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Entertainment Editor (1988 KP) created a video about I Love You, Daddy (2017) in Movies
Nov 6, 2017
Gareth von Kallenbach (980 KP) rated American Ultra (2015) in Movies
Aug 6, 2019
Jesse Eisenberg plays a “stoned” cold killer without a memory in the new action comedy American Ultra. But when the pompous government weasel played by Topher Grace decides to eliminate the asset, Stoner Eisenberg finds himself running for his life and yet relying on secret spy skills he didn’t know he had. Think Jason Borne meets Pineapple Express. Only with way more low budget action and far less stoner humor. Which is a shame because American Ultra doesn’t quite know what it wants to be. If it would have made a commitment to either the action or the stoner comedy, we would could have and a solid movie in either direction, but instead we just get, meh.
That isn’t to say the film is bad. I went in with low expectations and enjoyed myself. It has some chuckles but they are few and far between. Kristen Stewart seems right at home with her performance of Eisenberg’s girlfriend who is caught up in the ride and helps him along the way. While Jesse Eisenberg and Topher Grace are not menacing and their action sequences seem stiff and awkward. However this film makes it clear that it doesn’t take itself seriously and thus if you just go along with the ride you may enjoy it.
That isn’t to say the film is bad. I went in with low expectations and enjoyed myself. It has some chuckles but they are few and far between. Kristen Stewart seems right at home with her performance of Eisenberg’s girlfriend who is caught up in the ride and helps him along the way. While Jesse Eisenberg and Topher Grace are not menacing and their action sequences seem stiff and awkward. However this film makes it clear that it doesn’t take itself seriously and thus if you just go along with the ride you may enjoy it.
Dork_knight74 (881 KP) rated Delirium (2018) in Movies
Oct 4, 2018
Well Done
This psychological thriller on Netflix turned out to be pretty interesting. Topher Grace did a good job playing his role as the main protagonist. No flashy effects or true scares but the story played out well and ended up being pretty twisted. Kept you wondering what was in his head and what wasn't throughout most of the movie. I'd definitely recommend this one. The cinematography was well done and all the actors played their parts well. It's kind of slow moving at times, but really worth a watch!
Bostonian916 (449 KP) rated Breakthrough (2019) in Movies
Aug 3, 2020
Unfortunately we live in a world where many will not give this movie a chance at all simply because it is touted as being faith based.
What really needs to be recognized here is the message. The message of a mother and a family support system who simply refuse to accept that her son will not recover from falling through the ice of a frozen lake.
Dennis Haysbert and Mike Colter both provide performances in supporting roles that really help put everything else into place, right where it should be. Topher Grace earned a level of respect from me that I didn't think he would achieve in his role, as well.
What really needs to be recognized here is the message. The message of a mother and a family support system who simply refuse to accept that her son will not recover from falling through the ice of a frozen lake.
Dennis Haysbert and Mike Colter both provide performances in supporting roles that really help put everything else into place, right where it should be. Topher Grace earned a level of respect from me that I didn't think he would achieve in his role, as well.
Matthew Krueger (10051 KP) rated Venom (2018) in Movies
Feb 14, 2020 (Updated Feb 14, 2020)
They Ain't Gonna Know What Hit 'em
Venom- was okay, i mean we finally got a venom movie. We finally got a good looking venom. We got a small cameo by she-venom which was nice, but hopefully in the sequel we get more than 5-10 seconds of screen time of she-venom. Also in the sequel we are getting carange, which was teased in the post-credit sence at the end of this movie, with Woody Harrison weird and fake red wig. Tom Hardy was a better eddie brock than Topher Grace. So thats good. Just feel like both Tom Hardy and Michelle Williams were both wasted in this film. Their are such both great/excellent actors, and their just wasted in this film.
The plot: Journalist Eddie Brock is trying to take down Carlton Drake, the notorious and brilliant founder of the Life Foundation. While investigating one of Drake's experiments, Eddie's body merges with the alien Venom -- leaving him with superhuman strength and power. Twisted, dark and fueled by rage, Venom tries to control the new and dangerous abilities that Eddie finds so intoxicating.
I cant really anything else about Venom, its just okay overall and hopefullt venom 2 is better.
