aberdeen but is keen to ensure that things have changed,’ I didnae go all the way to fuckin’ London to come back an’ be the same old Irene!’ Unfortunately, Iris falls back into her old ways and for Janie; this has a direct effect on her life. The reader follows the protagonist from her first home to temporary care and then to a string of homes over the UK in some of its poorest areas. Janie watches, as her mother gets involved in some abusive relationships, including one with alcohol, and watches helplessly as her mother loses hope. Towards the latter end of the novel, it is clear that Janie is falling into the same habits as her mother, however, a string of unfortunate event forces her to reassess her life. The end of the novel, like the cover art, is left to the reader’s interpretation. Can Janie break the cycle and make changes to her life, or is she destined to become her mother? This is not only a well-written novel but also a powerful commentary on life within the poverty trap.
Kerry Hudson, Tony Hogan Bought me an Ice Cream Float Before He Stole My Ma, 2012 published by Vintage Books
This is a novel with nothing held back. While the title is light hearted and the cover art bright and cheerful, both are deceiving. The cover shows a silhouette of a young girl holding a giant red balloon against the backdrop of a Scottish suburban town. It is important to address the significance of this image. Readers may recall a similar painting by Banksy, named Girl With Balloon which was originally painted on a wall in London. Beside the painting was engraved “There Is Always Hope”. While Banksy’s painting shows the girl releasing the balloon, possibly representing lost hope or lost innocence, Hudson’s cover shows the girl being lifted by the balloon. Considering this when addressing the text, it is clear that Hudson wished to demonstrate that one can only hold on to hope by not letting go. Critics have described this book as containing bittersweet humour and Hudson cleverly intrudes in the second chapter by saying that this is in fact a ‘humorous cautionary tale’. As soon as you begin reading, expect to get dirt under your nails. The author launches right into the location of the novel using regional Scottish dialect and local Aberdonian vernacular. The story begins with the birth of out protagonist, Janie Ryan. Born to Iris (formally Irene), a single, homeless mother who comes from a line of women described as ‘fishwives to the marrow’, Iris has recently returned from London after trying to change her destiny (not wanting to become her mother). After falling pregnant to a rich and married American man, the relationship breaks down. Iris is forced to return to poverty in the back streets of Aberdeen but is keen to ensure that things have changed,’ I didnae go all the way to fuckin’ London to come back an’ be the same old Irene!’ Unfortunately, Iris falls back into her old ways and for Janie; this has a direct effect on her life. The reader follows the protagonist from her first home to temporary care and then to a string of homes over the UK in some of its poorest areas. Janie watches, as her mother gets involved in some abusive relationships, including one with alcohol, and watches helplessly as her mother loses hope. Towards the latter end of the novel, it is clear that Janie is falling into the same habits as her mother, however, a string of unfortunate event forces her to reassess her life. The end of the novel, like the cover art, is left to the reader’s interpretation. Can Janie break the cycle and make changes to her life, or is she destined to become her mother? This is not only a well-written novel but also a powerful commentary on life within the poverty trap.
Kerry Hudson, Tony Hogan Bought me an Ice Cream Float Before He Stole My Ma, 2012 published by Vintage Books
Lee (2222 KP) rated The Curse of La Llorona (2019) in Movies
Apr 21, 2019
I've said it before, The Conjuring is my all time favourite scary movie. However, since the success of that first movie, there have been a number of spin off movies, in an bid to build what's now known as the 'Conjuring Universe'. These movies have all varied in quality, ranging from the not too bad (Annabelle Creation) to the downright awful (The Nun). With a third Annabelle movie due out this year, not to mention another Conjuring sequel and other planned universe movies such as The Crooked Man, there's no sign of them stopping anytime soon.
Which brings us to The Curse of La Llorona, the latest entry to the universe and one which is based on Mexican folklore. La Llorona, also known as "The Weeping Woman", is the ghost of a woman who drowned her children and now cries while looking for them in the river. Nowadays, children are told to be well behaved and respectful of their elders, otherwise La Llorona will come and take them away.
This movie wasn't originally billed as being part of the Conjuring universe, and featured a pretty dull first trailer. However, a subsequent trailer featured a familiar face from the Annabelle movies in the form of Father Perez (Tony Amendola), and a link to the Conjuring universe was later confirmed, despite his presence in this movie being somewhat brief.
We're in Los Angeles, 1976. Anna (Linda Cardellini) is a widow with two young kids and working in social services. She still mourns the death of her police officer husband while trying to keep her family together and maintain her demanding job. That job involves dealing with some difficult cases involving children and one such case takes her to the Alvarez home. The mother appears to have lost her mind, while her children are locked in a cupboard that has strange markings on the door. As the title of the movie suggests, there is a curse at play and it's not long before that curse, and the horror that brings with it, is passed onto Anna and her children.
Like The Nun, La Llorona is essentially just a woman with scary face makeup who shrieks at people every so often and tries to make you jump. But thankfully, there's a little more to La Llorona than just that. Some slow, effective reveals provide some pretty decent chills and scares, making this a much more solid and enjoyable movie as she begins to terrorise the children before eventually invading their home and going full on evil.
After Father Perez brings us all up to speed on the backstory of La Llorona, and a flashback to 1763 gives us a visual and graphic representation, the family are referred to an ex priest who is better suited in helping them shake off the curse. He comes to their home in order to prepare for the arrival, and hopefully the removal of, La Llorona. It all feels very formulaic, similar to countless movies we've seen before, such as Poltergeist.
The Curse of La Llorona is pretty corny at times, attempting to inject humour which doesn't always seem to work. However, I did like it. It's certainly a huge step up from last year's disappointing Nun movie and featured enough intensity and scares in its short 93 minute runtime to make it enjoyable enough.
Which brings us to The Curse of La Llorona, the latest entry to the universe and one which is based on Mexican folklore. La Llorona, also known as "The Weeping Woman", is the ghost of a woman who drowned her children and now cries while looking for them in the river. Nowadays, children are told to be well behaved and respectful of their elders, otherwise La Llorona will come and take them away.
This movie wasn't originally billed as being part of the Conjuring universe, and featured a pretty dull first trailer. However, a subsequent trailer featured a familiar face from the Annabelle movies in the form of Father Perez (Tony Amendola), and a link to the Conjuring universe was later confirmed, despite his presence in this movie being somewhat brief.
We're in Los Angeles, 1976. Anna (Linda Cardellini) is a widow with two young kids and working in social services. She still mourns the death of her police officer husband while trying to keep her family together and maintain her demanding job. That job involves dealing with some difficult cases involving children and one such case takes her to the Alvarez home. The mother appears to have lost her mind, while her children are locked in a cupboard that has strange markings on the door. As the title of the movie suggests, there is a curse at play and it's not long before that curse, and the horror that brings with it, is passed onto Anna and her children.
