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Harrison Boyer (6 KP) rated Raiders of the Lost Ark (1981) in Movies
Jun 1, 2020
Action Serials in the 1980s? Yes Please
Released in the summer of 1981 and the idea of George Lucas after American Graffiti and the film he'd pursue with Steven Spielberg after the hit known as Star Wars, Raiders of the Lost Ark is a film that plays upon the cliches and tricks of the classic action serials of the 40s and 50s that both men grew up on. Starring Harrison Ford, Karen Allen, John Rhys Davies, Paul Freeman and became the highest grossing film of 1981. Lucas and Spielberg also wanted this to be shit quick and really dirty like the action serials of the past. What we get is an adventure that has not only been regarded as one of the best action films ever made, but for some, one of the greatest movies ever made. And it truly is a tour de force. Visuals amazing. Acting is great
All The Devils Are Here
10.0
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Book
On their first night in Paris, the Gamaches gather for a family dinner with Armand's godfather, the...
Platform
Book
Michel is a civil-servant at the Ministry of Culture. When his father is murdered, Michel takes a...
FOREST OF YOUR PROBLEMS by Snapped Ankles
Album
Snapped Ankles' third studio album, Forest Of Your Problems, was released on The Leaf Label on 2...
Little Big Town
6.5
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YouTube Channel
The two years since Tornado’s release have proven to be the most formative and motivational for...
Life in the Garden
Book
Penelope Lively takes up her key themes of time and memory, and her lifelong passions for art,...
fakegps_location (0 KP) created a post
Nov 2, 2023
Gareth von Kallenbach (977 KP) rated Battle of the Sexes (2016) in Movies
Jul 11, 2019
1972: Billie Jean King (played brilliantly by Emma Stone) just became the Grand Slam Champion of the Women’s Tennis Association. She had challenged the inequity of pay between the Men’s and Women’s Tennis Tour. Once she learns that the tournament for the Lawn Tennis Association is paying Women one eighth of the Men’s purse. She goes up against Jack Kramer (Bill Pullman at his misogynistic best). Billie, with her Manager, Gladys Heldman (Sarah Silverman in spectacular form echoing a more subdued version of Bobbie Fleckman) leave the LTA and start their own Women’s Tour. Which became the Virginia Slims tournament.
Around the same time, Bobby (Steve Carell, playing Riggs like a manic Pagliacci) the once Pro Slam Champion who now works in a nondescript office at his father-in-law’s business. Bobby, the dreamer, is a gambler figuratively and literally. The man who’s inner child has taken the reins on the run. He is the clown who needs constant attention, and the showman who could sell the Golden Gate. Carell, gives an exceptional performance, riling us up with cringe-worthy moments and showing us the man that is so certain of his abilities that he forgets the fable of the tortoise and the hare.
We are brought into relationships that these two athletes have with their families and loved ones. Of what they went through before the epic, world famous Battle of the Sexes in the Houston Astrodome. The film serves us a picture of the time where women had recently began the feminine movement and Women’s Liberation. The entire feel of the movie is set solidly in the seventies, the sexism rampant and accepted as the status quo. Misogyny is socially acceptable and Riggs and friends epitomize the attitude.
There is also the story of Billie Jean, realizing an attraction to a woman she meets before the starting her tour. Marilyn (Andrea Riseborough was magnetic), the hairdresser that was instantly drawn to Billie. We also get the treat of seeing the magnificent Alan Cumming as Ted, the charming designer of the women’s fantastic tennis outfits. Wallace Langham as Henry, the tailor.
The story is built up to the historic Battle of the Sexes at the Astrodome. We see the work that Billie does in preparation. Daily drills and practice games. Bobby’s confidence in his ability to deliver a win that mirrored the decimation of Margaret Court (Jessica McNamee) who at the time was the top female tennis player in the world.
The directing duo of Jonathan Dayton and Valerie Faris (Little Miss Sunshine) delivers us a well balanced, heartfelt film with a stellar cast. The soundtrack brings us into the early seventies and the costuming is quantum leap back to the time where polyester leisure suits and colorful shirts were the height of fashion. This is a love story of Billie Jean King and Tennis
Around the same time, Bobby (Steve Carell, playing Riggs like a manic Pagliacci) the once Pro Slam Champion who now works in a nondescript office at his father-in-law’s business. Bobby, the dreamer, is a gambler figuratively and literally. The man who’s inner child has taken the reins on the run. He is the clown who needs constant attention, and the showman who could sell the Golden Gate. Carell, gives an exceptional performance, riling us up with cringe-worthy moments and showing us the man that is so certain of his abilities that he forgets the fable of the tortoise and the hare.
We are brought into relationships that these two athletes have with their families and loved ones. Of what they went through before the epic, world famous Battle of the Sexes in the Houston Astrodome. The film serves us a picture of the time where women had recently began the feminine movement and Women’s Liberation. The entire feel of the movie is set solidly in the seventies, the sexism rampant and accepted as the status quo. Misogyny is socially acceptable and Riggs and friends epitomize the attitude.