The plot: Journalist Eddie Brock is trying to take down Carlton Drake, the notorious and brilliant founder of the Life Foundation. While investigating one of Drake's experiments, Eddie's body merges with the alien Venom -- leaving him with superhuman strength and power. Twisted, dark and fueled by rage, Venom tries to control the new and dangerous abilities that Eddie finds so intoxicating.
I cant really anything else about Venom, its just okay overall and hopefullt venom 2 is better.
Gareth von Kallenbach (980 KP) rated Take Me Home Tonight (2011) in Movies
Aug 7, 2019
If you’re planning an 80’s party anytime soon, make sure to download the soundtrack to Take Me Home Tonight. The opening montage alone reminded me of everything I loved about the 80’s. It also gave us a glimpse of Matt Franklin’s high school years. Matt, played by Topher Grace, was the kid voted as “Smartest” in his class, one who existed on the outer fringes of high school popularity, who always had his eye on the most popular girl in school, Tori Fredreking, but could never muster up the courage or find that “in” to catch her attention.
Unsure of where his life is taking him, Matt decides to take a break from MIT during the summer of ’88 and ends up working at Suncoast Video. Of course, who should come strolling in to his store one day but Matt’s high school crush herself. Hoping to impress her, Matt ditches his Suncoast nametag, and tells Tori, played by Teresa Palmer (a deadringer for Kristen Stewart, if Kirsten were blond and more animated), that he works for Goldman-Sachs. Tori’s a banker herself, it turns out, and her curiousity is finally piqued and she encourages him to attend Kyle Masterson’s annual Labor Day party.
Matt relies on his twin sister Wendy, played by Anna Faris, and their best friend Barry, an intense Dan Fogler, to help him build on this “in” and finally get Tori’s phone number. But Matt isn’t the only one having to deal with the confusing transition into adulthood. Wendy has to decide if she wants to pursue her Masters or settle down with her boyfriend Kyle, while Barry just got fired from his car salesman job. The three of them decide to attend the end-of-summer party thrown by Wendy’s boyfriend Kyle, played by Parks & Rec’s Chris Pratt, all with the intent of “living in the now.” Apparently living in the now means commiting grand theft auto, experimenting with cocaine, perpetuating a lie and crashing a bankers’ party.
Despite the silly hijinks, Matt isn’t hard to root for, especially given Topher Grace’s signature sympathetic awkwardness. Fogler’s comic foil to Grace’s straight-man dances precariously along the line between funny and WTH? When the movie about Sam Kinnison’s life is ever made, Fogler should be given serious consideration.
There’s good chemistry between the cast and there’s just enough sweet romance to balance out the outrageous situations. Silly, predictable entertainment, made more fun by the nostalgic soundtrack, this movie is tamer than most of the R-rated comedies of recent note. Think any John Hughes movie meets Hot Tub Time Machine.
Unsure of where his life is taking him, Matt decides to take a break from MIT during the summer of ’88 and ends up working at Suncoast Video. Of course, who should come strolling in to his store one day but Matt’s high school crush herself. Hoping to impress her, Matt ditches his Suncoast nametag, and tells Tori, played by Teresa Palmer (a deadringer for Kristen Stewart, if Kirsten were blond and more animated), that he works for Goldman-Sachs. Tori’s a banker herself, it turns out, and her curiousity is finally piqued and she encourages him to attend Kyle Masterson’s annual Labor Day party.
Matt relies on his twin sister Wendy, played by Anna Faris, and their best friend Barry, an intense Dan Fogler, to help him build on this “in” and finally get Tori’s phone number. But Matt isn’t the only one having to deal with the confusing transition into adulthood. Wendy has to decide if she wants to pursue her Masters or settle down with her boyfriend Kyle, while Barry just got fired from his car salesman job. The three of them decide to attend the end-of-summer party thrown by Wendy’s boyfriend Kyle, played by Parks & Rec’s Chris Pratt, all with the intent of “living in the now.” Apparently living in the now means commiting grand theft auto, experimenting with cocaine, perpetuating a lie and crashing a bankers’ party.
Despite the silly hijinks, Matt isn’t hard to root for, especially given Topher Grace’s signature sympathetic awkwardness. Fogler’s comic foil to Grace’s straight-man dances precariously along the line between funny and WTH? When the movie about Sam Kinnison’s life is ever made, Fogler should be given serious consideration.