Like The Nun, La Llorona is essentially just a woman with scary face makeup who shrieks at people every so often and tries to make you jump. But thankfully, there's a little more to La Llorona than just that. Some slow, effective reveals provide some pretty decent chills and scares, making this a much more solid and enjoyable movie as she begins to terrorise the children before eventually invading their home and going full on evil.
After Father Perez brings us all up to speed on the backstory of La Llorona, and a flashback to 1763 gives us a visual and graphic representation, the family are referred to an ex priest who is better suited in helping them shake off the curse. He comes to their home in order to prepare for the arrival, and hopefully the removal of, La Llorona. It all feels very formulaic, similar to countless movies we've seen before, such as Poltergeist.
The Curse of La Llorona is pretty corny at times, attempting to inject humour which doesn't always seem to work. However, I did like it. It's certainly a huge step up from last year's disappointing Nun movie and featured enough intensity and scares in its short 93 minute runtime to make it enjoyable enough.
Movie Metropolis (309 KP) rated Spider-Man: Homecoming (2017) in Movies
Jun 10, 2019 (Updated Jun 10, 2019)
The Marvel touch
The first thing I’m going to tell you about Spider-Man: Homecoming is that it has been gloriously undersold in its uninspiring trailers and promotional posters. In fact, most of the marketing materials shown made it look like this would be Iron Man 4 ft. Peter Parker. Thankfully that’s not the case.
The second thing I’ll tell you is that Tom Holland’s turn as Peter Parker is very good indeed. But is he better than Tobey Maguire or Andrew Garfield? Well, for that you’ll have to read on.
Still buzzing from his experiences with the Avengers in Captain America: Civil War, young Peter Parker (Tom Holland) returns home to live with his Aunt May (Marisa Tomei). Under the watchful eye of Tony Stark (Robert Downey Jr), Peter starts to embrace Spider-Man. He also tries to return to his normal life — distracted by thoughts of proving himself to be more than just a bargain basement superhero. However, when danger emerges in the shape of the Vulture (Michael Keaton), Peter must soon put his powers to the test.
Jon Watts directs not only the best Spider-Man film to date, but probably the best film to come out of the Marvel Cinematic Universe since Guardians of the Galaxy. That is by no means and easy thing to achieve, but by golly he’s done it.
The best Marvel films don’t shout about their superhero roots. By that I mean Captain America: the Winter Soldier was first and foremost a heist movie and Guardians of the Galaxy was an epic space opera. Here, Watts and his two writers turn Spider-Man: Homecoming into a cheesy, fun high-school romance and it succeeds at that beautifully.
But is it a good superhero flick? In a word, yes. The action is shot exceptionally well with very little nonsensical shaky cam, the pacing is spot on; in fact it may be one of the best films I have ever seen for pacing and the characters are all utterly believable.
Tom Holland is, without a doubt the best iteration of Peter Parker ever put to the big screen. He is the school geek that the character always should have been. Gone are Tobey Maguire’s ridiculous facial expressions and Andrew Garfield’s unrealistic ‘high school nerd’ persona.
Elsewhere, Michael Keaton avoids the Marvel villain trap and becomes the universe’s best antagonist since Loki. It would be easy for Vulture to come across ridiculous rather than menacing and Keaton gets the latter absolutely spot on. In particular, a pivotal turning point in the film’s third act is exquisitely written and truly intimidating.
It’s not all good news unfortunately. Like a broken record, I have to mention the obligatory CGI-heavy finale. Thankfully though, the story is nicely twisted to give the scenes emotional gravitas. I’m also not sold on Marisa Tomei as Aunt May, but this may come with time. And if I’m really nit-picking, there’s a little too much obvious product placement for Audi.
So, I’ve managed to get through a full review with only a small paragraph of negative points, that doesn’t happen very often. Something else that doesn’t happen very often is for me to award a film a full five stars. On this occasion however, the Marvel touch has well and truly created a corker.
https://moviemetropolis.net/2017/07/06/spider-man-homecoming-review/
The second thing I’ll tell you is that Tom Holland’s turn as Peter Parker is very good indeed. But is he better than Tobey Maguire or Andrew Garfield? Well, for that you’ll have to read on.
Still buzzing from his experiences with the Avengers in Captain America: Civil War, young Peter Parker (Tom Holland) returns home to live with his Aunt May (Marisa Tomei). Under the watchful eye of Tony Stark (Robert Downey Jr), Peter starts to embrace Spider-Man. He also tries to return to his normal life — distracted by thoughts of proving himself to be more than just a bargain basement superhero. However, when danger emerges in the shape of the Vulture (Michael Keaton), Peter must soon put his powers to the test.
Jon Watts directs not only the best Spider-Man film to date, but probably the best film to come out of the Marvel Cinematic Universe since Guardians of the Galaxy. That is by no means and easy thing to achieve, but by golly he’s done it.
The best Marvel films don’t shout about their superhero roots. By that I mean Captain America: the Winter Soldier was first and foremost a heist movie and Guardians of the Galaxy was an epic space opera. Here, Watts and his two writers turn Spider-Man: Homecoming into a cheesy, fun high-school romance and it succeeds at that beautifully.
But is it a good superhero flick? In a word, yes. The action is shot exceptionally well with very little nonsensical shaky cam, the pacing is spot on; in fact it may be one of the best films I have ever seen for pacing and the characters are all utterly believable.
Tom Holland is, without a doubt the best iteration of Peter Parker ever put to the big screen. He is the school geek that the character always should have been. Gone are Tobey Maguire’s ridiculous facial expressions and Andrew Garfield’s unrealistic ‘high school nerd’ persona.
Elsewhere, Michael Keaton avoids the Marvel villain trap and becomes the universe’s best antagonist since Loki. It would be easy for Vulture to come across ridiculous rather than menacing and Keaton gets the latter absolutely spot on. In particular, a pivotal turning point in the film’s third act is exquisitely written and truly intimidating.
It’s not all good news unfortunately. Like a broken record, I have to mention the obligatory CGI-heavy finale. Thankfully though, the story is nicely twisted to give the scenes emotional gravitas. I’m also not sold on Marisa Tomei as Aunt May, but this may come with time. And if I’m really nit-picking, there’s a little too much obvious product placement for Audi.
