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Becs (244 KP) rated Stars Over Zephyr in Books
Apr 20, 2019
AMAZING! This novel does not disappoint one bit!
You can also see this review on my blog: bookingwayreads.wordpress.com
I received Stars Over Zephyr to review for my honest opinion from The Parliament House. Stars Over Zephyr is the third book in The Snow Spark Saga by Kathryn Lee Martin and it does not disappoint one bit!
TRIGGER WARNINGS: Gore, Violence, Oppression, Death
Kathryn does an amazing job blowing the reader away with the development, the background, the plot, and the story-line. Stars Over Zephyr is very well written and the story instantly grabs your attention, keeping it held until the very last page. You will be left in a puddle of tears at the ending and wanting more, being unable to wait until the fourth book is published. I sure am!!
The story picks up right where it left off in book 2: Garden of Ashes. Stars Over Zephyr follows the main gang: Rags, Henny, Colton, Ethan, and Ali, and their journey (more like escape) from the Threshing Floor. Throughout the first half of this novel, the gang are trying to escape the wraith of Sahrobi, the Kingdom Corps, and Hyperion who are trying to capture them to torture and execute them.
The gang happens to stumble upon some Pre-Yellowstone ruins where they hide out to escape the wraith of the Kingdom and the harsh winter winds. They leave behind the shelter just before dawn to travel to what they believe is to be Solstice. Now Solstice isn’t the safest place and is actually where a lot of criminals head to seek refuge. So it spells trouble with a capitol T.
Once the crew arrives, they are reprimanded by a group of Supporters who are trying to take back the Kingdom. This is where the gang meets Meridian who gives them an ultimatum – choose to work as slaves or be executed and sent back to Hyperion and the Threshing Floor in pieces. Rags, Colton, and Henny choose the latter where they also decide to gain intel on the rebel group so they can take the Kingdom back themselves. Before they decide to take the offer of working as slaves, they ask only one thing – that Ethan and Ali get home to Lexicon safely.
Characters:
Rags – our rugged MC who just wants to go home to her family. Still as realistic of a character as ever and seems to be cozying up with Henny and Colton at the same time (gurrlll choose already please *gets down on my knees and begs for Henny to gain her love*
Henny – still a smol angry cinnamonroll. Still as adorable as ever and has become very protective of our MC.
Colton – my little Irish boy *insert heart eyes here* He’s such a gentle boy and is honestly such an amazing friend to not only Henny, but to Rags as well. Seemed to replace Matthew as a brother but idk about that scene.. *glares at Rags for confusing me*
Ethan and Ali – these two little babes have gained so much background in this book. Ethan is still as annoyed as ever and Ali, oh my precious little Ali!
Lilian and Lotan – minor characters and don’t have a very important role. They are just kind of there in the story.
Meridian – the leader of the supporters and one bada** lady!! She plays a major role in the story and plot, and gains a ton of background. You tend to like her towards the end of the novel.
Hyperion – the wicked king that wants to be bowed too. He deserved what happened to him. (not saying cause spoilers)
Sahrobi – the evil devil child of Hyperion. She’s still hunting the gang and honestly she deserved full force what happened to her. (again not gonna say cause spoilers)
Reasons why I rated it 5 stars:
1. This novel was so well written and there were only a very few grammatical errors, but I’m not holding that against the author as the story made up for it!
2. There was so much development and background given in Stars Over Zephyr! I loved it so much.
3. The plot was AHMAZING!!!
4. The overall story has left me feeling some feels. I really can’t wait for book 4!
5. I am defiantly going to reread this very soon as I enjoyed it so much.
“Some of the hardest things in life, Ragamuffin, are knowing exactly when and where to keep your mouth shut and stay out of things.”
I received Stars Over Zephyr to review for my honest opinion from The Parliament House. Stars Over Zephyr is the third book in The Snow Spark Saga by Kathryn Lee Martin and it does not disappoint one bit!
TRIGGER WARNINGS: Gore, Violence, Oppression, Death
Kathryn does an amazing job blowing the reader away with the development, the background, the plot, and the story-line. Stars Over Zephyr is very well written and the story instantly grabs your attention, keeping it held until the very last page. You will be left in a puddle of tears at the ending and wanting more, being unable to wait until the fourth book is published. I sure am!!
The story picks up right where it left off in book 2: Garden of Ashes. Stars Over Zephyr follows the main gang: Rags, Henny, Colton, Ethan, and Ali, and their journey (more like escape) from the Threshing Floor. Throughout the first half of this novel, the gang are trying to escape the wraith of Sahrobi, the Kingdom Corps, and Hyperion who are trying to capture them to torture and execute them.
The gang happens to stumble upon some Pre-Yellowstone ruins where they hide out to escape the wraith of the Kingdom and the harsh winter winds. They leave behind the shelter just before dawn to travel to what they believe is to be Solstice. Now Solstice isn’t the safest place and is actually where a lot of criminals head to seek refuge. So it spells trouble with a capitol T.
Once the crew arrives, they are reprimanded by a group of Supporters who are trying to take back the Kingdom. This is where the gang meets Meridian who gives them an ultimatum – choose to work as slaves or be executed and sent back to Hyperion and the Threshing Floor in pieces. Rags, Colton, and Henny choose the latter where they also decide to gain intel on the rebel group so they can take the Kingdom back themselves. Before they decide to take the offer of working as slaves, they ask only one thing – that Ethan and Ali get home to Lexicon safely.
Characters:
Rags – our rugged MC who just wants to go home to her family. Still as realistic of a character as ever and seems to be cozying up with Henny and Colton at the same time (gurrlll choose already please *gets down on my knees and begs for Henny to gain her love*
Henny – still a smol angry cinnamonroll. Still as adorable as ever and has become very protective of our MC.
Colton – my little Irish boy *insert heart eyes here* He’s such a gentle boy and is honestly such an amazing friend to not only Henny, but to Rags as well. Seemed to replace Matthew as a brother but idk about that scene.. *glares at Rags for confusing me*
Ethan and Ali – these two little babes have gained so much background in this book. Ethan is still as annoyed as ever and Ali, oh my precious little Ali!
Lilian and Lotan – minor characters and don’t have a very important role. They are just kind of there in the story.
Meridian – the leader of the supporters and one bada** lady!! She plays a major role in the story and plot, and gains a ton of background. You tend to like her towards the end of the novel.
Hyperion – the wicked king that wants to be bowed too. He deserved what happened to him. (not saying cause spoilers)
Sahrobi – the evil devil child of Hyperion. She’s still hunting the gang and honestly she deserved full force what happened to her. (again not gonna say cause spoilers)
Reasons why I rated it 5 stars:
1. This novel was so well written and there were only a very few grammatical errors, but I’m not holding that against the author as the story made up for it!
2. There was so much development and background given in Stars Over Zephyr! I loved it so much.
3. The plot was AHMAZING!!!
4. The overall story has left me feeling some feels. I really can’t wait for book 4!
5. I am defiantly going to reread this very soon as I enjoyed it so much.
“Some of the hardest things in life, Ragamuffin, are knowing exactly when and where to keep your mouth shut and stay out of things.”
Louise (64 KP) rated The School For Good and Evil in Books
Jul 2, 2018
After bingeing the Harry Potter series I wasn't ready to let go of the fantasy world, I needed more wizards,witches and fantastical beasts. I saw Regan@peruseproject haul and talk about this book and the premise had me hooked.
It's starts off with two girls from the little village of Gavaldon, Every four years for the past 200 years 2 children are kidnapped by the 'Master'. One good and one bad child, it can be two girls,two boys or one of each are taken from their homes forever and believed to be sent to a school for fairy tales.
There is one child, Sophie who has lived for this moment, she is determined to become a princess and meet her Prince Charming and leave the dreary village for good. Sophie is beautiful,the most beautiful girl in Gavaldon and strives for perfection for she knows her time has come and to make sure she is picked she makes sure she carries out good deeds on a daily basis like befriending Agatha.
Agatha is the complete opposite from Sophie, she is not beautiful, she wears black frumpy clothes and keeps to herself. The night the 'Master' comes, children are locked up whereas Sophie encourages it by opening her window and leaving cookies. Agatha tries to rescue Sophie from the Master but just ends up being caught as well, hoping that they will be able to find their way home again.
All is not as planned, when Sophie is dropped into a river of Sludge she finds she has been put in the wrong school and there must have been a mix up of some sort as Agatha has been put in the good school. Sophie is to train to become a witch, henchman or some horrendous creature. With lessons on uglification and surviving Fairy-tales, she instantly seeks out the Headmaster to explain the mishap. Agatha is also out of her comfort zone with glamorous girls in pink dresses with only boys and manicure's on their minds, she wants to return home to Gavaldon as soon as possible but first she has to persuade Sophie. The master has other plans, will Sophie eventually get to the good side? will Agatha get to home?