There is also the story of Billie Jean, realizing an attraction to a woman she meets before the starting her tour. Marilyn (Andrea Riseborough was magnetic), the hairdresser that was instantly drawn to Billie. We also get the treat of seeing the magnificent Alan Cumming as Ted, the charming designer of the women’s fantastic tennis outfits. Wallace Langham as Henry, the tailor.
The story is built up to the historic Battle of the Sexes at the Astrodome. We see the work that Billie does in preparation. Daily drills and practice games. Bobby’s confidence in his ability to deliver a win that mirrored the decimation of Margaret Court (Jessica McNamee) who at the time was the top female tennis player in the world.
The directing duo of Jonathan Dayton and Valerie Faris (Little Miss Sunshine) delivers us a well balanced, heartfelt film with a stellar cast. The soundtrack brings us into the early seventies and the costuming is quantum leap back to the time where polyester leisure suits and colorful shirts were the height of fashion. This is a love story of Billie Jean King and Tennis
Emma @ The Movies (1786 KP) rated Trolls World Tour (2019) in Movies
Jun 8, 2020
Trolls World Tour, or the film that kicked off the Home Premiere debacle... I decided to pay money for this, a lot of money for just one person to watch, and all because I wanted to see something brand new.
Life in the village is going great, but when a bat flies in with a message for Queen Poppy the tune changes. Poppy's eternal enthusiasm means she doesn't want to see the potential danger that's on its way... because evidently she learned nothing in the last movie... When Barb from the Hard Rock trolls starts conquering all the other villages it's down to a few determined trolls to come to the rescue.
The first thing that struck me was that this would have been so much better on the big screen, the impact of all the explosive glitter and sparkle is lost in the home setting. That's entirely a me point though, surround me visually with all that song and glitter and you'll mesmerise me but on the small screen it doesn't have the same wow to it.
I had one thing that kept popping up in my head throughout the film, and that was how on earth do they not know that these other places exist when they're so close together? Especially as in the last film the Bergens meant they had to discover more around their village... which leads to the next thought of, if the Bergens love trolls so much then how haven't they discovered the others either... but this could be a slippery slope.
If you ignore that continuity then the plot isn't bad, classic good versus evil with a logical reasoning behind the events. The only issue it that there are a lot of new characters and ideas to deal with. I still don't know some of the names from the original characters! Evidently it's Cooper and not "giraffe" as I kept having to put in my notes every time.
I love all the different styles of music that World Tour collects together but it does feel like there's a bias against the Classical trolls. I didn't sit and count all the trolls to get percentages but it feels like they aren't seen as much as the others at times. There's a good mix on genres with the new trolls and I particularly liked the bounty hunters, it was a funny addition to the lineup.
The acting and the script is pretty much what you'd expect but I don't think it has the same spark as the first film. There are tangents that seem unnecessary and fleeting moments that had potential but were glitter glued over almost as soon as they presented themselves. Even though it felt like it missed some good opportunities and didn't shine as bright as the first, I know that kids will still love this one.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/06/trolls-world-tour-movie-review.html
Life in the village is going great, but when a bat flies in with a message for Queen Poppy the tune changes. Poppy's eternal enthusiasm means she doesn't want to see the potential danger that's on its way... because evidently she learned nothing in the last movie... When Barb from the Hard Rock trolls starts conquering all the other villages it's down to a few determined trolls to come to the rescue.
The first thing that struck me was that this would have been so much better on the big screen, the impact of all the explosive glitter and sparkle is lost in the home setting. That's entirely a me point though, surround me visually with all that song and glitter and you'll mesmerise me but on the small screen it doesn't have the same wow to it.
I had one thing that kept popping up in my head throughout the film, and that was how on earth do they not know that these other places exist when they're so close together? Especially as in the last film the Bergens meant they had to discover more around their village... which leads to the next thought of, if the Bergens love trolls so much then how haven't they discovered the others either... but this could be a slippery slope.
If you ignore that continuity then the plot isn't bad, classic good versus evil with a logical reasoning behind the events. The only issue it that there are a lot of new characters and ideas to deal with. I still don't know some of the names from the original characters! Evidently it's Cooper and not "giraffe" as I kept having to put in my notes every time.
I love all the different styles of music that World Tour collects together but it does feel like there's a bias against the Classical trolls. I didn't sit and count all the trolls to get percentages but it feels like they aren't seen as much as the others at times. There's a good mix on genres with the new trolls and I particularly liked the bounty hunters, it was a funny addition to the lineup.
The acting and the script is pretty much what you'd expect but I don't think it has the same spark as the first film. There are tangents that seem unnecessary and fleeting moments that had potential but were glitter glued over almost as soon as they presented themselves. Even though it felt like it missed some good opportunities and didn't shine as bright as the first, I know that kids will still love this one.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/06/trolls-world-tour-movie-review.html