So, I’ve managed to get through a full review with only a small paragraph of negative points, that doesn’t happen very often. Something else that doesn’t happen very often is for me to award a film a full five stars. On this occasion however, the Marvel touch has well and truly created a corker.
https://moviemetropolis.net/2017/07/06/spider-man-homecoming-review/
Sarah (7798 KP) rated Ma Rainey's Black Bottom (2020) in Movies
Jan 30, 2021
Boseman is amazing
Ma Rainey’s Black Bottom is the latest adaptation of the works of August Wilson brought to us by producer Denzel Washington, following on from the 2016 adaptation of Fences that earned Viola Davis a Best Supporting Actress Oscar. Here Washington hands over the directing reins to Tony award winner George C. Wolfe, while Viola Davis returns as the titular Ma Rainey.
Set in 1920s Chicago, the film follows a tense and fractious recording session with Ma Rainey and her backing band, old hands Toledo (Glynn Turman), Cutler (Colman Domingo) and Slow Drag (Michael Potts) alongside ambitious young horn player Levee (Chadwick Boseman). Tensions rise between Ma, Levee and the recording studio management (Jeremy Shamos as Irvin and Jonny Coyne as Sturdyvant) as each attempts to control the recording session and play songs that fit best with their own motives. Contributing to the frictions are Levee’s flirtation with Ma’s girlfriend Dussie Mae (Taylour Paige) and her Ma’s stuttering nephew Sylvester (Dusan Brown) as he attempts to introduce Ma’s signature song, Black Bottom.
Ma Rainey’s Black Bottom undoubtedly looks and sounds good. The cinematography and costumes are perfect and entirely in keeping with the 20s Chicago setting. And the blues music is captivating and beautifully made. To be quite honest I would’ve been quite happy to watch and listen to an entire film solely following the band and their music. However whilst it does look and sound good, it is so obviously a film adapted from a stage play and I’m afraid this isn’t a good thing. There’s a limited number of sets and virtually the entirety of the 90 minute run time is set within two rooms in the recording studio, which makes such a short film feel ridiculously drawn out. This isn’t helped by the huge reliance on very long scripted dialogue and conversational scenes. I can’t deny that the writing is good and is helped by strong performances from everyone involved, but there’s just too much dialogue. This might work on the stage, but on screen it doesn’t quite translate. There’s that much dialogue that the majority of scenes become too heavy and bogged down and sadly almost entirely forgettable. For me a film needs to balance dialogue with actual events and actions, and I’m afraid aside from the final act, nothing much happens here.
Fortunately this is at least boosted by some stellar performances. Viola Davis is brilliant as the spirited Ma Rainey, even if Ma herself as a character is rather unlikeable with some questionable motives for her actions and manners. The star however is the late Chadwick Boseman. While it’s very off putting to see how obviously thin and ill he was filming this, his performance is outstanding. He brings life and fun and heart to every scene he’s in and gives this film a massive boost. Even the drawn out dialogue heavy scenes become enthralling when he’s talking and the emotions on show are spectacular. Despite Viola Davis being the star as Ma, it’s Boseman that carried this film entirely on his shoulders. If he doesn’t win a posthumous Oscar for this, it’d be criminal.
Ma Rainey’s Black Bottom is a shining example of stellar performances, most notably Chadwick Boseman. It’s just a shame that the rest of the film doesn’t quite meet the high standards set by its stars.
Set in 1920s Chicago, the film follows a tense and fractious recording session with Ma Rainey and her backing band, old hands Toledo (Glynn Turman), Cutler (Colman Domingo) and Slow Drag (Michael Potts) alongside ambitious young horn player Levee (Chadwick Boseman). Tensions rise between Ma, Levee and the recording studio management (Jeremy Shamos as Irvin and Jonny Coyne as Sturdyvant) as each attempts to control the recording session and play songs that fit best with their own motives. Contributing to the frictions are Levee’s flirtation with Ma’s girlfriend Dussie Mae (Taylour Paige) and her Ma’s stuttering nephew Sylvester (Dusan Brown) as he attempts to introduce Ma’s signature song, Black Bottom.
Ma Rainey’s Black Bottom undoubtedly looks and sounds good. The cinematography and costumes are perfect and entirely in keeping with the 20s Chicago setting. And the blues music is captivating and beautifully made. To be quite honest I would’ve been quite happy to watch and listen to an entire film solely following the band and their music. However whilst it does look and sound good, it is so obviously a film adapted from a stage play and I’m afraid this isn’t a good thing. There’s a limited number of sets and virtually the entirety of the 90 minute run time is set within two rooms in the recording studio, which makes such a short film feel ridiculously drawn out. This isn’t helped by the huge reliance on very long scripted dialogue and conversational scenes. I can’t deny that the writing is good and is helped by strong performances from everyone involved, but there’s just too much dialogue. This might work on the stage, but on screen it doesn’t quite translate. There’s that much dialogue that the majority of scenes become too heavy and bogged down and sadly almost entirely forgettable. For me a film needs to balance dialogue with actual events and actions, and I’m afraid aside from the final act, nothing much happens here.
Fortunately this is at least boosted by some stellar performances. Viola Davis is brilliant as the spirited Ma Rainey, even if Ma herself as a character is rather unlikeable with some questionable motives for her actions and manners. The star however is the late Chadwick Boseman. While it’s very off putting to see how obviously thin and ill he was filming this, his performance is outstanding. He brings life and fun and heart to every scene he’s in and gives this film a massive boost. Even the drawn out dialogue heavy scenes become enthralling when he’s talking and the emotions on show are spectacular. Despite Viola Davis being the star as Ma, it’s Boseman that carried this film entirely on his shoulders. If he doesn’t win a posthumous Oscar for this, it’d be criminal.
Ma Rainey’s Black Bottom is a shining example of stellar performances, most notably Chadwick Boseman. It’s just a shame that the rest of the film doesn’t quite meet the high standards set by its stars.
Daniel Boyd (1066 KP) rated Captain America: Civil War (2016) in Movies
Jul 24, 2017
Battle Royale
Contains spoilers, click to show
This movie is amazing. I know, I’m supposed to start with an intro but this film is just too good. I knew that I would love it and that I was looking forward to it for a fairly long time, but I loved this movie in ways that I didn’t even expect to. Based on the seminal Mark Millar event comic that saw most of the Marvel comic book universe go up against each other, this movie pits the heroes of the MCU against each other, which results in an exciting battle of all of the heroes that we’ve grown to love. The film doesn’t take much else from the comic though, other than the idea of the heroes fighting one another, there is no talk of exposing secret identities here, nor is there a battle between the massive amount of combatants that there were in the comic. If someone had told me these facts before I saw the film, I would have been going into the movie on a downer, but the thing is that this movie doesn’t have to be totally faithful to the comic book to be great, which is a credit to the writers and directors of the film. Watching the film is still like watching a comic book onscreen, just not the same comic book that you have previously read, which is awesome.