The two castles are amazing, in the front of the book you get a map to view the two sides of the school. The good side, you have glass rooms,rooms made out of candy, groom rooms, everything possible to make you a princess. On the evil side, you have dungeons and torture chambers which smell of damp. The teachers in the school are composed of a two-headed dog that can remove their heads and attach to other bodies, there are werewolves, fairies, gargoyles,witches and princesses.
Sophie believes that she has been put into the wrong school however as you she develops throughout the book there are sides to her that are not always good. She was angry that she was put in the wrong school,I mean she has dreamed about this her whole life and will do anything to get there.
Agatha is an outcast in the school of good because she doesn't conform to wearing pink dresses and swooning whenever a boy is in the vicinity. However she is a really caring character and doesn't believe that she could ever be beautiful and nor do the others in the good school.
Then there is the love interest - of course there was going to be one! His name is Tedros and he is the most handsome boy in the school of good and not to forget King Arthur's son. He instantly gets all the girls attention, even Sophie's from the other side of the school.
I only had some minor problems with the book, I felt that the author was trying to describe too much at once and it became quite confusing to keep up with. The vanity in this book was overwhelming it set a clear line between ugly and beautiful. This is a middle grade book - impressionable teenagers are going to be reading this. You don't need to be beautiful on the outside the be a princess... it's what on the inside that counts.
This book was fast paced, easy to read (at points) and definitely worth a read if you love fairy tales.
Overall I rated this 3.5 out of 5 stars
It's starts off with two girls from the little village of Gavaldon, Every four years for the past 200 years 2 children are kidnapped by the 'Master'. One good and one bad child, it can be two girls,two boys or one of each are taken from their homes forever and believed to be sent to a school for fairy tales.
There is one child, Sophie who has lived for this moment, she is determined to become a princess and meet her Prince Charming and leave the dreary village for good. Sophie is beautiful,the most beautiful girl in Gavaldon and strives for perfection for she knows her time has come and to make sure she is picked she makes sure she carries out good deeds on a daily basis like befriending Agatha.
Agatha is the complete opposite from Sophie, she is not beautiful, she wears black frumpy clothes and keeps to herself. The night the 'Master' comes, children are locked up whereas Sophie encourages it by opening her window and leaving cookies. Agatha tries to rescue Sophie from the Master but just ends up being caught as well, hoping that they will be able to find their way home again.
All is not as planned, when Sophie is dropped into a river of Sludge she finds she has been put in the wrong school and there must have been a mix up of some sort as Agatha has been put in the good school. Sophie is to train to become a witch, henchman or some horrendous creature. With lessons on uglification and surviving Fairy-tales, she instantly seeks out the Headmaster to explain the mishap. Agatha is also out of her comfort zone with glamorous girls in pink dresses with only boys and manicure's on their minds, she wants to return home to Gavaldon as soon as possible but first she has to persuade Sophie. The master has other plans, will Sophie eventually get to the good side? will Agatha get to home?
The two castles are amazing, in the front of the book you get a map to view the two sides of the school. The good side, you have glass rooms,rooms made out of candy, groom rooms, everything possible to make you a princess. On the evil side, you have dungeons and torture chambers which smell of damp. The teachers in the school are composed of a two-headed dog that can remove their heads and attach to other bodies, there are werewolves, fairies, gargoyles,witches and princesses.
Sophie believes that she has been put into the wrong school however as you she develops throughout the book there are sides to her that are not always good. She was angry that she was put in the wrong school,I mean she has dreamed about this her whole life and will do anything to get there.
Agatha is an outcast in the school of good because she doesn't conform to wearing pink dresses and swooning whenever a boy is in the vicinity. However she is a really caring character and doesn't believe that she could ever be beautiful and nor do the others in the good school.
Then there is the love interest - of course there was going to be one! His name is Tedros and he is the most handsome boy in the school of good and not to forget King Arthur's son. He instantly gets all the girls attention, even Sophie's from the other side of the school.
I only had some minor problems with the book, I felt that the author was trying to describe too much at once and it became quite confusing to keep up with. The vanity in this book was overwhelming it set a clear line between ugly and beautiful. This is a middle grade book - impressionable teenagers are going to be reading this. You don't need to be beautiful on the outside the be a princess... it's what on the inside that counts.
This book was fast paced, easy to read (at points) and definitely worth a read if you love fairy tales.
Overall I rated this 3.5 out of 5 stars
Night Reader Reviews (683 KP) rated Freiyon Fables: Hooked on Power in Books
Jan 9, 2020
Honest Review for Free Copy of Book
WARNING: PLEASE NOTE THE CONTENTS IN THIS REVIEW MY NOT BE COMPLETELY ACCURATE. THIS REVIEW WAS DONE ON THE BOOK BEFORE IT WAS COMPLEATED FOR RELEASE AND THE AUTHOR MAY CHANGE THINGS BETWEEN NOW AND THEN. KEEP THIS IN MIND AS YOU READ ON.
Freiyon Fables: Hooked on Power by Justin Hunt is the third and I believe the final book in the Freiyon Fables series. Right from the start, the book promises to answer some questions that I had from the start of the series. I have noticed some inconsistencies in formatting or writing style, such as the first book being broken into three separate parts, the first book being one whole book, and now the third being broken apart again. However, I did not notice any problems with the timeline between the three books.
The story starts out with a letter to the reader from an unnamed author (that is until the very end). This author claims that the reader would not recognize him or her from previous stories about Freiyon but intends to “explain the many different mysteries of the World of Freiyon”. It then starts with the story of some pirates who find themselves in Freiyon by mistake. These pirates then capture and torture poor Quasapoor (who you may remember was evil in a previous book) until he goes insane. They then run into Sybil and Helen Rochester and the creation of the Rochester Runes is explained as well.
Adam, a young boy who heard of Freiyon from his mother then and his battle with Captain Liberty (an evil power-hungry pirate) becomes the main focus of the story. He soon finds that time runs differently in Freiyon from the human world and the events his mother told him about are yet to happen. Adam is even present for the creation of Lord Libertas, but I am not going to ruin how that happened for the curious reader. As Adam travels Freiyon and the surrounding lands the reader also learns about how Freiyon itself came to be along with the Wise One and Lightning Tail Island. Will Adam with the help of some new friends and some well-known favorites be able to protect Freiyon from Captain Liberty or will Freiyon be destroyed once and for all?
What I liked best was how the book answered major questions that arose during the first two books, even if some of the explanations seem a bit far fetched. I really enjoyed the appearance of Adam as I had been looking forward to finding out his identity for quite some time. My main problem was with the time difference between Freiyon and the human world because it made things really confusing. I don’t really understand how Adam could even be in Freiyon before his mother and the events she tells him about, even if it was because of a spell gone wrong. Time travel always gets me confused. Also Adam frequently reminds himself that he is in Freiyon’s past and if every time he dose that is mixed with all the times the story backtracks over what a character just did or what happened in a previous book about a third of this book could be completely removed.
The target readers for this book changed a bit from the previous two books in this series. This third edition to the Freiyon Fables is directed more towards middle school readers. While previous Freiyon Fable books may have been appropriate for even some elementary students I feel as if they would get bored after the first one hundred pages or so of this one. Staying consistent with the first two books I rate this one as a 2 out of 4. Originally this final book was going to be given a three for explaining some of the strange things that happened in the first two. However, because of all the repetition (entire paragraphs and pages seemed directly taken from one of the first two books) and how it felt like it was dragging for the final third of the book, I felt like a two was better deserved once again.
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Freiyon Fables: Hooked on Power by Justin Hunt is the third and I believe the final book in the Freiyon Fables series. Right from the start, the book promises to answer some questions that I had from the start of the series. I have noticed some inconsistencies in formatting or writing style, such as the first book being broken into three separate parts, the first book being one whole book, and now the third being broken apart again. However, I did not notice any problems with the timeline between the three books.
The story starts out with a letter to the reader from an unnamed author (that is until the very end). This author claims that the reader would not recognize him or her from previous stories about Freiyon but intends to “explain the many different mysteries of the World of Freiyon”. It then starts with the story of some pirates who find themselves in Freiyon by mistake. These pirates then capture and torture poor Quasapoor (who you may remember was evil in a previous book) until he goes insane. They then run into Sybil and Helen Rochester and the creation of the Rochester Runes is explained as well.
