"If you were an American kid, then Aerosmith was a huge influence. They were probably what T Rex was to the English fans - whether you were a punk or a metaller, anything, Aerosmith was cool. I’m choosing Toys In The Attic just because it’s a great entry level album for someone checking out Aerosmith. They did this tour a few years ago where they just played stuff from the early records and, fuck, the songs were good. And I just saw them again with my wife, Mike from Pearl jam and his wife, and it was great; there were mistakes and they jammed and there was no... you know, maybe they went through a time where they were playing too many ballads, but there was none of that and even the mistakes made it seem more real. I mean how do you write songs like that? Mike and I went backstage to meet Joe Perry and we’re still those young American kids we used to be when we meet the band. I mean, what do you say to Joe Perry? Those guys are classic, every guy has their own thing."

"I see this as the mothership of a whole new century and a step further in the sexual adventures of pop culture. Antony means something to me emotionally. It was a perfect work of art, and people who I'd recommended it to, had despaired at my recommendation and couldn't understand it, and found it depressing, but it just came in a moment in my life when sadly my pet dog died, and it was just before its 17th birthday. He meant a lot to me and it was almost like having a child - a constant companion. I kind of cried non-stop for three months. I was in a gloomy cloud. But there was some sort of hope amongst the glamour and the gloom on that record, and a rebirth or coming out of a cocoon like a butterfly. I did get to meet him after the Turning show at the Barbican - and he's a big bird, isn't he? I also met Andy Butler [of Hercules & Love Affair] who was working on that tour and all the other glamorous characters. That was quite a special moment for me, the Turning performances. That was quite a momentous album."