The vast majority of the cast of characters that have been introduced in the MCU so far are present here, besides Thor and Hulk. I can see why they omitted these characters, as they really would have given whatever side they chose an unfair advantage. We are left with two sides, there is Team Cap, made up of Cap, Falcon, Bucky, Ant Man, Scarlett Witch and Hawkeye and then there is Team Stark, made up of Iron Man, Vision, Black Widow, War Machine, Black Panther and Spiderman. I went into this movie siding with Team Cap, probably because Iron Man was ultimately the antagonist in the book, but as the film progressed, I have to admit that I could see either side of the argument. The fight sequences are exciting, due to the excellent stunt work and convincing use of CGI, also the acting here is surprisingly deep, especially for a Marvel movie, with several cast members giving passionate, convincing performances. While the action and humour that we have come to expect from a Marvel movie is present here, this film definitely does take on a darker tone in a few sequences and it also questions the idea of superheroes as a concept, there is not only a physical battle present in this movie, but also a psychological one as well as a socio-political one.
The score is used well, there is actually not too many songs present and the score is mostly made up of orchestral instrumental pieces, which also tells you something about the tone of this movie in comparison with previous Marvel films. The editing is also good, snappy enough to keep a consistent pace, while being clear enough to still tell a comprehensible, cohesive story.
Okay it is becoming difficult to continue writing this review without spoiling the movie, so I’ll do a quick summary then I will delve into spoiler territory. This is probably the best Marvel movie to date. It works as a sequel to Captain America Winter Soldier, it works as an ensemble Avengers piece, it works as a sufficient introduction to several new characters and it also blends the more serious tone of previous Cap movies with the more light hearted tone we have previously seen in the Avengers movies. It is a well told, tightly woven story, that still feels large in scope, which is not an easy thing to achieve, *coughs* Batman V Superman, *coughs.* While it’s not what I expected to get when they told us they were making Civil War, it is still a fantastic comic book movie, 9/10.
Okay, spoiler time. This movie came out in the UK a week before it did in America, so I have had the opportunity to see it twice so far. However, I am very aware that this movie isn’t opening in America until May 5th, so I do want to make it very clear that if you haven’t seen the film yet, you really should before reading the rest of this review.
They absolutely nail Spiderman here, in every way. He is the most faithful adaption we have had on the big screen to date, Tom Holland was the perfect choice and it there is no doubt that this young actor clearly has a very bright future ahead of him. Aunt May is played by Marisa Tomei in the film and because she is so young compared to comic book Aunt May, I did initially have my doubts, but she also nails the small role that she has here. The suit is also awesome and after seeing Civil War, I honestly cannot wait for Spiderman: Homecoming. Black Panther is another new character that they introduce and do a good job with, they establish him quickly and clearly and from the get go, we understand this character and his motivations for feeling the ways that he does. The other surprise star of the film is Ant Man, who for the first time onscreen, becomes Giant Man and it is epic. This would have been so easy to make cheesy and just have it not work at all, but here it is convincing and very well implemented into the airport battle. The CGI during this scene is also fantastic. The airport scene is also a highlight of the movie, to see all of these characters onscreen together is truly amazing and as comic book fan I was in heaven. I still can’t believe that we got to see Spiderman making a Star Wars reference, whilst he was swinging around Giant Man, the nerd part of my brain went into overload and I physically couldn’t wipe off the massive, stupid grin that was on my face. The final battle is also pretty cool.
The third act starts off with Tony Stark deciding that he may be wrong about Bucky and that it wasn’t him who set off the bomb in Wakanda, so he, Bucky and Cap team up again to go and confront Zemo, but then the three are shown a CCTV tape from one of Bucky’s past missions, which reveals that it was in fact Bucky that killed Tony’s parents when he was being mind controlled and that Cap knew about this the whole time. This results in Tony being overcome with rage and attacking Cap and Bucky, during the fight he rips off Bucky’s robot arm, but Cap manages to overpower him and he sticks his shield through Tony’s ark reactor, shutting down his suit. We then learn that Black Panther has followed Tony and intends to kill Bucky for setting off the bomb that killed his father, but when he learns that Zemo was behind it, he confronts him and demands an explanation. Zemo tells him that his family were killed when Ultron attacked Sekovia and that he has planned to destroy the Avengers ever since, but because he knew he couldn’t take them down himself, he decided to instead pit them against each other and let them kill one another. Panther then decides that he is sick of seeing people being consumed by revenge and decides to let Zemo live, but Zemo attempts to kill himself anyway, before Panther stops him, telling him that he must remain alive to answer for his crimes. After their fight, Stark tells Cap that he doesn’t deserve his shield, and so Cap drops his shield and helps Bucky out of the bunker. The movie ends with Cap busting his teammates out of prison, where they were put after the airport battle and going into hiding in Black Panther’s mansion house in Wakanda. While the movie is fairly long I did feel that it could have went on a while longer, it’s almost as if the films are at a point now where they know they are going to continue the story in a few months, so they don’t even bother writing a proper ending for the films. This is the only criticism that I have though and like I said we will be getting another Marvel movie in a few months anyway so it doesn’t really matter how this one ends. So yeah, best Marvel movie so far and whether you are a comic book fan or not, this is a damn good time.
The vast majority of the cast of characters that have been introduced in the MCU so far are present here, besides Thor and Hulk. I can see why they omitted these characters, as they really would have given whatever side they chose an unfair advantage. We are left with two sides, there is Team Cap, made up of Cap, Falcon, Bucky, Ant Man, Scarlett Witch and Hawkeye and then there is Team Stark, made up of Iron Man, Vision, Black Widow, War Machine, Black Panther and Spiderman. I went into this movie siding with Team Cap, probably because Iron Man was ultimately the antagonist in the book, but as the film progressed, I have to admit that I could see either side of the argument. The fight sequences are exciting, due to the excellent stunt work and convincing use of CGI, also the acting here is surprisingly deep, especially for a Marvel movie, with several cast members giving passionate, convincing performances. While the action and humour that we have come to expect from a Marvel movie is present here, this film definitely does take on a darker tone in a few sequences and it also questions the idea of superheroes as a concept, there is not only a physical battle present in this movie, but also a psychological one as well as a socio-political one.
The score is used well, there is actually not too many songs present and the score is mostly made up of orchestral instrumental pieces, which also tells you something about the tone of this movie in comparison with previous Marvel films. The editing is also good, snappy enough to keep a consistent pace, while being clear enough to still tell a comprehensible, cohesive story.