Adam, a young boy who heard of Freiyon from his mother then and his battle with Captain Liberty (an evil power-hungry pirate) becomes the main focus of the story. He soon finds that time runs differently in Freiyon from the human world and the events his mother told him about are yet to happen. Adam is even present for the creation of Lord Libertas, but I am not going to ruin how that happened for the curious reader. As Adam travels Freiyon and the surrounding lands the reader also learns about how Freiyon itself came to be along with the Wise One and Lightning Tail Island. Will Adam with the help of some new friends and some well-known favorites be able to protect Freiyon from Captain Liberty or will Freiyon be destroyed once and for all?
What I liked best was how the book answered major questions that arose during the first two books, even if some of the explanations seem a bit far fetched. I really enjoyed the appearance of Adam as I had been looking forward to finding out his identity for quite some time. My main problem was with the time difference between Freiyon and the human world because it made things really confusing. I don’t really understand how Adam could even be in Freiyon before his mother and the events she tells him about, even if it was because of a spell gone wrong. Time travel always gets me confused. Also Adam frequently reminds himself that he is in Freiyon’s past and if every time he dose that is mixed with all the times the story backtracks over what a character just did or what happened in a previous book about a third of this book could be completely removed.
The target readers for this book changed a bit from the previous two books in this series. This third edition to the Freiyon Fables is directed more towards middle school readers. While previous Freiyon Fable books may have been appropriate for even some elementary students I feel as if they would get bored after the first one hundred pages or so of this one. Staying consistent with the first two books I rate this one as a 2 out of 4. Originally this final book was going to be given a three for explaining some of the strange things that happened in the first two. However, because of all the repetition (entire paragraphs and pages seemed directly taken from one of the first two books) and how it felt like it was dragging for the final third of the book, I felt like a two was better deserved once again.
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Kirk Bage (1775 KP) rated Okja (2017) in Movies
Mar 3, 2020 (Updated Mar 3, 2020)
Okja (pronounced ok-cha, as far as I can discern from hearing it said) was a film I had on my radar from its release, but it took the impetus of Parasite and director Bong Joon Ho winning the Oscar to kick me into settling down to watch it. It is the kind of film I would have seen as a matter of course when I worked at the beloved Cameo Cinema, Edinburgh, back in the day… but the kind of film it takes me a while to get around to these days.
What I had heard was that it was quirky, had a very black humour and involved a giant pig. Other than that I was going in blind. Which is always preferable, with almost any film! Hype and too much information can ruin your experience of a thing, simply by putting preconceptions and ideas in your head that may influence your thinking and true reaction to something. I was very grateful then to avoid too much information regarding this unique movie.
The cast is full of people I like, outside of the Korean cast that were strangers to me, in all honesty. Jake Gyllenhaal and Paul Dano, especially, are two actors that have been high on my list of consistent performers you can trust for some years; both making interesting and compelling career choices in terms of subject matter and working with strong directors. Tilda Swinton too is usually good value for a promising watch, almost guaranteeing something slightly leftfield and worth thinking about.
Dano gets away with being the one likeable, if morally ambiguous, character out of the three; with Swinton and Gyllenhaal giving bizarre, heightened comic performances that it is hard to reference to anything else! As the main story of eco-consciousness and a girl’s love for her giant pig progresses in charming fashion, it is these starkly bonkers performances that stick out like very sore thumbs – sometimes raising awkward chuckles, but mostly making you go “what the hell is going on!?”
Well, what is going on is an exploration of corporate evil, the lies, deviousness and manipulation used to make a profit that ignores life and nature as anything worth preserving, or even loving. It wants us to look at meat eating for what it is, and imagines how we might think more about it as a species if we truly accept that animals have rights, personalities, even souls. Of course many people watching wouldn’t need to be converted to this way of thinking at all, so I am very curious (as a non vegetarian / vegan) what reaction a person whose consciousness of these things has been awake for years might have…?
It is possible to watch this without involving yourself too much in that whole debate, however. At its heart, it is a film about innocent love, and a rescue movie that sets unlikely heroes against a gargantuan nemesis against all odds. Naturally, it is a very smart script, that doesn’t ignore the notion of making fun of itself and keeping it mostly fun. In many ways, it seems like a family friendly film, apart from the underlying seriousness of the subject of cruelty, torture and, essentially, murder for the private gain of unscrupulous suits who would watch the world burn in the name of profit.
At the time of watching it, I caught myself in the right mood and really enjoyed it for what it was. Seo-Hyun Ahn as Mija is utterly lovely, and you do find yourself falling for Okja (rendered with marvelous CGI work) and sympathising with the warmth of their relationship as friends. The moments of the film that show nature and the calm of a non-modern world are the most compelling. The parts of the film with cities and noise and guns are more jarring – which, perhaps, is the point and fully intentional. Clearly, this is a director with serious vision and talent that was almost, if not quite, getting it right. As we now know, with Parasite he nailed it…
This is a film I’d be a little cautious of recommending to some people. It is just too odd in parts. It is a good film, not a great one. And perhaps more likely to impress in the hands of viewers that are already converted to the cause and way of thinking it champions.
What I had heard was that it was quirky, had a very black humour and involved a giant pig. Other than that I was going in blind. Which is always preferable, with almost any film! Hype and too much information can ruin your experience of a thing, simply by putting preconceptions and ideas in your head that may influence your thinking and true reaction to something. I was very grateful then to avoid too much information regarding this unique movie.
The cast is full of people I like, outside of the Korean cast that were strangers to me, in all honesty. Jake Gyllenhaal and Paul Dano, especially, are two actors that have been high on my list of consistent performers you can trust for some years; both making interesting and compelling career choices in terms of subject matter and working with strong directors. Tilda Swinton too is usually good value for a promising watch, almost guaranteeing something slightly leftfield and worth thinking about.
Dano gets away with being the one likeable, if morally ambiguous, character out of the three; with Swinton and Gyllenhaal giving bizarre, heightened comic performances that it is hard to reference to anything else! As the main story of eco-consciousness and a girl’s love for her giant pig progresses in charming fashion, it is these starkly bonkers performances that stick out like very sore thumbs – sometimes raising awkward chuckles, but mostly making you go “what the hell is going on!?”
Well, what is going on is an exploration of corporate evil, the lies, deviousness and manipulation used to make a profit that ignores life and nature as anything worth preserving, or even loving. It wants us to look at meat eating for what it is, and imagines how we might think more about it as a species if we truly accept that animals have rights, personalities, even souls. Of course many people watching wouldn’t need to be converted to this way of thinking at all, so I am very curious (as a non vegetarian / vegan) what reaction a person whose consciousness of these things has been awake for years might have…?
It is possible to watch this without involving yourself too much in that whole debate, however. At its heart, it is a film about innocent love, and a rescue movie that sets unlikely heroes against a gargantuan nemesis against all odds. Naturally, it is a very smart script, that doesn’t ignore the notion of making fun of itself and keeping it mostly fun. In many ways, it seems like a family friendly film, apart from the underlying seriousness of the subject of cruelty, torture and, essentially, murder for the private gain of unscrupulous suits who would watch the world burn in the name of profit.
At the time of watching it, I caught myself in the right mood and really enjoyed it for what it was. Seo-Hyun Ahn as Mija is utterly lovely, and you do find yourself falling for Okja (rendered with marvelous CGI work) and sympathising with the warmth of their relationship as friends. The moments of the film that show nature and the calm of a non-modern world are the most compelling. The parts of the film with cities and noise and guns are more jarring – which, perhaps, is the point and fully intentional. Clearly, this is a director with serious vision and talent that was almost, if not quite, getting it right. As we now know, with Parasite he nailed it…
This is a film I’d be a little cautious of recommending to some people. It is just too odd in parts. It is a good film, not a great one. And perhaps more likely to impress in the hands of viewers that are already converted to the cause and way of thinking it champions.
Heather Cranmer (2721 KP) rated Promenade (The Dark Nocturne #3) in Books
Aug 30, 2022
After reading and loving the first two books in the Dark Nocturne series by Morgan Shamy, Serenade and Etude, I jumped right into reading the final book in the trilogy, Promenade. Promenade was the best book in the series which is saying a lot since I loved the first two! I was just sad that the trilogy was ending.
In Promenade, November and Vincent are in two separate eras in time. After an attack on November's life that lives others she cares about dead, she enlists the help of the Fae to help her get back in time to help stop Vincent's death in the present time. However, there's the shadow wraith that keeps coming after her to send her back to her time. November must convince Vincent, who's a totally different person than his present self, to somehow change the future to prevent his death in her time. However, things don't go as planned. More lives are lost, and November's plan is left in shambles.