There’s good chemistry between the cast and there’s just enough sweet romance to balance out the outrageous situations. Silly, predictable entertainment, made more fun by the nostalgic soundtrack, this movie is tamer than most of the R-rated comedies of recent note. Think any John Hughes movie meets Hot Tub Time Machine.
LeftSideCut (3778 KP) rated Predators (2010) in Movies
May 14, 2019 (Updated Dec 4, 2019)
Another Predator movie, another misfire
Contains spoilers, click to show
In reality, the only truly decent Predator film is the original (although I do have a soft spot for Predator 2 but shhh).
Predators is just a bit of a mess from the get go. We're very swiftly introduced to a cast of bland, cliched, "badass" characters, none of whom are particularly likable, and I can only find myself blaming the script for the most part. This cast includes true talents, including Adrian Brody, Laurence Fishburne, and Mahershala Ali, and none them succeed in making positive impact.
It also stars Topher Grace, who's character goes through some absolute-nonsense-sudden-shift-to-evil-douche plot twist near the end, by which point, you just struggle to care.
As for the actual Predator side of things - it's pretty underwhelming. The trailer promised a big number of the alien hunters, where in reality we get 4, who hardly get any screen time (which wouldn't be a problem if the human characters were actually interesting).
The opportunity to explore an alien world, rather than the usual setting of Earth is a nice idea, but mostly wasted bar a couple of nice looking landscape shots.
The whole thing comes down to a showdown between a lone Predator, and a shirtless Adrian Brody covered in mud, in what I Imagine was supposed to be an ode and call back to the original, but in reality, it just reminds you that you could be spending your time watching that instead.
Final thought - after the lengths that Arnie went through in the original to take down the Predator, I absolutely refuse to accept that one dude with a katana can cut one down with relative ease.
Predators is just a bit of a mess from the get go. We're very swiftly introduced to a cast of bland, cliched, "badass" characters, none of whom are particularly likable, and I can only find myself blaming the script for the most part. This cast includes true talents, including Adrian Brody, Laurence Fishburne, and Mahershala Ali, and none them succeed in making positive impact.
It also stars Topher Grace, who's character goes through some absolute-nonsense-sudden-shift-to-evil-douche plot twist near the end, by which point, you just struggle to care.
As for the actual Predator side of things - it's pretty underwhelming. The trailer promised a big number of the alien hunters, where in reality we get 4, who hardly get any screen time (which wouldn't be a problem if the human characters were actually interesting).
The opportunity to explore an alien world, rather than the usual setting of Earth is a nice idea, but mostly wasted bar a couple of nice looking landscape shots.
The whole thing comes down to a showdown between a lone Predator, and a shirtless Adrian Brody covered in mud, in what I Imagine was supposed to be an ode and call back to the original, but in reality, it just reminds you that you could be spending your time watching that instead.
Final thought - after the lengths that Arnie went through in the original to take down the Predator, I absolutely refuse to accept that one dude with a katana can cut one down with relative ease.
Charlie Cobra Reviews (1840 KP) rated Love, Death & Robots in TV
Jul 7, 2020
Unique And Visceral Experience
Love, Death, & Robots is an adult animated anthology tv series on Netflix. The series is produced by Joshua Donen, David Fincher, Jennifer Miller, and Tim Miller. Each of the 18 episodes released on the first season was animated by different crews from a range of countries. It's also a re-imagining of 1981 animated sci-fi film Heavy Metal. Starring Mary Elizabeth Winstead, Topher Grace, Gary Cole, Samira Wiley, and Stefan Kapicic.
Produced by different casts and crews, and consisting of 18 stand-alone episodes, each under 20 minutes, the title of the series refers to the recurring themes of love, death, and robots in each episode. Full of terrifying creatures, wicked surprises and dark comedy, it's a collection of animated short stories spanning several genres like horror, comedy, fantasy, and science fiction. Captivating stories come to life with world-class animation in a plethora of tales unlike anything else.
This series was wicked awesome. Reminded me of some of the other animated anthologies I've seen such as The Animatrix and Batman: Gotham Knight, except quite a bit more NSFW. This series also gave me a Twilight Zone vibe but bit darker. More blood and guts and highly sexual. Even though it's pretty graphic, I really liked a lot of the stories they told and the twists that most had in the end as well. Some are kind of hit or miss or just better than others but I think that there is definitely something for everyone despite the gore and nudity and language. I especially enjoyed the following episodes, 1. Sonnie's Edge, 8. Good Hunting, 10. Shape-Shifters, 13. Lucky 13, and 18. Secret War. The way they went about the story telling and world building in each episode was phenomenal. I really feel that some of these episodes deserve their own individual films or series to do them better justice. I mean some were just so good and less than 20 minutes felt like not enough or that they could have been even better. I give the entire series overall a 9/10.