Okay it is becoming difficult to continue writing this review without spoiling the movie, so I’ll do a quick summary then I will delve into spoiler territory. This is probably the best Marvel movie to date. It works as a sequel to Captain America Winter Soldier, it works as an ensemble Avengers piece, it works as a sufficient introduction to several new characters and it also blends the more serious tone of previous Cap movies with the more light hearted tone we have previously seen in the Avengers movies. It is a well told, tightly woven story, that still feels large in scope, which is not an easy thing to achieve, *coughs* Batman V Superman, *coughs.* While it’s not what I expected to get when they told us they were making Civil War, it is still a fantastic comic book movie, 9/10.
Okay, spoiler time. This movie came out in the UK a week before it did in America, so I have had the opportunity to see it twice so far. However, I am very aware that this movie isn’t opening in America until May 5th, so I do want to make it very clear that if you haven’t seen the film yet, you really should before reading the rest of this review.
They absolutely nail Spiderman here, in every way. He is the most faithful adaption we have had on the big screen to date, Tom Holland was the perfect choice and it there is no doubt that this young actor clearly has a very bright future ahead of him. Aunt May is played by Marisa Tomei in the film and because she is so young compared to comic book Aunt May, I did initially have my doubts, but she also nails the small role that she has here. The suit is also awesome and after seeing Civil War, I honestly cannot wait for Spiderman: Homecoming. Black Panther is another new character that they introduce and do a good job with, they establish him quickly and clearly and from the get go, we understand this character and his motivations for feeling the ways that he does. The other surprise star of the film is Ant Man, who for the first time onscreen, becomes Giant Man and it is epic. This would have been so easy to make cheesy and just have it not work at all, but here it is convincing and very well implemented into the airport battle. The CGI during this scene is also fantastic. The airport scene is also a highlight of the movie, to see all of these characters onscreen together is truly amazing and as comic book fan I was in heaven. I still can’t believe that we got to see Spiderman making a Star Wars reference, whilst he was swinging around Giant Man, the nerd part of my brain went into overload and I physically couldn’t wipe off the massive, stupid grin that was on my face. The final battle is also pretty cool.
The third act starts off with Tony Stark deciding that he may be wrong about Bucky and that it wasn’t him who set off the bomb in Wakanda, so he, Bucky and Cap team up again to go and confront Zemo, but then the three are shown a CCTV tape from one of Bucky’s past missions, which reveals that it was in fact Bucky that killed Tony’s parents when he was being mind controlled and that Cap knew about this the whole time. This results in Tony being overcome with rage and attacking Cap and Bucky, during the fight he rips off Bucky’s robot arm, but Cap manages to overpower him and he sticks his shield through Tony’s ark reactor, shutting down his suit. We then learn that Black Panther has followed Tony and intends to kill Bucky for setting off the bomb that killed his father, but when he learns that Zemo was behind it, he confronts him and demands an explanation. Zemo tells him that his family were killed when Ultron attacked Sekovia and that he has planned to destroy the Avengers ever since, but because he knew he couldn’t take them down himself, he decided to instead pit them against each other and let them kill one another. Panther then decides that he is sick of seeing people being consumed by revenge and decides to let Zemo live, but Zemo attempts to kill himself anyway, before Panther stops him, telling him that he must remain alive to answer for his crimes. After their fight, Stark tells Cap that he doesn’t deserve his shield, and so Cap drops his shield and helps Bucky out of the bunker. The movie ends with Cap busting his teammates out of prison, where they were put after the airport battle and going into hiding in Black Panther’s mansion house in Wakanda. While the movie is fairly long I did feel that it could have went on a while longer, it’s almost as if the films are at a point now where they know they are going to continue the story in a few months, so they don’t even bother writing a proper ending for the films. This is the only criticism that I have though and like I said we will be getting another Marvel movie in a few months anyway so it doesn’t really matter how this one ends. So yeah, best Marvel movie so far and whether you are a comic book fan or not, this is a damn good time.
Movie Metropolis (309 KP) rated Captain America: Civil War (2016) in Movies
Jun 10, 2019
Mini Avengers, Assemble
Is anyone else getting bored of superhero films? Nope? Just me then. We’re not even halfway through 2016 and there have been three of them. In February, there was Deadpool, a film that despite all the odds, turned out to be smashing – despite its generic finale.
Then, DC tried to compete with Marvel in March with Batman v Superman: Dawn of Justice. It was fine, if far too long and lacking in any real drama. Now, Marvel is back with Captain America: Civil War. But can it break the superhero tedium that has started to settle in?
Steve Rogers (Chris Evans) is back and he is not happy. The titular hero, and the rest of our beloved Avengers clan, are asked to sign up to a UN treaty, designed to reign in their unsupervised power after a dramatic and deadly battle against terrorists in Nigeria. It turns out the Avengers lost the PR war and countries across the globe want blood – well them to back off a little at least.
Most of the fan favourites return in Civil War, with Robert Downey Jr proving once again why he was cast as Tony Stark/Iron Man all those years ago. He is a commanding presence and brings to the table some of the best one-liners outside a fully-fledged Iron Man film.
Elsewhere, Scarlett Johansson (Black Widow), Jeremy Renner (Hawkeye), Elizabeth Olsen (Scarlet Witch) and Paul Bettany (Vision) all return and despite the increasing number of characters all make their presence felt throughout the course of the film – something Avengers: Age of Ultron failed to do.
However, the film belongs to the characters that join the film and the Marvel Universe. Paul Rudd’s Ant-Man makes a truly exceptional appearance and features in Civil War’s most memorable scene – a brilliantly choreographed battle between two sides in a deserted airport.
And, the long-awaited “homecoming” of Spider-Man to the MCU is thankfully worth the wait. He’s been teased in the trailers and I’m pleased to say his screen-time is far greater than anyone could have imagined. Young Tom Holland’s portrayal of Peter Parker may need some time to settle in, we have a Spider-Man reboot to look forward to in 2018, but he makes a cracking first impression.
So, with all those characters it’s fair to say that Civil War should be renamed “Mini Avengers Assemble” as there’s far more at stake here than a simple Captain America movie. Directors Joe and Anthony Russo have created the film that Age of Ultron should have been and it’s a slight disservice to their incredible work that the film isn’t labelled as a full Avengers feature, despite the lack of Thor and Hulk.
The action is beautifully filmed and the locations are fabulous. From Africa to America and from Germany to London, nearly every inch of the world is touched upon in some way – yet it doesn’t feel disjointed.