I very much loved the plot of Promenade! I was hooked right from the start. Yes, the first two books in the series are fantastic, but Promenade really blew me away! There's so much action and adventure packed in each and every page throughout this book. It's hard not to get sucked right back into November's world. There was a few time where the pacing took off without me, and I was left confused, but that was not very often. Other than those few times, the pacing was perfect, and I found myself fully immersed in the story. I loved the setting of early 20th century London, England. With Shamy's great descriptions of everything that was around, I was easily transported back with November. It was easy to imagine everything going on around November. The world building was so good! The time travel aspect was written superbly, and it was done in a way that wasn't extremely confusing. In Promenade, we still had some mentions of blood walkers, shifters, and witches, but now November was also dealing with the Fae, the Shadow Fae, and a shadow wraith. I loved all the new types of fantasy beings in this book. There were a few plot twist throughout the book, and I loved how the whole trilogy was tied up nicely by the end of the book.
Where do I start with the characters in Promenade? Just like in the previous two books in the trilogy, Shamy does an amazing job at breathing life into each and every one of her characters no matter how big or small of a role they play. November redeemed herself in Promenade after annoying me in Etude. I admired her love and strong bond with Vincent. I loved how she'd risk everything just to try to make sure he and her friends would be alright (even if it would sometimes have the opposite effect). The depth of November's emotions felt very realistic, and I felt myself having the same feelings as November. I enjoyed reading about the Vincent of 1901. He was much different from the present day Vincent, and it was interesting to read how different they were. I liked how we got to know Quincey a little better in this book as well. I enjoyed learning more about him. Cam was also heavily featured, and I was thrilled! I've always had a soft spot for Cam after the first book in the trilogy when he turns over a new leaf. We are also introduced to the characters of Rowan and Hazel. Although they weren't featured a lot, they were still awesome characters. We also get to meet Vincent's father. Let's just say he is definitely a piece of work! Shamy does a fantastic job of making us kind of sympathize with him for wanting to protect his land and people but at the same time, hating him for what he's done to the people he thinks disobey him.
Trigger warnings for Promenade include murder, attempted murder, torture, violence, and blackmail.
Overall, Promenade is one of the best books I've read in awhile. With it's exciting plot and well developed characters, you'd be hard pressed not to like this book. I would definitely recommend Promenade by Morgan Shamy to those aged 14+ who are willing to stay up all night to finish a book due to how great it is!
In Promenade, November and Vincent are in two separate eras in time. After an attack on November's life that lives others she cares about dead, she enlists the help of the Fae to help her get back in time to help stop Vincent's death in the present time. However, there's the shadow wraith that keeps coming after her to send her back to her time. November must convince Vincent, who's a totally different person than his present self, to somehow change the future to prevent his death in her time. However, things don't go as planned. More lives are lost, and November's plan is left in shambles.
I very much loved the plot of Promenade! I was hooked right from the start. Yes, the first two books in the series are fantastic, but Promenade really blew me away! There's so much action and adventure packed in each and every page throughout this book. It's hard not to get sucked right back into November's world. There was a few time where the pacing took off without me, and I was left confused, but that was not very often. Other than those few times, the pacing was perfect, and I found myself fully immersed in the story. I loved the setting of early 20th century London, England. With Shamy's great descriptions of everything that was around, I was easily transported back with November. It was easy to imagine everything going on around November. The world building was so good! The time travel aspect was written superbly, and it was done in a way that wasn't extremely confusing. In Promenade, we still had some mentions of blood walkers, shifters, and witches, but now November was also dealing with the Fae, the Shadow Fae, and a shadow wraith. I loved all the new types of fantasy beings in this book. There were a few plot twist throughout the book, and I loved how the whole trilogy was tied up nicely by the end of the book.
Where do I start with the characters in Promenade? Just like in the previous two books in the trilogy, Shamy does an amazing job at breathing life into each and every one of her characters no matter how big or small of a role they play. November redeemed herself in Promenade after annoying me in Etude. I admired her love and strong bond with Vincent. I loved how she'd risk everything just to try to make sure he and her friends would be alright (even if it would sometimes have the opposite effect). The depth of November's emotions felt very realistic, and I felt myself having the same feelings as November. I enjoyed reading about the Vincent of 1901. He was much different from the present day Vincent, and it was interesting to read how different they were. I liked how we got to know Quincey a little better in this book as well. I enjoyed learning more about him. Cam was also heavily featured, and I was thrilled! I've always had a soft spot for Cam after the first book in the trilogy when he turns over a new leaf. We are also introduced to the characters of Rowan and Hazel. Although they weren't featured a lot, they were still awesome characters. We also get to meet Vincent's father. Let's just say he is definitely a piece of work! Shamy does a fantastic job of making us kind of sympathize with him for wanting to protect his land and people but at the same time, hating him for what he's done to the people he thinks disobey him.
Trigger warnings for Promenade include murder, attempted murder, torture, violence, and blackmail.
Overall, Promenade is one of the best books I've read in awhile. With it's exciting plot and well developed characters, you'd be hard pressed not to like this book. I would definitely recommend Promenade by Morgan Shamy to those aged 14+ who are willing to stay up all night to finish a book due to how great it is!
Bob Mann (459 KP) rated Red Sparrow (2018) in Movies
Sep 29, 2021
Good Lord! How much sex and violence is acceptable for a UK-15 film?
I recognise that it’s a “thing” that I get into periodic ‘ruts’ of ranting about particular aspects of cinema. But it’s not spoilers in trailers this time! No, the most recent rut I’ve been in is concerned with the correctness or otherwise of the BBFC’s rating of UK 15-certificate films, which seems to have been the rating of every cinema film I’ve seen recently! In my view both “Phantom Thread” and “Lady Bird” should both have firmly been 12A’s to attract a broader teenage audience. But here’s a case on the other side of the balance.
“Red Sparrow”, the latest film from “Hunger Games” director Francis Lawrence, has Jennifer Lawrence (“Joy“, “mother!“) as Dominika Egorova, a Russian ballerina, who after a horrific accident (cringe) is forced to serve the State in order to keep her mother (Joely Richardson, “101 Dalmations”) in their Bolshoi-funded apartment and with the necessary medical treatment. She is sent to a spy “whore school”, ruled over by “matron” (Charlotte Rampling), to learn how to use sexual and psychological means to ‘get in the pants’ (and therefore the minds) of foreign targets.
Always elegant. Charlotte Rampling back on our screens as “Matron”.
And she turns out to be very good and – without nepotism of course, given that her creepy uncle Egorov ( Matthias Schoenaerts, “Far From The Madding Crowd“) is high up in the special services – she is sent on a mission to Budapest to try to uncover a high profile mole, who’s CIA handler is Nate Nash (Joel Edgerton, “The Great Gatsby“, “Black Mass“). Supervising Egorov’s operation are his two line managers General Korchnoi (Jeremy Irons, “Batman v Superman: Dawn of Justice“) and Zakharov (Ciarán Hinds, “Harry Potter”). Sucked into a web of intrigue, Dominika needs to use all her skills and charms to complete her mission… which equates to keeping herself and her mother alive.
Now on the tarmac, Joel really wans’t looking forward to his Ryanair flight.
This is an extremely uneven film. In places it is quite brilliant, particularly the twist in the ending which leaves you thinking (like “Life“) that the film is actually better than it was. In fact – subject to a couple of severe reservations discussed below – the script by Justin Haythe (“A Cure for Wellness“) and based on a book by Jason Matthews, is quite sharp. But – man – in its direction the film seriously takes its time. In my book, a film needs to have a pretty good reason to extend its stay past 2 hours, and this outstays its welcome by an extra 20 minutes. Many of the scenes are protracted – leisurely walks across streets etc. – for no particularly good reason.
Pwoaahh – look at those. (I’m referring of course to Joel Edgerton’s buns in those speedos).
And so to those major reservations: the sex and the violence.
I’m no prude when it comes to sex, but some of the scenes in the ‘whore school’ left me feeling like this was less about a “Times Up” initiative of empowering women and more about providing an array of sordid titillation on the screen that just help entrench mysoginistic views about women. (Did anyone else hear Kenneth Williams saying “Oooooh, matron” to Charlotte Rampling’s character?) There were men and women attending this training camp, but did we see – later in the film – any of the men subjecting themselves to sexual humiliation or subjugation in the field: no, we did not. I love a really good erotic film… but this just left me feeling dirty and used.
Who wants to go to the f***ing party? No one seems to have remembered to bring a bottle.
And then there’s the violence. I’m definitely not a fan of the sort of violent-porn of the “Saw” type of films, but heavens – if there was a reason to make this an 18 certificate it was the violence involved. Violent rape, a vicious revenge attack, extreme torture, skinning alive: was there nothing in here that the censors thought, “hang on a minute, perhaps I don’t want a 15 year old seeing this”. I have seldom seen and heard more flinching and whimpering from women in a cinema audience than during this film. If you are adversely affected by screen violence, this is really one best to avoid.