Produced by different casts and crews, and consisting of 18 stand-alone episodes, each under 20 minutes, the title of the series refers to the recurring themes of love, death, and robots in each episode. Full of terrifying creatures, wicked surprises and dark comedy, it's a collection of animated short stories spanning several genres like horror, comedy, fantasy, and science fiction. Captivating stories come to life with world-class animation in a plethora of tales unlike anything else.
This series was wicked awesome. Reminded me of some of the other animated anthologies I've seen such as The Animatrix and Batman: Gotham Knight, except quite a bit more NSFW. This series also gave me a Twilight Zone vibe but bit darker. More blood and guts and highly sexual. Even though it's pretty graphic, I really liked a lot of the stories they told and the twists that most had in the end as well. Some are kind of hit or miss or just better than others but I think that there is definitely something for everyone despite the gore and nudity and language. I especially enjoyed the following episodes, 1. Sonnie's Edge, 8. Good Hunting, 10. Shape-Shifters, 13. Lucky 13, and 18. Secret War. The way they went about the story telling and world building in each episode was phenomenal. I really feel that some of these episodes deserve their own individual films or series to do them better justice. I mean some were just so good and less than 20 minutes felt like not enough or that they could have been even better. I give the entire series overall a 9/10.
LeftSideCut (3778 KP) rated Spider-Man 3 (2007) in Movies
Sep 24, 2020 (Updated Sep 24, 2020)
The third and final entry in the Sam Raimi trilogy of Spider-Man films is arguably the most well known, unfortunately for all the wrong reasons, and it's a real shame as there are flashes of greatness, but the finished product is a hot mess.
One of the main issues is of course the three big villains all battling for screentime. Sandman (Thomas Haden Church) is a great villain to add to the series, but his story is executed poorly, and includes a dumb retcon in a half arsed attempt to link him to the original film. It's just unnecessary and soils something that could have been good. And then there's Venom - A huge fan favourite villain who Sam Raimi apparently doesn't like, and it's evident. Eddie Brock (Topher Grace) is rushed into the narrative, and his reasons for hating Peter Parker feel forced as a result. Venoms inclusion feels a bit tacked on, and unfortunately reaks of studio meddling.
Other than that, there's also the issue of over confidence - the assumption that an audience wants to watch an edgy version of Tobey Maguire's Peter Parker swanning and dancing down a street is bold to say the least - I could even forgive the infamous scene if it wasn't immediately followed up with a second dance number in a jazz bar. I get that it's designed to portray the symbiote suits hold over Peter and his deteriorating character attributes, buts it's a massive shitty swing and a miss (much like the whole movie in general) that makes me want to scream.
It's not all bad though. All of the cast, new and familiar, are good. I think Bryce Dallas Howard is a great Gwen Stacy. It has some decent set pieces as well - the scene where Sandman is discovering his new powers is brilliant, as is the fight between him and black suit Spider-Man in the underground. I also quite enjoy the final showdown when we (finally) get to see Venom properly.
It's not enough though, and Spider-Man 3 ultimately is a flawed if ambitious comic book sequel.
One of the main issues is of course the three big villains all battling for screentime. Sandman (Thomas Haden Church) is a great villain to add to the series, but his story is executed poorly, and includes a dumb retcon in a half arsed attempt to link him to the original film. It's just unnecessary and soils something that could have been good. And then there's Venom - A huge fan favourite villain who Sam Raimi apparently doesn't like, and it's evident. Eddie Brock (Topher Grace) is rushed into the narrative, and his reasons for hating Peter Parker feel forced as a result. Venoms inclusion feels a bit tacked on, and unfortunately reaks of studio meddling.
Other than that, there's also the issue of over confidence - the assumption that an audience wants to watch an edgy version of Tobey Maguire's Peter Parker swanning and dancing down a street is bold to say the least - I could even forgive the infamous scene if it wasn't immediately followed up with a second dance number in a jazz bar. I get that it's designed to portray the symbiote suits hold over Peter and his deteriorating character attributes, buts it's a massive shitty swing and a miss (much like the whole movie in general) that makes me want to scream.