But what makes Civil War stand out from all the rest is its human side. This isn’t a superhero movie that ends in a climactic battle against a faceless army, it explores the human impact of our characters’ actions and the emotion radiates from its heart.
Yes, it’s 20 minutes too long but apart from that, I can’t think of a bad word to say. It has reinvigorated a genre that was starting to turn a little stale. Bringing together a set of characters that against all the odds gel together so well makes it feel as fresh as Iron Man did way back in 2008.
If this is the magic the Russo brothers can work at Marvel, Avengers: Infinity War should be something truly special indeed. X-Men: Apocalypse, you have your work cut out.
Oh, and wait right up until the end credits for something very special indeed.
https://moviemetropolis.net/2016/05/01/mini-avengers-assemble-captain-america-civil-war-review/
Then, DC tried to compete with Marvel in March with Batman v Superman: Dawn of Justice. It was fine, if far too long and lacking in any real drama. Now, Marvel is back with Captain America: Civil War. But can it break the superhero tedium that has started to settle in?
Steve Rogers (Chris Evans) is back and he is not happy. The titular hero, and the rest of our beloved Avengers clan, are asked to sign up to a UN treaty, designed to reign in their unsupervised power after a dramatic and deadly battle against terrorists in Nigeria. It turns out the Avengers lost the PR war and countries across the globe want blood – well them to back off a little at least.
Most of the fan favourites return in Civil War, with Robert Downey Jr proving once again why he was cast as Tony Stark/Iron Man all those years ago. He is a commanding presence and brings to the table some of the best one-liners outside a fully-fledged Iron Man film.
Elsewhere, Scarlett Johansson (Black Widow), Jeremy Renner (Hawkeye), Elizabeth Olsen (Scarlet Witch) and Paul Bettany (Vision) all return and despite the increasing number of characters all make their presence felt throughout the course of the film – something Avengers: Age of Ultron failed to do.
However, the film belongs to the characters that join the film and the Marvel Universe. Paul Rudd’s Ant-Man makes a truly exceptional appearance and features in Civil War’s most memorable scene – a brilliantly choreographed battle between two sides in a deserted airport.
And, the long-awaited “homecoming” of Spider-Man to the MCU is thankfully worth the wait. He’s been teased in the trailers and I’m pleased to say his screen-time is far greater than anyone could have imagined. Young Tom Holland’s portrayal of Peter Parker may need some time to settle in, we have a Spider-Man reboot to look forward to in 2018, but he makes a cracking first impression.
So, with all those characters it’s fair to say that Civil War should be renamed “Mini Avengers Assemble” as there’s far more at stake here than a simple Captain America movie. Directors Joe and Anthony Russo have created the film that Age of Ultron should have been and it’s a slight disservice to their incredible work that the film isn’t labelled as a full Avengers feature, despite the lack of Thor and Hulk.
The action is beautifully filmed and the locations are fabulous. From Africa to America and from Germany to London, nearly every inch of the world is touched upon in some way – yet it doesn’t feel disjointed.
But what makes Civil War stand out from all the rest is its human side. This isn’t a superhero movie that ends in a climactic battle against a faceless army, it explores the human impact of our characters’ actions and the emotion radiates from its heart.
Yes, it’s 20 minutes too long but apart from that, I can’t think of a bad word to say. It has reinvigorated a genre that was starting to turn a little stale. Bringing together a set of characters that against all the odds gel together so well makes it feel as fresh as Iron Man did way back in 2008.
If this is the magic the Russo brothers can work at Marvel, Avengers: Infinity War should be something truly special indeed. X-Men: Apocalypse, you have your work cut out.
Oh, and wait right up until the end credits for something very special indeed.
https://moviemetropolis.net/2016/05/01/mini-avengers-assemble-captain-america-civil-war-review/
Heather Cranmer (2721 KP) rated The Looking Glass (The Looking Glass, #1) in Books
Jun 7, 2018
(This review can be found on my blog <a href="http://themisadventuresofatwentysomething.blogspot.com/">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>).
When I read the blurb to this book, I didn't really know what to expect. I liked that it dealt with mirrors and ghosts. That's what drew me in. Luckily, I found this book to be super interesting!
I do like the title of this book. It pays homage to Lewis Carroll, and even some scenes in the book do the same.
I'm not a big fan of the cover although it does have to do with the story. I would've liked to see something spooky on the cover such as Elizabeth Blackwell staring out from the mirror or something similar, but that is just a personal opinion.
I did enjoy the world building and found it to be believable. However, I was a bit confused as to why and how Alice always ended up at the hotel's swimming pool at midnight for just an hour every night. Perhaps that could've been explained better. I was also a little big confused about the fog and how it differed for the witch and for Alice, but I won't go into details as I don't want to give away any spoilers. I do like how Alice's version of the hotel is different from the actual hotel and how she sees the real world through mirrors.
The pacing was brilliant in The Looking Glass! I'll be honest. I wasn't expecting this book to instantly catch my attention from the very first page, but it did just that. From the first sentence, I was hooked and couldn't wait to find out what would happen next to Alice.
I enjoyed the plot very much, and I felt it was fairly original. (Don't worry, the next few sentences aren't spoilers). Alice dives into the hotel swimming pool and hits her head. She almost drowns and ends up in a coma. However, her spirit is stuck at the hotel where she must figure out the mystery of Elizabeth Blackwell if she's to reunite her body with her spirit. While I didn't feel that there were any major plot twists in the story, I still really enjoyed it. Oh, and don't worry. There's no cliff hangars either.
I found the characters to be very well written and likable. Alice is a very down to Earth, normal teenage girl. She was easy to relate to and had a likable personality. She is a very curious about everything, but that ultimately comes to her advantage. I also really liked Tony and how he was so willing to help Alice. He came across as a real sweetheart and a very brave person. George is another character who I wasn't really sure of to begin with but ended up liking.
I enjoyed the dialogue and felt it was appropriate for a young adult book. It flowed smoothly and never once felt forced. My favorite bits of dialogue were when Alice was thinking to herself. There's no swearing in this book, but there is some minor violence.
Overall, The Looking Glass by Jessica Arnold is a highly interesting read. The plot will keep readers very much immersed in the book. The world building is very detailed albeit some minor confusing details.
I'd recommend this book to those aged 13+ who are after a book that's a little bit scary but not too much and for those who are after a book with a brilliant story line.
<b>I'd give The Looking Glass by Jessica Arnold a 4.5 out of 5.</b>
(I received an free ebook of this title from the tour host in exchange for a fair and honest review).
When I read the blurb to this book, I didn't really know what to expect. I liked that it dealt with mirrors and ghosts. That's what drew me in. Luckily, I found this book to be super interesting!