“The Cold War hasn’t ended – it has splintered into thousands of dangerous pieces” intones the matron. Similarly, this film has potential but splinters into many pieces, some good but far more sharp and dangerous. With similarities in tone and content to “Atomic Blonde“, there’s a good ‘post cold war’ spy film in here trying to get out. Unfortunately, it never quite gets both legs over the wall.
“Red Sparrow”, the latest film from “Hunger Games” director Francis Lawrence, has Jennifer Lawrence (“Joy“, “mother!“) as Dominika Egorova, a Russian ballerina, who after a horrific accident (cringe) is forced to serve the State in order to keep her mother (Joely Richardson, “101 Dalmations”) in their Bolshoi-funded apartment and with the necessary medical treatment. She is sent to a spy “whore school”, ruled over by “matron” (Charlotte Rampling), to learn how to use sexual and psychological means to ‘get in the pants’ (and therefore the minds) of foreign targets.
Always elegant. Charlotte Rampling back on our screens as “Matron”.
And she turns out to be very good and – without nepotism of course, given that her creepy uncle Egorov ( Matthias Schoenaerts, “Far From The Madding Crowd“) is high up in the special services – she is sent on a mission to Budapest to try to uncover a high profile mole, who’s CIA handler is Nate Nash (Joel Edgerton, “The Great Gatsby“, “Black Mass“). Supervising Egorov’s operation are his two line managers General Korchnoi (Jeremy Irons, “Batman v Superman: Dawn of Justice“) and Zakharov (Ciarán Hinds, “Harry Potter”). Sucked into a web of intrigue, Dominika needs to use all her skills and charms to complete her mission… which equates to keeping herself and her mother alive.
Now on the tarmac, Joel really wans’t looking forward to his Ryanair flight.
This is an extremely uneven film. In places it is quite brilliant, particularly the twist in the ending which leaves you thinking (like “Life“) that the film is actually better than it was. In fact – subject to a couple of severe reservations discussed below – the script by Justin Haythe (“A Cure for Wellness“) and based on a book by Jason Matthews, is quite sharp. But – man – in its direction the film seriously takes its time. In my book, a film needs to have a pretty good reason to extend its stay past 2 hours, and this outstays its welcome by an extra 20 minutes. Many of the scenes are protracted – leisurely walks across streets etc. – for no particularly good reason.
Pwoaahh – look at those. (I’m referring of course to Joel Edgerton’s buns in those speedos).
And so to those major reservations: the sex and the violence.
I’m no prude when it comes to sex, but some of the scenes in the ‘whore school’ left me feeling like this was less about a “Times Up” initiative of empowering women and more about providing an array of sordid titillation on the screen that just help entrench mysoginistic views about women. (Did anyone else hear Kenneth Williams saying “Oooooh, matron” to Charlotte Rampling’s character?) There were men and women attending this training camp, but did we see – later in the film – any of the men subjecting themselves to sexual humiliation or subjugation in the field: no, we did not. I love a really good erotic film… but this just left me feeling dirty and used.
Who wants to go to the f***ing party? No one seems to have remembered to bring a bottle.
And then there’s the violence. I’m definitely not a fan of the sort of violent-porn of the “Saw” type of films, but heavens – if there was a reason to make this an 18 certificate it was the violence involved. Violent rape, a vicious revenge attack, extreme torture, skinning alive: was there nothing in here that the censors thought, “hang on a minute, perhaps I don’t want a 15 year old seeing this”. I have seldom seen and heard more flinching and whimpering from women in a cinema audience than during this film. If you are adversely affected by screen violence, this is really one best to avoid.
“The Cold War hasn’t ended – it has splintered into thousands of dangerous pieces” intones the matron. Similarly, this film has potential but splinters into many pieces, some good but far more sharp and dangerous. With similarities in tone and content to “Atomic Blonde“, there’s a good ‘post cold war’ spy film in here trying to get out. Unfortunately, it never quite gets both legs over the wall.
Heather Cranmer (2721 KP) rated The Housemaid (The Housemaid #1) in Books
Nov 9, 2022
I had been in a book funk for awhile especially when it came to psychological thrillers. I love psychological thrillers, but I am very picky about which ones I'll read. When I came across The Housemaid by Freida McFadden, the synopsis really caught my attention. I decided to give it a read and ended up loving it!
The Housemaid tells the story of Millie, a young woman down on her luck. With a prison background, getting a decent paying job has been hard to find. Millie's been living in her car for awhile after being let go from her most recent job. When a high paying job arises working for the Winchesters, Millie can hardly believe her luck when she's offered the job. All she has to do is keep the house clean, take care of the Winchesters' daughter Cecelia, and cook for them. It's not too bad considering how much she's being paid. Plus, she'll be able to finally sleep in a bed! However, things drastically take a turn for the worst on Millie's first day. Nina Winchester, the wife, is constantly berating Millie and leaving big messes for her. She's gaslighting Millie at every turn. Is there a method to Nina's madness or is Nina really out to get Millie?
I loved the plot of The Housemaid. I was definitely scratching my head trying to figure out what was going on at first. While I have read similar stories to this one, Freida McFadden adds varying elements to keep her story line original. There were plenty of twists and turns throughout. In fact, one twist happens within the first few chapters. Nothing is as it seems when it comes to the story line of this novel. I was sucked into the world McFadden had created. I felt like I was a character hiding in the shadows watching all the drama unfold. While there is a small cliffhanger, I feel like The Housemaid is a book that can be read as a standalone despite it being part of a series. I say this because all my questions and wonderings I had throughout reading The Housemaid were tied up nicely by the end of the book. (Although I would have liked to know a bit more about how Andrew Winchester, the husband, had amassed such a large fortune.)
Every single character main and secondary character in The Housemaid was well written. It was actually quite easy to picture each character in my mind. Each character's personality shown through with each page. I never knew what to expect with Nina. I kept trying to figure out why she was one way while interviewing Millie yet a whole different person from the very first day Millie started her job. I couldn't figure out why she kept gaslighting Millie and why she would hire her only to ridicule and belittle her at every given opportunity. I did like reading about Nina though and to finally get her perspective on why she was the way she was to Millie. Andrew seemed like a nice guy. He was always wanting to protect Millie from Nina's craziness, and I did keep finding myself wanting Andrew and Millie to become a couple as there was so much chemistry between them. I also thought Nina didn't deserve Andrew with how mean she was. Millie seemed like a sweet young woman that had been handed some bad cards throughout her life. I was wishing nothing but the best for Millie throughout the book. It was obvious that she was trying to get her life on track after all the bad she had endured. Enzo, the gardener, was the wild card. I never knew if I should trust him or not. While he seemed oblivious to everything around him, I was always left wondering if he knew more than he let on. One character I would have liked to know more about was Cecelia. She came across as a bit of a brat, and it becomes obvious why she would act that way, but I would have liked to know more about her life growing up in the Winchester residence such as what she would go through while she was away and what not. Saying all that about the characters, I will say that no one in this book is quite as they seem. What you see is not what you get with the people in The Housemaid.
Trigger warnings for The Housemaid include gaslighting, blackmail, profanity, torture, violence, murder, and captivity.
Overall, The Housemaid is a solid story that will leave you guessing which each page read. You won't know which character to trust or what is real. It will be all too easy to stay up late into the night to finish this book because it's just that good! I would definitely recommend The Housemaid by Freida McFadden to those aged 18+ who love being fully immersed in whatever they are reading. This book will suck you right into its pages from the get go. It'll also leave you with a distrust of attic rooms at the top of stairs!
The Housemaid tells the story of Millie, a young woman down on her luck. With a prison background, getting a decent paying job has been hard to find. Millie's been living in her car for awhile after being let go from her most recent job. When a high paying job arises working for the Winchesters, Millie can hardly believe her luck when she's offered the job. All she has to do is keep the house clean, take care of the Winchesters' daughter Cecelia, and cook for them. It's not too bad considering how much she's being paid. Plus, she'll be able to finally sleep in a bed! However, things drastically take a turn for the worst on Millie's first day. Nina Winchester, the wife, is constantly berating Millie and leaving big messes for her. She's gaslighting Millie at every turn. Is there a method to Nina's madness or is Nina really out to get Millie?