It's not all bad though. All of the cast, new and familiar, are good. I think Bryce Dallas Howard is a great Gwen Stacy. It has some decent set pieces as well - the scene where Sandman is discovering his new powers is brilliant, as is the fight between him and black suit Spider-Man in the underground. I also quite enjoy the final showdown when we (finally) get to see Venom properly.
It's not enough though, and Spider-Man 3 ultimately is a flawed if ambitious comic book sequel.
LeftSideCut (3778 KP) rated BlacKkKlansman (2018) in Movies
Sep 9, 2020
BlacKkKlansman just ticked all the right boxes for me. Spike Lee has created a piece that is moving, hilarious, horrific, poignant and something truly important.
John David Washington and Adam Driver are a winning leading pair, portraying Ron Stallworth and Flip Zimmerman respectively, two police officers from Colorado Springs who manage to infiltrate a local chapter of the Ku Klux Klan, in an attempt to foil a potentially fatal and racially charged attack, and it's all based on a quite incredible true story.
Washington and Driver are both fantastic, providing this movie with most of it's heart, humour and emotion.
Topher Grace is great as well, as David Duke, a top brass member of the KKK. He's so smarmy, and easy to dislike, much like his real life counter part. This applies to all the racist pieces of shit in this story actualy. The characters are all horrible, but the cast bring them to life in a disturbingly believable way.
The screenplay is nothing but tight from start to finish. It's very funny in places, and heart wrenching in others. A particular highlight is a speech spoken early on by black rights speaker Kwame Ture. It's a lengthy monologue that is so damn powerful. There are multiple scenes that strike hard throughout the runtime - another standout moment is the truly uncomfortable visuals of Ron Stallworth looking on in quiet despair as KKK members cheer loudly whilst watching The Birth of a Nation. Humanity can be extremely ugly, and although BlacKkKlansman veers towards comedy at times, Lee is sure to never stray too far from that fact.
Some of the criticism I've read of this movie are along the lines of "it has an agenda" and "it's being forced down the audiences throat". Well, yeah if course it has an agenda. It's dealing with a topic that shouldn't even exist in the first place, but it's certainly not being force fed. No one is forcing anybody to watch it, but I highly recommend that EVERYONE does watch it.
The inclusion of real life footage of protests in 2017 is a strong statement, it's a director publicly taking a stand for something he believes in. In 2020, these topics feel more important than ever.
BlacKkKlansman is an incredible movie, and nothing can change my mind about that.
John David Washington and Adam Driver are a winning leading pair, portraying Ron Stallworth and Flip Zimmerman respectively, two police officers from Colorado Springs who manage to infiltrate a local chapter of the Ku Klux Klan, in an attempt to foil a potentially fatal and racially charged attack, and it's all based on a quite incredible true story.
Washington and Driver are both fantastic, providing this movie with most of it's heart, humour and emotion.
Topher Grace is great as well, as David Duke, a top brass member of the KKK. He's so smarmy, and easy to dislike, much like his real life counter part. This applies to all the racist pieces of shit in this story actualy. The characters are all horrible, but the cast bring them to life in a disturbingly believable way.
The screenplay is nothing but tight from start to finish. It's very funny in places, and heart wrenching in others. A particular highlight is a speech spoken early on by black rights speaker Kwame Ture. It's a lengthy monologue that is so damn powerful. There are multiple scenes that strike hard throughout the runtime - another standout moment is the truly uncomfortable visuals of Ron Stallworth looking on in quiet despair as KKK members cheer loudly whilst watching The Birth of a Nation. Humanity can be extremely ugly, and although BlacKkKlansman veers towards comedy at times, Lee is sure to never stray too far from that fact.
Some of the criticism I've read of this movie are along the lines of "it has an agenda" and "it's being forced down the audiences throat". Well, yeah if course it has an agenda. It's dealing with a topic that shouldn't even exist in the first place, but it's certainly not being force fed. No one is forcing anybody to watch it, but I highly recommend that EVERYONE does watch it.
The inclusion of real life footage of protests in 2017 is a strong statement, it's a director publicly taking a stand for something he believes in. In 2020, these topics feel more important than ever.
BlacKkKlansman is an incredible movie, and nothing can change my mind about that.