I do like the title of this book. It pays homage to Lewis Carroll, and even some scenes in the book do the same.
I'm not a big fan of the cover although it does have to do with the story. I would've liked to see something spooky on the cover such as Elizabeth Blackwell staring out from the mirror or something similar, but that is just a personal opinion.
I did enjoy the world building and found it to be believable. However, I was a bit confused as to why and how Alice always ended up at the hotel's swimming pool at midnight for just an hour every night. Perhaps that could've been explained better. I was also a little big confused about the fog and how it differed for the witch and for Alice, but I won't go into details as I don't want to give away any spoilers. I do like how Alice's version of the hotel is different from the actual hotel and how she sees the real world through mirrors.
The pacing was brilliant in The Looking Glass! I'll be honest. I wasn't expecting this book to instantly catch my attention from the very first page, but it did just that. From the first sentence, I was hooked and couldn't wait to find out what would happen next to Alice.
I enjoyed the plot very much, and I felt it was fairly original. (Don't worry, the next few sentences aren't spoilers). Alice dives into the hotel swimming pool and hits her head. She almost drowns and ends up in a coma. However, her spirit is stuck at the hotel where she must figure out the mystery of Elizabeth Blackwell if she's to reunite her body with her spirit. While I didn't feel that there were any major plot twists in the story, I still really enjoyed it. Oh, and don't worry. There's no cliff hangars either.
I found the characters to be very well written and likable. Alice is a very down to Earth, normal teenage girl. She was easy to relate to and had a likable personality. She is a very curious about everything, but that ultimately comes to her advantage. I also really liked Tony and how he was so willing to help Alice. He came across as a real sweetheart and a very brave person. George is another character who I wasn't really sure of to begin with but ended up liking.
I enjoyed the dialogue and felt it was appropriate for a young adult book. It flowed smoothly and never once felt forced. My favorite bits of dialogue were when Alice was thinking to herself. There's no swearing in this book, but there is some minor violence.
Overall, The Looking Glass by Jessica Arnold is a highly interesting read. The plot will keep readers very much immersed in the book. The world building is very detailed albeit some minor confusing details.
I'd recommend this book to those aged 13+ who are after a book that's a little bit scary but not too much and for those who are after a book with a brilliant story line.
<b>I'd give The Looking Glass by Jessica Arnold a 4.5 out of 5.</b>
(I received an free ebook of this title from the tour host in exchange for a fair and honest review).
BankofMarquis (1832 KP) rated Mister Roberts (1955) in Movies
Apr 10, 2020
Well Acted
A staple of Old Hollywood under the Studio System was to adapt to the film Broadway shows that were a big hit. One such hit was the 1948 WWII play MISTER ROBERTS starring Henry Fonda (who would win a Tony Award for his performance).
In 1955, Paramount Studios mounted a film production of MISTER ROBERTS starring Fonda, James Cagney (in his last film role for Paramount - who he had been under contract to for 25 years), William Powell (in his last film role) and a young "up-and-comer" by the name of Jack Lemon.
Set in the waning days of World War II aboard a "cargo vessel", MISTER ROBERTS tells the tale of...well...Mister Roberts, the cargo officer who is keeping the ship afloat - serving as a buffer between the crew and the tyrannical Captain. Roberts longs for one thing - to join the war on a battleship, but the Captain knows his success is dependent on Roberts.
Paramount considered Fonda too old for the role, so they sought out younger stars like Marlon Brando and William Holden, but Director John Ford insisted on Fonda - and a wise choice it was. Fonda's easy-going natural personality - tinged with anger and regret - is perfectly suited for this role. He is just as at home joking around with the sailors as he is going mano-a-mano with the Captain. Also perfectly cast is the great James Cagney as the Captain who is only concerned about 1 thing - how he is perceived by the higher ups in the Navy. The conflict between Cagney and Fonda is dynamite and it is worth the price of admission just to watch these 2 Hollywood heavyweights go at it.
Jack Lemon won his first Oscar (as Best Supporting Actor) for portraying Mr. Roberts bunkmate, Ensign Pulver. It is a perfect match of character and actor and you can see where the greatness that is Jack Lemon (an under-rated actor) stems from. The surprise to me at this viewing was the strong work of William Powell (THE THIN MAN movie series) as Doc, the best friend of Mr. Roberts aboard the ship. He has an ease and rapport with Fonda and when Fonda, Powell and Lemon share the screen together the film sparkles.
And that's the best part - and the worst part - of this great film. It looks like a filmed stage play. Veteran Director John Ford looks like he was "mailing it in" on this one, in that he would just put his camera in one stationary position and let his actors play the scenes like they were in a play. This is either laziness - or genius - at the hands of Ford (I would argue probably a little of each). He was wise enough to know he had some incredible talent (Fonda, Cagney, Powell and Lemon) - and a strong script by Frank S. Nugent and Joshua Logan (based on the stage play by Logan and Thomas Hagen...based on Hagen's book), so he stayed out of the way as much as possible.
Consequently, the first part of this film is a bit talky and stagey looking and drags just a bit, but once the film catches it's steam - and these 4 stars light up the screen - this film is well worth watching.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank(ofMarquis)
P.S.: I caught Mister Roberts on the great cable channel TURNER CLASSIC MOVIES - but (as far as I can tell) it's not scheduled to be re-run there anytime soon (and is not streamable on the Watch TCM app), so you'll need to rent it at all the "normal" places (YouTube, GoogePLay, iTunes and Vudu)
In 1955, Paramount Studios mounted a film production of MISTER ROBERTS starring Fonda, James Cagney (in his last film role for Paramount - who he had been under contract to for 25 years), William Powell (in his last film role) and a young "up-and-comer" by the name of Jack Lemon.
Set in the waning days of World War II aboard a "cargo vessel", MISTER ROBERTS tells the tale of...well...Mister Roberts, the cargo officer who is keeping the ship afloat - serving as a buffer between the crew and the tyrannical Captain. Roberts longs for one thing - to join the war on a battleship, but the Captain knows his success is dependent on Roberts.
Paramount considered Fonda too old for the role, so they sought out younger stars like Marlon Brando and William Holden, but Director John Ford insisted on Fonda - and a wise choice it was. Fonda's easy-going natural personality - tinged with anger and regret - is perfectly suited for this role. He is just as at home joking around with the sailors as he is going mano-a-mano with the Captain. Also perfectly cast is the great James Cagney as the Captain who is only concerned about 1 thing - how he is perceived by the higher ups in the Navy. The conflict between Cagney and Fonda is dynamite and it is worth the price of admission just to watch these 2 Hollywood heavyweights go at it.