I loved the plot of The Housemaid. I was definitely scratching my head trying to figure out what was going on at first. While I have read similar stories to this one, Freida McFadden adds varying elements to keep her story line original. There were plenty of twists and turns throughout. In fact, one twist happens within the first few chapters. Nothing is as it seems when it comes to the story line of this novel. I was sucked into the world McFadden had created. I felt like I was a character hiding in the shadows watching all the drama unfold. While there is a small cliffhanger, I feel like The Housemaid is a book that can be read as a standalone despite it being part of a series. I say this because all my questions and wonderings I had throughout reading The Housemaid were tied up nicely by the end of the book. (Although I would have liked to know a bit more about how Andrew Winchester, the husband, had amassed such a large fortune.)
Every single character main and secondary character in The Housemaid was well written. It was actually quite easy to picture each character in my mind. Each character's personality shown through with each page. I never knew what to expect with Nina. I kept trying to figure out why she was one way while interviewing Millie yet a whole different person from the very first day Millie started her job. I couldn't figure out why she kept gaslighting Millie and why she would hire her only to ridicule and belittle her at every given opportunity. I did like reading about Nina though and to finally get her perspective on why she was the way she was to Millie. Andrew seemed like a nice guy. He was always wanting to protect Millie from Nina's craziness, and I did keep finding myself wanting Andrew and Millie to become a couple as there was so much chemistry between them. I also thought Nina didn't deserve Andrew with how mean she was. Millie seemed like a sweet young woman that had been handed some bad cards throughout her life. I was wishing nothing but the best for Millie throughout the book. It was obvious that she was trying to get her life on track after all the bad she had endured. Enzo, the gardener, was the wild card. I never knew if I should trust him or not. While he seemed oblivious to everything around him, I was always left wondering if he knew more than he let on. One character I would have liked to know more about was Cecelia. She came across as a bit of a brat, and it becomes obvious why she would act that way, but I would have liked to know more about her life growing up in the Winchester residence such as what she would go through while she was away and what not. Saying all that about the characters, I will say that no one in this book is quite as they seem. What you see is not what you get with the people in The Housemaid.
Trigger warnings for The Housemaid include gaslighting, blackmail, profanity, torture, violence, murder, and captivity.
Overall, The Housemaid is a solid story that will leave you guessing which each page read. You won't know which character to trust or what is real. It will be all too easy to stay up late into the night to finish this book because it's just that good! I would definitely recommend The Housemaid by Freida McFadden to those aged 18+ who love being fully immersed in whatever they are reading. This book will suck you right into its pages from the get go. It'll also leave you with a distrust of attic rooms at the top of stairs!
graveyardgremlin (7194 KP) rated A Blood Seduction (Vamp City, #1) in Books
Feb 15, 2019
Marketed as a paranormal romance, <i>A Blood Seduction</i> is much closer to the genre of urban fantasy with strong romantic/lusty elements (there is only one instance of "doing the deed" and that is very close to the end of the book). Quinn Lennox is the lead, and while she might not be the usual kick-ass heroine usually drawn upon in this field, she is far from the weakling I've seen others refer to her as. Face it, she was in way over her head, there's no way in hell she could ever be a contender against these vampires, at least not in this particular book. Heck, I bet the indomitable Buffy would have had trouble. She could be smart and she made the occasional dumb move, who hasn't? I like the fact that she isn't perfect. Okay, she has to be saved, <b>a lot</b>, and she doesn't have the most memorable personality, but this is only the beginning of the series and there is plenty of time for her to grow and come into her own. I rooted for her all through the book. I <i>wanted</i> Quinn to save her brother Zack and his friend/potential girlfriend, Lily, I wanted her to be able to use her magic, and I just wanted her to succeed and become even stronger as a person.
The world is well drawn, mostly on account of it being a magical copy of Washington, D.C. circa 1860, but with some modern conveniences thrown in as well. Okay, so I did groan at the name Washington, V.C. (Vampire City), it is a bit cheesy, but luckily it was usually called either Vamp City or V.C., which both fit the atmosphere of the book much better. Parts of the city are abandoned and decaying, others a thriving compound for the different vampire families, called a kovena. The vampires themselves are killer, quite literally. Gone are the pantywaists of recent ilk, we're going back to basics (mostly) here. Not only do they feed on blood, but some also have to feed on either fear or pain as well. They go from zero to sixty in about a second, have super strength, mind control, slaves who adore them (called slavas), and boy, are they are mean. But hey, it's just in their nature, they can't help who they are, except maybe for the love interest and possible future heroes depending on how the series goes. For those who are fainthearted, this ain't the book for you. There are numerous disturbing scenes that depict torture or gore, I can handle it, but not everyone can. Ye have been warned.
Speaking of the love interest, Arturo "Vampire" Mazzo, he was, well, certainly mysterious. Due to his unswerving allegiance to his master, Cristoff (who I pictured as <spoiler>a 25 year old Lucius Malfoy played by Jason Isaacs, with a black goatee:
<img src="http://i272.photobucket.com/albums/jj183/piscesrain/goodreads/luciusmalfoy.jpg"></spoiler>;),
Arturo would turn his back on Quinn, yet the further on the harder it was for him to do so. His loyalty was being tested because of his feelings for her. Just to make things clear, this is a messed up relationship, some may not like that, but I thought it added a dose of reality and interest to the circumstances. Sure I felt like Quinn was an idiot at times to be attracted to this untrustworthy vampire, especially the very first scene that just didn't work for me in context, but overall the relationship works for the book. My absolute favorite relationship is the sibling one between Quinn and Zack. I thought the author did an awesome job conveying just how much Zack means to her. Basically he is everything to her and all she has. Her father may be alive but he was never there for her, he always sided with her stepmonster (Zack's mother) instead of his firstborn. Creep. Anyway, despite her stepwitch's hatred of Quinn, Zack adored her from the time of his birth, and vice versa, he's always been there for her, even when she was being punished, and after high school he even moved to D.C. to be closer to her. It's really a sweet and respectful relationship. She'd do anything to save him and she tries like hell all throughout the book, which doesn't always work out so well. To me that shows Quinn is strong. It's not weakness to keep fighting in adverse situations, it's strength of character to keep going even when losing is more likely.
This is definitely the start to a series, and while there is an end to the book, there is still much to be told. In the fates of Vamp City, Quinn's sorcery, the relationship between her and Arturo, plus much more I don't want to give away. I'd recommend that if you're looking for a romance to go elsewhere, but if you're a fan of evil vampires, darkness, don't mind abnormal relationships, and just want to have a bloody good time, then what are you waiting for?!
Originally Reviewed: September 20, 2012
Received: Amazon Vine
The world is well drawn, mostly on account of it being a magical copy of Washington, D.C. circa 1860, but with some modern conveniences thrown in as well. Okay, so I did groan at the name Washington, V.C. (Vampire City), it is a bit cheesy, but luckily it was usually called either Vamp City or V.C., which both fit the atmosphere of the book much better. Parts of the city are abandoned and decaying, others a thriving compound for the different vampire families, called a kovena. The vampires themselves are killer, quite literally. Gone are the pantywaists of recent ilk, we're going back to basics (mostly) here. Not only do they feed on blood, but some also have to feed on either fear or pain as well. They go from zero to sixty in about a second, have super strength, mind control, slaves who adore them (called slavas), and boy, are they are mean. But hey, it's just in their nature, they can't help who they are, except maybe for the love interest and possible future heroes depending on how the series goes. For those who are fainthearted, this ain't the book for you. There are numerous disturbing scenes that depict torture or gore, I can handle it, but not everyone can. Ye have been warned.
Speaking of the love interest, Arturo "Vampire" Mazzo, he was, well, certainly mysterious. Due to his unswerving allegiance to his master, Cristoff (who I pictured as <spoiler>a 25 year old Lucius Malfoy played by Jason Isaacs, with a black goatee:
<img src="http://i272.photobucket.com/albums/jj183/piscesrain/goodreads/luciusmalfoy.jpg"></spoiler>;),
Arturo would turn his back on Quinn, yet the further on the harder it was for him to do so. His loyalty was being tested because of his feelings for her. Just to make things clear, this is a messed up relationship, some may not like that, but I thought it added a dose of reality and interest to the circumstances. Sure I felt like Quinn was an idiot at times to be attracted to this untrustworthy vampire, especially the very first scene that just didn't work for me in context, but overall the relationship works for the book. My absolute favorite relationship is the sibling one between Quinn and Zack. I thought the author did an awesome job conveying just how much Zack means to her. Basically he is everything to her and all she has. Her father may be alive but he was never there for her, he always sided with her stepmonster (Zack's mother) instead of his firstborn. Creep. Anyway, despite her stepwitch's hatred of Quinn, Zack adored her from the time of his birth, and vice versa, he's always been there for her, even when she was being punished, and after high school he even moved to D.C. to be closer to her. It's really a sweet and respectful relationship. She'd do anything to save him and she tries like hell all throughout the book, which doesn't always work out so well. To me that shows Quinn is strong. It's not weakness to keep fighting in adverse situations, it's strength of character to keep going even when losing is more likely.
