"I’m gonna say Psycho, because Tony Perkins, when you look back… He’s such a great actor, Tony Perkins. I miss him so much as an actor. He died not too old. I mean, he wasn’t that old. He died too young. And when you watch Psycho, God, what a great acting job that is to portray that. I mean, just indelible what he does. That famous scene when he was with her in the sitting room, and she’s like, “Why don’t you put your mother in a home?” and he kind of gets upset with her. I mean, Tony Perkins was one of the greatest actors. I loved Tony Perkins in the movies, so Psycho was my Hitchcock movie."

"Tony Williams was Miles Davis' drummer throughout the 60s and he was really young; he was only 17 when he started playing with Miles. As he entered his 20s, flower power and Jimi Hendrix was all kicking off and he wanted to get more amplified. He wanted to sing as well, which was a problem within The Tony Williams Lifetime, as he wasn't a great singer; he used to sing a quarter-tone flat. He's also the reason John McLaughlin moved to America. Tony heard him on some tape and invited him over, and he introduced him to Miles Davis. And the other member of The Tony Williams Lifetime was this amazing organist called Larry Young. He later had these funk hits like 'Turn Off The Lights' and he's probably more famous for that kind of thing, but he originally started off on Blue Note as this Jimmy Smith-type organist. His style comes from John Coltrane and in actual fact he used to practice with Coltrane. He had a real modernist approach to the organ. The thing about this band is that they did turn it up to 11. They really did over-amplify and distort things. There are no decent recordings of The Tony Williams Lifetime because it's all so overblown. It feels like it's on fire and it's so intense. The drumming is insane and the organ is about texture. This is a record that I've never got fed up with."