Jack Lemon won his first Oscar (as Best Supporting Actor) for portraying Mr. Roberts bunkmate, Ensign Pulver. It is a perfect match of character and actor and you can see where the greatness that is Jack Lemon (an under-rated actor) stems from. The surprise to me at this viewing was the strong work of William Powell (THE THIN MAN movie series) as Doc, the best friend of Mr. Roberts aboard the ship. He has an ease and rapport with Fonda and when Fonda, Powell and Lemon share the screen together the film sparkles.
And that's the best part - and the worst part - of this great film. It looks like a filmed stage play. Veteran Director John Ford looks like he was "mailing it in" on this one, in that he would just put his camera in one stationary position and let his actors play the scenes like they were in a play. This is either laziness - or genius - at the hands of Ford (I would argue probably a little of each). He was wise enough to know he had some incredible talent (Fonda, Cagney, Powell and Lemon) - and a strong script by Frank S. Nugent and Joshua Logan (based on the stage play by Logan and Thomas Hagen...based on Hagen's book), so he stayed out of the way as much as possible.
Consequently, the first part of this film is a bit talky and stagey looking and drags just a bit, but once the film catches it's steam - and these 4 stars light up the screen - this film is well worth watching.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank(ofMarquis)
P.S.: I caught Mister Roberts on the great cable channel TURNER CLASSIC MOVIES - but (as far as I can tell) it's not scheduled to be re-run there anytime soon (and is not streamable on the Watch TCM app), so you'll need to rent it at all the "normal" places (YouTube, GoogePLay, iTunes and Vudu)
Gareth von Kallenbach (971 KP) rated the PC version of Marvel's Avengers in Video Games
Sep 7, 2020
Square Enix and Crystal Dynamics have combined to create one of the most enjoyable Super Hero games ever and one of the more enjoyable gaming experiences of 2020. In Marvel’s Avengers; players are introduced to Kamala Khan; a huge Avengers fan who is invited to be a Fan Fiction finalist and VIP at the massive A Day convention in San Francisco.
What starts as a celebration for the famed heroes soon turns tragic and the game picks up five years late in a world where the Avengers and Heroes are no more. A corporation known as AIM has acquired Stark Industries and maintains their version of law and order through specialized forces as robotic Synths. It is revealed that a reactor powered by a new source was to blame for the A Day disaster and it has created Inhumans as a result.
Kamala finds herself able to stretch her body and upon learning that things on A Day were not as the world has been set to believe sets off with AIM hot on her heels to unlock the clues and save the Avengers.
Along the way players will play as several of the iconic characters and will encounter group missions where players may be matched online or assigned A.I. companions.
Each characters has their own unique skills and timed special abilities which recharge after use and can be a game-changer as enemies become more numerous and difficult.
Each character also has their own combat moves and abilities ranging from ranged attacks to close quarters combat. While The Hulk can throw objects; he is better suited to get in close and mix things up. Iron Man while capable of delivering punches is better used flying and hovering and blasting everything he encounters.
Part of the joy of the game aside from the engaging story is learning new ways to defeat enemies including some team based body slams and other enjoyable moves.
Players are based on a Helicarrier and there are plenty of things to explore and naturally numerous cosmetics, upgrades, and such which players can obtain via looting or at many of the vendors they encounter.
Missions are assigned via a War Table and players have the option to select campaign specific missions or to mix in some side missions as well. Upon completion of the main game; players will have the opportunity to play more side and extra missions and can use a Quick Match open to play with other players as well.
There were a few glitches along the way on my PC build but while a bit annoying a first they became less frequent as the game went along. Some people may have issues with the look of the characters as Tony Stark for example looked to me more like a young Ben Affleck than Robert Downey Jr. but with so many interpretations of the characters over the years this is a minor issue as I was enveloped by the gameplay quickly.
Missions are enjoyable and the timed jump sequences are not unreasonable and players looking for a challenge will be able to adjust the game difficulty to a setting that best suits their style of play.
I first played the game at an invite only meeting during PAX West 2019 and after getting some gameplay time; the developers outlined to us some of the long-term plans for the game from new characters and cosmetics and so on. The game sets up further adventures well and I found myself enjoying the game and characters from starts to finish. The game does a great job establishing Kamala and building her character while giving players plenty of time as the classic Avengers and has more than a few nice surprises along the way.
4 stars out of 5
What starts as a celebration for the famed heroes soon turns tragic and the game picks up five years late in a world where the Avengers and Heroes are no more. A corporation known as AIM has acquired Stark Industries and maintains their version of law and order through specialized forces as robotic Synths. It is revealed that a reactor powered by a new source was to blame for the A Day disaster and it has created Inhumans as a result.
Kamala finds herself able to stretch her body and upon learning that things on A Day were not as the world has been set to believe sets off with AIM hot on her heels to unlock the clues and save the Avengers.
Along the way players will play as several of the iconic characters and will encounter group missions where players may be matched online or assigned A.I. companions.
Each characters has their own unique skills and timed special abilities which recharge after use and can be a game-changer as enemies become more numerous and difficult.
Each character also has their own combat moves and abilities ranging from ranged attacks to close quarters combat. While The Hulk can throw objects; he is better suited to get in close and mix things up. Iron Man while capable of delivering punches is better used flying and hovering and blasting everything he encounters.
Part of the joy of the game aside from the engaging story is learning new ways to defeat enemies including some team based body slams and other enjoyable moves.
Players are based on a Helicarrier and there are plenty of things to explore and naturally numerous cosmetics, upgrades, and such which players can obtain via looting or at many of the vendors they encounter.
Missions are assigned via a War Table and players have the option to select campaign specific missions or to mix in some side missions as well. Upon completion of the main game; players will have the opportunity to play more side and extra missions and can use a Quick Match open to play with other players as well.
There were a few glitches along the way on my PC build but while a bit annoying a first they became less frequent as the game went along. Some people may have issues with the look of the characters as Tony Stark for example looked to me more like a young Ben Affleck than Robert Downey Jr. but with so many interpretations of the characters over the years this is a minor issue as I was enveloped by the gameplay quickly.
Missions are enjoyable and the timed jump sequences are not unreasonable and players looking for a challenge will be able to adjust the game difficulty to a setting that best suits their style of play.
I first played the game at an invite only meeting during PAX West 2019 and after getting some gameplay time; the developers outlined to us some of the long-term plans for the game from new characters and cosmetics and so on. The game sets up further adventures well and I found myself enjoying the game and characters from starts to finish. The game does a great job establishing Kamala and building her character while giving players plenty of time as the classic Avengers and has more than a few nice surprises along the way.
4 stars out of 5