This is definitely the start to a series, and while there is an end to the book, there is still much to be told. In the fates of Vamp City, Quinn's sorcery, the relationship between her and Arturo, plus much more I don't want to give away. I'd recommend that if you're looking for a romance to go elsewhere, but if you're a fan of evil vampires, darkness, don't mind abnormal relationships, and just want to have a bloody good time, then what are you waiting for?!
Originally Reviewed: September 20, 2012
Received: Amazon Vine
Chris Sawin (602 KP) rated Fast & Furious Presents: Hobbs & Shaw (2019) in Movies
Aug 6, 2019
Before you read this review of Fast & Furious Presents: Hobbs & Shaw, I just want you to know that I can’t stand this franchise. I gave up keeping up with them after Furious 7 and felt like the Fast & Furious franchise peaked/was tolerable around Fast Five and never really went anywhere worthwhile before or since. I have not seen all the films and really only seemed to watch every other entry, but whether you’re in a heist or a drag race that lethal dose of masculinity being projectile vomited all over you by an entire cast (women included) for two hours straight is dull and tiresome. In fact, just call this franchise “Dull & Tiresome” from here on out and I doubt anyone would notice. It’s even got “tire” in there for car…stuff.
Ignoring the fact that screenwriters Chris Morgan (writer of every Fast and Furious entry since Tokyo Drift) and Drew Pearce (writer and director of the flop known as Hotel Artemis) were involved, I actually like David Leitch’s work (co-director of John Wick, director of Deadpool 2 and Atomic Blonde) even if he is probably going to screw up that Enter the Dragon remake. The trailers also made Hobbs & Shaw look like the stupid kind of action film I might enjoy; a bunch of fight scenes and chase sequences that give the middle finger to physics. But when a big moment in the film is a group of the good guys willingly bringing a bunch of sharp sticks to a battle where the villains are loaded to the teeth with highly advanced firearms, then you know you’ve jumped headfirst into the deep end of ridiculous without a special needs helmet.
The film is quick to point out that even though Luke Hobbs (Dwayne Johnson) is in Los Angeles and Deckard Shaw (Jason Statham) is in London, they’re essentially similar characters. Hobbs is a big dude who likes to Hulk smash everything while Shaw likes to think he has more class and finesse to his ass beatings and exaggerated torture devices. Despite their different cultures and supposedly unique way of approaching their work, they do nothing but talk trash, jack things up, simultaneously kick unsuspecting guys in the balls, and track stuff that needs tracking because that’s what trackers do. They reluctantly join forces and are in constant competition with one another to find some CT17 virus, which is currently inside Shaw’s MI6 operative sister Hattie Shaw (Vanessa Kirby) and is being hunted by formerly dead, cyber genetically altered, and current superhuman criminal mastermind Brixton Lore (Idris Elba). Don’t get too attached to the whole virus thing since even the film can’t keep up with what the hell it’s supposed to be.
The highlight of Hobbs & Shaw is the amount of cameos it’s able to squeeze into its excruciating two-hour-and-fifteen-minute runtime. The film utilizes about a third of the cast of a certain sequel to a certain film starring a certain Regenerating Degenerate and that cast is responsible for the humor that works best in whatever this spinoff is supposed to accomplish. Idris Elba is unbelievably cool as Brixton Lore. He’s this cocky and unstoppable bad ass who has a history with Shaw and his car chase on his self-driving motorcycle where he slides under a bus in slow motion is too sick for words. Vanessa Kirby has this on-screen presence that outshines the consistent bickering between Hobbs and Shaw. She’s the one capable female character in the film (Helen Mirren sitting behind glass doesn’t count) who seems to be the only one thinking logically, but it took her doing the dumbest thing imaginable at the beginning of the film to get that way.
This action film smorgasbord rides on the chemistry between Dwayne Johnson and Jason Statham, but that gets old as soon as they start sort-of working together. Their incessant ribbing of each other, desire to always outdo one another, and nonstop unfiltered machismo being this palpable elephant in the room leads to nothing but verbal dick size comparisons and leaves you thinking that maybe they’ll make out or grope each other by the end of the film. Spoiler alert: maybe they’re saving that for the sequel.
There isn’t enough of a differentiation between action sequences in Hobbs & Shaw to make it feel worthwhile. There’s chemistry between the cast that is undeniable and some of its outrageousness is entertaining, but it all begins to feel similar and falls apart far sooner than it should. For those who care, there is a mid-credits and after-credits scene but neither is surprising. The cheesy motivational speeches, forced heartfelt stories, and, “all technology in the world doesn’t beat heart,” mumbo jumbo doesn’t help matters. The supposed story for this film is basically a dunce cap disguised as a pocket protector. There are intelligent elements used in ludicrous ways and maybe that’s what could describe the Fast & Furious franchise as a whole. You can bury a diamond in a dog turd and say it’s extravagant and that it’s valuable, but it’s still a dog turd that smells awful and lingers long after it’s been flushed away.
Ignoring the fact that screenwriters Chris Morgan (writer of every Fast and Furious entry since Tokyo Drift) and Drew Pearce (writer and director of the flop known as Hotel Artemis) were involved, I actually like David Leitch’s work (co-director of John Wick, director of Deadpool 2 and Atomic Blonde) even if he is probably going to screw up that Enter the Dragon remake. The trailers also made Hobbs & Shaw look like the stupid kind of action film I might enjoy; a bunch of fight scenes and chase sequences that give the middle finger to physics. But when a big moment in the film is a group of the good guys willingly bringing a bunch of sharp sticks to a battle where the villains are loaded to the teeth with highly advanced firearms, then you know you’ve jumped headfirst into the deep end of ridiculous without a special needs helmet.
The film is quick to point out that even though Luke Hobbs (Dwayne Johnson) is in Los Angeles and Deckard Shaw (Jason Statham) is in London, they’re essentially similar characters. Hobbs is a big dude who likes to Hulk smash everything while Shaw likes to think he has more class and finesse to his ass beatings and exaggerated torture devices. Despite their different cultures and supposedly unique way of approaching their work, they do nothing but talk trash, jack things up, simultaneously kick unsuspecting guys in the balls, and track stuff that needs tracking because that’s what trackers do. They reluctantly join forces and are in constant competition with one another to find some CT17 virus, which is currently inside Shaw’s MI6 operative sister Hattie Shaw (Vanessa Kirby) and is being hunted by formerly dead, cyber genetically altered, and current superhuman criminal mastermind Brixton Lore (Idris Elba). Don’t get too attached to the whole virus thing since even the film can’t keep up with what the hell it’s supposed to be.
The highlight of Hobbs & Shaw is the amount of cameos it’s able to squeeze into its excruciating two-hour-and-fifteen-minute runtime. The film utilizes about a third of the cast of a certain sequel to a certain film starring a certain Regenerating Degenerate and that cast is responsible for the humor that works best in whatever this spinoff is supposed to accomplish. Idris Elba is unbelievably cool as Brixton Lore. He’s this cocky and unstoppable bad ass who has a history with Shaw and his car chase on his self-driving motorcycle where he slides under a bus in slow motion is too sick for words. Vanessa Kirby has this on-screen presence that outshines the consistent bickering between Hobbs and Shaw. She’s the one capable female character in the film (Helen Mirren sitting behind glass doesn’t count) who seems to be the only one thinking logically, but it took her doing the dumbest thing imaginable at the beginning of the film to get that way.
This action film smorgasbord rides on the chemistry between Dwayne Johnson and Jason Statham, but that gets old as soon as they start sort-of working together. Their incessant ribbing of each other, desire to always outdo one another, and nonstop unfiltered machismo being this palpable elephant in the room leads to nothing but verbal dick size comparisons and leaves you thinking that maybe they’ll make out or grope each other by the end of the film. Spoiler alert: maybe they’re saving that for the sequel.
There isn’t enough of a differentiation between action sequences in Hobbs & Shaw to make it feel worthwhile. There’s chemistry between the cast that is undeniable and some of its outrageousness is entertaining, but it all begins to feel similar and falls apart far sooner than it should. For those who care, there is a mid-credits and after-credits scene but neither is surprising. The cheesy motivational speeches, forced heartfelt stories, and, “all technology in the world doesn’t beat heart,” mumbo jumbo doesn’t help matters. The supposed story for this film is basically a dunce cap disguised as a pocket protector. There are intelligent elements used in ludicrous ways and maybe that’s what could describe the Fast & Furious franchise as a whole. You can bury a diamond in a dog turd and say it’s extravagant and that it’s valuable, but it’s still a dog turd that smells awful and lingers long after it’s been flushed away.
Kara Skinner (332 KP) rated Beauty and The Beast in Books
Sep 10, 2019
Princess Callindra of Tempath is in for some trouble when she runs aways from her mother’s castle and gets kidnapped by a vampire demon who will sell her into slavery. Her only hope out of there is with the help of a mysterious and hairy demon named Brigg, who is not in the least happy to be helping a human. He has hated humans ever since his father was cursed by a human woman, who turned all of them into hairy beasts for life. But he was drawn to this woman, as vexing as she could be. Every part of him was drawn to her and yearned to protect her and make her his. His inner demon was sure that she was his mate. But that was impossible, wasn’t it? How could he have a human for a mate?
I’m a huge sucker for Beauty and Beast stories, as you probably know if you’ve read some of my other reviews. Seriously. You can win some girls over with chocolate and others over with hugs and kisses, but nothing does it for me like an insecure love interest and a woman who’s his salvation because of her unconditional love. (Okay, maybe I’m a little high maintenance). So of course I loved this story! Brigg was wonderfully sweet and conflicted, even though he needs to stop listening to his idiot brother. Cally is a fantastic damsel in distress even though sometimes she just needs to think of the obvious and frickin’ tell someone she doesn’t want to go back home because her mother’s a bitch and she’s part demon. But you know, aside from that, the characters are great.
It’s totally understandable why Brigg dislikes humans. I mean, the only real exposure he had of them was from Cally’s mom, who cursed him and his brother to be hairy beasts instead of the handsome, practically human-looking demons they really were. Frankly, I’d be pissed too. I also understand his confusion when he falls himself falling for Cally when he thinks she’s completely human, and the daughter of a crazy witch/queen to boot. Nevertheless, he still protects her. He saves her from slavery, risking the wrath of her kidnapper to do it, and he keeps her safe. He does this even though he doesn’t think she could ever love him in return.
She was a vision, an image plucked right from his dreams. Maybe a time– before the curse– he had imagined such a beauty being his…. But he was no longer that young Rain demon, that young demon with smooth skin and a face as human as hers. He was a beast, an ugly monster who didn’t deserve the look of interest Cally was flashing right now.
What can I say? I love the insecurities. They are as sexy as hell when done right.
But even though his intentions are good, Brigg is not the smartest demon in the hellhole. As soon as his brother Torc enters the scene, it takes Brigg all of two minutes to decide that Cally has placed a spell on him to use him to get home. This would make sense, except by this point both Brigg and Cally were safe. In a palace. As the guests of a prince. Who was giving her a lift home. She would need to continue on with the spell and the act because…. ?
Like I said, not that fast of a thinker. But Cally isn’t much better. More than anything she wants to avoid her old home, with her abusive mother who was going to put her into an arranged marriage which would only end badly for Cally. Now she’s in an impenetrable palace that’s owned by Sam, who has been nothing but kind to her. He thinks he’s still being kind when he arranges for her ride home. And Cally doesn’t bother to tell him she doesn’t want to go home! Clearly, she’s just being melodramatic. She’s not that desperate.
She had thought about telling Sam, considered asking for his help, but she had been such a burden since Brigg rescued her, Call was frightened of rejection.
You think Sam’s rejection is going to be worse than having your horns filed off again before getting married to a prince that will likely torture you for the rest of your life when he finds out you’re a demon. Clearly, you don’t have your priorities straight.
But seriously, I loved the characters! I’m telling you, it’s Beauty and the Beast! My standards might be a tad low with this story arc.
There was a lot of confusing things in the plot as well. Like what era does this take place in? Cally rides home in a carriage and Brigg and Torc use swords. But Cally also wears t-shirts and jeans and she uses an electric torch, aka flashlight. It’s difficult enough to learn all of the nooks and crannies of the world the author built. There shouldn’t be confusion like flashlights with swords as well. Also, I felt like there was a lot of potential for a longer, more developed story. The whole thing felt very short to me. We never find out why Brigg’s father got cursed to begin with, and I’d love to know more about Brigg’s past, like how did he go crazy and get everyone to be afraid of him? That was never explained. Also, I know it’s unlikely, but I really wished there was some confirmation that Brigg and Cally are not brother and sister. After all, we know Cally’s mom has a past with Brigg’s father, Cally’s own father is MIA, and her horns are the same color as Brigg’s. Probably not anything, but just enough to make me wonder.
I don’t know. I liked this story enough to read it twice– that’s a huge compliment from me– but after reading it a second time and writing this review I’m wondering how good it really was. Maybe I just read it at the right time but didn’t like it as much. I don’t know. So three out of five stars on this one?
I’m a huge sucker for Beauty and Beast stories, as you probably know if you’ve read some of my other reviews. Seriously. You can win some girls over with chocolate and others over with hugs and kisses, but nothing does it for me like an insecure love interest and a woman who’s his salvation because of her unconditional love. (Okay, maybe I’m a little high maintenance). So of course I loved this story! Brigg was wonderfully sweet and conflicted, even though he needs to stop listening to his idiot brother. Cally is a fantastic damsel in distress even though sometimes she just needs to think of the obvious and frickin’ tell someone she doesn’t want to go back home because her mother’s a bitch and she’s part demon. But you know, aside from that, the characters are great.
It’s totally understandable why Brigg dislikes humans. I mean, the only real exposure he had of them was from Cally’s mom, who cursed him and his brother to be hairy beasts instead of the handsome, practically human-looking demons they really were. Frankly, I’d be pissed too. I also understand his confusion when he falls himself falling for Cally when he thinks she’s completely human, and the daughter of a crazy witch/queen to boot. Nevertheless, he still protects her. He saves her from slavery, risking the wrath of her kidnapper to do it, and he keeps her safe. He does this even though he doesn’t think she could ever love him in return.
She was a vision, an image plucked right from his dreams. Maybe a time– before the curse– he had imagined such a beauty being his…. But he was no longer that young Rain demon, that young demon with smooth skin and a face as human as hers. He was a beast, an ugly monster who didn’t deserve the look of interest Cally was flashing right now.
What can I say? I love the insecurities. They are as sexy as hell when done right.
But even though his intentions are good, Brigg is not the smartest demon in the hellhole. As soon as his brother Torc enters the scene, it takes Brigg all of two minutes to decide that Cally has placed a spell on him to use him to get home. This would make sense, except by this point both Brigg and Cally were safe. In a palace. As the guests of a prince. Who was giving her a lift home. She would need to continue on with the spell and the act because…. ?
Like I said, not that fast of a thinker. But Cally isn’t much better. More than anything she wants to avoid her old home, with her abusive mother who was going to put her into an arranged marriage which would only end badly for Cally. Now she’s in an impenetrable palace that’s owned by Sam, who has been nothing but kind to her. He thinks he’s still being kind when he arranges for her ride home. And Cally doesn’t bother to tell him she doesn’t want to go home! Clearly, she’s just being melodramatic. She’s not that desperate.
She had thought about telling Sam, considered asking for his help, but she had been such a burden since Brigg rescued her, Call was frightened of rejection.
You think Sam’s rejection is going to be worse than having your horns filed off again before getting married to a prince that will likely torture you for the rest of your life when he finds out you’re a demon. Clearly, you don’t have your priorities straight.
But seriously, I loved the characters! I’m telling you, it’s Beauty and the Beast! My standards might be a tad low with this story arc.
There was a lot of confusing things in the plot as well. Like what era does this take place in? Cally rides home in a carriage and Brigg and Torc use swords. But Cally also wears t-shirts and jeans and she uses an electric torch, aka flashlight. It’s difficult enough to learn all of the nooks and crannies of the world the author built. There shouldn’t be confusion like flashlights with swords as well. Also, I felt like there was a lot of potential for a longer, more developed story. The whole thing felt very short to me. We never find out why Brigg’s father got cursed to begin with, and I’d love to know more about Brigg’s past, like how did he go crazy and get everyone to be afraid of him? That was never explained. Also, I know it’s unlikely, but I really wished there was some confirmation that Brigg and Cally are not brother and sister. After all, we know Cally’s mom has a past with Brigg’s father, Cally’s own father is MIA, and her horns are the same color as Brigg’s. Probably not anything, but just enough to make me wonder.
I don’t know. I liked this story enough to read it twice– that’s a huge compliment from me– but after reading it a second time and writing this review I’m wondering how good it really was. Maybe I just read it at the right time but didn’t like it as much. I don’t know. So three out of five stars on this one?